All posts tagged: Bayonne

Points de Vue 2023 / Part II / Bayonne, France

November 7, 2023 Artists

We’re back in Bayonne today to look at more images from the Points de Vue festival hosted last month in the south of France. More varied disciplines are on display here than you may typically see at a street art festival, perhaps because much autonomy is given to the artists. It may also be a result of carefully curating artists for site-specific works, and their close interaction with the community, as well as arts institutions. While many of the artists may have direct experience with illegal graffiti and street art in their evolutionary story, you see a more collaborative spirit here, one that is responsive to the needs of the community rather than works that are made as an act of provocation.

Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Dubbing their partnership “Nexmural,” Aitor and Nextor, who happen to be father and son, embarked on a unique artistic journey that one does not hear about often in this scene. Despite Aitor’s hiatus from painting for over a decade, he stumbled upon the revelation that his son was the mastermind behind the graffiti that graced their town’s walls. In an inspiring twist of fate, the duo have decided to combine their creative talents to embellish the urban canvas with vibrant imagery that not only reflects the contemporary world but also instills a sense of optimism.

Maya Hayuk. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Maya, a versatile artist, practices her craft outdoors on the streets and within the confines of her studio. She engages in various artistic disciplines, including sculpting, photography, filmmaking, and literary pursuits.

Drawing inspiration from the rebellious energy of punk rock and the rich aesthetics of Eastern European folk traditions, the results are an immersive artistic experience that propels viewers into a vibrant and psychedelic world filled with intricate geometric motifs and bold; vivid, smashing hues that are nothing short of electric.

JC Couderc. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

JC Coudèrc’s artistic philosophy is deeply intertwined with his connection to his Occitan heritage. Employing his native language and its symbolic elements, the artist evokes the legacy of an age-old culture that has been rendered mute with time, prompting reflections on our modern society. Within his artistic endeavors, Codèrc looks for ways to forge connections among individuals, their historical narratives, and the lands they inhabit.

Beginning in 2021, Points de Vue ventured beyond the confines of Bayonne, extending its reach to encompass the expansive domain of the Communauté d’Agglomération Pays Basque. Within this broader canvas, the festival extends a welcoming hand to featured artists, granting them the privilege of embarking on creative residencies within local communities.

Spanning several weeks, these artists embark on a transformative journey, drawing inspiration from their hosts, and the locales and engaging in lively exchanges with community members. Organizers home that interactions foster authentic dialogues, injecting urban art with newfound vitality and into novel landscapes.

For the 2023 edition, the village of Bergouey-Viellenave welcomes Occitan
artist JC Couderc.

LXOne. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

LX One’s fascination with geometric patterning
can be seen on metal, concrete, and canvas.
Working in ink, acrylic, or aerosol, each new
medium is a source of inspiration for him. By
integrating digital tools into his work, he brings
out a 3rd dimension in a flat surface by creating a
bas-relief or optical illusion.

The Village. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Points de Vue 2023 / Bayonne, France / Part I

November 2, 2023 Artists

From October 18 to 22, 2023, the Points de Vue Festival celebrated its seventh year in the realm of public art. This annual gathering brought together a group of nine artists, spanning local and international talents, to adorn the walls of Bayonne and the communes of the Northern Basque Country. Supported by a blend of private and municipal funding, the festival acts as a vibrant showcase for the diverse world of street art, skillfully blending pleasing imagery in murals across Bayonne, all while weaving a narrative that nods to the roots of street art and graffiti. Simultaneously, it seamlessly integrates the region’s rich cultural heritage, its inhabitants, and historical narratives.

Elisa Capdevila. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Evolved in its presentation, the festival offers a comprehensive program encompassing exhibitions, concerts, and screenings, to cultivate an environment that encourages audiences to engage with artistic creation from multiple angles. Through interactive workshops, attendees have the chance to nurture their artistic potential, with encounters with artworks often igniting passions or fostering enduring curiosities. Since 2022, Points de Vue has also facilitated gatherings of visual arts professionals, openly addressing the ever-evolving dynamics of the sector with the public.

Today, the Points de Vue open-air gallery in Bayonne aims to transcend physical and intellectual confines, infusing streets, landscapes, and daily life with a unifying artistic essence. This year’s festival brought together artists from both international and local realms, showcasing a rich diversity inherent in their works. Whether through graffiti or contemporary art, these distinguished participants, drawn from various influences and backgrounds, leave their indelible creative mark on urban spaces, a trend increasingly witnessed at festivals of this nature.

Elisa Capdevila finds her muse in the ordinary occurrences of life, accentuating the lyricism of unassuming events in a life: a holiday, a familial repast, a stroll through the countryside… Her murals, dispersed across various European nations, make us envision and reflect.

Sophie Mess. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

After painting murals commercially for prominent brands, Sophie Mess heads on an artistic journey that she hopes will empower her to express her creative vision more freely. Now it looks like the world she conjures on urban canvases derives inspiration from the domain of botany. Infusing the urban landscape with vibrant hues amid its grey facades, Sophie Mess encourages onlookers to reflect upon the balance/imbalance of the natural world.

PichiAvo. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Exploring the conventions of classical art and graffiti, the artistic partnership of PichiAvo forges an urban dialect at the intersection of creative movements, a style embraced by both critics and the wider audience. Their creations consistently captivate with their colossal presence, where contemporary and ancestral elements harmoniously coexist.

Jan Voorman. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

A Franco-German artist, residing between Berlin and Chile, Jan Vormann restores city walls by incorporating a Lego mosaic within their crevices, and has been doing this for many years. His artistic statement carries a playful and peacemaking essence, subverting the monotonous world of grown-ups while playfully acknowledging the inner child within us all.

Starting in 2021, Points de Vue has been extending its reach beyond the confines of Bayonne, encompassing the expanse of the Communauté d’Agglomération Pays Basque. This expansion offers invited artists the unique opportunity to engage in residencies within local communities, enabling them to draw inspiration from their host locations. Over several weeks, artists immerse themselves in the local environment, fostering dialogues with community members to craft new works that mirror the essence of their welcoming surroundings. These interactions cultivate authentic exchanges, bringing urban art into new, personal territories.

For this year’s edition, the French-German artist Jan Vormann undertook a creative endeavor at the Gribraltar stele in Uhart-Cize, a historical site at the crossroads of the Compostelle pilgrimage routes.

BSA Images Of The Week: 03.17.19

March 17, 2019 Artists, BSA Images Of The Week

Patti Smith begins the roll call for BSA Images of the Week in this portrait by Huetek. The punk term is loosely tossed around today, but it only applies to a certain number of people truthfully. In so many ways she is one. But she is also an author, poet, activist, and champion of the people – who she says have the power.

So here’s our weekly interview with the street, this time featuring Adam Fu, Bella Phame, BK Foxx, Bobo, Deih XLF, Exist, Huetek, Isaac Cordal, Koralie, Koz Dos, Sixe Paredes, Smells, SoSa, UFO 907, Velvet, WW Crudo, and Zoer.

Huetek pays tribute to Patti Smith for East Village Walls. (photo © Jaime Rojo)

BK Foxx for East Village Walls. (photo © Jaime Rojo)

BK Foxx creates this portrait of American Rapper MacMiller, who passed away so young last September –for JMZ Walls. (photo © Jaime Rojo)

Deih XLF for Points de Vue in Bayonne, France. (photo © Jaime Rojo)

Zoer and Velvet in Bilbao, Spain. (photo © Jaime Rojo)

“Yo can I get a drag off your Costco membership?” Bobo (photo © Jaime Rojo)

Isaac Cordal for Points de Vue in Bayonne, France. (photo © Jaime Rojo)

Bella Phame for JMZ Walls. (photo © Jaime Rojo)

Exist in Bayonne, France. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Sixe Paredes in Bilbao, Spain. (photo © Jaime Rojo)

WW Crudo and some Keith Haring stickers? (photo © Jaime Rojo)

Koz Dos for Points de Vue in Bayonne, France. (photo © Jaime Rojo)

A digital “propaganda” advertisement telling people in Madrid the cost of buffing graffiti in the city… (photo © Jaime Rojo)

Koralie for Points de Vue in Bayonne, France. (photo © Jaime Rojo)

We Love You! Reads this political gate written in Basque to remind the people of Bilbao of the plight of political prisoners in Spain. (photo © Jaime Rojo)

Meanwhile in Bayonne, France an old political mural informs the public about the political prisoners who were detained and disappeared during the Basque Separatist confrontation with the Federal Government of Spain. (photo © Jaime Rojo)

Untitled. Sky landscape in Bilbao, Spain. March 2019. (photo © Jaime Rojo)

BSA Images Of The Week: 03.10.19

March 10, 2019 Artists, BSA Images Of The Week, Images of the Week

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20^th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

Invader. Bilbao, Spain. (photo © Jaime Rojo)

Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

Dan Witz. Madrid, Spain. (photo © Jaime Rojo)

C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)

Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)

SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

MSW. Beyonne, France. (photo © Jaime Rojo)

Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)

Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)

Bayonne Diary, From Alban Morlot’s Point of View

March 7, 2019 Artists

Here in Basque country you can casually drive between Bilbao (Spain) and Bayonne (France) as if you were just heading out to the shopping mall to buy new kicks. The signs of course are in multiple languages (Spanish, French, Basque) and there is much more political street art in these towns- addressing topics like fracking, racism, women’s rights and amnesty for political prisoners.

With an atmosphere that is more politically charged than other parts of the world, you can quickly forget it when you see so many rolling green hills dotted with puffy round sheep and old white farm houses along the highway.

Arriving in Bayonne we were happy to see many of the medieval small streets still boast Gothic-style cathedrals, a cloister here, the occasional castle there. It’s a walkable city with centuries of history, conservative cultural values, and a cool Street Art festival from the last few years called Points de Vue. Co-Founder Alban Morlot obliged us with a tour of the city and a multitude of murals produced over the past few years (You can read here our article of the recent 2018 edition of the festival with exclusive images from Martha Cooper and Nika Kramer).

Headquartered in the public/privately run community center/gallery called SpaceJunk since the early 2000’s Alban and director Jérome Catz have been organizing shows here and in Lyons and Grenoble as their interests and network of artists has expanded. The two met when Catz was better known as a celebrity snowboarder organizing an art show for a sponsoring brand, and Marlot attended the show as a self-described “groupie”.

Shows and exhibitions over the last decade and a half have included artists such as Lucy McLauchlan, Adam Neate, Will Barras, Jeff Soto, Laurence Vallières, Robert Williams, Robert Crumb, Isaac Cordal, Vhils, C215, Slinkachu, Ron English, Zevs, Shepard Fairey, JR, Lister, Augustine Kofie, Beast, NeverCrew, Monkey Bird, Daleast, and Seth.

A topic close to our heart for a decade, they also began a new film festival for there 2017 edition of the Grenoble Street Art Fest.

Headquartered in the public/privately run community center/gallery called SpaceJunk since the early 2000’s Alban and director Jérome Catz have been organizing shows here, Lyons, and Grenoble as their interests and network of artists has expanded. The two met when Catz was better known as a celebrity snowboarder organizing an art show for a sponsoring brand, and Marlot attended the show as a self-described “groupie”.

With a common interest is providing artists a platform and complementary abilities with funding and collecting, the two have gone on to mount shows and festivals in their organic path through the lenses of “board culture”, graffiti, Street Art, Lowbrow and Pop Surrealism. Shows and exhibitions over the last decade and a half have included artists such as Lucy McLauchlan, Adam Neate, Will Barras, Jeff Soto, Laurence Vallières, Robert Williams, Robert Crumb, Isaac Cordal, Vhils, C215, Slinkachu, Ron English, Zevs, Shepard Fairey, JR, Lister, Augustine Kofie, Beast, NeverCrew, Monkey Bird, Daleast, and Seth. A topic close to our heart for a decade, they have also began a film festival for there 2017 edition of the Grenoble Street Art Fest.

As we walk through a very windy afternoon that kicks up the new construction dust that coats this neighborhood by the river, Alban talks to us about the suspicious embrace of locals and politicians of his work, the various working personalities of artists for the festival, the creation of a new currency by the Basque community, the tradition of socialist bars and political activists in the neighborhood, and his own connection to graffiti that began when he was hanging out in his hometown of Pau as a teenager with other skaters.

“We would listen to music, smoke a blunt, and skate all day. At some point graffiti became my culture,” he says of those times that formed his character and informed his aesthetic eye. “I don’t think I realized it at the time when I was a teenager but by the time I was 25 I said to myself ‘this is my culture’. I know I’m not the only one to feel this way but I knew that I wanted to share this experience and make it visible for other people in my generation.”

Walking and riding in a car to see murals, small installations, illegal graffiti, and formally approved artworks, you may wonder how this organizer and curator looks at his position in an evolving urban art scene that has witnessed the arrival and departure of many over the last 15 years. He says that his work has always centered on the artists, and that despite the chaos and change, this may be why he perseveres.

“My job is to know the artist and learn where they want to go and what their context is,” says Alban. “Afterwards I let them express their hearts without any conditions because I want them to have the maximum pleasure to produce their art. This way you receive the best from them.”

You may wonder where this philosophy comes from, and ask if he always felt this way.

“I think I just love artists so much,” he says. “People at Space Junk often ask me if I am an artist and I am not. I just consider artists to be very important in our lives and in society and I think we have to put artists in the middle of the system and not like they are just observers. I think artists belong in the center of society and I think people have to learn again how to listen to what they have to say. The way they present society is a very different point of view that helps us to understand who we are, who our neighbors are and help us to drive together.”

Our sincere thanks to Alban and Jérome for their work and hospitality and we hope you enjoy some of these pics from Bayonne.

Xabier Anunsibai & Sebas Velasco (photo © Jaime Rojo)

“Points De Vue” Festival 2018 Spans Styles and the Basque Region in Bayonne, France.

December 5, 2018 Artists, Interview

“Today there are nearly 80 works – paintings and installations,” says Alban Morlot, “to discover in the inner city and its periphery.”

The founder and curator of Points de Vue is speaking about his city, Bayonne in the south of France, which straddles the Basque region and boasts the language throughout this region and neighboring Spain. Here on both sides of the the Adour river running through the small city, you will find new installations from this years invited 20 or so artists from the urban art scene including folks like the Portuguese Pantonio, Italian Pixel Pancho, French Mantra, French Koralie, Venezuelan Koz Dox, German 1UP Crew, and the American graffiti and Street Art documentarian Martha Cooper.

Spawned a few years ago from Morlot and his team at Spacejunk, the community/privately funded festival has produced a range of large public works throughout the city. Similarly, the storefront Spacejunk space on rue Sainte Catherine in the Saint-Esprit district of Bayonne had hosted a cultural and artistic association that spans genres and disciplines; hosting classes, talks, performances and exhibitions of modern artists drawn from the worlds of of Street Art, LowBrow, and Pop Surrealism. After a great number of group and solo shows Spacejunk is now entering their 11 year celebrating counter-culture.

Bayonne is stitched together geographically and socially with nearby Biarritz and Anglet, so the Basque area of about 130,000 has enough fans and practioners to support this five day festival. Alban tells us that the usual staff of 3 who run Spacejunk couldn’t do the festival without the generous enthusiasm and efforts of 40 volunteers, 10 interns and 1 senior technician.

An eclectic mix of artists invited to create new works in the public space reflect the alternative environments that have been showcased at Spacejunk: influences from a number of subcultural narratives including comics, punk, tattoo, skater culture, graffiti, and of course, Street Art.

With very special thanks to Ms. Cooper and Ms. Kramer we have today new images to share with BSA readers from this autumns’ edition of Points de Vue. We also had an opportunity to speak with Mr. Morlot about his approach to the festival.

BSA: How did you conceive of Points de Vue?
Alban Morlot: I have work for Spacejunk art center for almost 15 years and have run the art center of Bayonne – Basque Country – since 2007. During this time I’ve met many artists from all over the world who have work in public space previously. At that time, French public authorities were under-informed about street art mutations so it was difficult to organize outside projects with street artists – who many people automatically associated to vandalism.

I was frustrated at not being able to take advantage of their presence and their talent to develop their aesthetics in situ. It was during that time that the idea of a festival sprouted in my mind – but it was only later that the planets were aligned!

Equipped with years of experiences, I wanted to set up an event that could represent the variety of the creative styles being used in public space and to provide an educational approach in the same time. The underlying idea is to show the multiplicity of artistic points of view, to confront them, and to offer to the wider audience the opportunity to enrich themselves with others’ eyes.

BSA: What’s your criteria as an organizer when inviting the artists to participate?
Alban Morlot: First, I make sure that the artistic selection is consistent with the purpose of the festival: to discover the extent of the current creations happening in public space. Then it’s the walls that guide me in my research. The context, the format, the situation… are all criteria that I integrate before launching a personalized invitation to an artist.

Most of the time, I invite artists whom I have already met because I like building relationships that go beyond the “one shot”. I know that it could be possible to pass up several editions before I can propose an invitation to such and such artist, but I prefer to wait the right moment, try to gather the best conditions and do a serious proposal so that from the artworks there emerges the pleasure of painting.

Then I try to build a singular identity for the festival “Points of View”. The Basque Country is located between France and Spain. It is important in this context to boost cross-border artistic exchanges between the northern Basque Country (Iparralde) and the south (Hegoalde).

Last but not least, I try to encourage the presence of female artists because they remain largely underrepresented in this artistic scene.

BSA: Bayonne is also known for its political murals. Do you encourage the artists to be political with their work as well?
Alban Morlot: Generally, I do not allow myself to intervene in the process of artistic creation. I give my opinion if necessary but for me, once the selection is complete, I trust them. I want to allow everyone to practice his or her job with good conditions and it can happen if each part knows his appropriate place.

That said, I do not hesitate to convey the history of the region that welcomes them, because here as elsewhere, there is a story, a people and a language. It is political in a sense, but in the noble meaning!

BSA: Do you see Points de Vue purely as a beautification of the city or do you see it to make a social impact within the community?
Alban Morlot: In no way should our action be seen as decoration. Otherwise, I would not give carte blanche to the artists. No, I undertake a cultural project that aims to promote the meeting between artists and the public, generates exchanges, curiosity, in order to support everyone to be emancipated as a citizen.

Of course, I am not unaware of the social, economic, touristic considerations nor the impact of the festival on urban renewal programs. Culture is transversal and this is its strength, but I do not want to be polluted by other considerations that could divert me from the basics of the festival. I want to give artists the opportunity to work on a wall as they would in their studios and give them the opportunity to meet each other.

BSA: How do you see the arts in public space making a difference to society? Should that be the mission or art in public space?
Alban Morlot: Art in the private space or in the public space plays the same role. The unprecedented recognition of urban art is one of all manifestations of social upheaval that we go through in modern societies. I think there’s a break with previous artistic movements because it more closely allies with the aspirations of today’s people – with think tanks who want to reinvest public spaces, etcetera. Art has always been an indicator of the evolution of society.

BSA: What sort of support do you get from the city’s government for the implementation of the festival?
Alban Morlot: Since the Spacejunk art center is already identified by public authorities, we also receive support from these partners for the festival; This is a form of financial and logistical support. In addition, the festival is also supported by private companies and, thanks to all of these contributors, we manage to present a festival that is both qualitative and open to all.

BSA: What’s the reaction of the residents of Bayonne when they see the artists at work and the completed murals?
Alban Morlot: I must say that I was surprised by the reception that the Bayonne’s inhabitants (and vistors from nearby) have reserved for the festival. I spent almost 6 years defending this project with people who were ultimately quite afraid of the reaction of the public. But the reactions of the population were immediately enthusiastic! Martha (Cooper) even told me that it was quite unusual to see so many people on the streets coming to see the artists work. It is true that I strongly emphasized that it was a chance to see the artists in creation residencies!

Additionally, different from other events, an urban art festival leaves traces on the city which gain a certain value in time, and we are pleased that so many artists have come to the Basque country.

KOZ DOS
“Punto y flecha sobre el plano”

“Dreams and the subconscious have been the genesis of my work lately. I do try not to put limits on myself or to follow a pattern when I create. The elements that are in my subconscious are the sketches to draw information from. At the same time it’s also the beginning of something that exists and that might be real and logic in our minds. It is the treatment of color, composition and form that unify all the elements and symbols, creating fantastic characters that in turn shed light to a parallel universe.

A central theme in my research for quite a while now, is the confrontation of the human versus the beast and nature. I look for harmony and coexistence through the treatment of images and the plastic arts.

In this project, titled “Punto y flecha sobre el plano” I wanted to work with the construction of the elements within the piece as something tangible, like our dreams, using lines and points on the plane or the wall in this case. Most of everything in our universe is composed of circles and lines so in this piece I wanted to give importance to the geometric form but imbued with a dreamlike quality.

When we are able to verbally communicate with each other we are able to arrive to important accords. Reaching an agreement means that we can coexist with each other. We have the tools at our disposal to do so but very often we put our focus on damaging ourselves by rejecting our origins, destroying our cultures and traditions and mowing over everything as we march on.”

Points De Vue Festival 2018. Bayonne, France. Photo of Martha Cooper by Nika Kramer.

Vintage political mural in Bayonne, France written in the Basque language, translated as “The People Must Live”. (photo © Martha Cooper)

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Mantra. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Mantra. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Mantra. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Mantra. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Anonymouse. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Anonymouse. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Anonymouse. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Anonymouse. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Anonymouse. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Lorcolors. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Lorcolors. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Lorcolors. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Remy Uno. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Remy Uno. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Taroe. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Pixel Pancho. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Pixel Pancho. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Pixel Pancho. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Pantonio. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Pantonio. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Pantonio. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Pantonio. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Koralie. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Fermin Moreno. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Fermin Moreno. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Fermin Moreno. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Deuz. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Deuz. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Deuz. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Deuz. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Petite Poissone. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Petite Poissone. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Reskate Studio. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Reskate Studio. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Reskate Studio. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Koz Dos. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

A central theme in my research for quite a while now, is the confrontation of the human versus the beast and nature. I look for harmony and coexistence through the treatment of images and the plastic arts.

Koz Dos. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Udatxo. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Landroid. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Landroid. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Landroid. Points De Vue Festival 2018. Bayonne, France. (photo © Nika Kramer)

Flow . Deza. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Untay. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Untay. Points De Vue Festival 2018. Bayonne, France. (photo © Martha Cooper)

Points De Vue Festival 2018. Bayonne, France. Photo of Martha Cooper by Nika Kramer.

Vintage political mural in Bayonne, France written in the Basque language, translated as “The People Must Live”. (photo © Martha Cooper)

Vintage political mural in Bayonne. (photo © Martha Cooper)

Vintage political mural in Bayonne, France written in the Basque language. (photo © Martha Cooper)

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