All posts tagged: Barcelona

MurOne “Video Games” for Contorno Urbano 12+1 Project in Barcelona

MurOne “Video Games” for Contorno Urbano 12+1 Project in Barcelona

“I don’t have a job and a stable life, but painting and giving life to places that don’t have any is very gratifying,” says the graffiti/Street Artist about his wall completed for in September for the 12 + 1 project in Barcelona. He is not joking when he says he travels a lot to pursue his public painting work – he’s been to Taipai, Tokyo, Istanbul and Tenerife since this wall called “Video Games.”

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

“Travelling and discovering different cultures is a gift, I feel lucky to make my living with what I love,” he says. The illustrator and graphic designer takes his brightly abstract compositions that call to mind 1990’s video games to festivals around the world and has done commercial illustration work for corporate names like Procter & Gamble and Vodafone.

MurOne says his peers in the current mural scene are continuously inspiring him and says his “acid mix of pop and design elements” are also influenced by more established and known painters like Dalí, Mati Klarwein, Lichtenstein, Mc Escher, and Moebious.

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

 

 

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Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

As the October 1st  referendum deadline looms ever closer, the tensions over Catalonia’s attempts to secede from Spain have dramatically taken to the streets – and Vermibus is adding his voice to the raucous dialogue in the Catalunya area of Barcelona. Using an interventionist technique that has become more popular in the last decade but dates back at least to the 1960s, the Spanish born Street Artist is taking over an advertising space to promote artful civic discourse rather than flogging shampoo that makes your hair shiny.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

In news reports everywhere you learn that the central Spanish government and its supporters are accused of extraordinary efforts to quash the democratic efforts of the Catalan parliament to push for the divorce. Recent letters from MPs, more than a hundred academics, and other secessionists accuse the government of anti-democratic measures such as, “taking to court 700 Catalan mayors for allowing preparations for the vote to go ahead, seizing campaign material and ballot papers, threatening to cut off power to polling stations, arresting and charging a newspaper editor accused of aiding the preparations for the referendum and banning a public meeting called in Madrid to discuss the issue,” reports The Guardian.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For Vermibus, the issue is simpler: The government is hiding from the obvious, choosing not to see the truth and hoping it will go away. Similarly you may look at this image of a person putting their hands over their eyes and interpret it that seeing what is happening is painful and shocking.

As citizens who may look at the events from a patriachal/matriarchal perspective, you can also imagine average people hiding their eyes from witnessing their parents yelling and fighting with each other. As painful as it gets, hiding your eyes doesn’t make it disappear.

“Spain is facing the most complex identity issue of its short democracy,” says the ad-busting Vermibus. “The unity of this country is obviously broken and this problem has to be addressed urgently. The attitude from the central power is one of trying to solve the problem by ignoring it,” he says, “and with that the tensions between Catalonia and Spain are growing exponentially.”

For Fernando Alcalá Losa, the photographer who shares these photos with BSA readers today, the demonstrations and fighting in Barcelona streets right now looked like a perfect opportunity to work with Vermibus, who was in town to give a talk.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

“I had met the Berlin-based Vermibus personally at the 1st edition of Urvanity Contemporary art fair this year. Everything went very fast. I contacted him when I found out that he was giving a lecture in the city, got some tools and tried to make this happen,” Fer says. “We almost failed because of several reasons, but, after some hesitation and logistical issues, the adbusting happened while tons of people were flooding the heart of the city and cops were everywhere. And let me say, it felt good.”

It’s a simple act, this claiming of commercial space for public commentary, but worth the risk for those who increasingly take over bus stops and myriad kiosks that take over the public sphere. For Alcalá Losa, times of civil discontent require civic involvement and this is a tumultuous period for the culture.

“For me it was the fact that the ‘Guardia Civil’, the police branch of the Spanish army, arrested several Catalonian politicians in different cities of the region, leading to a massive and peaceful response by the citizens taking to the streets protesting, demonstrating and claiming for freedom and the right to choose and being independent from Spain,” he says.

“All this political confrontation is not about independence anymore. It’s about freedom of choice, the right to vote and the right of having the chance of saying yes or not. Period.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For his part, Vermibus says the problem is a self-imposed blindness and he hopes his small intervention is a reflection of it. “What happened recently in Catalonia is not a problem of identity anymore, or at least is not how I personally feel it. It is an attempt at democracy, and by not wanting to see it the problem won’t get solved on its own.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)


This article is also published on The Huffington Post.

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BSA Film Friday: 09.01.17

BSA Film Friday: 09.01.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. From Pakistan: The Writing on the Wall
2. “Wrong Weight” Sculpture by Górnicki and Chazme in Łódź
3. CUMA PROJECT: Walking with the Lenca. Stinkfish, Mazatl and Kill Joy
4. ONCE in Barcelona for 12 + 1 Project

bsa-film-friday-special-feature

BSA Special Feature: From Pakistan: The Writing on the Wall

Deconstructing the psyche of Karachi, through the graffiti on its walls…

The capital of the Pakistani province of Sindh, Karachi is the site of an active ongoing political and social Street Art/graffiti scene. Not typically popping up in conversations of Street Art in so-called western countries of Europe and the US, this scene has a character that you would not necessarily recognize, until you completely recognize it.

Here the battle is for your attention, usually reserved exclusively for political parties and, of course, advertising messages that give a particularly bent view of the world. This documentary looks at the ways artists are using public space and interviews them about their practice, and we find that the same approach to engaging the passerby exists here as well:

“I feel like if you are going to critique power or power structures it is kind of pointless to do it in the gallery… there is something about situating your art in a place that gives it greater meaning, a wider audience, more interactivity while making it .”

“I also wanted to see how a woman’s body would react in a space that is generally more dominated by the male.”

“The works present the state of a nation that is aware of it’s problem but not the solution.”

“Looking at advertisements, one finds interesting stories emerging from the layers of these overlapping messages.”

 “Wrong Weight” Sculpture by Górnicki and Chazme in Łódź

You may have seen our posting on this a short time ago : Times of Tumult Personified in Sculpture by Tomasz Górnicki and Chazme

“Wrong weight”, by sculptors Tomasz Górnicki and Chazme is the sixth in a series of public works around Łódź organized by UNIQA Art Łódź project with Łódź Events Centre. A surprisingly 3-dimensional outgrowth of a successful multi-wall mural program that has brought much attention to the city, you may say that somehow these sculptures contain within them the seeds of Street Art and its discontents.

Title: “wrong weight”
Artists: Tomasz Górnicki | Chazme
Address: Station Boat Station (from al. Family Poznań)
Project: Uniqa art boat
Curator: Michał Bieżyński
Organizer: Łódzkie Centrum Wydarzeń

 

CUMA PROJECT: Walking with the Lenca. Stinkfish, Mazatl and Kill Joy

CUMA Project is an independent Street Art project whose aim is to support popular and indigenous organizations/cultures of Latin America. “In April and May 2016, the street artists Stinkfish, Mazatl and Kill Joy visited the Lenca indigenous communities in the departments of Intibucà and San Francisco Lempira in Honduras”

 

Once for 12 + 1 / Contorno Urbano in Barcelona

“ONCE” Deconstructs and Reconstructs His Tag for 12 + 1 Project In Barcelona was how we described this project in June.

“Influenced by Bauhaus and Russian propaganda posters during the revolution, Catalonia born ONCE says he doesn’t really think that he is using abstract methods of manipulating his text into something unrecognizable. “Although for the general public,” he says, “these are only geometric shapes and they are more likely to think that I am painting with abstraction.” His control of aspects of fine art lettercraft reflects some of that heralded industrial society that was lauded a hundred years ago and it is somehow quite modern as well.”

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“Nau Bostik” Invigorates La Sagrera District in Barcelona

“Nau Bostik” Invigorates La Sagrera District in Barcelona

Portraits, characters, surrealistic scenes and a range of illustration styles all reigned at the Nau Bostik festival in the La Sagrera neighborhood of Barcelona this summer. Organizing the painted component of the festival were folks from the Open Walls Conference and Difusor in a collaborative program to bring a new cultural infusion of life to this former industrial center.

Ralf Urban (photo © Lluis Olive Bulbena)

These walls are what stand long after the film festival, craft beer festival, conference discussions, food trucks, children’s dance program, photography exhibition and musical performances leave. Contrary to the image of Street Art and graffiti in the margins of society, in the case of these twenty or so muralists from a variety of backgrounds, painting in the public sphere is an integral part of the programming of a communities future, rather than a sign of its degradation.

We’re pleased that photographer Lluis Olive Bulbena shares some of the images he captured at Bostik Murals this summer with BSA readers.

BToy (photo © Lluis Olive Bulbena)

BToy (photo © Lluis Olive Bulbena)

El Rughy (photo © Lluis Olive Bulbena)

Simon Vazquez (photo © Lluis Olive Bulbena)

Twee Muizen (photo © Lluis Olive Bulbena)

Ox Alien (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

Manu Manu (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

David Petroni (photo © Lluis Olive Bulbena)

Sixe Paredes (photo © Lluis Olive Bulbena)

Syrup (photo © Lluis Olive Bulbena)

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BSA Film Friday: 08.25.17

BSA Film Friday: 08.25.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Fin DAC and ‘Shukumei’ on a Rooftop in San Francisco
2. Nevercrew in Satka
3. Dabs & Myla in L.A.
4. Miedo in Barcelona for 12 + 1 Project

bsa-film-friday-special-feature

BSA Special Feature: Fin DAC on a Rooftop in San Francisco

On an expansive rooftop in rainy/sunny/rainy San Francisco, Street Artist Fin Dac brings to life ‘Shukumei’, an ebullient and mysterious muse. The film is largely a stop motion record of the work set to music, but did you notice how much dexterity and effort goes into this precision play when you are working at this angle, basically painting the floor? The remarkable integration of the glowing skylight orb, dramatically revealed, imparts the figure a mystical dimension as well.

Video editing by Tonic Media, Soundtrack by Mombassa/Lovechild, and shout out to Ian and Danielle at Rocha Art and Missy Marisa, model.

 

Nevercrew Papers Over a Bear in Satka

As we wrote in June “Never Crew is in the Ural Mountains in Satka, Russia with a message about man’s disconnection with nature. Their murals often contain one large animal, and this time a bear takes center stage – rather papered over by industrial “progress,” perhaps?”

 

Dabs & Myla in L.A.

Spreading their brand of cosmic love in Los Angeles the Australian born duo Dabs and Myla a interspersed here painting amongst some retro footage of this city famous for its plasticity. Video by Zane Meyer from Chop ’em Down Films.

 

 

Miedo 12 Paints Nothingness More Than Infinitein Barcelona

The well known Valencia-based graffiti writer Miedo 12 paints with the 12 + 1 Project here with a touch of aerosol existentialism – something that may happen to you as years tumble by. For this wildstyle master the action and fire is captured adeptly by videographer David B Rock.

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Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fresh out of the St. Joost Academy since last summer, the Bogota-born, Netherlands-based illustrator Fernando Leon just spent the first week of August creating this new mural called “Greediness”.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

He’s been getting more of these mural-based opportunities lately, even though he began as a teen doing graffiti and confesses that he hates rules. A fan of day long drawing sessions and traveling, Leon found this project with the 12 + 1 Project outside of Barcelona to be rewarding because he is continuing to expand his vocabulary of characters and styles outside of the letter-forms he did as a teenager – and he wants to do a lot more.

Based on the successes of his commercial projects like beer bottle labels and skateboard designs, the non-stop illustrator and muralist definitely has more walls in his future.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

 

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)


For more on Contorno Urbano and the 12 x 1 Project please click HERE. 

For more on Fernando Leon please visit

Instagram: @_fernandoleon
Facebook: www.facebook.com/fernandoleonillustration
Website: www.fernandoleon.nl

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Graffiti Writer “Miedo 12” for Contorno Urbano Project 12 + 1 in Barcelona

Graffiti Writer “Miedo 12” for Contorno Urbano Project 12 + 1 in Barcelona

“Just like a drop of water is the origin of everything, here the spray is the one that, with its effluvium, originates the clouds of inspiration,” says MIEDO 12, the graffiti writer about his lettering coming into view amidst a forest of aerosol ideas. A member of the 21 year old Italian crew called BN, this Valencian began his writing career almost as long ago in 1998.

Miedo 12. Nothingness more than infinite. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

Since then MIEDO 12 has travelled and participated in exhibitions and competitions like the 1st Spanish graffiti contest in Móstoles, True Skills (Milan), Mos México, Wall Talks, and Roskilde (Denmark), among others, and his artworks have appeared in graffiti magazines like Innercity (France), Blazing (France), Graphotism (England), Bong-now (Italy), Pointless (Italy), Arcano (Italy), and Balcans (Russia).

“Nothingness More than Infinite” is the name of his new mural for the 12 + 1 project in l’Hospitalet de Llobregat (Barcelona, España) and you can see the wild affinity MIEDO 12 has for the letterform – and where it comes from. “ It embodies the learning, the experiences, the life of the creator,” he says, “and all of this is necessary to generate the whisper of the clouds that originate the letters.”

Miedo 12. Nothingness more than infinite. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

Miedo 12. Nothingness more than infinite. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

Miedo 12. Nothingness more than infinite. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

Miedo 12. Nothingness more than infinite. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

 

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BSA Film Friday: 07.07.17

BSA Film Friday: 07.07.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.Vegan Flava. Throwing Leaves Against Machines.
2. Andrew Hem “Misty Blue”
3. Laura Llaneli: 12 + 1 in Barcelona
4. Misha Most. Evolution -2. The largest mural in the world. Vyksa, Russia
5. Agnès Varda JR’s Faces Places (Visages, Villages). Trailer.

bsa-film-friday-special-feature

BSA Special Feature: Vegan Flava. Throwing Leaves Against Machines.

“We are exploring crossroads where different creative paths such as painting, video-making, dancing and music meet,” Vegan Flava tells us about this new collaborative performance he has just completed with his friend Mario Perez Amigo.

They call it “Throwing Leaves Against Machines” and it is the third video chapter of a series named Northern Street Sketches. This painting and dance performance took play at Subtopia in the Botkyrka municipality of Stockholm – the city where both artists hail from.

Taking place the same night that Donald Trump pulled the US out of the Paris agreement on climate change, Vegan Flava tells us that the video is “a climate action performance addressing the costs consumerism today imposes on future generations, and time is limited.”

 

Andrew Hem “Misty Blue”

Street culture and impressionism filter into the singular form compositions of Los Angeleno Andrew Ham. In this hand painted mural with The Avenue Concept in Providence, he tells the story of a child he met. The artist shoes how he mixes paint and speaks of his practice of going far from the wall to make sure the mural “reads” well from a distance.

 

Laura Llaneli: 12 + 1 in Barcelona

Back in June we showed you process photos of this wall in Barcelona in a posting entitled Laura Llaneli “OUR ACTIONS BECOMING THE POLICY”. It is an interesting concept of translating a short speech, a tirade actually, of a singer upbraiding audience members for not fitting his image of them -as if his self-image was derived from the audience. True, mom always said, “Show me your friends and I can tell you what kind of person you are.”

 

 

Misha Most. Evolution -2. The largest mural in the world. Vyksa, Russia

Periodically you hear a claim of a mural being the largest. This one by Misha Most with the folks from Artmossphere looks pretty close!

Agnès Varda JR’s Faces Places (Visages, Villages). Trailer.

A trailer for JR’s new movie follows his team as he travels from place to place wheatpasting photos of people to walls in their towns.

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BSA Film Friday: 06.16.17

BSA Film Friday: 06.16.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. PASSAGE / From Wall to Wall
2. Occupied in Bethlehem – from Fifth Wall TV
3. BYG //12 + 1 //  Contorno Urbano // Barcelona
4. 2KM3 Saint-Gervais Mont-Blanc Contemporary Art Platform

bsa-film-friday-special-feature

BSA Special Feature: PASSAGE / From Wall to Wall By Theodore Berg Boy and Aymeric Colletta

Louis Bourgeois, Keith Haring, Roy Lichtenstein, Ernest Pignon Ernest; Iconic artists of late 20th century shot in black and white portraits and clothes-pinned to a wire in an austere white box salon. Aside from their colorful personalities and histories, these images are not rewarding enough for the pursed-lipped gallery owner, she of great taste and refined posture.

So we are relieved to see the action of the cans on the street through the display windows of the gallery and the countenance of the gallerist. Later we are enchanted when the entire gallery becomes a colorful projection through which the scene sneaks in the pinhole in the grating – a camera obscura of “street” into the gallery.

“Passage” is quite literal, yet poetic, in the telling of this movement of Street Art and graffiti into the gallery setting, with the formal space painted as beneficiary of the life-giving, oxygenated aerosol blood from a sub-culture that isn’t.

To be fair, this is a muralist we witness, not a Street Artist per se, and there is nothing particularly transgressive in the work on the street but we understand the broader message. The video is a production for something called Urban Art Fair and the paint company manages to plant its logo many times into the story, so you know this is a budgeted production. Premiered this year at the occasion of the Paris edition of the fair, this one will be presented in New York at the first edition of the fair here over July 4th weekend.

It is interesting to see the parallels that are drawn in “Passages” – and with admirable dexterity and seamless segue by co-directors Théodore Berg Boy and Aymeric Colletta.

“ ‘Passage’ is a fiction film,” says Berg Boy, “which relates the meeting of two persons: a young artist and a gallery owner. Those two people bonding could be a metaphor of what occurs when a street artist – with his codes and his culture – finds himself thrown in a more institutional way of life: the life of the art market and museums.”

 

 

Occupied in Bethlehem – from Fifth Wall TV

“It’s almost become a playground for people to come to,” says your host Doug Gille as he looks at the section of the Separation Wall that the Banksy “Walled Off” Hotel is installed upon. “I think it is so crucial for people not to just come to see the wall or to paint on the wall,” he says.

“50 years under military control makes it the longest occupation in history,” is a quote that Gillen brandishes across the screen from the United Nations. The fact that Banksy is using his art star power to keep this on the front burner says a lot about the man.

“I think a lot of these people feel like we are forgetting about them and we have to remind them that we’re not,” says Gillen as he soul searches next to the Dead Sea.

BYG //12 + 1 //  Contorno Urbano // Barcelona

You may have seen our piece on this wall a few weeks back called “GO GO GO” BYG in Spain for 12+1 Project. Here are a few scenes illustrating how they made it.

Elian at 2KM3 Saint-Gervais Mont-Blanc Contemporary Art Platform

At the beginning of June this parking garage in Saint-Gervais Mont-Blanc inaugurated this “alternative museum” in the heart of the city that is free and open. All eleven floors (200 square meters each) and the façade were painted in May by international artists as part of the Lasco Project of the Palais de Tokyo. Here is Argentinian muralist Elian Chali’s floor as he imagined it. Also included were Etienne de Fleurieu of France, Felipe Pantone of Argentina, Jaw of France, Roids of Great Britain, SatOne Sobekcis of Serbia, Sten of Italy, Swiz of France, Zoer & Velvet of France and Spain.

2KM3 Saint-Gervais Mont-Blanc Contemporary Art Platform

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“ONCE” Deconstructs and Reconstructs His Tag for 12 + 1 Project In Barcelona

“ONCE” Deconstructs and Reconstructs His Tag for 12 + 1 Project In Barcelona

Abstraction is something we spoke recently with French graffiti writer Jeroen Erosie about in Berlin, and here in Barcelona we find that ONCE is interested in deconstruction of the revered letter form as well. Even hardcore lovers of letters like to blow them up, explode them, inflate them, deflate them, stream line and distill them to an essence.

ONCE. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Alex Miró)

Influenced by Bauhaus and Russian propaganda posters during the revolution, Catalonia born ONCE says he doesn’t really think that he is using abstract methods of manipulating his text into something unrecognizable. “Although for the general public,” he says, “these are only geometric shapes and they are more likely to think that I am painting with abstraction.” His control of aspects of fine art lettercraft reflects some of that heralded industrial society that was lauded a hundred years ago and it is somehow quite modern as well.

For his wall with the 12 + 1 project in Sant Feliu de Llobregat, we can see his fearless dedication to form, to classical graffiti and his dexterity for incorporating them into the evolving contemporary mural.

ONCE. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Alex Miró)

ONCE. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Alex Miró)

ONCE. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Alex Miró)

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Laura Llaneli “OUR ACTIONS BECOMING THE POLICY”

Laura Llaneli “OUR ACTIONS BECOMING THE POLICY”

A New Wall Translates a Rockers Lecturing Tirade to His Audience


Aural. Visual. Two modes of exchange and experiencing the world that interest artist Laura Llaneli, the Grenada born painter of this months’ 12+1 project wall in in L’Hospitalet de Llobregat in Barcelona.

Laura Llaneli. Our Actions Become The Policy. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

Having produced works as varied as using dot matrix printers as orchestra, “live” texting the visuals behind a performing band, and recording a “telephone game” experiment of 37 people individually interpreting a melody – and passing it to the next one.

Since she doesn’t mind studying jazz, folklore or even current pop to dissect the relationship between sound-music experience, it is not a surprise that today’s wall is inspired by a rant from a hardcore band singer delivered to his audience. Text based, but more from a taggers aesthetic than a painters, the words are a translation of singer Cedric Bixler-Zavala’s speech mid-concert with his band “At The Drive-In”.

Laura Llaneli. Our Actions Become The Policy. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

He is berating the audience for slam-dancing, a fully corporeal, often rageful and cathartic dance activity of forceful interaction where multiple people clear a circular area on the floor and audience members repeatedly careen and throw themselves at another person, bouncing off of them and being bounced off of. It’s chaotic, often physically dangerous, and produces feelings of elation or more rage, or both. From his perspective at that 2001 concert, it was unacceptable and he used a shaming, belittling device to lecture the audience, by saying they were only imitating actions they witnessed elsewhere, were unthinking, and followers instead of leaders.

“I think it’s a very very sad day, when the only way that you can express yourself is through slam-dancing. Are you all typically white people? Y’all look like it to me. Look at that. You learned that from the TV, you didn’t learn that from your best friend. You’re a robot, you’re a sheep! Baaaah. Baaaah. Baaaah. I have a microphone and you don’t, you’re a sheep. You watch TV way too much. Baaaah. Baaaah.”

Laura Llaneli. Our Actions Become The Policy. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

It’s actually sort of confusing what the racial reference was, and what it meant. But in the context of his other accusatory and bullying language, it seems like he was chiding them as behaving in a way that was unlike their race, or his image of how white people are supposed to behave.

Laura likes the text because she thinks that they were trying to control violence, or horde the right to it. “This meant keeping a certain ‘monopoly of violence’ for themselves.”

Laura Llaneli. Our Actions Become The Policy. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

In the final flip of this script, Laura says that eventually event promoters borrowed the bands technique of stopping the performance to make people stop slam dancing – now actually insisting that bands do it. Thus the name “Our Actions Become the Policy”

“So they were astonished to find out that the security of Australia’s ‘Big Day’ festival had taken on their idea,” and  now it feels like Big Brother is controlling the crowd… which of course pisses people off.

Regardless how you feel about slam-dancing, this mocking, goading text-based screed is a notable departure from the more graphic and aesthetically pleasing murals that are marking this current era as well as the 12 + 1 project.

Laura Llaneli. Our Actions Become The Policy. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

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AXE Colours – Two Graffiti Friends, Now Creative Partners

AXE Colours – Two Graffiti Friends, Now Creative Partners

Sometimes you can parlay your graffiti and Street Art practice into a career that sustains you, and many artists work hard to find opportunities that assure that they can continue to be creative. Friends since childhood and painting graffiti and murals together since 1999 in Barcelona, Adrià (Smaug) and Oriol (Gúma) together call themselves AXE Colours.

AXE Colours at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Both are interested in architecture and design and plastic arts and have done a number of commercial projects together including recently a long tunnel inside the stadium complex for the footballers del Camp Nou del Futbol Club in the city.

While Oriol practices as an architect in London and Hong Kong, Adrià is fully dedicated to AXE COLORS personally and commercially and he is currently painting a series of portraits of TV personalities and sports figures. Here’s a recent painting of TV horse racing jockey Tommy Shelby and his horse for the 12 + 1 Project – with photos by Fernando Alcalá Losa.

AXE Colours at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

AXE Colours at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

AXE Colours at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Alex Miró)

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