All posts tagged: AVAF

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

December 7, 2016 Artists

An embarrassment of riches in so many ways, the Wynwood Street Art and mural scene is outrageously sexy, flashy, ugly, posey, pretty, proliferate and quizzically content-free. The annual outdoor urban art visual carnival that accompanies Art Basel in Miami is full of hi/low expectation and spectacle, and it confidently delivers on both.

1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Long-limbed and shimmery sleek women are often working the sidewalks like runways, the men are carefully posing/not posing/posing with open shirts and genial braggadocio, and there are thousands, more likely millions of selfies taken in front of painted walls.

International art fans are mixing with skater kids and hip hop heads and egg-headed social scientists and teenage marching bands and they are all gawking and interacting with loquacious mamacitas and bearded lumbersexuals; this is not your average clambake.

Sometimes it is just weird; flourescence mixed with plaid, shot-callers and violins, strollers and stillettos, an undertone of aggression and sexual tension, salt-of-the-earth with self-admiring clubbers, perfect skin and aerosol painted hands, a whiff of weed and a sense of wonder waiting to be discovered.

Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

While there was a parade of 40 or so citizens and activists carrying signs and handing out flyers down the street to protest the oil pipelines taking sacred lands from native tribes and polluting natural water supplies, the thousands of art fans flooding the Wynwood neighborhood of Miami would have been hard pressed to find any Street Art talking about those topics.

Ironically the political shockwaves this year in Miami seemed to emanate from behind doors at the fair with Sam Durant’s “End White Supremacy” piece that many interpreted as a direct response to the election of a president whose followers include radical organizations that champion white supremacy. Alas, the piece was made in 2008, and although its hand-style emulates the hit and run scrawl of some graffiti on the street, it was a thoughtfully executed piece constructed as an illuminated sign.

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

With one very notable exception, the enormous and frightful mural featuring Donald Trump as Heath Ledger’s Joker wielding a knife at the neck of the Statue of Liberty with the screaming headline “Come On… What the Hell Do You Have to Lose?” by 12 artists for The Bushwick Collective/Mana Urban Arts Project, the professionalization of Street Artists and their murals may be steering the paintings in Wynwood away from in-your-face activism.

Granted, no one is thinking that commercially branded ventures that actually pay artists to paint will encourage the outright expression of social or political opinions – that may challenge or frighten potential customers and investors. Hotel lobbies need murals, sport cars need decorative painting, beer cans need labels. A number of liquor and lifestyle companies have invited artists here over the last few years and paid them to make their special events and products visually appealing, but little else.

David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The newly refurbished Hard Rock stadium a few miles north of Miami features huge mural installations by international Street Artists that are curated by Goldman Global Arts, a division of Goldman Properties, the same real estate organization that has brought artists from around the world to the Wynwood Walls compound and featured their fine art canvasses in gallery expositions since the late 2000s. The pieces are opus works in an unusual setting and now sports fans are going to be up close and personal with some of the bigger names in Street Art right now.

It would be hypocritical for anyone to expect that these artists should accept commercial work and yet disrespect guidelines about the content. Similarly, expecting artists not to seek commercial opportunities for fear of “selling out” is arrogant and unrealistic and often the convenient provenance of privileged youth who dabble in “slumming” as a rebellious lifestyle. Later they are bankers.

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Even so, where’s the anger right now? Why didn’t you see a lot of furious diatribes, challenges to power, and mockery of small-minded thinking on the street in Wynwood – and what would it take for Street Art to embrace its power to affect social and political change?

Just posing the question here now, again – as the topics of impending fascism, the increasing acts of racism, anti-Semitism, homophobia, corruption, oligarchy, state-corporatism, and a systematic eroding of respect for our institutions – all came up in conversations at bars, art openings, panel discussions, and roof parties.

Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The murals you see here are often technically superb and their themes, while muted, may address some of the larger themes affecting society, but one wonders if there is an internalized censorship that we have accepted.

These images are admittedly of a modest percentage of the hundreds of legal murals and illegally dashed-off pieces we saw this week, but that’s only because we have edited for our individual aesthetics, not because of content. Also admittedly, as people in the arts, we are exhausted from the recent election and all it portends, and we were happy for some glorious eye candy to salve the psychic wounds – so maybe we were selectively seeing what we wanted to.

Probably not too much though.

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Our week’s coverage on BSA:

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

This article is also published on The Huffington Post.

Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

June 24, 2015 Artists

The gates are open to the new public/private art project called Coney Art Walls and today you can have a look at all 30 or so of the new pieces by a respectable range of artists spanning four decades and a helluva lot of New York street culture history. We’ve been lucky to see a lot of the action as it happened over the last five weeks and the range is impressive. These are not casual, incidental choices of players lacking serious resumes or street/gallery cred, but the average observer or unknowing critic may not recognize it.

How & Nosm (photo © Jaime Rojo)

By way of defining terms, none of this is street art. These are murals completed by artists who are street artists, graffiti writers, fine artists, and contemporary artists. In the middle of an amusement park, these are commissioned works that respond in some way to their environment by thirty or so local and international heavy hitters and a few new kids on the block comprising a 40+ year span of expertise.

Open to many strata of the public and fun-seekers who dig Brooklyn’s rich cultural landscape, this outdoor show will surely end up as backgrounds for selfies — while perhaps simultaneously elevating a discourse about the rightful place of graffiti/street art/urban art within the context of contemporary art. Okay, maybe not such loftiness will result, but let’s not rule it out entirely.

How & Nosm (photo © Jaime Rojo)

It should come as no surprise that it is the dealer, curator, perennially risk-taking showman Jeffrey Deitch who is the ringmaster of this circus, or that the genesis of this cultural adventure is perplexing to some who have greeted his newest vision with perplexity and derision. His Deitch Projects and related activities in the 2000s regularly presented and promoted the street-inspired D.I.Y. cultural landscape, having done his due diligence and recognizing that new life springs from the various youth movements always afoot. The Jeffrey-conceived “Art Parade” itself was a street-based all-inclusive annual panoply of eye candy and absurdity; inflicting humor, sex, gore, fire, glitter and possibility into the minds of Manhattan sidewalk observers.

As MOCA Los Angeles director Deitch also flipped the script with his “Art In The Streets,” organizing a vast survey of a half-century of the modern grassroots genres including graffiti/street art/urban art/tattoo/punk/hip-hop/skater culture that far surpassed anyone’s predictions for audience attendance and public engagement. Aside from tripping wires and a public misstep here and there, the show earned critical praise, pinched art-school noses, and pushed skeptical institutions and patrons to question their prejudices. It also gave voice to a lot of people.

Daze (photo © Jaime Rojo)

Notably, that MOCA exhibit drew a little over 200,000 attendees in four months. Coney Island beach and boardwalk gets about 14 million annually. Even if the Smorgasbord pop-up village food trucks feed a fraction of that number, there will be more folks viewing art and interacting with it here than, say, the Four Seasons dining rooms, which also display street artists and contemporary artists in the restaurants’ artistic programming. Side by side comparisons of Smorgasbord/Four Seasons diners ethnic diversity, income, age, education level, museum board membership or real estate investments were not available at press time. But neither can be fairly described as exploitative to artists or audience without sounding patronizing.

Daze (photo © Jaime Rojo)

These multicolored and monochromatic murals illustrate a wide and balanced smorgasborg of their own; examples of myriad styles are at play with some engaging in activism and local politics and Coney Island history. From original train writer Lady Pink to aerosol drone sprayer Katsu, from eL Seed’s lyrical Arabic calligraffiti to Retna’s secret text language to graffitist-now-collagist Greg Lamarche, from Shepard Fairey’s elegant Brooklyn salute to polluters and blasé consumerism to Tatyana Fazlalizadeh’s spotlight on current Coney Island neighbors, from urban naturalist ROA’s monochrome marginalized city animals to How & Nosm’s eye-punching and precise graphic metaphors, you are getting a dizzying example of the deep command Deitch has of this multi-headed contemporary category that is yet to settle on a moniker to call itself.

Crash (photo © Jaime Rojo)

Coney Art Walls assembles world travelers from NYC and LA and Miami and internationally; Belgium, Barcelona, Brazil, Paris, Tunisia, London. Some are 80s Downtown NYC alumni, others were train writers in the 70s or big crew graff heads and taggers from the decades after. Some are considered historical originators of a form and cross-genre risk takers pushing beyond their comfort zone. Take a close look and you’ll find names that are in major collections (private, institutional, corporate) and that go to auction.

Crash (photo © Jaime Rojo)

Some are regularly showing in galleries and are invited to street art festivals, exhibited in museums and discussed in academia and print. Others have studio practices spanning three decades, are lecturers, panelists, authors, teachers, community advocates, art stars, reality TV personalities, film actors, product endorsers and art product makers working with global brands. One or two may be considered global brands themselves. A handful have been painting on the streets for 40 years. Monolithic they are not.

One more notable aspect occurred to us as we watched this parade making its peregrination to these summer walls – either because of Deitch or the romance or history of Coney or both; When you are looking at the range of ages and ethnicities and family configurations and listening to the variety of accents and opinions expressed and seeing the friendly but tough-stuff attitudes on display — you might guess you were in Brooklyn. You are.

Futura (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Jesse Edwards (photo © Jaime Rojo)

Irak (photo © Jaime Rojo)

Lady Pink (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Maya Hayuk (photo © Jaime Rojo)

Lady Aiko (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Miss Van (photo © Jaime Rojo)

Jason Woodside (photo © Jaime Rojo)

Ron English (photo © Jaime Rojo)

AVAF (photo © Jaime Rojo)

eL Seed (photo © Jaime Rojo)

eL Seed with Martha Cooper (photo © Jaime Rojo)

Kenny Scharf (photo © Jaime Rojo)

Mister Cartoon (photo © Jaime Rojo)

Jane Dickson (photo © Jaime Rojo)

Skewville (photo © Jaime Rojo)

Marie Roberts (photo © Jaime Rojo)

Tatyana Fazlalizadeh (photo © Jaime Rojo)

Greg Lamarche (photo © Jaime Rojo)

Gregg Lamarche (photo © Jaime Rojo)

Katsu (photo © Jaime Rojo)

Our previous weekly updates track the installation period of Coney Art Walls:

Coney Art Walls: First 3 Completed and Summer Begins

DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

Eine, Hayuk: A Riot of Color at Coney (Update III)

Coney Art Walls: Gypsies, Stallions, Mermaids, and Pop Optics! Update IV

Coney Art Walls Opens for the Mermaids! Update V

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This article is also published on The Huffington Post

Coney Art Walls Opens for the Mermaids! Update V

June 20, 2015 Artists

Dude/Dudette, it’s Mermaid Parade Day – part of Coney’s modern pop-carney cultural heritage. Rolling up Surf Avenue, turning right and coming back down the boardwalk, the three decade old event is both a well organized and entirely rag-tag D.I.Y. affair simultaneously. It’s the enthusiasm of the participants and their street performances and costumery that pull in the equally enthusiastic fans, but it is the bedazzled breasts and free-flowing beer that make them seek that illusive and effervescent feeling of abandon.

Meanwhile more walls were being painted at Coney Art Walls this week by another impressive cross section of talents from points local and international. The Skewville twins completed their free-standing monster boom box, El Seed brought his lyrical Arabic inspired calligraffiti, fine artist Jane Dickson applies her eye to the symbols of the carnival footprint and turns amusements into colorful cakes, Katsu spreads wider with his investigations into drone painting that are looking impressionistic, Mr. Cartoon enlivens a Vandal/Copper chase with a grim reaper and a selfie-snapping angel, former graffiti outlaw Gregg LaMarche slams his collaged font explosion with color, Coney-Island artist icon Marie Roberts invokes ghosts and her own family’s deep roots in this place’s history, Miami’s Rage Johnson of Inkheads Crew brings crisp psychadeliac forms with AVAF (Assume Vivid Astro Focus), Sheryo and The Yok use a new palette to depict a beach inspired hotdog caper, and Tatiana Fazlalizadeh creates warm black and white portraits of local current neighbors who live in these environs here year round.

Briefly, a snafu in the proceedings popped up when Cope2 suddenly did one of his eponymous bubble tags smack on the center of a freshly finished Retna wall Friday. Shortly thereafter Retna’s assistant was seen buffing the tag. Sources tell us that Cope’s participation in the project wasn’t originally scheduled and while some permissions had been secured, not all parties were in agreement before work commenced. The affair spurred speculation about who gave permission and who denied it in a flurry of social media postings, but the matter has been resolved. No doubt rumors on the street and online will be profligate – it is the nature of these aerosol Olympic games. Let’s see how the buffed section of Retna’s wall is addressed now that fin-fested visitors are schooling through the concrete complex chomping on cotton candy and sausages.

But don’t let this petit drama overshadow the talent and effort and storied history of the two dozen other artists whose work is on display. A more diverse collection of artists from the past four decades from across this spectrum is rarely assembled in one location – a mini reprise of Mr. Deitch’s Art in the Streets, minus the ceiling. It’s not street art, urban art, or graffiti so none of those labels rightly apply to this amusement park exhibit. To the visiting crowds this is primarily background for selfies but fans of these artists will attach a much greater significance to some of these brand new works, as they should. Stay tuned for our final roundup of all the walls next Wednesday on a screen near you.

Rage Johnson of Inkheads Crew working on the piece designed by Brazilian AVAF (Assume Vivid Astro Focus). (photo © Jaime Rojo)

Tatiana Fazlalizadeh…”The Day Before Easter And The Day After Labor Day – People Still Live Here. People Die Here. People Love Here” (photo © Jaime Rojo)

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1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

Daze (photo © Jaime Rojo)

Daze (photo © Jaime Rojo)

Crash (photo © Jaime Rojo)

Crash (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Jesse Edwards (photo © Jaime Rojo)

Jesse Edwards (photo © Jaime Rojo)

Irak (photo © Jaime Rojo)

Lady Pink (photo © Jaime Rojo)

Lady Pink (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Maya Hayuk (photo © Jaime Rojo)

Maya Hayuk (photo © Jaime Rojo)

Lady Aiko (photo © Jaime Rojo)

Lady Aiko (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Miss Van (photo © Jaime Rojo)

Miss Van (photo © Jaime Rojo)

Jason Woodside (photo © Jaime Rojo)

Jason Woodside (photo © Jaime Rojo)

Ron English (photo © Jaime Rojo)

Ron English (photo © Jaime Rojo)

AVAF (photo © Jaime Rojo)

eL Seed (photo © Jaime Rojo)

eL Seed with Martha Cooper (photo © Jaime Rojo)

Kenny Scharf (photo © Jaime Rojo)

Mister Cartoon (photo © Jaime Rojo)

Jane Dickson (photo © Jaime Rojo)

Jane Dickson (photo © Jaime Rojo)

Skewville (photo © Jaime Rojo)

Skewville (photo © Jaime Rojo)

Marie Roberts (photo © Jaime Rojo)

Marie Roberts (photo © Jaime Rojo)

Tatyana Fazlalizadeh (photo © Jaime Rojo)

Tatyana Fazlalizadeh (photo © Jaime Rojo)

Greg Lamarche (photo © Jaime Rojo)

Gregg Lamarche (photo © Jaime Rojo)

Katsu (photo © Jaime Rojo)

Retna (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)