Superhero or superfan, there is something here for everyone, and usually high quality. Street Art festivals worldwide have become dull and safe, perhaps because some are funded by tax dollars or their curators lack vision. The selections at the Bushwick Collective may not make a cohesive story, it’s true.
However, a sense of history, respect for graffiti’s roots, community, narrative, and free-wheeling organic creativity cuts a through-line that still feels fresh as a summer breeze in the shade of a tree. We have so many images of this year’s block party celebration that we had to split the collection into two parts.
On this Summer Solstice, we wish you strength and the wisdom to see the truth. The false will fall away.
Following the evolution of The Bushwick Collective and its annual block party in Brooklyn has been a captivating journey akin to an anthropological exploration into the growing embrace of street art and murals within the realms of graffiti and HipHop. Back in the day, as the neighborhood began transforming with the influx of gentrifiers, street art faced outright dismissal or was treated as a rare phenomenon, a curiosity.
Unaware of the previous codes that roughly governed the practices of graffiti writers on the street, art-students-cum-street-art-poets often obtusely stomped their way into public view to circumvent a gallery system and to express their right to self-expression in public; something HipHop culture had been encouraging for years but had perhaps not envisioned this way. The rivalry between graffiti aficionados and street artists/muralists was sometimes palpable, with throwies vandalizing fresh paint, the OGs asserting territorial dominance, and at times, even resorting to threats and insults in person and in online forums.
As the block party, now in its twelfth year, unfolded, its early editions predominantly featured international and some local street artists eagerly seeking out BC’s visionary leader, Joe Ficalora, for an opportunity to leave their mark on his neighborhood walls. Local street art forums found fault with Ficalora, masking a barely hidden contempt for a streetwise guy taking a leadership role and betraying their own classist privileged opinions about the right to curation. That has all melted appreciably; this year’s event evidenced the remarkable shift that has been underway. Graffiti writers took the stage alongside the muralists in prime spots, sometimes seamlessly collaborating to create art transcending boundaries, all while the electrifying sounds of live HipHop performances reverberated through the air and TikTokers danced in front of them.
Let’s raise a bottle to those who always believed in the possibility of this transformative phenomenon, and to those who championed inclusivity over exclusivity. It’s yet another reason why our hearts beat for this extraordinary international art movement, the embodiment of the people’s democratic spirit and the unlimited creative spirit that is in every person. And most importantly, it’s a reminder of why we hold you dear.
In other NYC news, do you ever feel like a slowly boiling frog? NYPD is talking about partnering with Amazon’s Ring network; the New York Times explains that all those 5G network towers going up on the streets around the city are really just upgraded cell phone equipment, the police will begin a “Drone Unit” to fight crime– “said to be equipped with night vision technology,” this article says, they “won’t be weaponized,” and the NYPD digi-dog program from Boston Dynamics has been discontinued for right now and drones patrolling streets soon, right? Also on Friday the New York Federal Reserve announced plans for a new Fed digital dollar – a CBDC (Central Bank Digital Currency) and the new UK Prime Minister Rishi Sunak is all in favor of completely digitized money. Meanwhile, it looks like NYC schools are going to be a lot safer with new initiatives to put biometric screening in them including maybe facial recognition. Nothing to worry about, right?
The city pays tributes to its heroes in different ways, and NYC street art loves Biggie Smalls more than anyone, along with folks like Spike Lee and Jean Michel Basquiat. This week we spotted a few new ones among the bevy of new street art beauties we discovered below.
Here’s our weekly interview with the street, this week featuring: Jason Naylor, Homesick, Savior El Mundo, King Baby, Mutz, Glare, Banksy Hates Me, Ashley Hodder, Raisa Nosova, Qzar, Spin, INU, Cheatz, Ultraboyz, Humble, Carlos RMK, and Yuzly Mathurin.