All posts tagged: Aryz

Aryz Meets Apollo: A Contemporary Vision on Barcelona’s Avinguda del Paral·lel

Aryz Meets Apollo: A Contemporary Vision on Barcelona’s Avinguda del Paral·lel

Aryz, a name synonymous with large-scale murals that challenge the boundaries between street art and fine art, has once again brought his unique vision to life in Barcelona. Of course, this is not the first time he has painted here.

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

This time, his canvas is the exterior of Sala Apolo, a historic cultural center and music venue in the city. Renowned for surreal, muted palettes and imposing unexpected compositions, Aryz reimagines the Greek god Apollo in his latest piece, blending classical iconography with an unconventional, almost irreverent twist that defies the traditional aura of divinity. The project, documented here through the lens of Lluis Olive, showcases Aryz’s technical prowess and evolving approach to storytelling on public walls.

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

Sala Apolo, situated along the bustling Paral·lel Avenue, is far more than a venue; it’s a multidisciplinary hub for music, art, and inclusivity. Known for its commitment to amplifying various voices and creating a space for many audiences, the venue’s philosophy aligns seamlessly with Aryz’s artistic ethos. His reinterpretation of Apollo—a figure representing creativity and artistic mastery—pays homage to the center’s mission. It also anchors the new figure in the cultural heartbeat of Barcelona – a dialogue between the city’s cultural legacy and Aryz’s contemporary narrative.

In typical Aryz fashion, the mural reflects his ability to reinvent his style while maintaining the visual language that has earned him global recognition. Bold lines, translucent layers, uniquely rendered textures, soaked with warm and inviting hues—we’re midway between the divine and the human. This is public art as a shared cultural experience. Special thanks go to Lluis Olive for vividly capturing the mural’s creation and to the Sala Apolo team for fostering a platform where creativity can thrive.

Sala Apolo https://www.sala-apolo.com/es/

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
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Preserving Graffiti’s Legacy and Looking to the Future at Næstved Kunstby in Denmark 2024

Preserving Graffiti’s Legacy and Looking to the Future at Næstved Kunstby in Denmark 2024

Næstved Kunstby stands as a beacon for the preservation and celebration of graffiti culture, reflecting a deep respect for the evolution of street art from its origins in New York to its current global stature. Recently, the festival once again showcased its commitment to this vibrant culture with a special invitation to Martha Cooper, one of the most renowned photographers in graffiti history, to come and shoot the work, old and new. Her visit to Denmark is another chapter in capturing the raw, transformative power of graffiti and street art, underscoring the festival’s role in maintaining this artistic tradition.

Os Gemeos. Detail. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)

Rooted in the early days of New York’s graffiti movement and inspired by its evolution, Næstved Kunstby has developed into a premier space for showcasing pivotal speakers, painters, and graffiti writers. With a foundation reference to early 70s New York graffiti, organizers site this rebellious form of self-expression in the DNA of the modern movements, with initial groups like the United Graffiti Artists (UGA) collective as pivotal in bringing this underground art form into the mainstream. Today, Næstved continues this legacy by hosting artists from around the world and offering a platform for both seasoned legends and rising stars in the graffiti scene to lecture and to get up on a wall.

Os Gemeos. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)

“30 years has granted Næstved a special status within international graffiti and hip-hop culture.
Hip hop and graffiti culture came to Europe and to Næstved more than 30 years ago,” says long-time curator William Hjorth (aka SWET). “Since that time the city has continuously had several unofficial street galleries. For this reason Næstved has always had a regular flow of visiting graffiti artists from all over the world.”

When describing the origin and focus of the festival Hjorth is clear about the role of graffiti. “All the works belonging to Næstved Kunstby are made by an array of international artists selected and curated because of their focused efforts and commitment to graffiti culture,” he says. “Each artist belonging to Næstved Kunstby comes from the graffiti culture and plying their skills in the streets was always part of growing up.”

SuperA. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)

The festival’s recent edition was a testament to its dedication. From live painting sessions to mural installations, the event offered a comprehensive view of graffiti’s evolution. With past artists including OSGEMEOS, Loomit, and ARYZ, the festival has consistently featured top-tier talent. Næstved Kunstby isn’t just about celebrating paint or plugging artists; it’s about understanding its impact on society and fostering future creativity. The festival’s educational component includes workshops and artist talks, providing valuable insights into the techniques and cultural significance of graffiti. These sessions not only engage the local community but also inspire young artists to explore and contribute to the evolving graffiti tradition.

The festival is entertaining for more general audiences to enjoy as well. But at the root, the origin story never waivers when Hjorth describes the life of graffiti writers and related art-makers. “Their learning and development came from hours of dedication in the streets or by the railroad tracks as opposed to training in art schools and professional environments. Subsequently, they now do more than just create works of art. They all actively contribute to the culture of hip-hop, and both inspire and educate young talents worldwide. This was also a driving force behind their agreeing to participate in this project.”

Wane. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)

Næstved Kunstby offers a unique platform for international artists from New York, Barcelona, São Paulo, and other major cities to contribute to a dynamic collection of murals reflecting a diverse range of styles and influences. This global perspective, combined with the festival’s deep-rooted appreciation for the origins of graffiti, creates a cultural dialogue that is both forward-thinking and historically informed.

These recent photos by Martha Cooper not only document the festival’s impact but also reaffirm Næstved Kunstby’s role as a dedicated protector of graffiti history and a supporter of artistic innovation.

CES. Detail. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
CES. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
HERA. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Daim. Detail. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Daim. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Stohead. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
RUIN. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Alex Senna. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Alex Senna. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Mr. Woodland. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Aryz. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Aryz. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
SWET. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
SWET. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
SWET. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
SWET. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
SWET and CMP. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
RosyOne. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
CMPone. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
CMPone. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Loomit. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Loomit. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
RIOT. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
PHEO. SORO. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Sobekcis. Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
Næstved Kunstby Festival. Næstved, Denmark. (photo © Martha Cooper)
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The River Congost With Aryz, Japon, Emak, Stain, and Zone.

The River Congost With Aryz, Japon, Emak, Stain, and Zone.

When you have a minute, it’s good to stretch your legs and walk through your neighborhood to see the hot spots for graffiti and street art periodically because the local artists often like to re-fresh the selection. In this neighborhood of Barcelona, you will often find new pieces by the neighborhood heroes along the Riu Congost, a small stream that winds its way from very dramatic natural gorgeousness north of the city. Here we have some new stuff courtesy of photographer Lluis Olive-Bulbena, who was on hand to document some fresh stuff from Aryz, Japon, Stain, Emak and Zone – which runs the gamut from graffiti, street art, to illustration and diagrammatic of the mind.

JAPON. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
STAIN. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ZONE. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
EMAK. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ZONE. STAIN. JAPON. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
EMAK. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
JAPON. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. EMAK. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
ARYZ. EMAK. JAPON. Rio Congost. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
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The Crystal Ship – Collection from Past Editions

The Crystal Ship – Collection from Past Editions

Yesterday, we shared with you the current edition of The Crystal Ship, a Belgian street art festival located in Ostend, which is located in the Flemish Region of Belgium. The collection of images that we presented was taken by photographer Martha Cooper, a frequent collaborator of BSA, during her recent trip to Ostend as a special guest of the festival.

Adele Renault. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)

In line with her usual practice, Ms. Cooper did not limit her work to capturing photos of the murals being painted for this year’s festival edition; she also endeavored to take as many photos of murals painted during previous editions of the festival. We are pleased to present a selection of these murals, painted over several years, with photographs taken by Martha Cooper herself.

Miss Van. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)

This selection of murals is an exciting representation of the diverse and captivating street art that has been featured at The Crystal Ship Festival throughout the years, much of it creating a gallery of contemporary artists whose work is arresting and appealing to a general audience. The dedication and hard work put forth by Martha Cooper in capturing these pieces in all their artistic glory is genuinely commendable. We hope you enjoy this glimpse into the festival’s vibrant history and the incredible art showcased in the public square in Ostend over the years.

BEZT. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Escif. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
BUCK. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Guido van Helten. The Crystal Ship 2016. Ostend, Belgium. (photo © Martha Cooper)
C215. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Alex Senna. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Phlegm. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
DZIA The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Joachim. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Husk Mit Navn. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Matthew Dawn. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Broken Fingaz. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Paola Delfin. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Zenith. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Erin Holly. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Hyuro. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
TelmoMiel. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Case Maclaim. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Colectivo Licuado. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Iñigo Sesma. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Leon Keer. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
David Walker. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. Detail. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Maya Hayuk. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)

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Aryz. La Pugna / Bes-Art The River Museum

Aryz. La Pugna / Bes-Art The River Museum

Aryz goes first. And he’s feeling pugilistic.

With “La Pugna” (The Fight”) the Catalan artist leaves his fistprint on the walls that were built to contain the waters of río Besós (Besós river), which flows below sea levels through the neighborhood of Santa Coloma in the Spanish city of Barcelona. It’s an apt mural and title for an artist whose work is often imbued with messages about social justice, the environment, and human rights. His fight is the people’s fight, and the earth’s fight.

Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)

Once one of the most contaminated rivers in Europe, río Besós has seen a turnaround, and its waters flow again into the Mediterranean Sea free of pollutants. Its walled embankment follows the roughly 11 miles that snake through the city, providing much-needed green areas for its inhabitants to enjoy outdoor activities and enjoy nature.

But the story doesn’t end there. BesArt The River Museum, the art project under the umbrella of the municipality of Santa Coloma de Gramenet, the Mediterranean Association of Street Art, and the Royal Artistic Circle of Barcelona is born. The goal is to invite a constellation of local, national, and international artists to execute works of art on the river’s walls.

Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)

When the project is completed, Barcelona will boast one more cultural attraction among the already long list of landmarks that make the city a popular destination. If only its residents would come to grips with the inconveniences that a heavy flow of tourists causes them every year. No fighting, everyone!

Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Aryz. La Pugna. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
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After the Rave: Barcelona Dispatch

After the Rave: Barcelona Dispatch

Similar to how photographers in the 1970s discovered graffiti on trains, photogs learn about new pieces on walls today through a circuitous route. Importantly, upon hearing of the latest additions, they realize that time is of the essence as the art has an expiration date and will soon disappear.

Aryz. Detail. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)

Lluis Olive Bulbena, a Spanish photographer and documentarian of graffiti and street art, recently learned of new pieces by well-known graffiti writers from Barcelona at an abandoned warehouse that’s infamous for a rave party that was organized there at the height of the Pandemic. Although the party attracted an estimated 1,500 partygoers and lasted for a few days, it was eventually shut down by the police.

Bulbena recognized that the opportunity to capture them on film was fleeting and he promptly headed to the site with his camera to photograph these newest pieces by the writers, which he now shares with you. In addition to the pieces from the warehouse, Bulbena documented and shared with us what he found at the Congal River near Barcelona. Enjoy!

Aryz. Detail. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Aryz. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Japon. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Pear. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Japon, Aryz, and Pear. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Japon, Aryz, and Pear. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Kufa, Japon, Aryz, and Pear. Abandoned warehouse near Barcelona. (photo © Lluis Olive Bulbena)
Aryz. Detail. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Aryz. Detail. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Aryz. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Riot 1394. Detail. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Riot 1394. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Stain. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Stain. Riot 1394. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
Japon. Congal River, Barcelona. (photo © Lluis Olive Bulbena)
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A (Brief) Dispatch From Barcelona : Aryz, Sixe Paredes, Registered, and Friends

A (Brief) Dispatch From Barcelona : Aryz, Sixe Paredes, Registered, and Friends

Post-Graffiti? Surreal-Primitive? Flat-Channel Brute? This stuff is hard to categorize sometimes as the roots are in graffiti and advertising and illustration and communications and all art history- but for sure a lot of this fresh paint looks fresh indeed in Barcelona.

BSA contributor and photographer Lluis Olive-Bulbena hit a graffiti jam with some notable names on the streets, including two of Barcelona’s most notorious; Aryz and Sixe Paredes. ¡Qué guay!

Trojan (photo © Lluis Olive-Bulbena)
Registered. Sixe Paredes. (photo © Lluis Olive-Bulbena)
Sixe Paredes. Aryz. (photo © Lluis Olive-Bulbena)
Sixe Paredes (photo © Lluis Olive-Bulbena)
Aryz (photo © Lluis Olive-Bulbena)
Aryz (photo © Lluis Olive-Bulbena)
Ziek (photo © Lluis Olive-Bulbena)
GR170. Enric Sant (photo © Lluis Olive-Bulbena)
Enric Sant. Registered. (photo © Lluis Olive-Bulbena)
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Aryz, Sake, Pibe, Ceser, Keant, Six, Japon on Riu Congost

Aryz, Sake, Pibe, Ceser, Keant, Six, Japon on Riu Congost

Down by the riverside. This is where the walls are nearly reserved for these artists about 30 kilometers north of Barcelona on the Congost River (Riu Congost).

Photographer Lluis Olive-Bulbena likes to get out on his graff-street art exploratory safaris early in the morning. This river bank is one of his regular spots to check. Lo and behold! He says these pieces are fresh – painted in the last ten days by this group of seven artists.

Aryz. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Sake. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Pibe. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Ceser. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Keant. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Six. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Japon. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Pibe. Ceser. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Ceser. Keant. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sake. Pibe. Ceser. Keant. Six. Japon. Congost River. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
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Aryz Celebrates Workers in Providence, RI Mural

Aryz Celebrates Workers in Providence, RI Mural

Loosely layered and color-blocked figures in the desaturated tones of pre-Depression 1910s, the new lineup on these walls in downtown Providence, Rhode Island recalls a proud industrial age here – as painted by the graffiti/street artist Arz.

Originally from Palo Alto, he’s now considered a Catalan muralist of large scale works whose more than two decades of experience on the streets has fully formed this trim team of workers. It is a style that hearkens to the elegant depictions of a century ago by illustrators like Frank Godwin – known as much for his depictions of industrial workers as the privileged beneficiaries in their drawing rooms balanced gently on a piano bench.

Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)

“The idea is to make a representation where you can read the hard years of the construction of a ‘modern’ city from scratch,” says Aryz in a press release, “representing all the anonymous workers who built it, representing the American Industrial Revolution and the workers in their labors.”

Funded by donations from perhaps some of todays’ captains of industry, the mural lends a grace to that toil, a dignity to the classes who fought for union rights, better working conditions, a minimum wage, an end to child labor. Providence itself is known as the location of America’s first Labor Day Parade on August 23, 1882, with thousands of union members parading through downtown. 11 years later Labor Day became a holiday in Rhode Island.

Previously a graffiti writer in Barcelona, Aryz is no stranger to factory buildings when it comes to getting up. Now the owners of factory-looking buildings invite him to paint. A little over a decade we published his work on the side of a Brooklyn deli with How and Nosm. Today his visual style and mastery of technique has evolved into one that is quickly recognized and admired for its harmony, composition, and impeccable color palette.

Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Aryz)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Aryz)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
Aryz. The Avenue Concept. Providence, Rhode Island. (photo © Chop’em Down Films)
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Catalonia Jam: Spring Graffiti Hits the Walls near Barcelona

Catalonia Jam: Spring Graffiti Hits the Walls near Barcelona

As the weather turns warmer, activities on the streets become more fevered, energetic, free.

Graffiti writers burst out of the doors to their apartments and houses with backpacks filled with markers and cans, looking for opportunities to express themselves, to claim space, to be seen. Last week in Spain, a crew of the most actively known writers in Catalonia got together for a graffiti jam on the embankments of the Rio Congost a few miles from Barcelona. BSA contributor and photographer Lluis Olive took a day trip to the area to document and share the results of the jam with our readers.

Aryz. Detail. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Aryz. Detail. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Aryz. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Harry Bones, Musa, Japon, SunkOne, and Aryz. Detail. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Harry Bones & Musa. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Harry Bones. Detail. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Harry Bones. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Musa. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
SunkOne and Aryz. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
SunkOne. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Japon, SunkOne, and Aryz. Detail. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Japon. Riu Congost. Catalonia, Spain. (photo © Lluis Olive Bulbena)
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“Beyond The Streets” On Paper Opens in Southampton

“Beyond The Streets” On Paper Opens in Southampton

This time of year, it is hard to find people in Manhattan on the weekends – they’re “weekending” in the Hamptons, darling.

Khari Turner, Hands

Not exactly the original setting you might associate with graffiti, street art, hip-hop, punk rock, zines, and underground art culture but where else can curators Evan Pricco and Kim Stephens sell these works on paper while sipping cool drinks poolside?

“Beyond the Streets” carries the mobile party to Southampton Arts Center this Saturday with a wide swath of styles – 500 works from over 100 artists in an art fair-sized venue. It may remind you of the Urban Air Fair tried in Manhattan in summer 2017, but this one has something that one didn’t: Roger Gastman.

Shepard Fairey, Elysium Lotus

If it’s here, it’s because it is quality work and has a connection to the roots of these subcultural scenes usually as well. Expanding now to the more nebulous category of Contemporary, you may be surprised to see more accessible interpretive variations on the themes. Let’s see that paper, people. 

Jane Dickson, Fourth of July 2

Artists include: Action Bronson, Addam Yekutieli, agnès b, AIKO, André Saraiva, Andrew Schoultz, Andrew Thiele, Andy Rementer, Aryz, Bert Krak, Brandon Breaux, Broken Fingaz, Bryant Giles, Camille Walala, CES, Cey Adams, Charlie Ahearn, Chloe Early, Chris FREEDOM Pape, Clark Fox, Cody Hudson, Conor Harrington, Craig Costello, CRASH, DABSMYLA, Daniel Rich, David “Mr StarCity” White, DAZE, DEFER, Emily Manwaring, Eric Haze, Ermsy, Escif, FAILE, Faith XLVII, Fucci, Greg SPONE Lamarche, Gustavo Zermeno, Hilda Palafox, House 33, HuskMitNavn, Ian Reid, Icy & Sot, Jaime Muñoz, Jamilla Okuba, Jane Dickson, JEC*, Jeremy Shockley, Jillian Evelyn, JK5, John Konstantine, Julian Pace, KATSU, KC Ortiz, Kelsey Brookes, Khari Turner, Kime Buzzelli, LeRoy Neiman, Linas Garsys, Liz Flores, Lucy McLauchlan, Lujan Perez, Maripol, Mark Mothersbaugh, Martha Cooper, Marshall LaCount, Matt McCormick, Maya Hayuk, Michael Vasquez, MIKE 171, Mister CARTOON, Neena Ellora, Nehemiah Cisneros, Nettie Wakefield, NUNCA, Otto183, Paije Fuller, Paul Insect, POSE, Rebecca Morgan, Reko Rennie, Rello, Richard Colman, RISK, Ron English, Ryan McGinness, Sage Vaughn, Saladeen Johnson, Scott Campbell, Sean from Texas, Senon Williams, Shantell Martin, Shepard Fairey, SJK 171, Sofía Enriquez, SNOEMAN, Spacebrat, STASH, Steve ESPO Powers, SWOON, TAKI 183, The Perez Bros., Timothy Curtis, Todd James, Troy Lamarr Chew II, Umar Rashid, Victor Reyes, Wasted Rita, Wulffvnky, Yarrow Slaps, Yusuke Hanai, ZESER, ZOER and 45RPM.

BEYOND THE STREETS on PAPER
July 17—August 28, 2021
Southampton Arts Center, Southampton, New York, 11968

For more details, schedules, etc. click HERE

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BSA Images Of The Week: 03.10.19

BSA Images Of The Week: 03.10.19

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Invader. Bilbao, Spain. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Dan Witz. Madrid, Spain. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
MSW. Beyonne, France. (photo © Jaime Rojo)
Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)
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