All posts tagged: Art Book Review

Alison Young Examines and Presents the “Street Art World”

January 28, 2017 Artists

Contested space is a term accurately describing the Street Artists’ relationship with the world outside your door; a place where the aesthetics are up for grabs, autonomously determined, willfully exploited.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Drawing upon twenty years of empirical observation, scholarly study, and interviews with artists and experts throughout a constellation of cities where this art-making has flourished, “Street Art World” by Alison Young examines this contested space from every angle to present a balanced assessment for understanding our moment.

A professor of criminology at University of Melbourne, Young delivers her fourth volume on the topic of Street Art with a confidence and unique perspective that few can claim thanks to extensive travel and periodic, repeated and ongoing tracking of an evolving family of practices.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

With many points of departure, Young makes sure to ground the current movement in enough history and storytelling and informed analysis to allow even the casual reader many entry points for understanding what can at times be an enigmatic populist art subculture.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

That the movement is awkwardly gaining mainstream acceptance (sometimes against its will) is undisputed, and Young makes sure to examine its role in the gentrification of cities, its difficult relationship with its siblings graffiti and murals, its immigration into fine art and contemporary art, the dance with commercial galleries/interests, and the minx-like tacit embrace of large institutions. She even examines the difficulties that artist have in categorizing their own work and their ambivalence with labels – just one indicator of Young’s adept sensitivity to the finer shadings of a complex “scene”.

In our blurb for the book we wrote, “Alison Young understands the street art world as few people do.” Here’s the evidence.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young Street Art World was published by Reaktion Books Ltd. London, UK. 2016

Icy & Sot “Let Her Be Free” Book Launch|Art Exhibition (Manhattan, NYC)

July 21, 2016 Artists

“We first met Icy and Sot the summer they arrived in New York. Their name was already preceding them on the Internet because even while still in Iran, they had developed a network of friends and collectors who had helped them to show their art in Europe. Images of their work had already caught our eye. We were lucky to be the first to interview them here.

That is how the friendship began–as immigrants to New York ourselves, we had a good feeling about them because they exhibited the right signs for success here. We’ve seen what sort of steely core you need to have internally to survive in this city and what alchemy of dreams, determination, and luck one will need to succeed as artists. We’ve watched many hopefuls come and go, feeling chewed up or put off by the love/ hate relationship most people have with this city. From the beginning, Icy and Sot appeared to have what it would take to persevere. Later we learned that they didn’t really have any other option.” – Steven P. Harrington and Jaime Rojo in “Let Her Be Free”

BSA is proud to tell you of this new book, the first monograph of Iranian Street Art brothers ICY & SOT, which we dedicated many hours of design, editing, interviewing, and writing to, in addition to contributing photographs by Jaime Rojo. Along with the brothers and book designer Cassandra Brinen, we spent many hours in New York meetings in apartments and cafes sorting through images and stories to find the narrative and the flow of the pages and chapters (even laying all the pages across a living room floor), all the time wondering if we could finish it in time and to the quality level and taste level everyone was looking for.

We’re pretty happy with how it turned out and we hope to meet a lot of New Yorkers this Saturday for the books official debut! Luckily, there will be plenty of brand new stencil pieces for you to see in a pop-up exhibition as well.

Published by Lebowski Publishing under the guidance and vision of owner Oscar Van Gelderen and with a forward by Jess X. Chen, “Let Her Be Free” tells the story of the first 10 years of ICY & SOT working on the street, first in their hometown Tabriz, then Tehran, then moving to Brooklyn, New York to start and continue their odyssey. You don’t find artists who are as driven and focused and willing to work like this very often, nor those who have personal and political convictions and who are using their work to express them.

We were lucky to have enough photos that charted their early years and could tell their story, and of course it helps that they are good documentors as well – a lesson for all artists! As they continue to grow professionally and personally, we look forward to them challenging us and developing their craft even further.

We’re all looking forward to meeting you this weekend – the guys will be there signing books – and if you cannot make it we hope you’ll have time to look at the book the next time you are in a bookstore or library.

Our special thanks to editor Roel van Diepen for his kind and patient expertise.

Icy & Sot “Let Her Be Free” Lebowski Publishers. Amsterdam 2016

We visited Icy & Sot at their Brooklyn studio while they were busy at work getting ready for the exhibition that accompanies the book launch and asked them a few questions and took photos of some the pieces that will be on view and and available to purchase. The show will be a retrospective in miniature – as most of the pieces on view were created as a compilation of their greatest hits throughout their very short career.

Icy & Sot. Sasan Sasan at their studio in Brooklyn. (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Icy & Sot invite you to attend the launch of “Let Her Be Free” and the opening of the art show this Saturday, July 23rd. Click HERE for full details.

Icy & Sot “Let Her Be Free” Lebowski Publishers. Amsterdam 2016

Shepard Fairey: Earth Crisis

July 11, 2016 Artists

Artist and activist Shepard Fairey this week releases a 2 volume “Earth Crisis” set that commemorates a recent public environmental project and doubles as a collection of plates to jumpstart your collection which you could easily frame and hang. With it comes powerful socio-political messages common to his wheelhouse delivered with the artists often iconic sense of design.

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

With his enormous “Earth Crisis” globe project mounted at the Eiffel Tower for COP21 last November, Fairey brought his activist history, design history, and sense of timing and location to a stunning crescendo with this project. Suspended 60 meters overhead at the base of the tower while world leaders were gathered to discuss global warming, climate change, and energy policy in the so-called First world and Developing world, the globe incorporated many of the messages that Fairey has been bringing to the streets over the last two decades to provoke discussion.

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

In addition to thick cardboard plates of details from the Mandela he created for Paris, a second book of posters addressing related themes is included with his signature style incorporating mid-century slogans and advertising design, punk rock culture rage, and word-play that illuminates and hammers.

Topically the plates address themes including only some of those Mr. Fairey has continued to feature front and center in his street work and fine art and design: campaign-finance reform, the oil economy, air and water, corruption in politics, private control of public natural resources, green energy, the seduction of advertising, corporate collusion, fake patriotism and real climate change.

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Of particular poignance are some of the artists observations and motivations for making the work, including one particularly reflective statement that may point to an artists own struggle to affecting change. He speaks about reading Rachel Carson’s “Silent Spring” published in 1962 and the effect it had on many.

“The title ‘silent spring’ was intended to force readers to contemplate spring time without the sound of songbirds – a jarring picture but also a reminder that our emotional connection to our environment is mainly just aesthetic,” Fairey writes. “If we stay oblivious to ecological destruction until we notice the aesthetics change by then it will be too late.”

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

All photos of the book’s plates © Jaime Rojo

Shepard Fairey / OBEY Earth Crisis published by Editions Albin Michel. Paris, France. July 2016.

Stik : His First Collected Volume of Work

June 21, 2016 Artists

An unusual little tall man, this Stik man.

Deceptively simple, he expresses profound truths that are anything but. Since the turn of this century in his hometown of Hackney, the formerly homeless Stik has been bringing his unassuming line drawn character out to the streets of northeast London, often Shoreditch. With few details and is as uncluttered as a logo, Stik towers above on the side of a housing behemoth, or a water tower, or a doorway.

Now comes a handsome tome in red canvas that tells more about this artist who has been staying mum for so long. Like the unflashy Stik man, Stik is not malicious but thoughtfully quietly present, giving modest and monumental witness to the street – as well as social issues common to the street. While he does many authorized projects for human rights, social equality, and issues addressing immigration, homelessness, and family, Stik is largely and quietly advocating for an equitable view where each one is treated fairly.

Simple enough, right?

STIK. Published by Penguin Books – Random House. New York City. 2016

Photos of the book plates by © Jaime Rojo

Graffiti Murals: Exploring The Impacts Of Street Art

June 7, 2016 Artists

New Book by Patrick Verel Attempts to Untangle the Graffiti Mural Discussion

In Graffiti Murals: Exploring The Impacts Of Street Art, a methodical study of graffiti and murals in Manhattan, Brooklyn, The Bronx, Staten Island, Jersey City, Philadelphia, and Trenton (New Jersey), author Patrick Verel talks to all of the stakeholders he can find, revealing much in the telling of his findings. The author says he created this book from a paper he was researching for while completing his masters degree in urban studies, and you can tell his intention was to turn over as many stones as possible to study the impact this grassroots art movement is having on the communities that murals appear in.

Within an academic framework Verel makes sure to interview artists, property owners, local neighbors, law enforcement, and even the occasional Marxist scholar who explains the concept of “creative destruction” in capitalist global cities and the “necessary” cycles of gentrification they go through, often abetted unwittingly by artists.

He carefully studies some causative factors for graffiti writing, metrics for measuring in a sphere of criminality, the difficult distinctions we make between tags and throwies versus pieces, productions, and graffiti murals, and the sneakily deliberate practice of using sanctioned graffiti and Street Art as a deterrent for the unsanctioned stuff.

In the context of urban studies and planning, the creativity here is sort of reduced to pawndom, but as a social factor, he provides examination of the intersections of invested parties. It’s a tricky line to walk with possibilities of triangulation everywhere on this tightrope, but ultimately a wide swath of opinions is sampled by the author and given to you to assess.

Oh, yes, there are also murals – captured in situ, without romance. In this way the images are illustrative and informational amidst fields of text that sometimes gets into the weeds.

Couched in the agendas of city planners, business improvement districts, policy makers, landlords, and straight up economic lever-pullers, the aesthetic and cultural growth of the graffiti scene (and its various tributaries) takes a little bit of a backseat in this version of an enormous half-century long story.

Undoubtedly, every reader will come away knowing something new from “Graffiti Murals” and with a greater appreciation for many of the complexities around them in the US. Congratulations to Verel for trying to make sense of the contradictory laws, opinions, and social strategem that currently guide our path.

Graffiti Murals by Patrick Verel. Schiffer Publishing. 2016 (photos of plates by Jaime Rojo)

Graffiti Murals: Exploring the Impact of Street Art. Patrick Verel. Schiffer Publishing. 2016

“The Art Of The Mural: Volume 01” Captures a Moment

May 10, 2016 Artists

Murals hold their own place onstage in public space today for a variety of reasons that we discuss regularly on BSA. From grassroots and public, to private and corporate, we have watched the genre professionalize as Street Art festivals and other initiatives are often coupling artists with brands and are selling canvasses through the organizers galleries. Today we have the first of a promised four-part book series by Art Whino gallerist and organizer of the Richmond Mural Project in Virginia, Shane Pomajambo, that features many artists he has worked with in the brand new “The Art of the Mural”.

Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Featuring more than fifty current graffiti/Street Artists, the survey pays special attention to the show-stopping eye candy that commands attention for these nomadic painters who are developing their craft before an ever larger and more appreciative international audience.

Culture critic and curator Carlo McCormick, who writes the introduction to the Schiffer published hardcover, notes that this mural renaissance is quite unlike the US government funded New Deal era mural programs that produced “hundreds of thousands of murals for schools, hospitals, post offices, housing projects, and various government facilities”. And he’s right, these are emanating from a different place entirely.

Antony Lister. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

The world-traveling media-soaked artists, of which this collection is subset, have had vastly more exposure to corporations and branding perhaps than, say, arts institutions, and a sophisticated self-handling is often on display with artists ever more savvy in their choices of style and content.

A greater percentage are now entering into private collections, galleries, and museums thanks to unprecedented platforms for huge exposure on the Internet, and their public works are adding rich character and dialogue to our neighborhoods and public spaces.

Curiot. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

With academia, art critics, and auction houses all grappling with the rightful place of these artists in contemporary art and society at large it will be instructive to know the history and their lineage, content, context, and patronage. One has to agree when McCormick says that all of these “are helpful for us to consider in looking at and understanding the artists’ walls of today.”

This collection of talent is strong, with many of the mid-large names that are at play in this generation of painters whom are primarily born in the 1970s and 80s. In their work is a cultural appreciation for modern graffiti history as they now channel it along with formal training, art history, advertising, and a multitude of media. With few exceptions, it’s a tight list of artists, the images are riveting (though uncredited to their photographers), and the brief introductions by Pomajambo contain just enough biographical information and artist’ quotes to ground the story and give it context.

“As with everything I do,” says the Queens, New York native Pomajambo, “I always question and observe, and as we reach critical mass with murals I felt compelled to create this project and capture a moment in time.”

Evoca 1. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Fintan Magee. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Miss Van. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

MOMO. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Onur & Wes 21. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Telmo & Miel. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Tone (Robert Proch). Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

All photos of the spreads by Jaime Rojo

The Art of The Mural: Contemporary International Urban Art. Volume 01 by Shaen Pomajambo. Schiffer Publishing. Atglen, PA. USA.

Participating Artists
Amose, Arraiano, Augustine Kofie, Axel Void, Bezt (Etam Crew), Chazme 718, Chor boogie, Clog Two, Curiot, Cyrcle, DALeast, Decertor, Dface, ETNIK, Faith47, Fintan Magee, Hense, INTI, Jade, Jaz, JR, Kenor, Lister, Logan Hicks, Low Bros, Meggs, Miss Van, Momo, Mr Thoms, Muro, Natalia Rak, Nosego, Onur, Pener, Reka, Robert “Tone” Proch,Ron English, Rone, Sainer (Etam Crew), SATONE, SEACREATIVE, Sepe, Smithone, Sten Lex, Stormie Mills, Telmo Miel, Tristan Eaton, TWOONE HIROYASU, Vhils, Wes21 and Zed 1

Tilt Smashes With Multi-Hued Tags: “Magic & Destroy”

March 1, 2016 Artists

“When does an ultra-tagged trash can, which some consider simply vandalized, assume the status of a work of art?” asks Stephanie Pioda, the art historian and journalist in the introduction of this 3 year old collection of TILT, “Magic and Destroy”.

Tilt Magic & Destroy Wallworks. Paris 2013

Indeed the artists posed a variant of the same question last week when we met him at Jardin Rouge in Marrakech, and it bears consideration. Absent the act of vandalism, the bashing of an object with layers of tags is simply an art technique; albeit one loaded with the implications of a street act that violates the established codes of accepted behavior in public space and infringes on property rights. It is an examination of context, as with all discussions about what graffiti or street art becomes once it enters a gallery or a home.

Tilt Magic & Destroy Wallworks. Paris 2013

Originally created to accompany his solo show with Paris based Wall Works gallery, the soft-cover catalogue with images by photographer Benjamin Roudet gives a satisfying overview of the diversification in technique and experimentation that has brought this Toulouse native far since first writing his bubble-based tags on the streets in the late 1980s.

From the carved “New York” apple core sculpture to the soft-porn love-interest photo spreads, to the endearing and incomplete blackbook doodling, the Brooklyn whole-roof silver co-tagging with Mist, and the aerosol slaughter of a car sliced in half, TILT continues to explore where his passion for expression can take him.

Based on the new migration themed work we’ve just seen that he is preparing for dual shows in Morroco and France, the ultra-tagged work of TILT is expanding his contemplative examinations beyond the charged duality of vandalism and art.

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy was published by Wallworks on the ocassion of Tilt’s exhibition Magic & Destroy at Galerie Wallworks. Paris 2013 with images by photographer Benjamin Roudet.

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MIKE MAKATRON : In 10 Cities and Multiple Worlds

February 2, 2016 Artists

Wanderer Mike Makatron has been spending his young manhood traveling the globe and painting walls and experimenting with styles of art ranging from fantasy illustration to loose and leafy botanicals, with symbols of indigenous spirits, psychedelic mushrooms and plenty of the time honored ying/yang.

A bit of an untethered dude’s dude, the Australian Makatron hit 10 cities and partied and sported his way through them all over the period of a decade or so, painting voluptuous lips, overflowing ashtrays, lush swamps, and multi-storied death burgers; the latter an allusion to what the intro writer Jeremy Taylor refers to as “a ‘McDonaldized’ world” and “addiction, shitty diets, rampant capitalism, psychadelics, (and) even Aboriginal Sovereignty.”

Naturally there is also the hetero kama sutra burger mural spilling with booty and boobs, layered with unclad couples in cozy positions of coital bliss. Many familiar celestial and vaguely sensual/sexual/reproductive motifs are represented, along with tentacled or winged creatures and skulls piled into scenes of space and barren moonscapes. Makatron goes into the wild and everywhere his heart leads; freewheeling in style and subject matter is his norm.

The tightest work is near the end of this travelogue with the artists fine art canvasses – here suddenly tightened and focused, unreal scenes of serenity are deftly rendered in warm detail. A quieted mind is free to wander here and suddenly these otherworldly scenarios begin to appear as though they may be real.

Mike Makatron – In Ten Cities published by Trojan Press. Melbourne, Australia 2015. Click HERE for more info about the artist and the book.

Shepard Fairey: “Covert To Overt” Book and Show in London

December 3, 2015 Artists

“How exactly does one become an authority on questioning authority?” we asked in our 2011 interview with Shepard Fairey called “Too “Street” For Corporate, Too Corporate For The Street”. Even though he doesn’t mention us in his new tome “Covert to Overt” we feel like we called the paradox right with that characterization, one that recognizes the complexity of advocating for rooting out the corruption of a system while adeptly playing it at the same time.

Chronicling the last 6 years or so of murals, wheatpastes, shows, screen prints, posters, collaborations and art products that Fairey has brought to the fore, “Covert to Overt” is also chock-full of endorsements and analysis of his work’s impact from people who he’s met along the way like Jello Biafra to Neil Young to Pedro Alonzo, Russell Brand and D*Face.

Sean Bonner recounts a night wheatpasting with the Street Artist and the personal ruminations that can surface when sharing such bonding covert behavior, “We talked about small actions that can have huge impacts. Writing a song. Telling someone about a band. Creating an image that makes people ask questions. Simple actions that can change the world.”

In fact it is a series of simple and complex actions that are changing the world when it comes to Fairey, and his is an antidote to the cynical politics that rule the day. In this age of Wikileaks revelations, cleverly disguised oil wars, and social cancers like racism and classicism no longer hidden under subterfuge but brandished with flair, Fairey’s meditations on the overt and covert are more emblematic of our time than we realized.

Last night in London an exhibition opened featuring the work of Fairey’s most favored photographers, Jon Furlong. The show closes on Sunday and the book is available there as well.

Covert To Overt: Photography of Obey Giant by Jon Furlong
December 2nd – 6th, 2015

House of Vans
Arches 228 – 232
Station Approach Rd
Waterloo, London

Wed – Fri: 4pm – 10pm
Sat.: 10am – 10pm
Sun: 12pm – 6pm

Shepard Fairey “Covert To Overt” Published by Rizzoli. New York, NY 2015. Click HERE for more on this book.

Ein Wandblatt Aus Wien Issue #3: Erotik Edition

August 11, 2015 Artists

Who says zines died with the printing press? The Internet may have completely redefined how we communicate but the appetite for hand made independent publications has only strengthened in recent years, especially as major publishers have consolidated and changed their strategies to safe titles and topics just to stay alive.

We’re always happy to see hand-made publications, especially when they are made by artists and collectives. For their 3rd edition, Ein Wandblatt Aus Wien have decided their theme is “Erotik”. With multiple contributions from fellow graffitti / Street Artists, you can see a few recurring themes amongst the figurative pieces. Included are some three dimensional pieces and many shots of favorite artworks on the street, which will apparently conjure erotik type feelings for certain folks.

The release party was at Urban Spree in Berlin and was a throbbing success with the handmade, artist-driven book/zine sold out.

Links to all the participating artists at the end.

To order a copy of Issue Nr. 3 of Ein Wandblatt Aus Wien: Erotik Edition click HERE

screenprinted + handmade Hardcover

and includes works by :

p a n t (ub)
T O M E K (pal)
GERMES gang
2 5 0 1
Moderne Jazz CREW
GRAPHIC SURGERY
108
BASIK
CT
JAMY
EUGOR & UROD
FRESHMAX
TURBOSAFARY
Giorgio Bartocci
Retro23
MAFIA / TABAK
alberonero
BURN-bjoern
s h i d a
K N A R F

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Icy & Sot “Let Her Be Free” Lebowski Publishers. Amsterdam 2016

Icy & Sot. Sasan Sasan at their studio in Brooklyn. (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

STIK. Published by Penguin Books – Random House. New York City. 2016

New Book by Patrick Verel Attempts to Untangle the Graffiti Mural Discussion

Graffiti Murals by Patrick Verel. Schiffer Publishing. 2016 (photos of plates by Jaime Rojo)

Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Antony Lister. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Curiot. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Evoca 1. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Fintan Magee. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Miss Van. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

MOMO. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Onur & Wes 21. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Telmo & Miel. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Tone (Robert Proch). Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Tilt Magic & Destroy Wallworks. Paris 2013

Mike Makatron – In Ten Cities. Trojan Press. Melbourne, Australia. 2015 (photos © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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