All posts tagged: Ana Barriga

BSA Film Friday: 06.12.20

BSA Film Friday: 06.12.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Steven Siegel, Like a Buoy, Like a Barrel
2. Mural Intervention by Ana Barriga in Nau Bostik
3. The Revolution Starts in The Earth w/ the Self. Jess X Snow & Gavriel Cutipa-Zorn

BSA Special Feature: Steven Siegel, Like a Buoy, Like a Barrel

We’ve seen public works made with recycled materials in the street art scene for a few years – Bordalo II and Icy & Sot come to mind. American environmental artist Steven Siegel has been pulling apart and reassembling in public space for forty years or so, amassing a body of work that examines and reveals the geologic sedimentation of earth, bodies, memory, emotion.

A recent work, Like a Buoy, Like a Barrel in Providence, Rhode Island presents our collective waste in a container, front and center for all to look into, marvel at, perhaps be dismayed by.

“Piling a bunch of, for lack of a better word, ‘trash,’ is not going to move anybody. Whereas if you can articulate it into a form that is beautiful and surprising, they’re going to say ‘that’s beautiful and surprising. What does it mean?”

Mural Intervention by Ana Barriga in Nau Bostik

On the occasion of the closing of the TÀPIA exhibition, B.murals invited Ana Barriga to paint on the walls of Espai 30 La Sagrera, inspired by her tireless searches for inspiration in markets such as “El Rastro” in Madrid. Using a found item she enlarges it and takes comfort in the simple depiction of mutual affinity.

Project Highlight: Like buoy, like a barrel by Steven Siegel

The Revolution Starts in The Earth w/ the Self. Jess X Snow & Gavriel Cutipa-Zorn

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BSA Film Friday: 05.08.20 / Dispatch From Isolation # 47

BSA Film Friday: 05.08.20 / Dispatch From Isolation # 47

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Kraftwerk: Pop Art, Remembering Florian Schneider

BSA Special Feature: Kraftwerk: Pop Art, Remembering Florian Schneider

They predicted what music would sound like and what the world would look like, fifty years before it happened. Merging man, machine and avant garde theatric sensibilities, these where the young artists were at the forefront of imagining and creating the future while residing inside a completely different one and enduring the overconfident and snide dismissals – later to be followed by the masses.

Florian Schneider, Karl Bartos, Wolfgang Flür and Ralf Hütter in Rotterdam.
copyright Gijsbert Hanekroot/Redferns

Over time, with critical embrace by the recognized academic and institutional authorities who were finally catching on decades later, the group itself was transformed in the eyes of global culture as a work of art.

Oh, the influence they have had; Karl Bartos, Wolfgang Flür, Ralph Hütter and Florian Schneider. Countless musicians in many genres point to their ground breaking sound for inspiration on thousands of pieces.

The Face Magazine, “The Werk Ethic” (Issue 23, March 1982)

Somewhere between the Black Forest and Cologne, the spirit of Kraftwerk swells and speeds and glides and calculates the upcoming curve up above on the Autobahn, this modern classicism sweeping minds and imaginations.

Our thoughts today to the family and friends of Kraftwerk co-founder Florian Schneider, who passed away recently at 73. May all our young men and women who are creating today reach this age, and may they inspire us to imagine a future one.

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Ana Barriga and “Trash-pop” in Barcelona

Ana Barriga and “Trash-pop” in Barcelona

“Trash-pop” is a label that can be applied to so much that you see and hear today as an inheritor of massive consumer culture that has raged across the globe for decades.

Ana Barriga in conjunction with TÀPIA Collective Show and B-Murals Gallery. La Sagrera, Barcelona. (photo © Alex Puig Ros)

As it applies to Spanish artist Ana Barriga it is an act of salvation and reconnection to an image – reimagining its place in the modern world and examining the one it came from. Here in La Sagrera in Barcelona she is expanding the compendium of styles now assigned to the book of neomuralists. Born in Cádiz and a student at Seville’s University, her 3D knowledge may have come from her study of furniture design as well as painting.

“The image portrays one of Ana’s latest findings,” says photographer and cultural chronicler Fer Alcalá Losa as he describes the piece for you. “They are two pottery figures that create a casual but tender composition in that trash-pop style so characteristic of Barriga’s artwork, all of it with a super personal treatment of color and using different techniques such as oil painting, varnish, and spray cans.”

Ana Barriga in conjunction with TÀPIA Collective Show and B-Murals Gallery. La Sagrera, Barcelona. (photo © Alex Puig Ros)
Ana Barriga in conjunction with TÀPIA Collective Show and B-Murals Gallery. La Sagrera, Barcelona. (photo © Alex Puig Ros)
Ana Barriga in conjunction with TÀPIA Collective Show and B-Murals Gallery. La Sagrera, Barcelona. (photo © Alex Puig Ros)
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