All posts tagged: Adele Renault

BSA Images of the Week: 12.08.24 / Miami X NYC

BSA Images of the Week: 12.08.24 / Miami X NYC


In New York and Miami and across the U.S., stories of legitimate struggles with the healthcare system are a constant backdrop to everyday life. Someone you met can’t afford insurance. Someone else is battling their insurer to approve a critical procedure. Surprise medical bills arrive for your girlfriend without warning. Your coworker avoids the doctor altogether because the costs are prohibitive. Teachers face medical bankruptcy, parents delay surgeries, and families turn to GoFundMe campaigns to defray crippling medical costs not covered. Meanwhile, seniors ration medication, cutting pills in half to make them last. It’s a system where multi-billion-dollar corporations, shielded by their (paid) influence over government, operate with impunity, leaving the sick ill-equipped to challenge them.

This backdrop of frustration likely fueled the sharp sarcasm and bitterness that erupted in conversations on social media and on the street after the UnitedHealthcare CEO was shot and killed on a Manhattan sidewalk this week. A young man in a hoodie fled the scene on a bicycle. Hundreds, no, thousands of responses on platforms like Twitter included jabs such as, “My empathy is out of network” and “Thoughts and prior authorizations.” UnitedHealthcare’s Facebook page was inundated with thousands of comments mocking the company’s public statement of sorrow. Many appeared to post pictures of family members or rejection notices they received from United Healthcare, their addresses blacked out.

To be clear, ‘denial of care’ is not just a business or policy practice; it is a systematic design rooted in contempt for people. These practices profoundly impact millions of people, possibly you and your family.

Now, five days later, the FBI joined the NYPD search for the suspect, who is believed to have left New York. Yet in laundromats, bars, and online forums, some people quietly invoke phrases like “snitches get stitches,” a colloquialism from hip-hop culture discouraging cooperation with law enforcement.

Critics in the media have rightly denounced the ethics of vigilante justice. At its core, vigilantism threatens to unravel societal order. Yet, so does a society that lets a profit-driven industry determine which sick lives are worth saving. The bitter truth is that for many, the system already feels unraveled.


Miami, we love you. This week was great at Wynwood Walls and Museum of Graffiti, and in the streets of Wynwood. The new STRAAT Catalogue is shipping on Christmas – and our Editor in Chief is one of the authors along with great folks like Carlo McCormick, Christian Omodeo, and Charlotte Pyatt. Most importantly, we cannot tell you how much we enjoyed meeting BSA readers and receiving your feedback and support. There are so many talented, creative, brilliant minds on this trip, and we like meeting each and every one. Don’t be shy! Thank you sincerely.

Shout out to our hosts at MOG Alan Ket and Allison Frieden, to David Roos from STRAAT, and to artists Nina Falkhoff, and HOXXOH.

Here’s our weekly conversation with the street, this week in New York and Miami, featuring: Retna, Adele Renault, Inkie, Werds, Pez, Astro, HOXXOH, Zimer, Kern, 1457 Wave, Juju the Frog, Trek86, Ishmael Book Art, Shey Lunatic, KTAN086, Code-E, and Z. Veiz.

ASTRO in Wynwood, Miami. (photo © Jaime Rojo)
KTANO86 in Wynwood, Miami. (photo © Jaime Rojo)
Shev Lunatic in Manhattan, NY. (photo © Jaime Rojo)
Shev Lunatic in Manhattan, NY. (photo © Jaime Rojo)
ZIMERNYC in Manhattan, NY. (photo © Jaime Rojo)
ZIMERNYC in Manhattan, NY. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Juju The Frog in Manhattan, NY. (photo © Jaime Rojo)
Juju The Frog in Manhattan, NY. (photo © Jaime Rojo)
1457Wave in Wynwood, Miami (photo © Jaime Rojo)
INKIE in Wynwood, Miami. (photo © Jaime Rojo)
Z.VEIZ in Wynwood, Miami. (photo © Jaime Rojo)
WERD and friends in Wynwood, Miami. (photo © Jaime Rojo)
Adele Renault in Wynwood, Miami. (photo © Jaime Rojo)
Adele Renault in Wynwood, Miami. (photo © Jaime Rojo)
HOXXOH in Wynwood, Miami. (photo © Jaime Rojo)
KERN in Wynwood, Miami. (photo © Jaime Rojo)
CODE-E possibly painted Jay-Z’s imitation of Basquiat in Wynwood, Miami. (photo © Jaime Rojo)
PEZ in Wynwood, Miami. (photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. They could have asked French street artist Jef Aerosol, who has stencilled Dylan on city walls for years.(photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. (photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. (photo © Jaime Rojo)
RETNA in Wynwood, Miami. (photo © Jaime Rojo)
Untitled. (photo © Jaime Rojo)
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The Crystal Ship – Collection from Past Editions

The Crystal Ship – Collection from Past Editions

Yesterday, we shared with you the current edition of The Crystal Ship, a Belgian street art festival located in Ostend, which is located in the Flemish Region of Belgium. The collection of images that we presented was taken by photographer Martha Cooper, a frequent collaborator of BSA, during her recent trip to Ostend as a special guest of the festival.

Adele Renault. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)

In line with her usual practice, Ms. Cooper did not limit her work to capturing photos of the murals being painted for this year’s festival edition; she also endeavored to take as many photos of murals painted during previous editions of the festival. We are pleased to present a selection of these murals, painted over several years, with photographs taken by Martha Cooper herself.

Miss Van. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)

This selection of murals is an exciting representation of the diverse and captivating street art that has been featured at The Crystal Ship Festival throughout the years, much of it creating a gallery of contemporary artists whose work is arresting and appealing to a general audience. The dedication and hard work put forth by Martha Cooper in capturing these pieces in all their artistic glory is genuinely commendable. We hope you enjoy this glimpse into the festival’s vibrant history and the incredible art showcased in the public square in Ostend over the years.

BEZT. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Escif. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
BUCK. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Guido van Helten. The Crystal Ship 2016. Ostend, Belgium. (photo © Martha Cooper)
C215. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Alex Senna. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Phlegm. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
DZIA The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Joachim. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Husk Mit Navn. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Matthew Dawn. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Broken Fingaz. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Paola Delfin. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Zenith. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Erin Holly. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Hyuro. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
TelmoMiel. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Case Maclaim. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Colectivo Licuado. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Iñigo Sesma. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Leon Keer. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
David Walker. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. Detail. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Maya Hayuk. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)

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STRAAT Museum of Amsterdam Sails with Maiden Exhibition Catalogue

STRAAT Museum of Amsterdam Sails with Maiden Exhibition Catalogue

In a space massive enough for a Dutch sea vessel, the Street Art Museum of Amsterdam (STRAAT) has one of the largest collections of today’s mural stars anywhere. During its official maiden voyage, curious street art/graffiti/contemporary art fans look to see if this ship is seaworthy. The brainchild of former graffiti writer, curator, and publisher Peter Ernst Coolen in the early 2010s, the D.N.A. of the museum is rooted in his forward vision as much as the ideal waterfront warehouse that showcases close to 200 international artists.

STRAAT Museum of Amsterdam.

Housed in a massive yet austere ship hull-welding hanger that closed in the 1980s, the airy space later hosted flea markets and similar events. Today the STRAAT is evolving into something more closely resembling a museum space due to recent structural and lighting improvements, but it hasn’t become a white box. If its origination story of punk culture, D.I.Y., and a well-loved graffiti Hall of Fame still holds water, this street art home by NDSM Wharf has the potential to be a world-class icon that retains credibility and out-paces other contenders.

The museum delivers a promise with a significant renovation, focused programming, public/private tours, an investment in marketing, branding/partnering, a sexy website, invited curators, and (no Banksy jokes, please) a gift shop. We’ve encountered the palpable energy of the select crew of creative directors, curators, content creators, and experience managers over the last few years. There is the desire to forge a soul of the new enterprise, as helmed by Coolen’s original business partner and civil engineer Peter Hoogewerf.

STRAAT Museum of Amsterdam. Kobra on the facade.

To appreciate where it may be heading, you now have a guidebook of works by the 200 or so artists who have created canvasses and sculpture here in the permanent collection. Given the wide span presented, the challenge will be to define a direction for this 8000 square meter shipyard space – aside from merely offering a broad survey of current names on the global stage.

STRAAT: Quote from the Streets (Lannoo Uitgeverij) is the name of the opening exhibition and a thick softcover tome of attractive art plates. It offers a collection of artists’ profiles, reflections, and artworks laid out in a spare and modern way, allowing the mind to wander or rest. With an intro by curator and founder of the Paris-based agency Le Grand Jeu Christian Omodeo, the travel/street art blogger Giulia Riva and writer Giovanna Di Giacomo are authors. Their essay explains that the STRAAT collection is organized here according to categories of Aesthetic, Ground, Empathic, and Conscious – with detailed descriptions of the respective characteristics and rationale laid out in the opening texts.

Sliks. STRAAT Museum of Amsterdam.

The range of styles and techniques here mirrors many of the mural movements on streets around the world today. The writers give valuable contextual background for decoding what often are high-quality artworks. A unifying and concise overview of each artist is a supporting firmament with enough academic rigor to enlighten the reader – no small feat in a world populated with fanboys and pseudo-intellectualizing. Because of it, this introduction to the museum is more than average data reportage – helping to broaden understanding of this multi-headed hydra called the street art scene. With a firm grip guiding the rudder, this ship looks like it is ready to sail.

ASTRO. STRAAT Museum of Amsterdam.
Guido van Helten paints STRAAT’s Peter Hoogewerf. STRAAT Museum of Amsterdam.
Ben Slow. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Adele Renault. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Ever. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Mr. June. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Dan Kitchner. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Icy & Sot. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
Alaniz. STRAAT Museum of Amsterdam. Lannoo Uitgeverij.
STRAAT Museum of Amsterdam. Lannoo Uitgeverij.

STRAAT MUSEUM: Quotes From The Streets. Published by Lannoo. Click HERE to learn more about STRAAT and to purchase the book.

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Adele Renault: “Plantasia” Show and Birds Of Paradise

Adele Renault: “Plantasia” Show and Birds Of Paradise

“I was subconsciously gathering up all that information being passed down to me. The moon calendar, what to plant when, how to prepare the earth,” says street artist/fine artist Adelle Renault about her formative years in the early 1990s planting gardens with her mother in the Belgian Ardennes.

Adele Renault. “Plantasia. Birds Of Paradise”. Galerie Quai4. Belgium. (photo courtesy of the artist)

“Even though I lived most of my adult life in large cities,” she says, “you can take the girl out of the garden but you can’t take the garden out of the girl.”

Adele Renault. “Plantasia. Birds Of Paradise”. Galerie Quai4. Belgium. (photo courtesy of the artist)

So this is how we arrive at her newest paintings that may appear as photography. The selection of canvasses comprising “Plantasia” will be on display tonight at at Galerie Quai 4 in Belgium, with a particular focus on birds of paradise.

“Of course nature – flowers, trees, landscapes – is the most common of subject, alongside portraiture, in painting,” Adele says. “But I hope that my microscope approach can still bring something new to the table.”

Adele Renault. “Plantasia. Birds Of Paradise”. Galerie Quai4. Belgium. (photo courtesy of the artist)

PLANTASIA

Birds of Paradise

This Thursday 9 September 2021 from 16:00 to 20:00

At Galerie Quai 4 
4 Quai Churchill
4020 Liège
Belgium

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Adele Renault: Paints a Stinging Nettle in Sweden

Adele Renault: Paints a Stinging Nettle in Sweden

Stinging nettle (Urtica dioica) is a staple in herbal medicine and has been since ancient times. Egyptians used stinging nettle to treat arthritis and lower back pain, while Roman troops rubbed it on themselves to help stay warm because it “burns” upon contact with the skin.

Adele Renault. Stinting Nettle. Ankarsrum. Sweden. June 2021. (photo © Strange Fruit Street Art)

High in a number of nutrients, today it is used to treat inflammation, blood pressure, blood sugar, even hayfever.

Pursuing her new fascination with detailed realism and the plant world muralist Adele enlarges the leaf for you to gain a greater appreciation of its aesthetic qualities, its patterning and geometries.

Adele Renault. Stinting Nettle. Ankarsrum. Sweden. June 2021. (photo © Strange Fruit Street Art)

Sadly, during this painting in Sweden, the artist learned of the untimely passing of “two beautiful teens who died in an accident,” she says. Children of her friends, whom she says, are “beautiful amazing people who do a lot for the community,” the loss is incalculable. For them, she dedicates this new mural to “friends Edson and Nica and Spehrane, Andrea and Antonella.”

Adele Renault. Stinting Nettle. Ankarsrum. Sweden. June 2021. (photo © Adele Renault)
Adele Renault. Stinting Nettle. Ankarsrum. Sweden. June 2021. (photo © Adele Renault)
Adele Renault. Stinting Nettle. Ankarsrum. Sweden. June 2021. (photo © Adele Renault)
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Adele Renault Grows a New Garden: Call It “Plantasia”

Adele Renault Grows a New Garden: Call It “Plantasia”

Something completely fresh today from artist Adele Renault, who tells us she is thinking about the beauty of nature more than ever. With this new mural of green leafy covering in Liège, Belgium, she is beginning a series she will call Plantasia (#plantasia) and will be developing into a new solo gallery show focusing on the plant world. It’s as old as the hills and the forests, but this new focus feels fresh to this aerosol master. We asked Adele how this new direction began to grow.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)

BSA: Millions of people worldwide are finally venturing out without masks, and many countries are opening up after a horrific year during the Pandemic. You are not an exception. You are painting murals again—only this time with a new direction. Now you are painting plants. Did the lockdown and the isolation make you re-think the direction of your career?

Adele Renault: I never really stopped painting, luckily murals were considered like construction, and most murals could still go ahead; we are fortunate. It’s probably the only cultural sector that hasn’t been completely devastated. Traveling was an issue, of course, and many events got canceled or perpetually postponed. What the lockdown allowed me to do (just like everyone else) was to slow down a bit, and for me, that meant more time for gardening/planting. That’s a passion that’s literally been “growing” my whole life without me even being aware of it.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)

As a kid, I always had to help my mum in her large vegetable garden, sometimes fun, sometimes felt more like a chore. But I was subconsciously gathering up all that information being passed down to me—the moon calendar, what to plant when, how to prepare the earth. And then, like so many, I lived in cities where gardening didn’t have a place.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)

Until I moved to L.A. and was fascinated by the vegetation at every street corner, everything and anything seemed to be growing. And then a revelation came when I realized I was enjoying growing things in pots, didn’t even need to have a patch or a backyard.

I occasionally went to help my friend Ron Finley in his garden, and that’s where I realized you could have a massive garden, all growing in pots if you are surrounded by concrete. And pots are actually fun; you can compose pots like a painting, put together different things that grow at different speeds or heights, play with colors and textures. So right now, I spend a lot of time growing stuff indoors in pots and veggies outside.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)

BSA: Why did you choose plants as your subjects?
AR: I’ve always painted the mundane, whatever was around me. People, pigeons. I see beauty everywhere and in everything, and for me, it was always about showing beauty where you least expect it, but the subject could have been anything. It never had to be “special” to be painted. Now, yet again, the subject chose me rather than the other way around. I spend more time looking at plants from up close, and so I end up painting plants. But it’s not an overnight decision. The seed was planted a long time ago, quite literally.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)

BSA: Will you paint plant life that is native to the country or city where you will be creating?
AR: Probably, but not always. I will repaint the mundane, like stinging nettles or a cabbage leaf. Of course, I will sometimes make site-specific installations, but I also paint what speaks to me or fits a building. Right now, I am starting to work on a solo show. It will be in Belgium, and I am in Europe now, but I miss Los Angeles a lot, so I will probably end up painting some California plants.

BSA: What are your feelings about the color green? You’ll be using gallons of it moving forward.
AR: I wouldn’t say I like green. When I buy clothes or shoes, I would never buy something green. Or paint the walls inside my house green! But I love green in nature. I think everybody does instinctively like green nature, green plants. And in a way, when I cover a building in a green leaf, well, I m quite literally letting nature envelop and reclaim a bit of manufactured concrete. Even though it’s not eco graffiti and spray paint isn’t quite “green nature” taking over, but it can at least symbolize it and inspire people for a greener future. I am obviously not the first or last person to paint plants, and I think it’s one of the natural subject matters, just like portraiture. But I hope to bring something new with my approach.

Adele Renault. “Plantasia”. Belgium, 2021. (photo © Adele Renault)
Adele Renault. “Plantasia”. Oil on linen. Belgium, 2021. (photo © Adele Renault)

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Martha Shoots Adele, Fintan, a Pigeon Fancier and More at Eugene 20X21 – Edition 2019

Martha Shoots Adele, Fintan, a Pigeon Fancier and More at Eugene 20X21 – Edition 2019

Photographer Martha Cooper again rules the roost at BSA with her new photos of the 20×21 EUG Festival in Eugene, Oregon. Organized and funded by the City of Eugene’s Cultural Services Public Art Program, the citizenry is invited to be a part of events and symposia – an intimate affair with this years select list of invited artists.

Adele Renault (photo © Martha Cooper)

“This year 20×21 organized ‘viewing parties’ at the walls to give the community an official chance to meet and socialize the artists at their walls,” says Ms. Cooper about the 10 day series of events. You could meet Fintan Magee at his wall, or talk to Sidney Waerts aka SIT at Well Balanced (center for integrative care), consort with local muralist Kari Johnson at Lane County’s Dining Room, or see a new show of incredibly framed artworks at Coffee Plant Roaster with painter Adele Renault and photographer Ms. Cooper.

Adele Renault (photo © Martha Cooper)

Blending small family owned businesses, the chamber of commerce and cultural organizations together with the artists and artworks is a finely balanced effort, and according to people we spoke with Eugene is careful to get the balance right. For example the combination of Adele’s mural and Ms. Coopers photo installation was in a coffee shop owned by Irv Weiner, who is a pigeon flyer/fancier originally from New York.

Adele Renault (photo © Martha Cooper)

“His coop is on top of the building with the pigeon mural and the coffee shop is inside,” says Martha of the interconnectedness of programming. Now Mr. Weiner has added to his list a cannabis growing supplies business; a rather normal development in this city that has become known for its marijuana-related economy during the last decade.

Adele Renault. Pigeon Fancier & coop owner, Irv Weiner holding Eugenie. (photo © Martha Cooper)

Here are exclusive images of the artists at work, as well as some additional interesting details and local color about this mural-centric cultural event in Eugene.

Adele Renault. Irv is captured on camera as he releases Eugenie. (photo © Martha Cooper)
Adele Renault (photo © Martha Cooper)
Adele Renault (photo © Martha Cooper)
Martha Cooper and Adele Renault exhibition. (photo © Martha Cooper)
Adele Renault (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Fintan Magee (photo © Martha Cooper)
Sydney Waerts (photo © Martha Cooper)
Sydney Waerts (photo © Martha Cooper)
Sydney Waerts with fellow muralist, Eugene resident and festival assistant, Bayne Gardner. (photo © Martha Cooper)
Sydney Waerts (photo © Martha Cooper)
Kari Johnson (photo © Martha Cooper)
Kari Johnson (photo © Martha Cooper)

Eugene was first recognized as good mural festival location perhaps because of the work done here by activist, performer, storyteller, and public artist Kari Johnson. Her dedication to her work as social mission and communication inspires her peers and is emblematic of what Eugene is.

In a 2016 bio by the artist for the Regional Arts & Culture Council, Kari Johnson shared her history and outlook:

“Both of my grandmothers were painters named Ida. They managed to paint landscapes and still lifes in spare moments while raising big families during the Great Depression and WWII. Continuing where they left off I began painting when I was 14 and completed my first mural 10 years later. Other than learning how to make prints with potatoes at a summer fair, I am self-taught.

I feel the most inspired when I’m making public art. Being a public artist is like being an architect of mood, stirring feelings and inspiring connection, helping to anchor and identify a place. In my art I particularly care about promoting social justice, harmony between humans and our plant and animal relations. I want my art to invite individuals to belong to the place, join community, and help shape our human story.”

Kari Johnson (photo © Justin Bauer)
Kari Johnson (photo © Justin Bauer)
Kari Johnson (photo © Justin Bauer)
Artist Shamsia from Afghanistan was invited to paint at last year’s edition of 20x21EUG. Travel issues delayed here arrival and Ms. Cooper was not there to document her work so we include here it her mural from 2018. (photo © Martha Cooper)
Kiran from Nepal had similar travel issues as Shamsia and here is his mural from last year. (photo © Martha Cooper)
And a smaller piece by Kiran from last year as well. (photo © Martha Cooper)
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New Works St+ART Lodhi 2019 – Courtesy Martha Cooper

New Works St+ART Lodhi 2019 – Courtesy Martha Cooper

St+Art Delhi continues apace with an ever-expanding roster of artists and financial/commercial/municipal partners five years after we first began writing about it, and photographer Martha Cooper brings us today some of the newest installations and shots that she recently discovered while there.

A mural program at heart, many of the artists invited here bring a decorative character to the districts of Shahpurjat, Khirki Village and Hauz Khas Village also have roots in illegal graffiti and Street Art back home, and during their youth.

Yip Yew Chong. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)

Over the years that list has included an international and local array of artists invited to paint at Lohdi Colony from all the continents – well maybe not Antarctica. Names have included ECB, Lady Aiko, local students Avinash and Kamesh, Suiko of Japan, Reko Rennie from Australia, Lek & Sowat from France, Kureshi from India, Inkbrushnme from India, Dutch artist Niels Shoe Meulman, Swiss duo Never Crew, Tofu from Germany, Mattia from Italy, Artez from Serbia, M-City from Poland, Ano from Taiwan…

Yip Yew Chong. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)

Notable here is the architectural framing convention for most of these murals- the distinctive facades of Lodhi Colony architecture that features a central archway and four windows divided by it on a semi-ornate face forward. Some of the arches begin on the ground while others have been bricked into windows. Each provides a view inside the entry or courtyard, while others are bursting out with limbs and trees that protrude through them to the street.

Originally designed by the British-born architect William Henry Medd in the late 1930s and early 1940s as part of a program to house certain populations, this unifying pattern sets the quiet neighborhood apart from others in the city.

Yip Yew Chong. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)

As Chief Architect to the Government of India during that period, Mr. Medd oversaw much of the design of the relatively new city as well as buildings like the Cathedral Church of the Redemption and Sacred Heart Cathedral, both of which reflect his affinity for the high arches that distinguish the period.

“It’s interesting to see how the very different artists have incorporated the arch into their murals,” says photographer Cooper. “The uniform size and shape of the walls unify the disparate collection and the arches give the whole area an exotic touch.”

Aravani Art Project. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)

As is her practice many of these images also skillfully incorporate the foot traffic and community who live here and who are beginning to associate these figurative, abstract and folk-inspired murals into their daily lives. Asking people to pose in front of the new paintings gives them context, somehow also bringing them alive in certain cases. At other times, her timing and eagle eye capture the passerby who unknowingly creates a serendipitous counterpoint to the new work.

“It’s a quiet neighborhood compared to the rest of Delhi,” Martha says, “making it a very pleasant place for an afternoon walking tour.”

Aravani Art Project. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Adele Renault. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Sameer Kulavoor. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Sameer Kulavoor. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Tellas. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Avinash Kamesh. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Avinash Kamesh. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Sajid Wajid. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Sajid Wajid. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
NeSpoon. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
NeSpoon. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Aaron Glasson. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Aaron Glasson. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Dwa Zeta. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Sheryo & The Yok. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Daan Botlek. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Daan Botlek. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Andreco. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Georgia Hill & Hanif Kureshi. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
David Leitner. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
David Leitner. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Samantha Lo. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
Bond. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
H11235. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
H11235. St+ART Lodhi. Delhi, India. March 2019. (photo © Martha Cooper)
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BSA Film Friday: 02.22.19

BSA Film Friday: 02.22.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Escif: Magic Piano
2. Adele Renault: St+Art India. Lodhi Art Festival 2019
3. Jeff Koons at the Ashmolean Museum
4. OS Gemeos: Flying Steps at Hamburger Bahnhof in Berlin

BSA Special Feature: Escif: Magic Piano

Spanish Street Artist Escif creates a museum installation that uses irony, sarcasm, and deep truths that we’re not always ready to see.

By hi-jacking some of the current interactive nomenclature enabled by augmented/mixed realities and the normalizing of tablet use, he alerts viewers to the connection of age-old mineral mining that is just as contemporary as the hi-tech gadgetry many have embraced.

Since you can use the device to contemplate human suffering and make music, it is an indictment of modern attitudes that dehumanize and turn real stories into a video game.

From the artist:

“Coltan is a mineral, found specially in eastern Congo, used to make cells and computer chips. Violent rebel groups are exploiting coltan mining to help finance a bloody civil war which is now in its 12th year.

The link between the bloodshed and coltan is causing alarm among high-tec manufacturers slowly they are beginning to realise that their products may contain the tainted fruits of civil war. Since the outbreak of fighting in august 1998: an estimated 5.4 million people have died; 45.000 continue to die each month; Children account for 47% of these deaths.

Magic Piano is a music installation. With the help of a tablet (that obviously contains coltan) you will be able to play the piano. Use the device to navigate on the wall. When you pass on the screen over a charater, a sound will be activated. If you push the character with your finger a sound loop will be activated. You will also activate the animation of each character.”

Adele Renault: St+Art India. Lodhi Art Festival 2019

A couple of weeks ago we shared with you new photos by Adele’s mom of the Street Artist painting this wall for St+Art India in New Delhi. Today we share a video made of her installation.

📺Lodhi Art Festival 2019 || Adele RenaultAdele's imprints are visible in the winged beauties that now adorn the walls at Lodhi. Laying on a main arterial road know the colony, her birds now peek through the trees and woo passersby.Watch the film to get a closer look into her creative process! 📽 Pranav Gohill & Jay NuEdited by Filterkaypee Festival supported by Asian Paints.#artforall #startindia #startdelhi #startdelhi2019 #asianpaints #lodhiartdistrict #lodhiartfestival2019

Posted by St+art India on Wednesday, February 20, 2019

Jeff Koons at the Ashmolean Museum

“It lacks all the give and the breath of fresh art,” the bespectacled art critic intones with all the weight of a final damnation.

“We need haters out there. They are affirmations that we’re doing something right,” says the streetwise pop star with clever sunnies and sans big hat.

Taking a break from the Banksy beat, Doug appears to put forth that supposition that Jeff Koons is proving once again that as long as you are a white guy and you reference European art history you are 80% on your way as an artist whose work will be collected and exhibited.

OS Gemeos: Flying Steps at Hamburger Bahnhof in Berlin

A splendid hybrid that sends heartbeats racing, even involuntarily, here is a trailer for Flying Steps and Os Gemeos as they interpret Mussorgsky’s “Pictures at an Exhibition”, the famous piano composition that has become a showpiece for virtuoso pianists. Good to see museums of contemporary art truly stretching, redefining the street and Street Art.


Another interpretation by ELP from December 1970.

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Painted Bird in New Delhi: Adele Renault in India

Painted Bird in New Delhi: Adele Renault in India


Belgian Street Artist Adele winged it over to New Delhi last week to bring one of her multi-feathered friends to this new wall in the Lodhi Colony.

With her mother as assistant (and photographer) the intensely detailed and passionate aerosolist hardly stopped while a steady parade of people and animals interrupted their daily travels to gander at the huge bird taking form in front of them.

Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)

January is the only cold month in Delhi, she tells us, so she felt quite lucky to be able to paint during a period of relative comfort. “I was greeted by stray dogs every morning,” she says.

Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)

“And I was fueled by fresh coconut water, chai, and amazing lunch boxes! It was so nice being in the trees with the birds and monkeys, and all school kids and rickshaw drivers stopping by all day long.”

Adele says she was thankful for a rare opportunity to spend quality time together with her mom Veronique and says they plan to continue their trip through India. We’re pleased to share her photos exclusively for BSA readers today.

Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. this was Adele’s favorite stray dog. He came to visit her everyday she told us. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Adele Renault)
Adele Renault. Young aspiring talent. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele with her mom Veronique. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Pranav Gohel)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
Adele Renault. St+Art India. Delhi, Lodhi Colony, India. January 2019. (photo © Veronique Gillet)
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Adele Renault, BSA Wishes And Hopes For 2019

Adele Renault, BSA Wishes And Hopes For 2019

As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2018 and to tell us about one photograph that best captures the year for them. It’s a box of treats to surprise you with every day – and conjure our hopes and wishes for 2019. This is our way of sharing the sweetness of the season and of saying ‘Thank You’ to you for inspiring us throughout the year.


Today’s special guest:

Adele Renault, the Belgian Street Artist, muralist, and painter of realistic portraits of pigeons and people.


I’ve been feathering many nests this year but this pile of containers best represents the piles of feathers I’ve been producing.

It was also the first time for me to be invited to paint in my home country Belgium. A home coming!

2018 has been a good year, I had promised myself to have a book out by the time I reach 30 and I did 🙂

Northwest Walls, Rock Werchter Festival, Belgium

June 2018

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BSA “Images Of The Year” For 2018 Video

BSA “Images Of The Year” For 2018 Video

Here it is! Photographer Jaime Rojo of BSA selects a handful of his favorite images from his travels through 9 countries and around New York this year to present our 2018 BSA Images of the Year.

Seeing the vast expressions of aesthetics and anti-aesthetic behavior has been a unique experience for us. We’re thankful to all of the artists and co-conspirators for their boundless ideas and energy, perspectives and personas.

Once you accept that much of the world is in a semi-permanent chaos you can embrace it, find order in the disorder, love inside the anger, a rhythm to every street.

And yes, beauty. Hope you enjoy BSA Images of the Year 2018.


Here’s a list of the artists featured in the video. Help us out if we missed someone, or if we misspelled someones nom de plume.

1Up Crew, Abe Lincoln Jr., Adam Fujita, Adele Renault, Adrian Wilson, Alex Sena, Arkane, Banksy, Ben Eine, BKFoxx, Bond Truluv, Bordalo II, Bravin Lee, C215, Cane Morto, Charles Williams, Cranio, Crash, Dee Dee, D*Face, Disordered, Egle Zvirblyte, Ernest Zacharevic, Erre, Faith LXVII, Faust, Geronimo, Gloss Black, Guillermo S. Quintana, Ichibantei, InDecline, Indie 184, Invader, Isaac Cordal, Jayson Naylor JR, Kaos, KNS, Lena McCarthy, Caleb Neelon, LET, Anthony Lister, Naomi Rag, Okuda, Os Gemeos, Owen Dippie, Pejac, Pixel Pancho, Pork, Raf Urban, Resistance is Female, Sainer, Senor Schnu, Skewville, Slinkachu, Solus, Squid Licker, Stinkfish, Strayones, Subway Doodle, The Rus Crew, Tristan Eaton, Vegan Flava, Vhils, Viktor Freso, Vinie, Waone, Winston Tseng, Zola

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