All posts tagged: 108

URVANITY Marks 5th Anniversary with Solo Shows and New LAB Program in Madrid

February 22, 2021 Artists

“We’re back!” Announces URVANITY, the organization that has celebrated a distinctly street-influenced flavor of New Contemporary art in Madrid for 5 years. In anticipation of their upcoming fair at the end of May, they’re tantalizing you virtually starting this week with a special program called URVANITY SOLO SHOWS. Featuring 20+ galleries from February 25^th to March 28^th, attendees will be strolling through the solo shows of artists like D*Face, Eugenio Recuenco, Rafa Macarrón, Marría Pratts, James Rielly, and 108.

Ru8icon. Padre Gallery, NY. Urvanity Art 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

We were in Madrid at URVANITY a couple of years ago to host the BSA Talks Program. The energy and mix of talents and visitors created an exciting formula for conversations and education. The impact of graffiti writing and street artists continues to influence the contemporary art field, especially in Europe. We’re also excited this year to learn more about the launch of Urvanity LAB, “a creative laboratory and online shop platform” that will be offering limited edition products by artists like Add Fuel, Boa Mistura, Cristina Daura, GR170, Yubia, and Rorro Berjano.

As we lead into summer and more people get their vaccines, and public spaces begin to open, URVANITY will welcome visitors again to the Colegio Oficial de Arquitectos de Madrid (COAM) May 27-30. We’re looking forward to seeing this smartly curated fair bloom and grow again this year.

We share with you a selection of the participating artists and galleries for this year’s edition of Urvanity Art and a selection of the first crop of artists selected to participate in the first edition of Urvanity LAB.

108. Swinton Gallery, Madrid. Urvanity Art 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

D*Face. StolenSpace Gallery, London. Urvanity Art 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

Wendy White. Badr El Jundi Gallery, Marbella. Urvanity Art 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

Marria Pratts. Yusto/Giner Gallery, Marbella. Urvanity Art 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

Rorro Berjano. Urvanity LAB 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

Add Fuel. Urvanity LAB 2021, on-line exhibition. February 25-28. Madrid. (photo courtesy of Urvanity Art)

Urvanity New Contemporary Art Fair
Online Solo Shows, Feb 25th – March 28th.
The fair at Madrid COAM, May 27th – 30th.

Guerilla Spam and 108 Paint 2 Versions of the “Quarantana”

August 1, 2019 Artists

The Turin-based illustrator Guerrilla Spam has interpreted the “Quarantana” as a stylized toy extended from the arm of an elegant, almost Egyptian figure in a tall fez. Alessandria-born Street Artist 108 depicts the traditional doll as a unique abstraction merged within a form, not specifically figurative, rather primitive perhaps.

Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)

Both are interpreting a pagan/Christian traditional ritual next to each other here in Santa Croce di Magliano.

“ ‘Quarantana‘ is a doll made of fabric and straw, having the appearance of an old woman; the doll, usually hanged to a rope between the balconies or in front of the windows, stands on a potato with seven feathers attached,” say organizers at the Antonio Giordano Street Art festival. “The ritual, fusing Christian and pagan cultures, expresses the importance of living a life of sobriety and peace.”

An unusual topic to depict and oddly paired artists to create it – you are here able to better appreciate the multiplicity of styles at work on the street today. CLICK HERE to see a number of variations on the Quarantana doll as it is used throughout Santa Croce di Magliano, Southern Italy and the Balkan Region.

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

September 2, 2018 Artists, BSA Images Of The Week

It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.

Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.

Canemorto. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faust. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faith XLVII . Lyall Sprong. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pablo Harymbat. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

CT . 108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

DOMA Collective. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Lucy McLauchlan. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

EGS. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BLOT. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pink Power. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Bill Posters. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Sabina Chagina. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BSA Film Friday: 03.03.17

March 3, 2017 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Icy & Sot “Plastic Shells”
2. NWO 3 – ABIK “Gestural”
3. Low Bros #sweet15s Episode 9 / Seattle
4. NUART / Aberdeen 2017

BSA Special Feature: Icy & Sot “Plastic Shells”

Demonstrating once again that when you are an artist the world is your oyster for creativity, Street Artists Icy & Sot play on a popular folk myth that if you hold a seashell to your ear, usually a conch shell, you will hear the sound of the ocean. The rush and the resonance of swelling and crashing waves upon the sand is captured and forever transmitted by the open cavity of the seashell. In this small conceptual video piece the brothers take you to the beach with a new friend to gather seashells and hold them up to your ear.

New Yorker’s can see a new piece by Icy & Sot that one of them in their studio modeled on BSA a couple of weeks ago tonight in a group show by curators Victoria Latysheva and Melissa McCaig-Welles, as they present “Trumpomania”. It’s all mixed media from artists in 35 countries, ruminating on you-know-who.

NWO 3 – ABIK “Gestural”

20+ years of graffiti under his belt, Abik is getting abstract.

It’s third in a series of programs he has led and this one will feature work by many of the next generation who are coming to the streets and canvasses with alternatives to the figurative as well as the wild style – sort of a “no wave” approach to walls.

“The name of the event – NWO as New WALL Order – plays with the illuminati & conspiracy theories’ tagging to ironically highlight new horizons of our post-graffiti scene via the signature-wallpaintings,” says Marco Contardi, an Italian free writer and curator.

Previous editions of NWO included artists like 108, 2501, Giorgio Bartocci, CT, Eleuro and Ufocinque, as well as then Abik, Alfano, Alberonero, Aris, Giorgio Bartocci, Centina, G.Loois x Domenico Romeo, Luca Font and Sbagliato Collective.

Call it post-graffiti, or graffuturism, but these guys hope you’ll appreciate the gesture.

Low Bros #sweet15s Episode 9 / Seattle

The quickest shot of LowBros recent wall in Seattle. So brief, yet potent.

NUART / Aberdeen 2017

A promo reel with punchy soundtrack and juicy graphics. Isn’t that what you want? Nuart Aberdeen 2017 delivers.

“Art Silos” Rise in the Harbor of Catania, Sicily

May 4, 2016 Artists

They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-1

Interesni Kazki. Detail. (photo © VladyArt)

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils.

Interesni Kazki. Detail. (photo © VladyArt)

The project’s completion at the turn of the year culminated in one of the largest Street Art/Graffiti artists’ collective shows in Italy held in the city’s main public gallery Palazzo Platamone, entitled “Codici Sorgenti” (Source Code), which was curated by Stefano S. Antonelli and Francesca Mezzano from Rome’s 999 Contemporary Gallery.

There is talk about the possibility that this exhibition of about 60 artists work will tour throughout Europe with its message of the historic roots of modern graffiti and Street Art along with many of its most impactful practitioners pushing into the contemporary art world.

Interesni Kazki. Detail. (photo © VladyArt)

According to Arianna Ascione in Artsblog.it, the gallery exhibition was “divided into three sections that tell the birth, interactive development and consecration of the (graffiti/street art) phenomenon” Indeed, the list contains works by 108, A One, Augustine Iacurci, Alexis Diaz, Alexone, Bo 130, Boris Tellegen (aka Delta), Brad Downey, C215, Clemens Behr, Conor Harrington, Crash, Delta 2, Dondi White, Doze Green, El Seed, Ericailcane, Eron, Escif, Evol, Faile, Feitakis, Gaia, Herbert Baglione, Horfee, Interesni Kazki, Invader, Jaz, Jeff Aerosol, Mark Jenkins, Jonone, JR, Judith Supine, Kool Poor, The Atlas, Lek & Sowat, Lucy McLauchlan, Matt Small, Maya Hayuk, Mensanger, Miss Van, Momo, Moneyless, Peeta, Rammellzee, Retna, Roa, Seth, Philippe Baudelocque, Sharp, Shepard Fairey, StenLex, Swoon, The London Police, Todd James,Toxic, and the aforementioned Vhils.

Interesni Kazki. Detail. (photo © VladyArt)

Ironically the genre-melting inclination of so-called “urban art” has eroded the silo mentality of many who follow these art forms as they become known, followed, collected, and exhibited; As a metaphor “Art Silos” may more accurately refer to the past and the dogmatic separation of genres such as graffiti, tattoo, illustration, ad jamming, and Street Art for example.

Although not strictly what you might call public art either, the scale of “Art Silos”, with its major artworks that typically may take years to be approved in large cities elsewhere, is an occurrence routinely happening in cities around the world.

Vlady Art and BO130. Detail. (photo © VladyArt)

For us this is one more example of the “New Muralism” that is enabling Street Artists to do major works in public spaces via non-traditional routes. On par with a public art works of other committee-approved sorts, this silo project was a private/public collaboration that made selections, secured funding and permissions from the harbor authorities, city figures, politicians and the manager of the silos themselves, according to VladyArt, who along with Microbo is one of the artists and a resident of Catania.

Vlady Art (photo © VladyArt)

He says the size of the project and the power of the imagery combined with the process of watching them go up has drawn a lot of attention to the area lately. “The people here were amazed by our speed and the large scale operation. Catania had no large murals like this… this was the very first time for Sicily. They can be seen from far away and even from taking off from and landing at the airport – or coming by cruise line on the sea. It seems that nobody really paid that much attention to this spot before, and everyone is talking about it now.”

BO130 and Vlady Art. Detail. (photo © VladyArt)

To understand why a project of this nature can happen so quickly these days, look no further than the location. As we have recounted numerous times, often these efforts are deliberately programmed to draw attention to economically challenged areas as a way of encouraging tourism and investment.

In fact VladyArt says that this historic region and city that dates back many centuries before Christ is having a very challenging time economically and socially and could use positive attention from a crowd that appreciates art. “Catania is somehow the most dynamic city of Sicily, because of its industrial and commercial features,” he says.

Lucamaleonte. Work in progress. (photo © VladyArt)

“Having said that, please be aware that the south of Italy is no way wealthy or an easy place, despite its beauty and lucky location in the sun. Almost the whole city is rough, I can name a many neighborhoods where this is the case.”

So it is all the more remarkable that a multi-artist iconic installation can happen here in Catania and people are exposed to a grassroots-fueled art scene that is currently galloping across the globe.

Lucamaleonte. Work in progress. (photo © VladyArt)

“Regular people around here don’t know much about the whole thing, street art and stuff,” says Vlady Art. “So, quite frankly they wouldn’t care much about Okuda, Vhils or Interesni. They never heard of them before and probably people will find hard to spell their names. They cannot catch the meaning or the purpose of this. They simply like what they see – they like this energy. They do get the ‘message’, the power of art.”

Danilo Bucchi (photo © VladyArt)

Okuda (photo © VladyArt)

Microbo (photo © VladyArt)

ROSH333 (photo © VladyArt)

The Silos facing the city. (photo © VladyArt)

Vhils on the side of the silos facing the water. (photo © VladyArt)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published in The Huffington Post.

Largely Geometric : Altrove ’15 Delivers Abstract Murals to Catanzaro

June 11, 2015 Artists

Mural festivals are blanketing towns and cities with works that run the gamut from eye-poppingly stunning to banal and forgettable. The success of the mix is in the hands of organizers, and not surprisingly, there are many audiences to plan for. One strategy to set your festival apart from the teeming pack is to thematically curate your artists selection and the Altrove Festival in Catanzaro, Italy has settled upon abstraction as an aesthetic principle to organize around.

Ciredz. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Delighting in shape, form, and myriad manners of deconstruction, Altrove’s invited artists steer clear of the figurative and opt instead for patterns, reductive masking, organic forms sheared and overlayed, translucent polygons, optikal graphics, mise-en-scene illusion, paint-chip mosaics, nostalgic early 3D computer rendered graphics, minimalism, and even full-on Matisse like cut-outs and organic forms occupying gridded blocks of color.

Ciredz. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

All considered, the collection hangs together quite well – even though the sophisticated mix is spread out. Without pandering to the merely pleasant, it actually hits one of Altrove’s expressed goals, to “make nearly invisible the boundaries between art and architecture, space and place.

Artists include 108, Alberonero, Giorgio Bartocci, Clemens Behr, Ciredz, Erosie, Graphic Surgery, Sbagliato, Sten Lex and Tellas.

Tellas. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Clemens Behr. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

108 . Graphic Surgery. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Sbagliato. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Erosie. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Bartocci. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Alberonero. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Tellas . 108. Altrove Street Art Festival. Italy, May 2015. (photo © @blindeyefactory)

Our sincere gratitude to Giorgio and Lorenzo @BindeyeFactory for sharing their photos exclusively with BSA readers.
Click HERE for more on BlindeyeFactory.

Click HERE for more on Altrove Street Art Festival

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Tour Paris 13 : Fluorescent & Towering Show Book

December 13, 2014 Artists

Another book to tell you about today! Remember when BSA took you to Paris that time and we skipped the line and went into all the floors of this soon to be demolished building?

“The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.”

That is how we described it in November 2013 when Spencer took us on a whirlwind tour of TOUR 13.

Tour Paris 13 (photo © Jaime Rojo)

Published last month this towering book with the page edges sprayed neon orange was released by Mehdi Ben Cheikh in French and English to commemorate the event, and seeing the installations this way is going to make you wish the place wasn’t destroyed. 500 new photos previously unpublished allows you to see the show as you travel from the cellar to the top floors.

You may wish you had more background on the artists and the context and clearly not all of the artistry is of similar quality but you will be satiated by the images and thankful that they were recorded during their brief duration. Published by Editions Albin Michel, in partnership with the Itinerrance Gallery, this show will continue to soar long after the dust has settled.

Entes . Tour Paris 13 (photo © Jaime Rojo)

Inti . Tour Paris 13 (photo © Jaime Rojo)

Ethos .Tour Paris 13 (photo © Jaime Rojo)

Seth .Tour Paris 13 (photo © Jaime Rojo)

Moneyless .Tour Paris 13 (photo © Jaime Rojo)

Artists included in the Tour Paris 13 project:

108, 2MIL FAMILIA, A1ONE, ADD FUEL, AGL, AGOSTINO IACURCI, AMINE, ALEXÖNE, ARRAIANO, AWER, AZOOZ, BOM.K, BTOY, C215, CEKIS, CELESTE JAVA, CLET, COPE2, CORLEONE, DABRO, DADO, DAN23, DAVID WALKER, DEYAA, EIME, eL SEED, ENTES, ETHOS, ETNIK, FENX, FLIP, GAËL, GILBERT, GUY DENNING, HERBERT BAGLIONE, HOGRE, HOPNN, INDIE, INTI ANSA, INTI CASTRO, JAZ, JB ROCK, JÉRÔME GULON, JIMMY C, JOYS, JULIEN COLOMBIER, KAN, KATRE, KEITH HARING, KRUELLA, LEGZ, LEK, LE CYKLOP, LILIWENN, LOIOLA, LUDO, MAIS MENOS, MAR, MÁRIO BELÉM, MARKO, MARYAM, MATÉO GARCIA, MAZ, MONEYLESS, MOSKO, MP5, MYRE, NANO, NEBAY, NEMI “UHU”, NILKO, ORTICANOODLES, PANTÓNIO, PEETA, PHILIPPE BAUDELOCQUE, RAPTO, REA ONE, RODOLPHE CINTORINO, ROTI, SAILE, SAMBRE, SAMINA, SEAN HART, SÉBASTIEN PRESCHOUX, SENSO, SETH, SHAKA, SHOOF, SHUCK 2, SOWAT, SPAZM, SPETO, STeW, STINKFISH, SWOON, TELLA’S, TINHO, TORE, UNO, URIGINAL, VEXTA, VHILS, and WISIGN

Click HERE to read BSA’s coverage of this project before the building was demolished.

Bien Urbain 2013 Update

September 26, 2013 Artists

With a theme of “Recover the Streets” the Bien Urbain festival is not so much a Street Art festival as an experiment with public space and our interaction with it. It has been interesting to see how the current romance with Street Art is absorbed by a variety of constituencies during the last decade – whether as tools of change, gentrification, commodification, commercialization, education, or simply celebration, artists are being challenged to see their work differently as well. Here in Besancon, France, we find a very inclusive experience where students and citizens and planners are all invited to participate, discuss, and evaluate the impact of the artists work on the built environment. It’s culture as a wholistic practice.

108 from Italy at work. Bien Urbain 2013. Besançon – East of France (photo © Elisa Murcia Artengo) His bio says he spent 15 years working with traditional graffiti abstract shapes and feels that all of which contain organic roots.

108 from Italy. Bien Urbain 2013. Besançon – East of France (photo © Elisa Murcia Artengo)

Erosie from The Netherlands. Bien Urbain 2013. Besançon – East of France (photo © Yorit Kluitman) With a background in graffiti and lettering, Erosie has been working on a series of paintings and cycles and is a fervent proponet of urban art without blinders.

Erosie from The Netherlands. Bien Urbain 2013. Besançon – East of France (photo © Yorit Kluitman)

Akay from Sweden. Bien Urbain 2013. Besançon – East of France (photo © David Demougeot)

OX from France. Bien Urbain 2013. Besançon – East of France (photo © OX)

OX has been repurposing billboards and commercial space to bring it back to its more basic elements. With relatively simple changes directed at the viewer, his reconfiguring gives a new sense of context and purpose to these places, now acting as geometry and sculpture instead of simply a vehicle for commercial messages. The result also makes you reconsider the environment it is placed in.

OX from France. Bien Urbain 2013. Besançon – East of France (photo © Quentin Coussirat)

With our gratitude to David & Johanna for sharing these exclusive images with us.

http://bien-urbain.fr/en/

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On The Road With Nanook, Ever, Sten & Lex Through Italy and France

September 10, 2012 Artists, France, Italy, On the Street, Paris, Street Art Festival

What did you do this summer? We’re starting off the week with a colorful and detailed travelog from Rosanna Bach, who really gives BSA readers a sense of the experience for Street Artists who go to distant places to create their art on walls for fun and festivals. Thanks to Rosanna as photographer and contributor, here you have an opportunity to spend some time in Italy traveling with Ever, Nanook, Sten & Lex as they go from Rome to Foligno, Italy. She documents their participation for the second edition of Attack Festival and captures the artists working under the scorching sun and in intimate, quiet settings. In this BSA exclusive Rosanna also put in words her summer experiences as she leaves Foligno for Paris where she documented EVER as he participated in Le Mur.

Roma to Foligno. We de-board the train and are about to exit the station when Ever waves me back. Sten is scuttling back and forth in the train like a trapped hamster. We thought he was stuck in there looking for an open door so we wave him over to the open door but he does not get out. He is struck with confusion as different orders fly from different directions. Meanwhile, the passengers are hanging over the windows to see what all the fuss is about.

Mission accomplished; Laptop is retrieved.

Barely begun, this trip already seems promising.

Ever. Roma to Foligno. (photo © Rosanna Bach)

Foligno, Italy. This was once called the “Centre of the World” because the Pope had supposedly kept his treasury here in the 15^th century. It is certainly a beautiful place, although considerably more modest than its name implies. This is where we would spend the next five days and would be introduced to the “Hurdi Gurdi”. It is also a place where it seems that the solution to every problem was, “Lets go have a coffee”.

Sten & Lex, Nanook, and Ever had been painting together at the Open Walls Festival in Baltimore just a few months back. Three very different artists, from three corners of the world, were here meeting again in the “Centre of the World” for the second ever “Attack Festival”. Upon arrival we learn that we have arrived early. Two months early!

In September Foligno’s Attack Festival will be graced by the likes of; 108, Andrea Abbatangelo, Achille, Airone, Bol 23, Danilo Bucchi, Stefano Canto, Mario Consiglio, Diamond TTS, Alberto Di Fabio, Ericailcane, Hitnes, Hogre, JB Rock, Kindergarten,Lucamaleonte, Martina Merlini&Tellas, Roman Minin, Moneyless, Ozmo, Alice Pasquini, Cristiano Petrucci, David Pompili, David Eron Salvadei, Ale Senso, Sten&Lex.

Main Square, Foligno, Italy. (photo © Rosanna Bach)

Nanook, Ever and Sten & Lex check out their new walls. Foligno, Italy. (photo © Rosanna Bach)

Sten & Lex. The two Italians have been working together for more then 10 years and are considered kind of the “Mama and Papa of stencil” in Italy where their current style consists of “stencil posters”; large scale wheat pasted portraits that they hand-cut intricate patterns onto. They usually use portraits of strangers, however this piece was of a friend’s brother who had taken his own life. They will return in September for round two.

Sten & Lex, Foligno, Italy. (photo © Federica Tega)

Nanook. Fairly new to the street art scene (painting large scale for a year or so), he has left his studio that he used to share with “Gaia” back in Baltimore for new adventures in the old-world. He has been recording on paper his plan as he goes (from Berlin to Budapest and now Italy) “I feel so privileged to even be able to paint in this town, with all this history and the beautiful buildings”, he writes.

A calm and humble figure, he is constantly knocking out new sketches, whether using black ink or espresso in his black notebook, leaving no time for siestas. His hunger to learn is energizing; “I would just love to work and learn from an old master like they have here in Italy”.

As his style evolves playing by with realism, abstract lines and shapes, it will be very interesting to see how this young artist grows. In this piece he incorporated the shape of Umbria, the region in which Foligno lies. Now he is a one-way ticket to Buenos Aires. Lets see what happens…

Nanook “Siesta Time”. Foligno, Italy. (photo © Rosanna Bach)

Nanook. Foligno, Italy. (photo © Rosanna Bach)

Argentine artist Ever creates the most political work out of the three.

It must be a challenge to try and explain yourself in a foreign language that; you are not actually a devoted worshipper of Mao Tse Tung but that you are in fact talking about human contradiction, how in times of crisis people always seem to be convinced that the opposite is the solution. For example, as a result of the current decline of the capitalist system, many are swaying towards the left side of the political spectrum. “We are looking outward into one room. But why don’t we go to another room to find new solutions?” asks Ever.

Ever. Foligno, Italy. (photo © Rosanna Bach)

Paint bucket. Foligno, Italy. (photo © Rosanna Bach)

Nanook, Ever. Foligno, Italy. (photo © Rosanna Bach)

As passers stopped to comment, Nanook looks frazzled and Ever lets them ramble on for minutes without a clue what they are talking about. “Si si bene bene grazie, bon journi!” he’d reply to them and they’d be on their way.

The language barrier doesn’t seem to faze this one character though. He is here to stay with his beloved Hurdi Gurdi. “We make artistic exchange!” he cries.

The Hurdi Gurdi. Foligno, Italy. (photo © Rosanna Bach)

Nanook, Ever. Foligno, Italy. (photo © Rosanna Bach)

Once the 3 x 5 meter mural was finished I was expecting some sort of a scream of joy or something like that, but Ever just said: “I am always dissatisfied with a wall when I finish it. I never like it at first.”

We go from a scorching roadside in Foligno to “Le Mur” beside a trendy café in Montmartre, Paris. One of the few legal walls in Paris – it is a billboard-style space that a new artist is invited to paint every two weeks. “It is really hard to paint here in Paris, especially big walls,” Ever explains.

Paris. The place where Ever has spent the last 2 months, and where he lived for a while back in 2010. Paris was the turning point for him; he began to inject politics into his art. “Paris is a political place for me”.

Ever. Le Mur. Paris (photo © Rosanna Bach)

Ever. “Free Tibet” Detail. Le Mur. Paris (photo © Rosanna Bach)

After just one night the wall was tagged and “Free Tibet” stickers had been stuck on the soldiers’ suits. “No, no this is good, this is France, it’s a good thing when the people react. We leave them on. This is like a conversation with the people.”

Ever. “Free Tibet”. Le Mur. Paris (photo © Rosanna Bach)

A lady who must have been about 80 years old appeared on day one, and whipped out a huge DSLR camera from her purse. She returned there everyday since. She even brought photographs she had taken of the process and took the time to hand write the date and place on each photograph.

Ever. “Free Tibet” Le Mur. Paris (photo © Rosanna Bach)

“Why are you guys doing this?!” An agitated pedestrian asked me hastily. Once I explained that concept to him he replied, reassured; “Oh I see, it’s meant to be provocative.”

Ever. “Free Tibet”. Le Mur. Paris (photo © Rosanna Bach)

From what I understand, after listening to countless conversations about street art, these artists are really looking for long term investors for their work, not just fast money. They’re resisting becoming a passing phase only to be dropped like a hot potato after this street art wave dies down. Fame seems to be irrelevant – but if it is a by-product then so be it. “I don’t like business, I just want to paint”, Ever says.

BSA>>>>>>>BSA<<<<<<<BSA<<><><>BSA>>>>>>>BSA<<<<<<<BSA<<><><>

Many thanks to Rosanna Bach for her diligence, passion and her talents.

http://rosannabach.tumblr.com/

http://openwallsbaltimore.com/

http://associazioneattack.wordpress.com/

http://eversiempre.com/

http://stenlex.net/

http://www.flickr.com/photos/nanookart

http://lemur.asso.fr/

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Fun Friday 04.20.12

April 20, 2012 Art Fair, Artists, Barcelona, California, Events, Gallery, Katowice, L.A., London, Los Angeles, Mexico, Mexico City, Newcastle Upon Tyne, On the Street, Opening, Poland, San Francisco, Spain, Street Art Festival, U.K.

1. ROA at StolenSpace “Hypnagogia” (London)
2. Katowice Street Art Festival 4/20-29 (Poland)
3. LALA Gallery Inauguration Saturday (Los Angeles)
4. Herakut “Loving the Exiled” at 941 Geary (San Francisco)
5. Marsea Gives You the “High Five!” at New Image Art Saturday (LA)
6. Erica Il Cane “Una Vita Violenta” at Fifty24MX Gallery (Mexico City)
7. Brett Amory “Waiting 101” at Outsiders Gallery (Newcastle, UK)
8. OLEK in Barcelona with Botero (VIDEO)
9. C215 “About Copyrights” (VIDEO)
10. The Bushwick Trailer (VIDEO)

ROA at StolenSpace “Hypnagogia” (London)

With his current show, now on view at the StolenSpace Gallery in London, ROA will demonstrate how you can be asleep and awake at the same time. His solo show “Hypnagogia” opens today to the general public and offers a dissected view of ROA’s fantastic world of animals and beasts. ROA’s hand crafted book “An Introduction To Animal Representation” by Mammal Press is on sale at The Old Truman Brewery on 91 Brick Lane. Hurry there are only only 125 tomes being offered.

Roa (photo © Jaime Rojo)

For further information regarding this show click here.

Katowice Street Art Festival 4/20-29 (Poland)

Katowice, a Silesian city in Southern Poland celebrates Street Art with their own Street Art Festival, now on its second year, from April 20 through April 29. The gray, concrete architecture that dominates this town will be imbued with color, shapes and fantasy with the help of this city most prominent daughter, OLEK aided by an illustrious list of first rate of fine and Street Artists including Mark Kenkins, Escif, Boogie, Moneyless, Ganzeer, Ludo, Mona Tusz, Swanski, 0700 Team, Tellas, Dan Witz, Hyuro, M City, ROA, Goro, Kilo, Nespoon, Aryz, 108, Wers, Ciah-Ciah, Etam Crew, Otecki, Razpajzan, Sepe, Chazme, CFNTX Crew, Onte, Jezmirski, Terry Grand, Dast, Impact, Malik, Turbos and Mentalgassi.

Olek (photo © Jaime Rojo)

For further information regarding this festival click here.

LALA Gallery Inauguration Saturday (Los Angeles)

The West Coast continues to assert itself as a power house in the art world and as a Street Art mecca with the inaugural show of LALA Gallery. A brand new gallery conceived by Daniel Lahoda, the mind and soul and legs of LA Freewalls Project.

LALA’s line up of artists for this first show augurs an auspicious beginning and a successful life which we hope last for a long, long time. “LA Freewalls Inside” is the title of this show and artists included are: Anthony Lister, Askew One, Becca, Cern, Chris Brand, Cryptik, Cyrcle, Dale VN Marshall, Dan Witz, Daze, Dee Dee Cheriel, Evan Skrederstu, How & Nosm, Insa, Jaybo, Kim West, Kofie, Lady Aiko, Ludo, Mear, The Perv Brothers, Poesia, Push, Pyro, Ripo, Risk, Ron English, Saber, Shepard Fairey, Swoon and Zes.

Dan Witz. Detail of his installation “The Prisoners” on the walls of LALA. (photo © Dan Witz)

Askew One for LA Freewalls Project. (photo © Todd Mazer)

For further details regarding this show click here.

Herakut “Loving the Exiled” at 941 Geary (San Francisco)

Herakut, the indefatigable German collective are a busy duo with an impressive craft and a mastery of the can and paint brushes. Never compromising their artistic output regardless of their environment or medium they set their collaborative standards high with an output rich in earthy colors. Their palette of ores, reds, grays, oranges, blues, browns and yellows give birth to a universe of characters that are fantastic and mysterious and in pursuit of you, the spectator. In San Francisco at 941 Geary Gallery Saturday the reception will be open for the artists and you at “Loving the Exiled”.

Hera at work in preparation for the show. (photo courtesy © Jennifer Goff)

Akut at work in preparation for the show. (photo courtesy © Jennifer Goff)

For further information regarding this show click here.

Group Show “High Five!” at New Image Art Saturday (LA)

HIGH FIVE! the new group show at New Image Art Gallery in Los Angeles opens tomorrow and the artists include Alia Penner, Ashely Macomber, Curtis Kulig, Deanna Templeton, Maya Hayuk and Vanessa Prager.

Curtis Kulig AKA Love Me (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend:

Tomorrow, Saturday April 22 will be the last day to see Erica Il Cane show “Una Vita Violenta” at the Fifty24MX Gallery in Mexico City. The gallery will also participate with Erica Il Cane at the Zona Maco Mexico Arte Contemporaneo Art Fair in Mexico City. April 18 – April 22. For further details about “Una Vita Violenta” click here. For more details about Zona Maco, Mexico Arte Contemporaneo Art Fair click here.

Brett Amory solo show “Waiting 101” At the Outsiders Gallery in Newcastle, UK opens today to the general public. Click here for more details about this show.

OLEK in Barcelona with Botero (VIDEO)

Still working on that scarf you’ve been knitting for OLEK’s birthday? You missed it.

C215 “About Copyrights” (VIDEO)

The Bushwick Trailer (VIDEO)

Starring: Bishop 203, Veng and Never

Katowice Street Art Festival. April 20 – April 29 2012 (Katowice, Poland)

April 19, 2012 Artists, Events, Katowice, Opening, Poland, Street Art Festival

Katowice Street Art Festival

Olek (photo courtesy © Olek)

Katowice Street Art Festival

20-29 kwietnia 2012

http://www.katowicestreetartfestival.pl/

INSTALACJE:

Olek (USA)

14-29.04.2012

plac pod Spodkiem, Katowice

www.agataolek.com

Mentalgassi (Niemcy)

27-30.04.2012

Katowice

www.mentalgassi.blogspot.com

Mark Jenkins (USA)

15-26.04.2012

ul. Mariacka 15, Katowice

www.xmarkjenkinsx.com

Nawer vs. Temporary Space Design / DJ Krime / Daniel Drumz

28.04.2012

godz. 20.00

sala widowiskowa DOKP, al. Roździeńskiego 1

wstęp: 5 pln

www.facebook.com/NAWER.VS.TEMPORARYSPACEDESIGN

www.myspace.com/funkmastakrime

www.danieldrumz.org

MURALE

Roa (Belgia)

23-28.04.2012

ul. Mariacka Tylna 11, Katowice

www.roaweb.tumblr.com

M-City (Polska)

26-30.04.2012

ul. Sobieskiego 13, Katowice

www.m-city.org

Escif (Hiszpania)

20-27.04.2012

ul. Mikusińskiego 5, Katowice

www.flickr.com/people/escif

Hyuro (Argentyna)

20-27.04.2012

ul. Gliwicka 58, Katowice

www.flick.com/people/hyuro

Moneyless (Włochy)

20-29.04.2012

ul. Mariacka Tylna 13a, Katowice

www.moneyless.it

Tellas (Włochy)

20-29.04.2012

ul. Mariacka Tylna 13, Katowice

www.tellas.org

Swanski (Polska)

24-28.04.2012

ul. Monte Cassino 5, Katowice

www.swanofobia.com

Ludo (Francja)

17-20.04.2012

ul. Markiefki 55, Katowice

www.thisisludo.com

Drobczyk / Mona Tusz / Vero King / Raspazjan (Polska)

20-29.04.2012

wiadukt przy ul. Mikołowskiej, Katowice

www.magdalenadrobczykportfolio.blogspot.com

www.monatusz.art.pl

www.raspazjan.com

Śląski Mural (Polska)

20-29.04.2012

wiadukt przy ul. Mikołowskiej, Katowic

WYSTAWA

Boogie: Bangkok, Belgrad, Kingston (Serbia / USA)

20.04-6.05.2012, wernisaż 20.04 o godz. 18.00

Galeria Centrum (d. Sektor I), Centrum Kultury Katowice, pl. Sejmu Śląskiego 2

www.artcoup.com

CZTERY OBLICZA BASQUIATA – PRZEGLĄD FILMOWY

24.04.2012

godz. 19.00

Kinoteatr Rialto, ul. św. Jana 24

Basquiat. Une Vie

Francja 2010, 52 min.

reżyseria: J.M. Vecchiet

występują: Bruno Bischofberger, Kai Eric, Micheal Holman i in.

24.04.2012

godz. 20.15

Kinoteatr Rialto, ul. św. Jana 24

Basquiat – Taniec ze śmiercią

USA 1996, 108 min.

reżyseria: Julian Schnabel

występują: Jeffrey Wright, Benicio del Toro, David Bowie, Gary Oldman, Denis Hopper i in.

25.04.2012

godz. 18.00

Kinoteatr Rialto, ul. św. Jana 24

Basquiat, promienne dziecko

USA 2010, 88 min.

reżyseria: Tamra Davis

występują: Julian Schnabel, Larry Gagosian, Fat 5 Freddy, Thurston Moore i in.

25.04.2012

godz. 20.00

Kinoteatr Rialto, ul. św. Jana 24

The New York Beat Movie a.k.a. Downtown 81

USA 1981, 72 min.

reżyseria: Edo Bertoglio

występują: Fat 5 Freddy, Vincent Gallo, Deborah Harry, John Lurie i in.

DEBATA:

25.04.2012

godz. 18.00

Rondo Sztuki, Rondo im. Gen. J. Ziętka 1

Podczas tegorocznej edycji Festiwalu odbędzie się debata poświęcona wyzwaniom, jakie obecnie stają przed street artem – komercjalizacją, festiwalizacją, wejściem sztuki ulicy do czterech ścian galerii. Do zabrania głosu zostali zaproszeni: Kristel Talv (Nuart Festival ze Stavanger w Norwegii), Angelo Milano (FAME Festival z Grottaglie we Włoszech) oraz Polacy: Ixi Color z Fundacji Vlepvnet w Warszawie i Michał Bieżyński z Fundacji Urban Forms w Łodzi. Debatę poprowadzi Łukasz Greszta (portal sosm.pl).

EGIPT / STREET ART / POLITYKA

Prezentując najnowsze zjawiska współczesnego street artu nie można pominąć zeszłorocznych ruchów rewolucyjnych, które przetoczyły się przez kraje Bliskiego Wschodu i które odbiły się szerokim echem na całym świecie. Znaczącą rolę w tych wydarzeniach odegrała egipska scena artystyczna, która – wychodząc na ulicę i tworząc tam politycznie zaangażowane prace – zachęcała ludzi do sprzeciwu wobec tyranii i zniewoleniu przez ówczesne władze. Wracając do tego, co leżało u podstaw street artu, egipscy artyści pokazali światu, jaką rolę może odgrywać sztuka w przestrzeni publicznej, nie ulegając przy tym komercjalizacji, uprzedmiotowieniu i dekoracyjności.

Ahmad Abdalla

22.04.2012

godz. 20.00

Kinoteatr Rialto, ul. św. Jana 24

The Microphone

Egipt 2010, 120 min.

reżyseria: Ahmad Abdalla

+ spotkanie z reżyserem

www.ahmadabdalla.net

Ganzeer – spotkanie

26.04.2012

godz. 18.00

Klub Festiwalowy KATO, ul. Mariacka 13

www.ganzeer.blogspot.co

MUZYKA

Young Fathers – koncert otwarcia

20.04.2012

godz. 20.00

ul. Mariacka

www.youngfathersmusic.com

www.myspace.com/youngfahters

U Know Me Night: Kixnare / Teielte

21.04.2012

godz. 21.00

Klub Festiwalowy KATO, ul. Mariacka 13

www.facebook.com/kixnare

http://www.myspace.com/tiltsound

KATO meets BRESLAU: Teleport Katowice / Igor Boxx

26.04.2012

godz. 20.00

Podcienia Centrum Kultury Katowice, pl. Sejmu Śląskiego 2

http://soundcloud.com/teleport_katowice

www.ninjatune.net/igorboxx

Cosmin TGR

27.04.2012

godz. 21.00

Flow Club

ul. 3 Maja 23

wstęp: 10 pln

www.cosmintgr.com

Nawer vs. Temporary Space Design / DJ Krime / Daniel Drumz

28.04.2012

godz. 20.00

sala widowiskowa DOKP, al. Roździeńskiego 1

wstęp: 5 pln

www.facebook.com/NAWER.VS.TEMPORARYSPACEDESIGN

www.myspace.com/funkmastakrime

www.danieldrumz.org

MaxFlo Fest

28.04.2012

godz. 20.00

Mega Club, ul. Żelazna 9

wstęp: pierwsze 300 sztuk – 25 pln, w przedsprzedaży – 30 pln, w dniu koncertu – 35 pln

www.maxflorec.pl

WARSZTATY:

Warsztaty z kibicami

1.02-29.04.2012

Prowadzenie: Urwis

Uczestnicy: kibice GKS Katowice / zapisy zamknięte

miejsce: Stadion GKS Katowice / ul. Jabłoniow

Warsztaty z typografii miejskiej

24.04.2012

26.04.2012

Prowadzenie: Zofia Oslislo-Piekarska

Uczestnicy: dzieci uczęszczające do MDK Bogucice

Miejsce: MDK Bogucice

Warsztaty dźwiękowe

20-22.04.2012

Prowadzenie: Marcin Dymiter

Uczestnicy: 16-30 lat / zapisy: magdalena.piechaczek@miastoogrodow.eu

Miejsce: SARP Katowice, ul. Dyrekcyjna 9

Warsztaty z szablonu

20-22.04.2012

Prowadzenie: Czarnobyl / Pisa73

Uczestnicy: młodzież z Domu Dziecka Stanica

Miejsce: Dom Dziecka Stanic

SPORTY MIEJSKIE:

Nightskating

21.04.2012

godz. 20.00

plac pod Spodkiem
Przed wyjazdem, w godzinach 18.00 – 20.00 na placu pod Spodkiem odbędą się warsztaty frisbee, które poprowadzi Śląskie Stowarzyszenie Graczy Ultimate Freezebeatz.

Wycieczka rowerowa szlakiem sztuki PRL-u

22.04.2012

godz. 10.00

zapisy: marcin.dzedzej@miasto-ogrodow.eu

Start: KATObar, ul. Mariacka 13

Zawody rolkowo-deskowe

28.04.2012

godz. 10.00

Miejsce: Skatepark PTG, Katowice
W czasie trwania zawodów, w godz. 10.00 – 18.00 odbędą się warsztaty frisbee, które poprowadzi Śląskie Stowarzyszenie Graczy Ultimate Freezebeatz.

Wycieczka rowerowa szlakiem katowickich murali

29.04.2012

godz. 10.00

zapisy: marcin.dzedzej@miasto-ogrodow.eu

Start: KATObar, ul. Mariacka 13

KATOWICE STREET ART FESTIVAL W PIEKARACH ŚLĄSKICH

Warsztaty budowania latawców

15.03.2012 / 1.04.2012

godz. 16.00

www.kuklok.pl

Warsztaty tworzenia murali

21.04.2012

godz. 12.00 – 14.00

Prowadzenie: Stowarzyszenie Kuklok

22.04.2012

godz. 10.00-16.00

Prowadzenie: 0700 team

miejsce: klub Piekarni.

Piknik z Latawcem

6.04.2012

godz. 13.00

Kopiec Wyzwolenia, Piekary Śląskie

www.kuklok.pl

0700 team

20-29.04.2012

Kamienica na rogu ul. Bytomskiej i Wyszyńskiego

oraz Brzeziny Śląskie

Stowarzyszenie Kuklok

20-29.04.2012

Kamienica na rogu ul. Wyszyńskiego i Traugutta

Przegląd Piekarskich Amatorskich Zespołów Muzycznych

28.04.2012

Ośrodek Kultury Andaluzja, ul. Oświęcimska 45

Addict Galerie Presents: ” L’ART URBAIN …du mur a l’atelier…” A Group Show (Paris, France)

October 7, 2010 Artists, Events, France, Gallery, Opening, Paris

Vernissage Samedi 16 Octobre à partir de 18H

Opening Saturday October 16 from 18H
Addict Galerie

Exposition Collective du 16 Octobre au 4 Décembre Mardi Samedi 11 :00 – 19 :00

Group Show from October 16th to December 4th Tuesday Saturday 11 :00 – 19 :00

La rue, laboratoire dun nouveau mode dexpression

Un art est né dans la rue parce que ses auteurs ne se définissaient pas comme des artistes. Cétait là, la révolution. Des jeunes aux doigts errants, voulaient simplement rappeler leur existence en prenant à partie un paysage urbain, prison de briques et de pierres, souvent délabrée, qui servait de décor à leur vie. Depuis maintenant plus dun demi-siècle, lesthétique des cités sen est trouvée modifiée.

On a souvent dénoncé le spontanéisme immature de ces peintres clandestins qui nobéissaient en réalité quà un besoin instinctif dexpression visant à déconstruire un certain académisme des formes. Dabord terrain dexpérimentation de jeunes amateurs, la rue est devenue le lieu dexposition dartistes issus des meilleures écoles allant à la rencontre dun public, souvent absent des musées.

A rebours de lindividualisme traditionnel du créateur, ces artistes ont su développer générosité et sens du partage pour élaborer des projets collectifs. Ils ont également renouvelé les outils traditionnels de la peinture en explorant toutes les techniques et tous les types de supports. Certains dentre eux en revisitent laspect figuratif avec lironie dun langage métaphorique. Dautres sapproprient aussi le multimédia pour nous sensibiliser aux dangers du monde virtuel.

Lart urbain est désormais un art de vivre pour beaucoup de ses adeptes, artistes authentiques à linspiration variée qui entendent créer en toute légalité, sur des supports autorisés.

Surgit alors un paradoxe : comment ces innovateurs nomades, ayant élu la rue comme terrain dexpérimentation, habitués à y exposer des travaux destinés à disparaître, comment ces acteurs du provisoire peuvent-ils se laisser enfermer dans un musée ou une galerie ?

Une chose est sûre : en investissant « lintérieur », en renonçant à leur clandestinité, ces artistes ne perdent rien de leur authenticité. Ils revendiquent simplement une inspiration différente mais fidèle à leur démarche créatrice. Tous se promettent également de retourner sexprimer dans la rue. Cette tendance nest pas nouvelle. Le passage du mur et du wagon au support léger, mobile et collectionnable se produit déjà à New York dès la fin des années 70, avec Crash, Lady Pink!

Face à ces tentatives qui se mondialisent que pense le citadin de ces « uvres » quon lui met sous le nez ? Il demeure sceptique, parfois choqué, souvent dérouté. Institutions et critiques en ont tiré prétexte pour tenir à lécart ces fabricants de signes indéchiffrables, ravalés au rang de propagateurs dune sous culture de ghetto aux slogans parfois subversifs.

La presse, de son côté, a fait preuve dune étonnante absence de curiosité à légard de ce mouvement quand elle ne la pas fustigé allant jusquà le traiter « dart dégénéré ».

Les musées lont largement ignoré. Les collectionneurs, mal informés, ne pouvaient que se montrer frileux à son endroit.

Un tel contexte assigne à lart urbain une place singulière dans lhistoire et ne facilite pas sa reconnaissance comme mouvement artistique à part entière. Même si la situation évolue lentement, à ce jour en France, très peu dexpositions lui ont été consacrées. Elles ont notamment peu pris en compte la variété des techniques quil met en uvre, ni la richesse de son inspiration, passant même à côté de certains de ses grands acteurs.

Il nétait que temps de témoigner de limportance dun des élans créatifs les plus révolutionnaires du Vingtième siècle car inscrit dans une époque condamnée à lentassement humain dont il réinvente les formes dart pictural.

Pour rendre compte de son ampleur, Addict Galerie lui consacre deux expositions, la première débutera le 16 Octobre 2010. Ce panorama voudrait témoigner du foisonnement des talents qui lirradie. Seront entre autres rassemblées les uvres de plus de quarante artistes internationaux, des pionniers tels Gérard Zlotykamien, John Crash Matos, Doze Green, Lady Pink, John Fekner et Don Leicht, Jean Faucheur, Toxic jusquaux jeunes talents tels Imminent Disaster, Jazi, Alexandros Vasmoulakis, 36RECYCLAB, MamboPartageront aussi ses murs Jaybo, Marco Pho Grassi, Victor Ash, Herakut, Andrew Mc Attee, Nick Walker, Kofie, Boris Hoppek, Thomas Fiebig, LATLAS, Mist, TRYONE, Smash 137, Eelus, Dtagno, 108

Ce projet unique en son genre suppose une subjectivité dans les choix dont Addict Galerie a conscience et quelle assume librement. Il sagit pour nous de révéler, loin des sentiers battus, la cohérence dun mode dexpression qui, à travers sa multiplicité, saffirme comme imaginatif, inspirant et novateur.

La scénographie proposée scande en deux temps le parcours de ce panorama sans en briser lunité même si la première étape comporte une dominante plus abstraite et la seconde plus figurative. Cette approche conforte au contraire une vision globale qui voudrait souligner la réussite du passage de cet art en galerie.

Par cette initiative hors norme, Addict Galerie souhaite rendre justice à lart urbain et laider à asseoir sa légitimité artistique.

Laetitia Hecht et René Bonnell

Pour toutes demandes Contactez la galerie : +33 (0)1 48 87 05 04 / info@addictgalerie.com

Information available upon request Contact the gallery: +33(0)1 48 87 05 04 / info@addictgalerie.com

ADDICT GALERIE
Laetitia Hecht
14/16 rue de Thorigny
75003 Paris – France.
T: +33(0)1 48 87 05 04
info@addictgalerie.com

www.addictgalerie.com

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