Joshua Liner Gallery Presents: Dennis McNett “Reaping Waves and Vital Vessels: The Passing of the Wolfbats” (Manhattan, NYC)

Dennis McNett
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Press Release

Joshua Liner Gallery, in collaboration with gallery artist Dennis McNett, is thrilled to present a first-ever, spectacular event in the streets of West Chelsea: The Passing of the Wolfbats.

Part art parade, part shaman uprising, the “Passing of the Wolfbats” will gather art enthusiasts and neighborhood residents for a celebratory procession through the heart of the New York art world. The purpose? To wake up the city’s sleeping spirits of creativity, expression, and personal soulfulness.

Led by a Viking ship, drummers, marchers with banners and battleaxes, and a flock of Wolfbats—McNett’s signature symbol of transformation—the procession will feature many elements from the artist’s work, including mythological figures and folklore, animal and skeleton forms, and masks and costumes, all emblazoned with McNett’s distinctive linocut imagery. McNett has evolved these characters into a personal mythology that he deploys in woodcut prints on paper applied to wall installations, sculptures, papier mâché masks, costumes, ships, and more.

The community is enthusiastically invited to participate in the procession in whatever form it chooses, from wheatpasting prints to the hull of the ship, to creating and wearing costumes, to offering expressions in song and dance during the procession. All participants are welcomed to join the celebration of community energy and collective spirit outside the Joshua Liner Gallery on 28th Street, where a second ship (with band aboard) will be moored. The ships themselves are roughly twenty-six feet in length, constructed of wood entirely by hand, and feature ten-foot sails of printed muslin and a hull papered in prints by McNett and myriad other artists.

“The size of the ship is important,” says McNett. “It represents an invasion into whatever space it inhabits and is large enough to be collaborative. It’s an armature for communal ritual, big enough to facilitate everyone’s work.” It is McNett’s intention to celebrate collectivity and collaboration in the construction of the ships, the tradition of storytelling, the energy of the procession, and the egalitarian medium of printmaking itself.

Wolfbats and Other Misfits

McNett’s Wolfbats—flying creatures with a wolf head and bat wings—are inspired by the Norse resurrection myth of Fenris, and first appeared in public at the 2007 Deitch Projects Art Parade. The artist staged his first “Viking invasion,” with Wolfbats and near life-size Viking ship, at the Southern Graphics Council Conference (“Mark Remarque”) in Philladelphia in March 2010. Dubbed “The Big Takeover,” the parade incorporated work from countless number of printmakers who joined McNett in adorning the Viking ship with their work. In December, Scope Miami will showcase Santa Muerte in a special project installation by McNett at its annual art fair.

Identifying overarching themes in his work, McNett views his mythical characters as “beautiful misfits shunned and punished for being different, alive, strong. They are a reminder of our short time on earth. I envision all of these things as vital spirits that wake the sleeping spirit in others, and do battle against apathy, loss of community/tribe, the sleeping and tuned-out, fictional news media, corporate ownership, and money-beforespirit attitudes.”
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The Exhibition at Joshua Liner Gallery

Dennis McNett’s Viking ship procession kicks off an exhibition of new works by the artist at Joshua Liner Gallery. The show will include wood- and linocut works on paper and muslin, as well as large carved-wood panels that are hand-colored in acrylic, inked, and finished. Also included will be freestanding sculptures papered in McNett’s prints, such as Santa Muerte, more hanging wolfbats, and animals that carry personal and mythological significance for the artist.

Throughout, McNett focuses on storytelling in images expressed by the bold, saturated line unique to relief printmaking. The artist’s vocabulary of images borrows freely from Greek and Norse myths, Mexican muertos, and the animal kingdom, all synthesized into an idiosyncratic style that is deeply heartfelt. Other characters and creatures include eagles, wolves, owls, and skeletons, some of which have been developed into live, impromptu performances in the public sphere.

Vital Vessels

McNett will also unveil a series of Viking ship sculptures emblazoned with patterns and images from a variety of printing processes. These are memorial sculptures recognizing deceased friends and heroes from the artist’s past. Among the remembered are the late Andy Kessler, New York City skateboard pioneer; Richard Mock, the celebrated painter and linocut printmaker regularly featured by the New York Times; and the master printmaker and Kent State instructor, Tom Little. The ships represent each person with specific patterns, symbols, and imagery either carved into or printed onto the wood surface and sails.

As McNett states, “The body is like a vessel, navigating water and waves. Ships have character: some know how to navigate the seas better than others. Some ships are driven by skilled and experienced captains. Some ships are beaten and weathered. Some have carried many passengers. Some show the way. Some vessels work together for a common goal or to form a stronger force.” The emotional tumult around these themes is faithfully evoked by the memorial ship sculptures and a crashing wave installation in the gallery.

About the Artist Born in 1972 in Virginia Beach, VA, Dennis McNett received a BFA from Old Dominion University in Norfolk, VA, and an MFA from Pratt Institute in Brooklyn, NY. He currently lives and works in Brooklyn. Solo exhibitions of his work include: Year of the Wolfbat, Fecal Face Dot Gallery, San Francisco (2009); and Driving Through, The Life Art Gallery, Portland, OR (2008). His work has been featured in the following selected group exhibitions: Barnstormers, Joshua Liner Gallery, New York (2010); Outlaws and Wild Animals, Rebus Works, Raleigh, NC (2009); From the Streets of Brooklyn, Thinkspace Gallery, Los Angeles (2009); Titanium Exposed, Fecal Face Gallery, San Francisco (2008).

Artist
Dennis McNett

Joshua Liner Gallery

Address
548 West 28th Street
3rd Floor
New York, NY 10001

Phone

(212) 244-7415
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WAS Wonderland Art Space Presents: Armsrock Solo Show “Nocturne On A Drainpipe Flute” (Copenhagen V)

Armsrock
brooklyn-street-art-armsrock

“NOCTURNE ON A DRAINPIPE FLUTE”

10th of December – 15th of January.

Opening 10th of December, 17.00-22.00

WAS Wonderland Art Space Absalonsgade 21b 1658 Copenhagen V

info@wonderlandonline.dk

Gambling Succeshistorier skrevet af Wonderlandspace

+45 3322 3343

+ 45 2819 7911

for further information please see attached flyer or go to:

www.armsrock.blogspot.com

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Images of the Week 11.28.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010Our weekly interview with the street, this week featuring; Clown Soldier, K-Guy, Kenny Scharf, Shin Shin, Skewville, TipToe, and Wing

First NYC celebrated downtown artist, Street Artist, and Brooklyn resident Kenny Scharf. We have his first installed roll-down pieces in Chelsea that are part of his city wide project “The Street Gallery” with Anonymous Gallery and we have him in progress doing his large-scale mural on the Houston Street wall.

brooklyn-street-art-kenny-scharf-jaime-rojo-11-10-10-1-webKenny Scharf (photo © Jaime Rojo)

brooklyn-street-art-kenny-scharf-jaime-rojo-11-10-10-5-webKenny Scharf (photo © Jaime Rojo)

brooklyn-street-art-kenny-scharf-jaime-rojo-11-10-10-9-webKenny Scharf (photo © Jaime Rojo)

brooklyn-street-art-kenny-scharf-jaime-rojo-11-10-11-webKenny Scharf at work on the Houston Street mural. (photo © Jaime Rojo)

brooklyn-street-art-kenny-scharf-jaime-rojo-11-10-10-8-webKenny Scharf (photo © Jaime Rojo)

British Street Artist K-Guy was recently in NYC for a show at the new Chelsea spot Indica Gallery, which is named after the original Indica Gallery in Mason’s Yard, London.  His new piece for Amnesty International is called “Blood on your Hands”, pointedly incriminating the masters of industry who profit from child labor and other inhumanity.

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K-Guy (photo © Jaime Rojo)

brooklyn-street-art-shin-shin-clown-soldier-wing-jaime-rojo-11-10-webShin Shin, Wing and Clown Soldier (photo © Jaime Rojo)

Next it’s a brand new collaboration between Shin Shin and Wing. Both artists create a fantastic version of the natural world, insinuating themselves into Street Art milieus with still life compositions of  flowers and animals.

brooklyn-street-art-shin-shin-clown-soldier-wing-detail-jaime-rojo-11-10-webShin Shin and Wing detail (photo © Jaime Rojo)

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Shin Shin and Wing (photo © Jaime Rojo)

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Shin Shin and Wing detail (photo © Jaime Rojo)

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Tip Toe (photo © Jaime Rojo)

Finally TipToe pulled out a new colorful Minotaur and Brooklyn’s own Skewville got some glittery competition on the old wires.

brooklyn-street-art-skewville-jaime-rojo-11-10-webSkewville and Unknown Artist (photo © Jaime Rojo)

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NPR Features Martha Cooper’s Sticker Book

Brooklyn-Street-Art-WEB-Martha-Cooper-Chris-StainImage from “Going Postal” by Martha Cooper of a Chris Stain sticker next to an early one by NohJColey. (copyright Martha Cooper)

Nestled in between heartwarming stories about mythological Thanksgiving feasts and recipes for Butternut Squash Hotdish Jubilee, NPR has this fun slide show of sticker tags from Martha Coopers book “Going Postal”.

“For me,” Cooper writes in the book’s introduction, “looking for stickers is an on-going treasure hunt, increasing my pleasure as I walk around cities.” She not only photographs the stickers, but also collects them. “I took two today,” she says.

Read more in the NPR site here:

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Fun Friday 11.26.10

Fun-Friday-black-fridayFun Friday

SKEWVILLE: “You Are Not in Kansas Anymore”

A quick home made video of Ad Deville suspiciously skirting the upper wall along an entire block in Bushwick during he and Ali Ha’s block party.  Now the news is that they are talking about taking the whole block for a sculpture garden. Hell yeah!  More public space for art? Whaddaya think?

Tara McPherson New Cheap Print “Searching for Penguins”

Check it out here:

tara mcpherson searching for penguins

Banksy!

That’s all you really have to say to get people excited these days. And today in London a new piece by the anonymous Darth Vader in a hoodie debuts at a group show called “Marks & Stencils”. It also features Greg Haberny, a very strong and prolific artist showing in Brooklyn for a few years now.

Marks

“Marks & Stencils” , 1 Berwick Street, London W1. Read more about the mysterious confluence of shows opening tonight at Nuart >>>

And check out this entertaining look at French Street Artist DRAN, who is also in the show. The video features graff and Street Art living in harmony.  Who says it can’t be done?

SACE Tribute on Houston Wall

“The ever-changing graffiti wall on East Houston Street took another turn Tuesday, with taggers covering the massive canvas with a tribute to a late Lower East Side artist.

Witnesses said a graffiti crew arrived at the wall, located at the corner of the Bowery, Tuesday morning and proceeded to cover the previous piece by street artist Barry McGee in large black letters spelling SACE — the tag name of artist Dash Snow, who died of an apparent drug overdose in 2009.”

SACE-WEB-Brooklyn-Street-Art-Copyright-Patrick-Hedlund
PHOTO CREDIT DNAinfo/Patrick Hedlund

GAIA

One of his recent pieces regarding public housing.  Interesting the directions that Street Art goes….

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Happy Thanksgiving From BSA

brooklyn-street-art-jaime-rojo-11-10-2A local pigeon takes in the autumn display on the street. Photo © Jaime Rojo

Happy Thanksgiving Everybody! Nothing like a big frozen bird sitting on a mountain of tubers to start off the festivities – and scenes like this are happening all over the place right now. Hey, do you know what sweet potatoes wear to go to sleep?

brooklyn-street-art-jaime-rojo-11-10-1Photo © Jaime Rojo

Their yammies, of course! Yes, that’s the kind of joke your uncle Fred is going to bore everybody with today when he’s getting in the way in the kitchen, dipping his finger into the pumpkin pie. Give him a beer and point him toward the TV.

Have a great day and hope you find something to be thankful for.

xx

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Street Art Against War, Supports Vets in Chicago

Justseeds and IVAW collaborate on “Operation Exposure”.

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“Operation Exposure: War is Trauma”, a coordinated Street Art action to raise awareness of the poor way veterans are treated after they are injured, took place on the streets of Chicago last week.  Sponsored by Iraq Veterans Against the War (IVAW) and the Justseeds Artists’ Cooperative, the postering campaign took over public space that is usually reserved for encouraging citizens to think of themselves purely as consumers.

brooklyn-street-art-just-seedsImages Courtesy of Justseeds

The wheat-pasting collaboration with Street Artists and war veterans tells of a suicide epidemic in the armed forces and the practice of re-deploying of troops multiple times despite serious debilitating injury, and the silent suffering of neighbors who are touched by our wars.  Veterans, artists, and volunteers met in Rogers Park and divided into teams for the installation. They divided up posters that Justseeds had designed for IVAW and then hit the streets.

Click here to continue reading this article on Justseeds…

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Pandemic Gallery Presents: H. Veng Smith First Solo Show “Identifiable Reality” (Brooklyn, NY)

Veng
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In his first solo show, Veng takes us back to simpler times, to an era when things were made to last. Inspired by the artistry and work ethic of his grandfather, who hailed from a family of Swedish carpenters, Veng’s detail-rich paintings focus on the craftsmanship of the handmade. Embracing the handmade aesthetic to the fullest for this exhibition, Veng had custom mahogany panels built and crafted his own paints from simple pigments and linseed oil. Blurring the lines between the substantive and the imaginary, his paintings depict a world populated by a cast of stoic characters and whimsical winged creatures that interact with wooden contraptions more phantasmagorical than real. Drawing equally on the Old Masters and modern-day illustrators, Veng’s work possesses a timelessness not often captured by his contemporaries.

Born on Staten Island in 1981, Veng began studying painting as a young kid at a local art league. Since then, painting has remained an integral part of his life. With his work, he looks to capture the feel of something made long ago, be it characters with old-fashioned appearances or objects with Old World designs. He depicts ideas in his paintings in a representational and faithful manner, yet conveys them visually with a whimsical touch.

Borrowing from techniques of the Northern Renaissance, Veng paints by building up multiple layers. His thought process for painting, however, is less traditional and very much informed by his background in street art. He aims to make surreal impressions, with characters whose square heads are on the one hand very unreal, yet whose facial features are eerily familiar. He enjoys depicting scenes showing the viewer fictitious landscapes of an Old World interspersed with contemporary qualities. Nature also plays an important role in Veng’s work. He shows animals in a more traditional manner, painting them with realistic colors and textures. Often he’ll couple animals with imaginary devices that they control.

Whether on a panel in the studio or on a wall in a city, through his work Veng tries to convey a playful world of mixed inspirations. “Identifiable Reality” will run during Pandemic Gallery’s regular hours (Tues-Fri, 11am-6pm; Sat-Sun 12pm-7pm) from December 18th through January 8th, with an opening reception on Friday, December 17th, from 7-11pm. Pandemic is located at 37 Broadway in Williamsburg, accessible via the L subway (Bedford stop), J subway (Marcy stop), and Q59 bus (Broadway/Wythe stop).

Text and images copyright Luna Park


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Carmichael Gallery At Scope Miami 2010 (Miami, FL)

Scope 2010

Carmichael Gallery Invites You to Attend

Scope Miami 2010

Booth F04

Boogie, Boxi, Guy Denning, Gregor Gaida, Mark Jenkins
Aakash Nihalani, Slinkachu, Dan Witz

3055 North Miami Avenue
Miami, Florida 33127

November 30 – December 5, 2010

FirstView
Tuesday | November 30 | 3pm-9pm
Free for VIPs

PressView
Tuesday | November 30 | 3pm-9pm
Free for all press

Book Signing with Dan Witz
Thursday | December 2 | 3:30-4:30pm
Dan Witz will be at booth F04 signing limited edition,
hand painted copies of his new book In Plain View from Gingko Press

To request a VIP invitation or free day pass please email
rsvp at carmichaelgallery dot com

General Admission Fair Hours
Wednesday | December 1 | 11am-6pm
Thursday-Saturday | December 2-4 | 11am-7pm
Sunday | December 5 | 11am-6pm

Transportation

Shuttle buses run every fifteen minutes from Miami Beach to the SCOPE and ART ASIA pavilions, November 30 – December 5. Take the North Loop Shuttle in front of the Fillmore Miami Beach at The Jackie Gleason Theater on the NW corner of Washington Avenue and 17th Street, one block from the Miami Beach Convention Center.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

For information on current, past and upcoming shows, visit www.carmichaelgallery.com. For additional information or press materials, please contact the gallery by email art at carmichaelgallery dot com or call +1 323 939 0600.

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Brewer’s Mansion Presents: Cake “A Collection Of Drawings” (Brooklyn, NY)

Cake
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Brewer’s Mansion is happy to present A Collection of Drawings, a show by Brooklyn street artist Cake, from December 11th through the 21st!

From the artist:

I use anatomy to describe the intricate relationship structures humans have with themselves and others. I frequently take from the pool of human suffering for subject matter and inspiration. When people disconnect from themselves in any way, it will somehow show up in their faces, bodies and gestures. I prefer to make drawings describing those results.”

For the show at Brewer’s Mansion, I will be creating an installation for a selection of drawings completed during my month long stay this past fall at The Fountainhead Residency in Miami.”

More information can be found at cakestreetart.com and brewersmansion.com.

Brewer’s Mansion is located at 55 Waterbury between Scholes and Meserole in Bushwick, Brooklyn. To get here, take the L to Montrose, walk half a block down Bushwick Ave and make a right on Meserole, then walk down a few blocks and make a left on Waterbury (while you’re here, take a walk along our block to see pieces by Clown Soldier, Fernando Mora, Gaia, Giant Robots UK, Rambo, Samson, Sten + Lex, Y’Elle, and more. New stuff goes on all the time).
We’re open from 1 to 7 on weekends, by chance, for special events, and by appointment (call Megan at 917 679 2339).

Megan Moncrief
917 679 2339
brewersmansion.com

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Ludo: Street Art In The Paris Metro

Street Artist Ludo plays with Parisian’s perceptions of commerce, art, and technology.

brooklyn-street-art-ludo-dyptich-4-10-11-webLudo (photo © Ludo)

“The whole inspiration for this series is co-branding – but also nanotechnology: Nature transformed into pills of amphetamine,” says the artist.

brooklyn-street-art-ludo-dyptich-5-10-11-webLudo (photo © Ludo)

Simple elegant silhouettes of acid green and grey glow garishly with fluorescence in a colorless sterile hallway. The repetition of uniform shape, line and hue are interrupted by biomorphic Franken-plants that invite the closer inspection of rushed metro riders.

brooklyn-street-art-ludo-dyptich-1-10-11-webLudo (photo © Ludo)

Like his bus shelter signs above ground, these new pieces appropriate the cool omnipotent detachment of megabrands, making them just that much easier to ignore. The quantity unmeasured is what slips into the subconcious as people trample by. Ludo is refining his own brand of pleasing queasiness.

brooklyn-street-art-ludo-dyptich-3-10-11-webLudo (photo © Ludo)

brooklyn-street-art-ludo-dyptich-7-10-11-webLudo (photo © Ludo)

brooklyn-street-art-ludo-dyptich-8-10-11-webLudo (photo © Ludo)

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Dan Witz Preps Special Edition With Dripping Blood

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-4Dan Witz preparing special editions with blood while a friend in his painting checks her messages. (photo © Jaime Rojo)

“The first thing I did of any note was in ’79.  The book really went through 2009 but it took an extra year to get it out. So it’s actually 31 years. Don’t tell anyone,” Dan Witz warns as he drips blood red paint gingerly across the front of 120 special edition linen bound copies of his new book. While his small muscular dog Sparky maniacally batters a red rubber toy, repeatedly bashing it on the floor, Dan talks about the today’s book signing and the hummingbirds that gave his career wings.

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-1Dan Witz (photo © Jaime Rojo)

One of the early practitioners of Street Art as we now know it, Mr. Witz points to his campaign of detailed small paintings of hummingbirds on the Lower East Side of Manhattan as his official start on the street, but reveals that smaller ad hoc projects preceded the avian arts.

“I did these assemblage things along the street where I would just find trash and line it up in little displays and leave them behind. I never really photographed it or thought of it as art really,” says Dan. What kind of trash was it? “Just little weird pieces of plastic or funny kinds of pieces of metal; Sort of urban flotsam. Like things you pick up and say, ‘What’s this weird shiny thing?’ – that kind of stuff.”

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-3Dan Witz (photo © Jaime Rojo)

The new bound collection by Ginko Press spans the following three decades, where Dan’s punk rebelliousness took a hammer to the intellectual stodginess of his formal art school training before our eyes. Well, maybe not in plain view exactly. Many of his street installations have been hidden just behind your blind spot, wittily, and more recently, uncomfortably.  But it’s all here in this collection, even if he feels that his route has been a bit haphazard.

“Everything I do – It’s fun in the beginning and then I figure it out and I hone it down to how I should do it and I hate it. That’s why my work always keeps changing – what I did three years ago doesn’t look like my work now because I figured it out and I couldn’t do it anymore. Like I could not do hummingbirds now because I’ve figured it out. I know how to paint hummingbirds,” he explains.

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-2 Dan Witz (photo © Jaime Rojo)

Is this periodic switching due to his intellectual curiosity being satisfied?  “I would put it another way. It’s like my attention span is zero and I just get so restless with whatever I do – which is bad for a career because there’s not a thing to identify with me. A lot of people stick with one kind of thing and I don’t know how they do that but I admire that because it’s very consistent and people know what they are getting.”

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-6An original Hummingbird from his “Birds of Manhattan” series. Acrylic on sheetrock. Dan Witz (photo © Jaime Rojo)

Self effacing modesty aside, his mastery of painting and light, combined with an ongoing study of art history and theory, has created a body of work over this time that stands, despite side trips and experimentation.

Brooklyn Street Art: Don’t you think that over a period of time all of your different elements create one story?

Dan Witz: Well that’s what the book is about. If you can stick with it for as long as I have I suppose that’s true.  I think when I was a kid and I was doing the hummingbirds I was sort of rebellious, I think it’s part of my being rebellious is not having a ‘package’, not having a brand that is marketable. And I don’t know what the fuck I’m rebelling against anymore. (laughs) It’s just I got set up that way and I just keep doing it. But I’m not doing it on purpose.  It is really fun for me. It’s fun to start up something new and get all nervous. Solve the problem, meet the challenge. That’s what keeps me from getting stale.

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Dan Witz (photo © Jaime Rojo)

Brooklyn Street Art: It sounds like it’s a way to keep yourself entertained too because of your self professed short attention span – so it looks like you’ve designed your life right now to keep yourself interested and engaged and entertained.

Dan Witz: Absolutely, the book is a whole new project and a whole new brain-teaser.

Brooklyn Street Art: Are you having fun?

Dan: Yes! And that’s important.

brooklyn-street-art-dan-witz-jaime-rojo-11-10-web-7Dan Witz in the “wild” (photo © Jaime Rojo)

If you are in New York tonight you can meet Dan in person and ask him to sign one of his special edition books.

To read more about Dan Witz book signing of the special, hand painted edition of his book “In Plain View”  at the Clic Gallery today go here: http://www.brooklynstreetart.com/theblog/?p=15929

To see more of Dan Witz work click here: http://www.danwitz.com/

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