High Roller Society Presents: Skewville “Slow Your Roll” Solo Exhibition (London, UK)

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“Slow Your Roll”: a term commonly used by Skewville to keep themselves in check.

Growing up in the underground NY Art Scene was all about respect and paying your dues. After a decade of deviance, Skewville is as well known for their creative, aggressive questioning of this popular street art culture as they are for being a monumental part of it with their wooden sneaker mission. The growing popularity of this art movement has made Skewville check itself, always remembering why they started in the first place. Just as street art began as a way of reclaiming space from the advertising that had overrun it, Skewville reclaims the gallery space to communicate its thoughts on the loss of a counter-culture and the rise of consumerism. In a constant self battle to not “Sell Out”, while maintaining success in the art world Skewville presents… “Slow Your Roll”. Featuring selected artwork from previous years that will showcase the classic Skewville Style along with new paintings and sculptures that reveal their dedication to steadily evolving that Skewville Aesthetic.

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The Outsiders Present: Woozy “I Don’t Care About My Face’ (London, UK)

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‘I Don’t Care About My Face’ is the first UK solo show by Woozy. The exhibition will showcase his most recent paintings and works on paper. Woozy is renowned for his street art which has graced urban landscapes all over the world. Woozy’s latest work, retains his signuture bright colourful forms, and experiments with texture, style and techniques.

The Private View is on Thursday 17th March 6 pm – 9 pm. Please RSVP with your name and your guest’s name by Wednesday 16th March.

‘I Don’t Care About My Face’ will run from 18th March – 9th April at The Outsiders | 8 Greek Street | W1D 4DG | Monday-Saturday 11 – 7pm | www.theoutsiders.net.

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Chris Stain and Billy Mode “For Martha”

This weekend for BSA was a little bit of street art and graffiti history alchemy, transmuted by the presence of the lady we were all doing it for, Martha Cooper. To celebrate her birthday and the soon to be unveiled “Martha Cooper: Remix” show at Carmichael Gallery in Culver City, CA, Street Artists Chris Stain and Billy Mode sprayed aerosol into gold using imagery from her photography as base inspiration.

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On this bitterly cold and windy Brooklyn night, the good humored boys were blowing through cans on tops of shaking ladders, continuously working against the elements for what Chris called “some xtreme painting”. While taking a break to warm up inside, everybody had some chocolate birthday cake and Martha flipped through Subway Art with Chris and Billy, answering questions and relating stories about what it was like for her to capture graffiti on trains in New York in the 1970s and what it’s like to see Street Artists like Chris Stain interpreting her photographs today. 

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Chris Stain and Billy Mode in the reflection of rainwater pooled  (photo © Jaime Rojo)

Our first conversations in September ’09 with Martha for a posting on BSA that discussed art inspired by her work evolved into a 50-artist “remix” show featuring old-school graff writers and new guard street artists next month.

“I thought about what we had done, what you had done in that blog post. We talked about how artists had used my work and I thought, ‘Why don’t I do that?’ ,” Martha remarks on the formation of her show plan.

It has been a genuine honor to be a part of the process and to see the pieces coming in to Ms. Cooper’s studio for the show. It’s also been intoxicating to imagine the relationships and personal paths that have intersected in the pursuit of artistic expression. Each invited artist has a very personal take on the influence of her photographs from a 40 year span, and the directions they take the work are myriad. Watching Chris and Billy create this large scale wall tribute in Brooklyn reminds us of the interconnected worlds of Graffiti Art and Street Art and how Ms. Coopers’ photography has contributed to the history and artistry of both.

Here are a few shots by Jaime Rojo of the installation for a sneak peek of this great experience – with a full length feature interview with Martha and commentary about the nature of the image from Chris and many more images coming this week.

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Chris Stain and Billy Mode (photo © Jaime Rojo)

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Photo © Jaime Rojo


BSA…………..BSA…………..BSA……………

Martha Cooper : Remix
Featuring original photography from Martha Cooper and original remixes from Aeon, Anton van Dalen, Aiko, Barry McGee, Bio, Nicer, B-Gee, Blade, Blanco, BurningCandy Crew, Cey, Cekis, Chris Stain, Claw, Cosbe, Crash, Dabs & Myla, Daze, DEARRAINDROP, FAUST, Flying Fortress, Freedom, Fumakaka World Dominator, Futura, Gaia, How & Nosm, Jane Dickson, John Ahearn, Jose Parla, Kenny Scharf, LA II, Lady Pink, Lee Quinones, Anthony Lister, Logan Hicks, The London Police, Mark Bode, Nazzareno Stencil, Nunca, Mare, Quik, Evil Dr. Revolt, Shepard Fairey, Skewville, Subway Art History, Swoon, T-Kid, Terror161 and Victor Castillo.

Coming to Carmichael Gallery April 9.

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Images of the Week 03.13.11

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Our weekly interview with the streets, this week featuring XAM, El Sol 25, NohJColey, ROA, Bunny M, Cruz, and ROBOTS.

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XAM “CSD Dwelling Unit 3.0” (photo © Jaime Rojo)

Last summer we began noticing unusual bird houses installed in elevated locations around Brooklyn by Street Artist XAM. Fashionable high-tech real estate options for our fine feathered friends, the smart shelters are not just another pretty space.  Each aviary domicile is designed, constructed, and installed free of charge – although rumor has it that a broker from Corcoran has tried to rent out one as “a cozy sun drenched studio with river views”.

XAM employs their Constructive Street Design process to this high-strung hangout in Manhattan  and calls it CSD Dwelling Unit 3.0. It is equipped with a solar panel, a rechargeable battery and a LED porch light that lights up at night to attract insects. Additionally it has a food storage area, passive ventilation, slopes to aid in drainage, and a “green roof” system with angles that cut down on wind resistance and create more stability for the home.

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XAM “CSD Dwelling Unit 3.0” (photo © Jaime Rojo)

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El Sol 25  (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (directly over top of Matt Siren) (photo © Jaime Rojo)

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Bunny M (photo © Jaime Rojo)

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NohJColey installs a new piece in his series of interactive sculptures in Brooklyn. A wooden piece over the figure’s head can also be separated, giving you the option of controlling either the left or right hand. (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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Cruz (photo © Jaime Rojo)

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ROA in London for a show for a show with the ROBOTS collective at the site of an old factory  (photo © Mikko Eley)

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A Black/Light installation in the Bussey building in Peckham (south of London) for the artist collective ROBOTS show with ROA and Phlegm.  (photo © Alexander Davies)


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Art and Messages from Streets of Wisconsin

“We’re gonna keep getting our message out”

During the Cold War between the US and Russia it was customary for trusted TV news anchors here to sniff haughtily at images of crowds in Moscow supporting their government as probable Kremlin-paid stooges. What propaganda! No Democracy would stand for people with purchased opinions to sway us from our dogged pursuit of the peoples’ work.  Now of course we have to discern between corporate funded PR driven astro-turf campaigns (complete with agent provocateurs ) in the street as well as splashy graphics and cleverly edited footage and voiceovers from sneering newsreaders on cable news who mock any citizen engagement that is actually grassroots.

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It’s a mudslide of misleading misery to sift through sometimes – and that’s why the obviously public overtaking of the narrative in Wisconsin has been so heartening and galvanizing to anyone interested in really hearing the voice on the street. On that note, the streets of Wisconsin’s capital have featured some art and signs in the last month or so, and we thought you might like seeing some of the cleverer among them from Buzzfest.com, with huge thanks to TheArcadeFlame, MarkonF1re, MarkTasman, pinku_pinku, and Lost Albatros forcapturing the voices and creativity on the street. Please check out all of their photos on Flickr.

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Fun Friday 03.11.11

Fun-Friday

Broken Crow’s Still Rockin’ the Toy Museum in Mexico City

In what may possibly be the final stencil of the trip that they are making, Mike and John of Street Art Duo Broken Crow have pulled out what looks like a blue woodchuck and a fine feathered friend.

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photo © Museo de Jugete – follow their photo stream here http://yfrog.com/h3k2gtaj

Broken Crow : A Mexican Travelog

Broken Crow: A Mexican Travelog Part II

www.toymuseummexico.com
http://www.brokencrow.com/

Rats on the Streets, Rats in the Boardrooms, Rats in the Legislature

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Image in garment district of Manhattan this morning (© Steven P. Harrington)

As you may have read, the last protective force standing between workers and the unbridled forces of pure capitalism are being knocked down before your eyes in the US. Or maybe you were distracted by the concentrated wealth we’re celebrating: According to their new issue Forbes estimates that there are 1210 billionaires in the world today, up 214 on last year, holding a total net worth of $4.5 trillion.  As the losers in the rat race are gradually flushed into the streets, wonder how the art in the streets will be affected?

Fountain Art Fair Redux

Yeah, Fountain nailed it to a tree this year.  But then, we knew they would. Big Ups to Joe Iurato in this new video by Roberto Serrini. Joe’s work is featured in the second half of the video, and who’s recent work refers to the crosses he bears.

See more of the Street Art installation shot by photographer Jaime Rojo here: Stick Out Your Tongue : Street Art So Close You Can Lick it at Fountain

Read BSA’s piece: Joe Iurato Offers “Salvation” in Philadelphia

Matt Sewell at Mighty Tanaka

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Tonight at Might Tanaka a new show by Matt Sewell. For more information about this show, location and time click on the link below:
http://www.brooklynstreetart.com/theblog/?p=19197

El Celso¡NO HABLA ESPAÑOL! at Pandemic

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From the press release;

“¡NO HABLA ESPAÑOL! is El Celso’s most personal show to date. This new series of works was inspired by a recent trip to Peru where the artist became obsessed with posters made in the “chicha” style. These hand-made posters line city streets all over Peru and generally feature an eye-popping neon color palette and commercial graphics-inspired lettering.”

El Celso¡NO HABLA ESPAÑOL! (full listing here)
New works and an installation featuring Peruvian vernacular posters – and a diminutive discotheque
On Display:Fri. March 11 – Sat. April 2, 2011
Opening ReceptionFriday, March 11, 2011, 7-11pm

Spending Time With Felix Morelo

Ever wonder by artists put their stuff in the streets?  Felix Morelo may be able to school you on that one.

Stick ‘Em Up! Teaser

Dang! This is a spicy teaser – a scathing assessment of everyday folk as people who hate their lives is employed as motivation to go out and do art in the street.

URNewYork at Power House Arena

Local Street Artists are hitting up the Power House in Dumbo!

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AVOID PI: Street Art, Graff, Fine Art, and Pantheon

In a few weeks the former Donnell Library on 53rd Street across from MoMA will be host to a grassroots funded and curated historical view of New York’s art from the streets. That phrase is specifically chosen by the show’s curators, Joyce Manalo and Daniel Feral, as an inclusive term for all manner of public art on the streets here since the 70s including graffiti and Street Art.  A show visible through the giant windows from the street, Pantheon will feature live performance as well as installation, printed materials for you to read about history, guerilla librarians, and incognito street docents – a sparkling job description that sounds like a naughty librarian fantasy involving Julie Andrews.

Brooklyn-Street-Art-Copyright-AVOID-nowhereaction-CRAvoid “Nowhere Action” (photo © Chelsea Ragan)

We recently spoke with one of the exhibiting artists of Pantheon who goes by the name Adam Void (or AVOID pi) and who plumbs the murky depths between fine art, graffiti, and Street Art with no apparent desire to align himself with any one of them. An experimenter and explorer, a lot of his early stuff looks clearly like a small survey of graffiti’s modern vocabulary. Sometimes raw gestural markings with perhaps cryptic meaning, his love for symbolism, data, abstraction, wordplay, and a recently begun formal art education all are a swirl inside his head. Where it all settles will be a surprise to everyone, including him. This search also seems emblematic of the moment.

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Avoid “Everything Small” (photo © Mike Sachse)

A wisenheimer of the highest order, he describes himself this way; “AVOID likes to take long walks on the beach, riding freight trains, and destroying the dominant paradigm.” We’ll just say that he’s a rebel inquisitively looking for a cause, making art along the way.

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Avoid “Do I Have a Voice” (photo © Mike Sachse)

Mr. Void spoke with Brooklyn Street Art about labeling art movements and the current state of a very fluid story of art on the streets and in the galleries.

Brooklyn Street Art: As you look at the evolution of graffiti and street art some people have observed that there appears to be an erosion of once distinct practices. Where do you see these two going at the moment?
AVOID: The distinctions between the two genres are disappearing. Graffiti Artists are becoming multi-media with the inclusion of zines, posters, stickers, rollers and blasters into the already full table of tags, throws and pieces. Street Artists are experimenting with the use and importance of signatures as well as expanding into sculpture and video. Both groups have a dialogue on the streets and in their personal lives. Recently Graffiti and Street Artists have shown their fine art together with many big name art world’ers at big name galleries. This is an exciting time for the intermixing of worlds.

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Avoid ADH (photo © Chelsea Ragan)

Brooklyn Street Art: Is it crucial to the understanding or appreciation of someone’s work to describe it as Graffiti or Street Art or Fine Art?
AVOID:
Often times the artist’s intentions are misunderstood. I personally enjoy the ability to make a painting either in the street or in a gallery and not have to explain the meaning, to have it remain an enigma. A word or phrase can be interpreted a million different ways by a million different viewers. Am I a Graffiti Writer, a Street Artist, a Fine Artist, a Musician, a Writer, a Filmmaker, or am I just an artist? This is decided by the context the work is seen and the viewer’s interpretation.

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Adam Void, “Luckystrike”, a work in progress. Detail (photo © Avoid)

Brooklyn Street Art:What role does Street Art play in New York today?
AVOID:
Well, if anything, Street Art has allowed for the illumination of the giants of my personal history. Through shows like PANTHEON as well as 112 Greene St. and many others, the once unsung heroes of graffiti’s past are coming to light, thankfully while many of the writers are still alive to see it happen.

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A rather painterly painting by Mr. Adam Void, “Seaside”; a brand new collaboration with Ryan Neely. Detail (photo © Avoid)

Brooklyn Street Art: How has your artwork changed in the last year?
AVOID: The literal “street” art of Brooklyn and NYC has been replaced by spotwork on Baltimore’s abandoned spaces, freight trains and track sides. I get more time to experiment as well as a chance to hang out and soak up some mental space. I am continuing to not categorize my work. I’m just making what I want, when I want, where I want.

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3 days left to Support Pantheon – if they don’t hit 5K, they lose it all.

http://kck.st/gw3L7J @pantheonnyc #streetart

Please help Daniel and Joyce, the curators of “Pantheon” by donating to the Kickstarter Campaign. They are very close to reach their goal and you can make this happen. With only less than three days left on the Kickstarter timer your involvement is crucial. Click on the link below and please give:

http://www.kickstarter.com/projects/1959564116/pantheon-a-history-of-art-from-the-streets-of-nyc

PANTHEON extends its gratitude to its Media Partner Brooklyn Street Art, it’s Media Sponsors , Hyperallergic, The Street Spot, Gothamist, Streetsy; the Exhibition Sponsors WM Dorvillier & Company, Inc.; Crescent ArtistsConveyor Arts. Special thanks to the Woodward Gallery, NYC for the loan of Richard Hambleton’s, Fountain of Youth, 1982.

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Mighty Tanaka Presents: “Ley Lady Ley”, a solo show by Matt Sewell (Brooklyn, NY)

Mighty Tanaka
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Mighty Tanaka presents

Ley Lady Ley

A solo show by Matt Sewell

Imagine a mystical world where your inner child plays freely amongst the flora and fauna.  Immerse yourself in a place where people and animals roam freely together through the woodlands and hills.  This is the tranquil world of Matt Sewell, as he brings back the dawn of the golden ages.  Mighty Tanaka is proud to bring you our latest show, Ley Lady Ley, a solo show by Matt Sewell, as he transforms the gallery into his peaceful and idyllic vision.

Ley Lady Ley represents an era when people connected with Mother Earth and worshiped the land.  Men and women joined in a celebration of nature and praying to the deities.   Through fertility dances in oak groves and the cycle of life, death and rebirth, the artwork for Ley Lady Ley forges a sacred bond that is all but lost in modern society.

Matt Sewell has gone all out for this event, creating ten brand new works of original art on site for the show.  His color pallet is warm and inviting as he takes the viewer on an inspiring journey through another time.  Also including a large-scale mural on the gallery walls, his art symbolizes reconnection to the Earth and offerings to the gods.

OPENING RECEPTION:

Friday, March 11th, 2011

6:00PM – 9:00PM

(Show closes April 8, 2011)

Mighty Tanaka

68 Jay St., Suite 416

Brooklyn, NY 11201

Email: alex@mightytanaka.com

Web: http://www.mightytanaka.com

(F Train to York St.)

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Broken Crow: A Mexican Travelog Part II

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Brooklyn-Street-Art-Broken-Crow-WEB-Mexico-copyright-Broken-Crow-lion-animationHere’s an update for the trip to Mexico City by Street Art duo Broken Crow, who have been hitting up some walls in this gigante city of 30 million.

Guests of El Museo del Juguete Antiguo México (The Antique Toy Museum) in collaboration with MAMUTT Arte, John Grider and Mike Fitzsimmons are taking in the local color and creating some of their own.

Says John about the lion and lion cub piece they worked on all day Tuesday, “Today we’re painting the perfect spot for the perfect stencil.”

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Broken Crow process shot (photo © Broken Crow)

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The brand new finished piece by Broken Crow. (photo © Broken Crow)

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A cell phone shot of the owl that will be watching over cars in the basement parking lot. Broken Crow (photo © Broken Crow)

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Broken Crow. When you are in Mexico City you really can’t pass up an opportunity to see a live Luchadores match. (photo © Broken Crow)

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We’re really looking forward to seeing this finished piece after the scaffolding comes down today. (photo © Broken Crow)

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A couple of friends who are waiting for their place on stage. (photo © Broken Crow)

With special thanks to Roberto Shimizu of MUJAM and Gonzalo Alvarez of Mamutt Arte

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All images copyright of and courtesy of Broken Crow

www.toymuseummexico.com

www.koralie.net
http://www.supakitch.com/
http://www.brokencrow.com/

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MOCA Presents: “Art In The Streets” (Los Angeles, CA)

JR

brooklyn-street-art-jr-moca-arts-in-the-streetsJR “The Wrinkles in the City 2011”  Photo Courtesy © MOCA

Street artist JR has installed a new piece on the Alameda street side of our Geffen Contemporary building in Little Tokyo. The work is part of a 20 artwork project called The Wrinkles of The City that is currently being unveiled at locations around Los Angeles. It’s also part of MOCA’s upcoming exhibition Art in the Streets, the first major U.S. museum survey of graffiti and street art.

MOCA Press Release:

APRIL 17–AUGUST 8, 2011 / THE GEFFEN CONTEMPORARY AT MOCA

The Museum of Contemporary Art presents Art in the Streets, the first major U.S. museum exhibition of the history of graffiti and street art. The exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities where a unique visual language or attitude has evolved. Following MOCA’s presentation, the exhibition will travel to the Brooklyn Museum, where it will be on view March 30–July 8, 2012.

Art in the Streets will showcase installations by 50 of the most dynamic artists from the graffiti and street art community, including Fab 5 Freddy (New York), Lee Quiñones (New York), Futura (New York), Margaret Kilgallen (San Francisco), Swoon (New York), Shepard Fairey (Los Angeles), Os Gemeos (São Paulo), and JR (Paris). MOCA’s exhibition will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to cholo graffiti and Dogtown skateboard culture. The exhibition will feature projects by influential local artists such as Craig R. Stecyk III, Chaz Bojórquez, Mister Cartoon, RETNA, SABER, REVOK, and RISK.

A special emphasis will be placed on photographers and filmmakers who documented graffiti and street art culture including Martha Cooper, Henry Chalfant, James Prigoff, Steve Grody, Gusmano Cesaretti, Estevan Oriol, Ed Templeton, Larry Clark, Terry Richardson, and Spike Jonze. A comprehensive timeline illustrated with artwork, photography, video, and ephemera will provide further historical context for the exhibition.

Art in the Streets will feature several shows within the show. There will be a special section dedicated to the Fun Gallery, which connected New York graffiti artists with the downtown art community in the early 1980s. Co-curated by gallery founder Patti Astor, the Fun Gallery installation will feature the work of Keith Haring, Jean-Michel Basquiat, and the graffiti artists who shaped the gallery’s history. A section dedicated to the seminal film Wild Style (1983), co-curated by the film’s director Charlie Ahearn, will document its influence on the global dissemination of graffiti and hip-hop culture. The exhibition will also feature a memorial presentation of Battle Station, a rarely seen work by legendary artist and theorist RAMMELLZEE, and a display of graffiti black books and other historic works from the Martin Wong Collection presented in collaboration with the Museum of the City of New York. A highlight of the exhibition will be a Los Angeles version of Street Market, a re-creation of an urban street complete with overturned trucks by Todd James, Barry McGee, and Steve Powers.

The exhibition will open with a skate ramp designed by pro-skater Lance Mountain and artist Geoff McFetridge. Skate demonstrations by the Nike SB skate team will be held onsite for the duration of the exhibition.

“Art in the Streets will be the first exhibition to position the work of the most influential artists to emerge from street culture in the context of contemporary art history,” said MOCA Director Jeffrey Deitch.

“This quintessentially urban and dynamic partnership between the Brooklyn Museum and MOCA began with the 2005 Brooklyn-organized exhibition of the work of Jean-Michel Basquiat, the consummate American street artist of his generation; continued with the MOCA-organized ©MURAKAMI in 2007, defining critical elements of worldwide street art; and now culminates with a groundbreaking exhibition devoted entirely to street art and graffiti,” said Brooklyn Museum Director Arnold L. Lehman. “The partnership has, in itself, provided a major record of public art over the past half century.”

Art in the Streets is organized by Jeffrey Deitch and associate curators Roger Gastman and Aaron Rose. Gastman is the author of The History of American Graffiti, which will be released in April 2011, and was a consulting producer on the film Exit Through The Gift Shop. Rose curated the exhibition Beautiful Losers and directed the related documentary film. Ethel Seno, editor of Trespass: A History of Uncommissioned Urban Art, is the curatorial coordinator of the exhibition. The Brooklyn Museum’s presentation will be organized by Managing Curator of Exhibitions Sharon Matt Atkins.

ART IN THE STREETS CATALOGUE
A comprehensive catalogue on the history of graffiti and street art published by Skira Rizzoli and edited by Nikki Columbus, former associate editor of Artforum, will accompany the exhibition. The book traces the birth and dissemination of styles through the stories of graffiti writers and street artists all over the world. It features a foreword by Deitch and essays by Carlo McCormick, Greg Tate, and Diedrich Diederichsen. It also features interviews and discussions with influential street artists about wild style, cholo graffiti, and the art that emerged from skate and punk subcultures. Additional contributors include Fab 5 Freddy, KET, Caleb Neelon, Lydia Yee, Kathy Grayson, Cheech Marin, Bill Daniel, and Hiroshi Fujiwara. The book was designed by Conny Purtill, whose previous projects include Barry McGee: The Buddy System and Beautiful Losers.

RELATED EDUCATION AND COMMUNITY OUTREACH
An extensive program of educational and community workshops will complement the exhibition. As part of its exhibition sponsorship and ongoing community collaboration initiative, Levi’s® will host the Levi’s® Film Workshop at MOCA, offering a diverse schedule of programming that celebrates the craft of filmmaking and explores the exhibition’s subject matter. Access to the Levi’s® Film Workshop’s resources is open to all and free of charge.

Special versions of Associate Curator Aaron Rose’s Make Something!! educational project will also be presented at Culver City High School and at The Geffen Contemporary at MOCA in conjunction with Nike SB. Art in the Streets will include a graffiti and street art film festival presented in collaboration with the Cinefamily, and music and dance programs featuring some of the originators of hip-hop and break dancing.

Art in the Streets is made possible by The Eli and Edythe Broad Foundation.

This exhibition is generously supported by the Sydney Irmas Exhibition Endowment.

Major support is provided by Levi’s®. Additional support is provided by Mandy and Cliff Einstein, Nike SB, MOCA Contemporaries, MOCA Partners, and Montana Colors.

In-kind media support is provided by Ovation, Los Angeles magazine, and KCRW 89.9 FM.

Saturday in the Streets is presented by Ovation.

MEMBERS’ OPENING
Saturday, April 16, 7–10pm
The Geffen Contemporary at MOCA

Join us for another legendary opening party at MOCA as we premier Art in the Streets, featuring performances by the stars of the classic hip-hop film, Wild Style—Busy Bee, Cold Crush Brothers with Grandmaster Caz—and the award-winning B-Boy crew from Los Angeles, Killafornia. Cash bar.
INFO 213/621-1794 or membership1@moca.org
FREE for MOCA members, $25 for additional guests

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Street Artist QRST Goes to New Orleans to Give BP and us a “Thwack”

With people actually advocating off-shore drilling as an option to pull down recently inflated gas prices at the pump, this timely reminder from Street Artist QRST talks about April showers nobody looks forward to. On a recent visit to New Orleans, whose gulf coast shore and fragile ecosystem were converted into the Big Greasy last year, he brought along some of his familiar animals. This time he wheat pasted some of them, wearing some familiar symbols, along the Bay water neighborhood, a place that he thinks was a good place contextually for his characters.

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QRST “Right Tool for the Job” (photo © QRST)

According to QRST, he doesn’t want to point fingers just at the oil company that created the largest off shore environmental disaster in US history. With the piece called “Complicit”, he thinks everyone involved in an oil-driven economy should consider their role, and it’s effect on animals and the environment.

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QRST “Complicit” (photo © QRST)

“This is about my part in everything that happens in the world,” he says. The title is ‘complicit’, the bird is hung with my name, it’s a casualty of my lifestyle. I’m claiming him and I, much like everyone else that wails and gnashes teeth about the state of the world, but whom continue to do essentially nothing.  I flew in an airplane to New Orleans where I climbed into my friend’s car and we drove it to this spot so I could paste his elegy to the wall”.

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José Parlá Writes His Diary on the Wall

For his current show at Bryce Wolkowitz Gallery in Chelsea, José Parlá’s new paintings make you feel as if you were standing on a cold windy elevated Brooklyn subway platform waiting for a hulking rusted behemoth to scrape and scream around the curvature of the tracks toward you.

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José Parlá (photo © Jaime Rojo)

Concentrate solely on the canvases in front of you and you might even hear the heroes of the railyards approaching. Like Ginsberg with no rhyme but a lot of reason Mr. Parlá’s poetic abstractions gently draw the viewer in for a close inspection.

“The whole blear world of smoke and twisted steel around my head in a railroad car, and my mind wandering past the rust into futurity: I saw the sun go down in a carnal and primeval world, leaving darkness to cover my railroad train because the other side of the world was waiting for dawn.”
Allen Ginsberg

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José Parlá (photo © Jaime Rojo)

Using a color palette of red, ochre, black and gray he mashes the colors with bold textures and exquisite, sinuous lines. Eroded, tattered surfaces and found objects are canvas to markers, aerosol, even charcoal. The gestural markings and strokes recall a hip-hop romance now abstract and calligraphic: some layers evoking a dark Mexican Baroque wooden altar, carved and gold leafed.brooklyn-street-art-jose-parla-bryce-wolkowitz-gallery-jaime-rojo-03-11-web-2

José Parlá. Detail  (photo © Jaime Rojo)

Mr. Parlá trained in the 1980s on the streets as a graffiti artist – and all of these elements exist elsewhere in the urban jungle, but Parlá has developed his own language to tell his story with these tools.  Born in rebellion, the energy of his movement across the canvas is just as badass as any tunnel writer but with a timbre and depth that age and self-study can render.

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José Parlá (photo © Jaime Rojo)

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José Parlá. Detail (photo © Jaime Rojo)

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José Parlá (photo © Jaime Rojo)

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José Parlá (photo © Jaime Rojo)


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José Parlá (photo © Jaime Rojo)

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José Parlá (photo © Jaime Rojo)

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José Parlá. Detail (photo © Jaime Rojo)

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José Parlá. Close up of the painted hall wall. (photo © Jaime Rojo)

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José Parlá (photo © Jaime Rojo)

At the show opening last Thursday an ad hoc duo of drummers set up shop outside the gallery and an air of raucous carnival and merriment permeated the night. A demanding New Yorker stopped to inquire just how long they would continue. The musicians gently answered her questions and banged away. Walking away from the spot their beats disappeared into the cold night.

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Photo © Jaime Rojo

“Wall Diaries and Paintings”, José Parlá

Bryce Wolkowitz Gallery from March 3rd to April 16th

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