Opening

StolenSpace Gallery Presents: ROA “Hypnagogia” (London, UK)

March 22, 2012 , , , , ,

ROA

‘Hypnagogia’

By ROA

20.04.12 – 06.05.12

Private View Thursday 19th April, 6 – 9 pm

Belgium artist ROA is renowned for his unique portrayal of large scale urban wildlife, disquietly cohabiting city streets, hand painted in his distinctive black and white style. ROA has become famous

from painting animals on derelict buildings, shutters & walls literally all over the world. He has also exhibited to much acclaim all over the world and was also included in the MOCA exhibition ‘Art In The Streets’ in LA.
‘Hypnagogia’ will be a 2 space exhibition, featuring installation work & originals on found objects. As well as outdoor work across east London. To coincide with this show opening will also be the launch of ROA’s first artist book ‘Roa: An Introduction To Animal Representation’ by Mammal Press.

Etymolgically derived from the Greek words hypnos, “sleep” and agogos, “leading”, the title of the show refers to the transitional state between sleeping and awake. This grey area exists within every consciousness and is said to act as a bridge to other realities. ROA explores the ‘interstate’ with his portrayals of sleeping animals, whilst quietly around us the world awakens from a long winter, and the creatures he depicts experience a period of seasonal transition.

ROA is an artist deeply preoccupied with the significance of the creative process. Working conceptually on each project, he nurtures a dynamic energy which evolves during the restricted time-frame. His method is consistent. Arriving in a location he adapts to his habitat, allowing inspiration to flood from buildings and objects and literally ‘waking up’ to the realities surrounding him. Foraging for the recycled found-objects he seeks becomes a harder task in London, adding a new dimension and highlighting physical process and interaction in this completed body of work.

The animals themselves are represented in their purest forms, whether they be alone or in groups, sleeping or awake, half skeleton or part organ dissection. Using placement and the enlarging of subject, ROA implies the absurdity of the human attitude toward animals, as well as toward their own roots and origin. The architecture and discarded objects act as vessels for the huge creatures’ lifetimes, the realism of the images on the man-made material emphasising the tension between culture and nature. Observing the rodents occupying the cities he works in, ROA also comments on the acclimatisation of animals to the urbanised world.

ROA is both a voyeur and a commentator of the transitions he sees around him. ‘Hypnagogia’ is the exploration of a territory we often forget to enter, and both a literal and metaphorical statement of the disparity between human and animal behaviour.

Artist Book:

Roa: An Introduction To Animal Representation by Mammal Press

This, very much hand crafted, book chronicles ROA’s art around the world by 3 recurrent themes of his murals last year; through photographs, sketches, and reference material. the book offers an insight into the creative mind of the artist. Each book is a unique edition of 500, hand bound, including two fold out screen prints of ROA, a Bird dissection and lots more…

Please Note:

This exhibition will be held in 2 spaces, our usual permanent gallery (space 1) in the Truman Brewery and The Stone Masons, 17 Osborne Street London E1 6TD (space 2).

The Old Truman Brewery 91 Brick Lane London. E1 6QL
T:020 7247 2684 E:info@stolenspace.com Open Tuesday to Sunday 11.00am – 7.00pm

 

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Living Walls Concepts Presents: New works featuring La Pandilla and Trek Matthews. (Atlanta, GA)

March 20, 2012 , , , , ,

La Pandilla and Trek

 

This Saturday, Living Walls Concepts’ artists La Pandilla (Puerto Rico) and Trek Matthews (Atlanta) will premiere their gallery show at the Jane. This one night gallery opening will present 12 original works, a limited edition of artist prints and shirts by Kemeza, and the screening of the mural process video by Albert Lebron.

La Pandilla are internationally recognized street artists from Puerto Rico whose stunning detail remain intact from large-scale murals to works on paper. This art duo, comprised of Alexis Diaz and Juan Fernandez, invent surreal depictions of animals with human elements throughout their work.

Trek Matthews is an emerging, self-taught, Atlanta based artist. A unique mixture of sacred geometry, Native American designs, Aztec patterns, and Egyptian myth & culture inspires his pen and ink drawings.

Drinks and DJ will be provided along with an after-party featuring a performance by Mirror Mode. After the opening, the show at the Jane will hold special gallery hours Sunday 3/25 from 1:00-5:00pm. All profits from art sales will go to the artists. As always, this event is free and open to the public.

The Jane (behind Octane in Grant Park)
437 Memorial Dr
Atlanta, GA 30312

Gallery Opening, Saturday, March 24th 7:00-11:00pm
Extended Gallery Hours, Saturday, March 25th 1:00-5:00pm

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MICA Decker Gallery Presents: Adam Void “An American Dream” (Baltimore, MD)

March 19, 2012 , , , ,

Adam Void

 

This immersive installation will feature new paintings, sculptures and writing. An American Dream forces the viewer to interact with often overlooked subcultural groups in a sophisticated and complex manner. Topics addressed include homelessness, evangelical religion, freight hopping, protest culture, surveillance and urbanization.

Opens Friday March 23 (5-7pm) – April 1
MICA Decker Gallery
1301 West Mount Royal Ave.
Baltimore, MD

Adam Void “Private Property” (image courtesy © of the artist)

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Pawn Works Gallery Presents: “While Supplies Last” (Chicago, ILL)

March 19, 2012 , , , ,

Pawn Works Gallery

Pawn Works Presents: While Supplies Last

While Supplies Last is a concept store providing an alternative retail environment for the discerning customer to browse and purchase exclusive products and unique gifts. With the visual aesthetics of NYC artist 5003 and Agent Gallery, we will be transforming the space into a fully functioning retail shop featuring an array of titles from German based publishing company Gestalten books, apparel from Scumbags & Superstars and The Joneses, and other small edition products created by the participating artists specifically for this project.

Throughout the store’s limited run we will be releasing exclusive items including prints, zines, sticker packs and other multiples from a variety of artists like SHAWNIMALS, SKEWVILLE, KOSBE, 5003, ADER, AMUSE 126, SNACKI, JC RIVERA, MONTGOMERY PERRY SMITH, LEFT HANDED WAVE, MAX KAUFFMAN, NICE-ONE, SWIV and more while featuring a heavy involvement from famed U.K. illustrator JON BURGERMAN.
“Submerged in  a period of kitsch, we persevere, taking part in some of the fun along the way”
Grand Opening
Saturday March 31
12-7pm
While Supplies Last!!
Store Hours:
Tuesday-Saturday 12-7pm
Sunday 12-6pm
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The Outsiders Gallery Presents: Brett Amory “Waiting 101” (Newcastle, UK)

March 19, 2012 , , , , ,

Waiting 101

 

NEWCASTLE

77 Quayside | Newcastle upon Tyne | NE1 3DE | Tel +44 (0)191 221 2560 | www.theoutsiders.net | www.lazinc.com

The Outsiders, the emerging art gallery from curator-director Steve Lazarides, presents ʻWaiting 101ʼ a solo exhibition featuring the newest works from Brett Amoryʼs internationally acclaimed ʻWaitingʼ series.

American contemporary painter Brett Amory is widely considered one of the breakthrough artistic talents of the past year. He is best known for his Waiting paintings, a body of work that has spanned the last decade documenting figures and landscapes in the Bay Area. The new collection ʻWaiting 101ʼ debuts at Outsiders Gallery in Newcastle, UK on April 19th 2012.

The compositions in the exhibition focus on Amoryʼs newfound relationship with technology, and the implicit freedom it allows in his work. Delving into documentation methods which new modes of ambulatory technology offer, Amory experienced a metamorphosis in his painting preparation and application. With intimate, firsthand knowledge of the many ways that technology can affect the lives of those it touches, Amory explores the avenues itʼs opened up for him as an artist in ʻWaiting 101ʼ.

Photography applications with sophisticated software (such as Instagram) have allowed Amory to expand the scope of his series. Heʼs now able to capture critical moments that strike him as they unfold. “With my iPhone, I always have a camera on hand. Iʼm able to capture what I experience day in day out,” he says. “Every morning I wake up and walk to the café for a cup of coffee. On the way I see the same people following their own routines. New technology allows me to document these people as they go about their lives. Capturing the people I see in my neighbourhood on film and later on canvas, is really a documentation of what I do and see on a daily basis. This body of work aims to give the viewer a look into my own experience. Hopefully it opens up a deeper personal exchange between myself and the viewer.”

Inspiration has never been so easy to manipulate and document. Amory expertly wields the tools available to him, with the intent of maintaining and evolving the series that has garnered him international acclaim. Prior to Amoryʼs use of the camera phone, his process involved painstaking research and meticulous stake-outs at chosen locations. This was always with the hope of capturing a moment and individual suitable to his artistic vision. With the modern software now in his employ, Amory has the world at his fingertips _ as evidenced in ʻWaiting 101ʼ. His compositions show a radical departure from his historical works in their obvious spontaneity, yet remain true to his unequivocally distinct technique.

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Rue de Beauce Presents: Florence Blanchard AKA EMA: “Ephemera” (Paris, France)

March 19, 2012 , , , , ,

EMA

A travers des compositions complexes incorporant des éléments inspirés de l’univers du graffiti, du tatouage et de la BD, Florence Blanchard explore les thèmes du symbolisme et de la science fiction. Par son oeuvre, elle immortalise des pensées furtives aspirant s’interroger sur la beauté du transitoire et sur le temps qui passe.

Pour sa prochaine exposition E P H E M E R A, elle donne forme et couleur à un univers précaire et fantastique. Visions oniriques teintées de sensualité et de mystère invitent à se recueillir au sein d’une interface transitoire, entre rêve et réalité. Des personnages imaginaires inspirés d’époques diverses et évoluant dans un décor abstrait nous content une ode narrative, anachronique et surréaliste.

Basée pendant 10 ans à New York, Florence Blanchard est une Pionnière dans l’univers du graffiti français au féminin. Elle adopte le nom Ema au début des années 90 et participe aux événements clés du hiphop américain. Ema expose dans les grandes capitales à New York, Paris, Berlin, Los Angeles. Elle prend part au projet Underbelly à New York, à la TED Women conference à Washington 2010 ainsi qu’à Art Basel Miami Beach.

Rue de Beauce – galerie d’art au format informel – invite régulièrement des artistes à se produire dans le salon d’un appartement parisien au cœur du Marais. Initiée par Michèle Bouhana et Angela di Paolo, la galerie s’est engagée dans la promotion de nouvelles tendances artistiques circulant entre Pop Surréalisme, Urban Art et Dessin contemporain.

RUE DE BEAUCE
présente
E  P  H  E  M  E  R  A

FLORENCE  BLANCHARD  

  

Vernissage : Dimanche 1er Avril 16h – 21h

Du 2 Avril au 10 Mai 2012 sur RDV

3 Rue de Beauce, 75 003 Paris

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Artsee Presents: Kemp “Behind her Disguise” (Manhattan, NY)

March 15, 2012 , , , , ,

Kemp

KEMP is an intriguing Irish artist, making his debut solo exhibition in New York City.

KEMP digresses from the traditional features of stencil art, which tend to be represented as flat simple modes of mass-communication sprayed in public spaces. By taking the concept from the political and urban sphere into a studio environment, more akin to the screen printing process, he breaks down the customary limiting stencil strucure by creating multiple layers of depth from light through to shadow. He attacks the formal representations of his selected images by re-introducing detail in certain areas and pulling out and accentuating shapes, where the order of dark to light is not always regarded.

KEMP’s unusual colour choices move away from the type of palette often used by other artists of a similar visual nature, generating vibrancy while still using a predominantly muted palette.

During a trip to Ireland, the co-owner of Artsee, Oleg Rabinovich, became aware of KEMP and invited

him to hold his first American exhibit in the unique space that is Artsee, Battery Park City, NYC.

Behind Her Disguise is a collection of seventeen wood-panel iconic visuals of women, as seen through the KEMP filter. This exhibition was inspired by subculture, pop-art and the cult of celebrity. KEMP emphasises eyes and lips, while preserving the subject’s beauty as other features are flattened, obscured or masked. In selecting the subjects for the exhibition, KEMP chose sometimes beautiful, sometimes dysfunctional, sometimes disturbed women. He elicits an alternative underlying meaning during the process of production, as reflected in the titles of the pieces. KEMP invites the viewer to climb into a piece, wander around and unveil the truth behind her disguise.

KEMP is excited and honoured to introduce the city of New York to his collection and is enthusiastic about building connections with the city and its inhabitants as inspirations for his future work.

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Carmichael Gallery Presents: “My Turn” A Group Show Curated by Bumblebee. (Culver City, CA)

March 15, 2012 , , , , ,

My Turn

 

Featuring work by:

Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish, Zeus

Curated by Bumblebee

Opening Reception: Saturday, March 17, 6-9pm

Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232

Please RSVP to rsvp at carmichaelgallery dot com.

Exhibition open to the public March 17 – April 7, 2012

“There are many artists in the urban / street art movement. For this show, each artist was selected based on his or her unique voice and ability to push the boundaries of the genre, while remaining true to its origins.” – Bumblebee

Carmichael Gallery is pleased to present My Turn, the first curatorial project by Los Angeles-based artist, Bumblebee. The group exhibition includes mixed media collage, sculpture and works on canvas and paper by Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish and Zeus, ten artists whose work activates creative conversations with the geographically disparate cities of Bogotá, Buenos Aires, Downey, Kiev, London, Los Angeles, Milan and Tel Aviv.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

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The Brooklyn Museum Presents: Keith Haring: 1978-1982 (Brooklyn, NY)

March 15, 2012 , , ,

Keith Haring

Keith Haring. Courtesy of Keith Haring Foundation. ©Keith Haring Foundation. The Brooklyn Museum (photo © Jaime Rojo)

March 16–July 8, 2012

Morris A. and Meyer Schapiro Wing, 5th Floor

Keith Haring: 1978–1982 is the first large-scale exhibition to explore the early career of one of the best-known American artists of the twentieth century. Tracing the development of Haring’s extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

The exhibition chronicles the period in Haring’s career from his arrival in New York City through the years when he started his studio practice and began making public and political art on the city streets. Immersing himself in New York’s downtown culture, he quickly became a fixture on the artistic scene, befriending other artists such as Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative cultural figures of the period. The critical role that these relationships played in Haring’s development as a public artist and facilitator of group exhibitions and performances is also explored. Pieces on view include a number of very early works never before seen in public; seven video pieces, including Painting Myself into a Corner (his first video piece) and Tribute to Gloria Vanderbilt; and collages created from cut-up fragments of his own writing, history textbooks, and newspapers.

Keith Haring: 1978–1982 is curated by Raphaela Platow. The exhibition is co-organized by the Contemporary Arts Center, Cincinnati, and the Kunsthalle Wien. The Brooklyn presentation is organized by Tricia Laughlin Bloom, Project Curator, and Patrick Amsellem, former Associate Curator of Photography, Brooklyn Museum.

This exhibition is made possible by Lisa and Dick Cashin with additional support provided by the Stephanie and Tim Ingrassia Contemporary Art Exhibition Fund.

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Pandemic Gallery Presents: “20” Stikman Celebrates 20 Years on The Street (Brooklyn, NY)

March 13, 2012 , , , , ,

“20”


Pandemic Gallery Presents:

“20” a solo exhibition by Stikman

Opening Reception: Fri. March 16th 2012 • 7-11pm
show runs through April 6th

What more can be said about the mysterious artist known only as “Stikman” that hasn’t been uttered hundreds of times by passersby all over the city? His work is sneaky, incredibly thought provoking and uncommonly satisfying to come across, and if you have been living on the east coast or, well, basically anywhere in the states you no doubt have discovered it in some aspect. It could be in the form of 3D men made of small sticks to figures hidden in iconic imagery pasted to doors, or literally under your feet, smashed into the concrete. The range of mediums used and the calculated creativity given to each piece is overshadowed only by the sheer amount of work he has affixed to our cities surfaces. Tireless efforts aside, his stick formed character remains one of the most recognizable images in urban art culture. So, on that note we are proud and excited to announce the first solo exhibition of our favorite and New York’s most elusive street artist: Stikman.

from the artist:

It was the summer of 1992 that I deployed my first stikman in the East Village. In the early years the sticks were not painted, It took me much longer to make them at the time because I was always changing the way they were constructed. In the first year I don’t think I made more than 50 of them, they were between 5 and 6 inches tall and made of basswood. By 1996 I had started painting them and begun producing many more per year.

Once I started painting the 3-D stikmen I also started to paint stickers. Combining the 2 dimensional graphic element expanded my view of the ever changing stikman form, and the project took off in unforeseen directions. I was finding many different materials and processes with which to explore the realm of stikman.  Over the years I have affixed and painted the stikman on numerous LP record covers, prints, book pages, cut paper paste-ups, hollow core doors and a variety of metal, wood, cloth and plastic objects. Some of my favorite pieces include stenciling images on ping pong balls, bricks, tiny slide viewers, and playing cards. And of course there were always little wooden men made of sticks.

My pieces start their lives as static objects, but they come to life when I place them in a public place where they are subject to the forces of time, interactions with humans and climate. I share this transient form of art to connect with a viewer whom I will never meet, in hopes that the joy of finding the unexpected has altered their consciousness. It finds an indigenous space in our surroundings like a flower escaping from the crack in a sidewalk. Continuously altered by time and circumstance.

To celebrate twenty years of playing in the street with sticks I have created a special battalion of twenty figures to send out into the world with the hope that the friends of stikman will take him along on new journeys to places he has not yet been. I have also created twenty works on paper to commemorate the paper element associated with stikman.Ten of these are PAINTBLAST, which is a form of automatic painting that occurs when I paint the wood figures.

PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe

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Mighty Tanaka Presents: “Color & Motion” Featuring JMR and See One (Brooklyn, NY)

March 13, 2012 , , , , ,

color and Motion

Color & Motion Opening Reception:

Friday, March 16th

6pm – 9pm

(show runs until April 6th)

(F Train to York Street, A/C Train to High Street)

Worlds are created, destroyed and manipulated with a single stroke of the brush.  Through the swirling movement and radiant bursts exists an abstract landscape of hostile environments intertwined with gentle allure.  A semblance of paths and trails carved through the terrain, guides the eye through a visual exposé of mutually complimenting color tones and textures, further descending into the heart of the painting.  Mighty Tanaka is happy to present our next show, Color & Motion, featuring the explosive abstract work of JMR & See One.  Together, they explore the bounds of abstract art and intend to move beyond the barriers.

Color & Motion is an all-encompassing journey of expression that highlights a strong pallet and maintains a constant flow.  Through the line work of JMR or the color shards of See One, both artists influence the movement of the eye with their chosen techniques.  The work lends itself to a variety of interpretations that exist in the eye of the beholder.

Both artists utilize the very idea of Color & Motion within the overall approach, choosing to create work with acrylic paint as well as incorporating collage elements.  JMR and See One, while similar in approach, both execute their work in unique and mesmerizing ways that invites the viewer to look a little closer.

 

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