Opening

Stolen Space Gallery Presents: ATG Collective “Eye In The Sky” An Art Exhibition and Book Launch (London, UK)

ATG Collective

 

‘Eye In The Sky’

Show & Book Launch

By ATG Collective 03.08.12 – 02.09.12
Private View Thursday 2nd August, 6 – 9 pm

In December 2010 a group of artists got together to embark on a project painting London’s skyline, with the aim of inspiring people and reminding them of their voice. At a time where communities across the country feel increasingly neglected and let down by the system they decided to use the roofs of the many council blocks scattered across the city as a platform to communicate with people in the form of painted eyes and up-lifting slogans that beamed down on to the streets below. Their work was to serve as a reminder to the public that they still have control over their surroundings and although we live in the most surveyed city on the planet, where peoples liberties are often compromised for financial gain and control, there is still room to take risks, think outside the box and change the world around you.

This exhibition will see the launch of a limited edition hand bound artist book from ATG. Each book will be signed and numbered with a hand screen printed cover.

The exhibition will also feature limited edition screen prints, originals and photographic work. .

The Old Truman Brewery 91 Brick Lane London. E1 6QL
T:020 7247 2684 E:info@stolenspace.com Open Tuesday to Sunday 11.00am – 7.00pm

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Fabien Castanier Gallery Presentes: RERO “IMAGE NOT AVAILABLE” (Studio City, CA)

RERO

 

Fabien Castanier Gallery is proud to present IMAGE NOT AVAILABLE , the first solo exhibition in the USA by French artist RERO.For the past 3 years, RERO has established his work through his innovative approach to street art. First introduced to the street as a teenage graffiti writer,  he eventually felt limited by a spray can and began exploring imagery through the use of typography. His work retains those values of graffiti- which remains at the very core- the confrontation, the aesthetics of destruction and the idea of appropriation. The forms of his letters, always in Verdana font, become the image. With his distinct visual style, RERO often inhabits disused and dilapidated spaces to explore the concept of “negation of the image”, presenting minimalist statements that combat our modern overdose on images and messages.

RERO challenges our understanding of intellectual property, images and computer terminology, through the use of words and phrases with a stark black line crossing them out. Using expressions such as “Trade My Mark”,  “Error 404” and “This Image is Free Copyright”, the artist seeks to provoke questions from the viewer to establish their own positions as to their meaning. The use of the strike-through furthers his exploration of negation, as it suggests a notion of denial or censorship.

RERO’s site-specific works enter the gallery space through a variety of media. His works on canvas emulate the abandoned walls where he often intervenes, where there is no distinctive brushstroke or human trace, instead marked by time and by texture. Similarly, he encases vintage leather bound books in resin, his way of making them “fossils” of the 21st century. For IMAGE NOT AVAILABLE , RERO will be exhibiting works on canvas, sculptures, works on paper and resin books alongside several installations.

RERO was born in 1983 and studied graphic design at London College of Communication. He has shown his work in numerous exhibitions and art fairs across Europe. He lives and works in Paris.

FABIEN CASTANIER GALLERY:
12196 VENTURA BLVD. STUDIO CITY, CA 91604
P. 818.748.6014  | CONTACT@CASTANIERGALLERY.COM| WWW.CASTANIERGALLERY.COM
GALLERY HOURS TUESDAY–SATURDAY 11–7PM, SUNDAY-MONDAY 11–5PM.


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LALA Gallery Presents: “Public Works” A Group Exhibition (Los Angeles, CA)

LALA Gallery

Dear Friends:

We are thrilled to announce the opening of our second show, PUBLIC WORKS, at LALA Gallery on Friday, August 3, at 7:00 pm.

This groundbreaking two-part exhibit, a collaboration with LA Freewalls and MacDonald Media to benefit Art Share LA, features murals by renowned contemporary artists in one of public media’s most controversial spaces – the billboard. Contributing artists include How & Nosm, Insa, Push, Revok, Risk, Ron English, Seen, Shepard Fairey, Trustocorp, WCA Crew, Uglar, and Zes.

The first part of the exhibit will feature the murals up-close-and-personal at LALA Gallery from August 3 to 17. The murals will then be on display on billboards throughout Los Angeles on a rotating basis during the next year.

Come take a look. We’ll see you there.

  • Daniel Lahoda
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Faces Ink Presents: Quel Beast Solo Reception at Gallery Bar (Manhattan, NY)

Quel Beast

New York street artist Quel Beast will have a reception this Friday the 27th from 7-10pm at Gallery Bar for his large, vibrantly colored portraits.

The influence of New York’s rich street art and graffiti legacy shows up in the bright colors and bold lines Quel Beast uses to bring his faces to life.  A central theme of these portraits has been the emotional turmoil of struggling New Yorkers, but recently Quel Beast has been exploring ways to render the faces we wear when we’re struggling with more than the daily grind.  Almost a year ago Quel Beast began confronting his internal demon of addiction.  The insanity of self-deification and self-destruction, inherent in a life run by self-will, is most evident in his recent “Selfish Portraits”.
Quel Beast learned how to paint by pasting both his failures and successes in the streets of Manhattan and Brooklyn.  He often serves as his own subject, using twisted and wrinkled faces to render portraits that are shifting proportions of joy, frustration, self-obsession and demoralization.  The feelings conveyed through Quel Beast’s vibrant colors and bold expressions would make Chuck Close blush.  This isn’t your mother’s idea of portraiture.
No stranger to struggling in the city, Quel Beast has been sleeping on a friend’s couch while looking for a job.  “I’d much rather make the work I want, than bow to what sells,” he said, “I have friends who show in Chelsea that are just as poor as me; money just isn’t a priority to real artists.”  For these reasons, Quel Beast has priced all of his work in this exhibition well under $1,000.  “Only  collectors and gallerists worry about an artist’s monetary worth,” Quel Beast quipped, “I only worry about being able to afford my next round of supplies.”
The work will be on view this weekend and during the reception.
Gallery Bar is located at 120 Orchard St. on the Lower East Side of Manhattan.
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Known Gallery Presents: Saber “Beautification” (Los Angeles, CA)

Saber

 

SABER / BEAUTIFICATION
Opens: July 28, 2012 | 8-11pm
Runs: July 28 – August 11, 2012

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
info@knowngallery.com

Among the thousands of people who make up the graffiti community around the world, there are few names that carry the same legendary quality as SABER. Born in the Los Angeles suburb of Glendale, SABER was raised by creative parents and discovered his passion for art at an early age. At 13, his cousins introduced him to graffiti when they took him to see the spray paint-covered Belmont Tunnel. From that moment on, he was hooked. After honing his skills on local walls, SABER joined MSK, and was later inducted into legendary piecing crew AWR.

SABER was already a fixture in the Los Angeles graffiti scene by 1997 when he completed the largest graffiti piece ever created. His piece on the sloping cement bank of the Los Angeles River was nearly the size of a professional football field, and took 97 gallons of paint and 35 nights to complete. In a famous photograph—taken by his father just after it was finished—SABER stands on the piece and appears as a tiny speck amid a giant blaze of color. It catapulted SABER to legend status in the graffiti world.

SABER began exhibiting in his fine art in 2002. His monograph, SABER: MAD SOCIETY, complete with stories of his graffiti misadventures, was released by Gingko Press in 2007 and is now in its second printing. In October 2010, SABER released a video in which the year’s heated debate about health care was spray painted over the American flag. While some saw it as desecration, SABER advocated for health care reform in the video, revealing that he had epilepsy and was un-insurable. This work led SABER to create a large group of American flag paintings called the Tarnished series.

 

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Known Gallery Presents: REVOK “Gilgamesh” A New Body of Work. (Los Angeles, CA)

REVOK

Known Gallery presents
REVOK
Gilgamesh
July 28-August 11, 2012

Known Gallery is pleased to present Gilgamesh, a new body of work by REVOK opening on Saturday July 28 and on view through August 11.  This exhibition will mark REVOK’s second show with the gallery.

With Gilgamesh, the artist has refined his technique of cutting up and reassembling found objects that once had a life of their own. All materials are scavenged from abandoned homes, churches, businesses and buildings in Detroit, Michigan, the city where REVOK has taken refuge.  The artist extracts the beauty in urban decay, from dilapidated buildings and rubble of the past.  An integral part of the process of acquiring his materials is exploring the neighborhoods, going into abandoned buildings, investigating forgotten places and sometimes in the course, encountering the people who once lived there.  The artworks are then named after the street addresses from which he excavates his materials, leaving the stories embedded in the assemblage.

A modern approach to Americana, REVOK creates geometric collages from these recovered relics, forming patterns, shapes and textures that are a direct result of years of wear and tear.  REVOK finds inspiration in what others might deem as useless.   As a fearless graffiti artist who has largely mapped and plotted the world, he turned his focus to the ruins of the Motor City, a vacant playground of beautiful architecture. REVOK’s experiences as a graffiti artist have fostered an appreciation for the things that surround us everyday, but for most, would go unnoticed.

“I’ve always struggled with permanence.  Out of twenty-two years as a graffiti writer, from my entire body of work, less than 1% exists, and the permanence of graffiti, particularly in Los Angeles, is more temporary than most places in the world.  It has always been one of the main motivations of graffiti writers to create work that’s going to last.  We want to create work that’s going to live for a long time.”

REVOK recently shared his artistic ambitions on a larger scale by creating the Detroit Beautification Project, inviting 25 artists from around the world to revive the forsaken city and provide encouragement for the community.

Garnering inspiration from the four thousand year old poem, the Epic of Gilgamesh, which recounts the Sumerian king’s quest for eternal life, REVOK has resurrected a city’s past using its disregarded remains. The flotsam and jetsam have now become memorialized artifacts through REVOK’s meticulously crafted handwork, giving new meaning and immortality to what were once ordinary objects.

REVOK constantly struggles to overcome the connotations associated with the type of artist he is, which in the past, has been met with overwhelming opposition and with the intent to eradicate his life’s work. REVOK’s work reflects not only his story as an artist, but also the story of a civilization and its people.

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036

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Joshua Liner Gallery Presents: Stephen Powers: “A Word is Worth A Thousand Pictures” (Manhattan, NYC)

ESPO

Stephen Powers (photo © courtesy of the gallery)

Joshua Liner Gallery is pleased to announce our September exhibition with Stephen Powers. A Word is Worth a Thousand Pictures will be Powers’ first solo exhibition in New York in over seven years. The prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10 x 8 inches to 10 x 10 feet.

Joshua Liner Gallery
548 W 28th St. 3rd Floor
New York, New York 10001
212-244-7415
joshualinergallery.com

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Joshua Liner Gallery Presents: Summer Group Exhibition. (Manahttan, NYC)

Joshua Liner Gallery

David Ellis (photo © courtesy of the gallery)

Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibition showcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.

Showing for the first time at Joshua Liner, the Southern California-based Clayton Brothers (Christian and Rob) draw inspiration from their immediate environment, incorporating local businesses, neighborhood regulars, and snippets of overheard conversations as subjects for their paintings. Composing their pieces conjunctively- motifs, gestures, places, and figures reoccur within different works, creating inter-linked dramatic scripts. The duo received their first major museum exhibition in 2010 with Clayton Brothers: Inside Out at the Madison Museum of Contemporary Art (MMOCA) in Madison Wisconsin.

The German-born, Brooklyn-based painter Daniel Rich will also be showing for the first time at the gallery; known for his matte-flat interpretations of photojournalistic images, Rich will include the painting BT Tower London—a seductive, large-scale close-up of the famous telecom tower—which will be featured in the fall exhibition Daniel Rich: Platforms of Power at the Museum of Fine Arts, Boston.

Additional newcomers to the gallery include Alfred Steiner, whose delicate watercolor on paper works depict a mashup of plant, animal, and human anatomy with objects from material culture; Jean-Pierre Roy’s futurist/fantasy landscape paintings; hyper-stylized graphic abstractions by painter Mario Martinez (aka, Mars-1); and works of 3-D painted fish encased in resin by Japanese artist Riusuke Fukahori.

Summer Group Exhibition will feature gallery regulars, including painters Tat Ito and Tomokazu Matsuyama, whose colorful, large-scale works blend contemporary hard-edged abstraction with traditional Japanese motifs. Also on view will be works of sculptural assemblage by Kris Kuksi as well as paintings by Cleon Peterson, Damon Soule, David Ellis, Ian Francis, Oliver Vernon, Pema Rinzin, and Tiffany Bozic.

Address
548 West 28th Street
3rd Floor
New York, NY 10001
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Kingbrown Magazine and Fountain present the launch of Kingbrown 8th Issue at Klughaus Gallery. (Manhattan, NY)

Kingbrown

Mike Giant (photo courtesy of Fountain)

Fitting within Fountain’s penchant for all things street and guerrilla, we are thrilled to partner with Kingbrown to launch their 8th issue, co-curated and designed by Morning Breath, at New York’s Klughaus gallery.  Opening to the public July 26th, 2012 from 7-10pm, Klughaus Gallery: 47 Monroe Street NYC, NY.  Featuring live painting, Skateboard demos and more.

Australia’s “Kingbrown Magazine has collaborated with curators, John Leo (Fountain Co-Founder)  and Melissa McCaig-Welles (McCaig-Welles Gallery) to bring you a dynamic collection of skateboard inspired artwork. The exhibition will showcase some of the world’s most influential artists from members of the infamous Girl/Chocolate Art Dump, pioneers in NYC graffiti, talented illustrators, animators, art stars from Australia, sculptors, and that guy living in the NY green diamond.

Kingbrown is a distinctively designed magazine, sitting somewhere between a book, a magazine and an art zine. As a super limited edition periodical, delivered inside a hand silkscreened brown bag, sewn closed with artist stickers and posters included, Kingbrown remains different from any other publication.

Conceived in 2006 by co-creators Yok and Ian Mutch in Perth, Australia, Kingbrown’s mission was to produce a limited edition work of art, which would reach a wider audience, allowing accessibility to the public and its entirety. Each “magazine” is handcrafted and designed by some of the world’s leading innovators of photography, illustration and urban and skateboard art and design. Produced on museum quality paper, each page is a collectible item, individually sealed and packaged. Now in its 8th edition, Kingbrown has achieved worldwide success and is now launching for the first time in the US.

The term “Kingbrown” is Australian slang for a 40oz, and the magazine’s slogan “wrapped in a brown bag, just like a good 40 should”, is just as original as the artists it represents. This latest 8th edition, co-curated by the renowned collaborative, “Morning Breath”, focuses it’s topic on the visually rich artists who have influenced the world of skateboarding.

The impressive line-up includes Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, and Ben Horton, all of whom have contributed to this limited 8th edition of Kingbrown Magazine.

Additional works to be included in the exhibition by Australian artists: Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.

Klughaus Gallery

47 Monroe St.
New York, NY 10002
F to East Broadway / M15 Bus to Catherine St. x Madison St.
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Pandemic Gallery Presents: “Believe The Hype” An Art Summer Party (Brooklyn, NY)

Pandemic Gallery

SUMMER GREETINGS!

Join us on Saturday July 28th for BELIEVE THE HYPE! An all day event filled with art, music, games, food, drinks, and gushing wateras Pandemic throws a summer party!!

Artists will paint the entire inside of the gallery into a stunning collaborative mural
and smaller works such as Limited Prints / T-shirts / Zines / Drawings and the likes will be available for purchase.
Stop by and have a blast!
2pm – 10pm
Saturday, July 28th
Artists Include:
The YOK
SHERYO
UFO 907
SWAMPY
ROYCE BANNON
MATT SIREN
DAVID PAPPACENO
DARKCLOUDS
KEELY
DON PABLO PEDRO
COST KRT
SET KRT
DEEKER
PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

 
Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment 

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe

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ICA Boston Presents: Os Gemeos First Solo US Exhibition (Boston, MA)

Os Gemeos

Os Gemeos in Miami, 2005. Detail. (photo © Jaime Rojo)

OS GEMEOS

August 1–November 25, 2012 
The ICA presents the first solo U.S. exhibition of Brazilian  artists Os Gemeos. The ICA exhibition will include a selection of the artists’ paintings and sculptures, as well as a public mural outside the museum

Organized by Pedro Alonzo, ICA Adjunct Curator

This August the ICA will present the first solo exhibition in the United States of works by the Brazilian brothers Otavio and Gustavo Pandolfo. Best known as Os Gêmeos, the twins are a major force in graffiti and urban art. The twins have a deep bond; they are tireless collaborators and say that they often experience the same dreams. In an effort to share their dreams with the world, they depict their visions in surreal paintings, sculpture, and installations: human figures with removable faces, exploding bursts of color, and room-size heads installed with shanty interiors.

Os Gêmeos draw not only from dreams, but also from their surroundings, incorporating these elements to forge a unique visual style. Their narrative work is a visual synthesis of their everyday lives: the color and chaos of Brazil—particularly in their neighborhood in São Paulo, Cambuci—or yellow-skinned youth in red hoodies breaking into train yards and painting in subway tunnels. A common motif depicts several graffiti taggers garbed in brightly patterned clothes stacked atop one another to reach an impossibly high spot. In contrast to the more contemporary urban themes, rural Brazil has an equally significant presence in their work. Carnivals, music, and folk art fascinate the twins and inspire fantastical portraits of musicians and paintings of processions and festivals—all of which are based on their own photographs.

Os Gêmeos date their artistic beginnings to 1987 when hip-hop invaded Brazil. The music and images of youth dancing and painting graffiti, transmitted via photo books and films, left an indelible mark on the twins. But in the late 1980s, the lack of information about art and art-making materials—Brazilian spray paint was expensive and inferior in quality—forced the artists to improvise and create their own visual style. They began painting New York graffiti–style murals with house paint, brushes, and rollers instead of spray paint. In 1993 while in Brazil, Os Gêmeos met then emerging artist Barry McGee. He provided magazines, materials, and information and began to paint with the twins. McGee was making a living as an artist, a fact that inspired the twins to quit their banking jobs and focus entirely on working as artists. Today they are two of the most prominent figures in public art, having succeeded in creating large-scale murals and painting public transportation throughout Brazil.

To Os Gêmeos labels—as well as reality—are not important. They do not consider themselves street artists, they “just want to paint.” Their art in public spaces, which they refer to simply as graffiti, is a means to share their work with a broad audience. This exhibition will highlight the multiple influences and recurring visual themes found in the artists’ paintings and sculptures, and allow audiences an opportunity to experience their richly fantastical work. As part of the exhibition, the artists will visit Boston in August 2012 to paint a large-scale, site-specific mural.

The Institute of Contemporary Art
100 Northern Avenue
Boston, MA 02210 General Information
617-478-3100
info@icaboston.org

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