On the Street

Reyes 78 in Chicago

San Francisco painter Reyes 78 must have been exceedingly happy to be in Chicago with many of his fellow Mexican ex-pats and to bring his abstract graffiti-influenced new work to this city to display on a huge wall.  The folks at Pawn Works Gallery invited Reyes 78 to participate on their ongoing outdoor project “Art in Public Places” at the Pilsen neighborhood.

Reyes 78 at the Pilsen Neighborhood in Chicago (photo courtesy © Pawn Works Gallery)

The project continues to bring new artists in conjunction with the Mexican Museum of Fine Art and The Chicago Urban Art Society, and this one illustrates the cultural melting pot as well as one of the newer directions that art in the streets is taking where graffiti and Street Art are merging to created something more abstract and geometric.

Reyes 78 at the Pilsen Neighborhood in Chicago (photo courtesy © Pawn Works Gallery)

Reyes 78 at the Pilsen Neighborhood in Chicago (photo courtesy © Pawn Works Gallery)

Reyes 78 at the Pilsen Neighborhood in Chicago (photo courtesy © Pawn Works Gallery)

Read more

Os Gêmeos and “The Giant of Boston”

The twins have left Boston, but not before they opened their first solo museum show in the U.S. and left behind a handful of public installations that have garnered major attention as people once again grapple with the concept of art in the streets. Otavio and Gustavo Pandolfo have done large installations in large cities before, but few as visible and central to a city as their 70 x 70 foot mural on the side of a “Big Dig” ventilation building rising above the greenway with the shape of the character’s formed by the semi-circular façade.

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Photographer and BSA contributor Geoff Hargadon says that the project received permission from a number of civic and private organizations before it could go up over ten days in July in this storied city that usually favors conservative historical themes in it’s public works. “Given the short amount of time organizers had to put the pieces together and get all the approvals,” says Hargadon while ticking off names of entities who green-lighted the project, “it was a small miracle it was able to get off the ground.”

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

The internationally known Brazillian Street Artists had time to create a few pieces around town that reference their more graffiti-influenced roots, including one each on the side of a hotel, a pizza place, and a van. Not surprisingly it was the seven storey portrait of a seated barefoot boy rendered in signature Os Gêmeos yellow and wearing shrouded headgear that got the most attention on the Rose Kennedy Greenway at Dewey Square. Its bright colors and patterned pajama-like garb have a cheerful childlike appeal to some picnickers, while other townies and Internet commenters see something less attractive, even sinister, depicted here where much of the Occupy Boston protests took place in the last year.

By the time “The Giant of Boston” had been discovered by equally yellow media types, the barefoot boy had been transformed into a danger in this birthplace of democracy and a small media-generated dust bowl was kicked up. “Looks like one of the Simpsons dressed like a terrorist,” said a clever commenter on a local TV affiliate’s Facebook page, one of over 200 who offered their considered opinions on the mural’s appearance.

Os Gemeos never miss an opportunity to collaborate on a van or truck when in the USA. This side of the van was with Graffiti Artist Lead. (photo © Geoff Hargadon)

As with most knee-jerk assessments, this one could be tempered with a few minutes of Googling the work of the artists, which would reveal that this figure fits quite neatly into the dreamscape tableaux of oddly costumed and funnily proportioned figures whom the Twins have been painting for a few decades. But who knows, each of those little kooky figures could have been bombers and no one realized it until now. Without adding credibility to that line of unthinking, Hargadon remarks about these aerosol bomber brothers, “Maybe Os Gêmeos have inadvertently done us all a favor by helping us understand how some people have come to see the world during the past ten years. In any case, like all noteworthy art, it is not meant to please everybody.” If that’s the case, “The Giant of Boston” is noteworthy.

Of more important note is the solo show by Os Gêmeos that has opened concurrently at The Institute of Contemporary Art Boston. Organized by Pedro Alonzo, who also curated the Swoon, Shepard Fairey, and Dr. Lakra shows for the ICA, it’s a somewhat intimate overview of their professional and personal journey as artists, peppered with a few surprises from inside the imagination of these in-the-moment creators who “depict their visions in surreal paintings, sculpture, and installations,” according to the shows official description. Reporting on the makeup of the pieces exhibited, Hargadon says, “Some of them are from the recent show at Prism LA, while others are older works. The VIP opening on Tuesday was packed, and was followed by a Brazilian themed party Friday night – which was sold out.”

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. This side of the van was with Graffiti Artist Rize. (photo © Geoff Hargadon)

If you get to Boston to see this show and this large mural, make time in your trip to see the brothers other works in less obvious locations to get a greater appreciation for their history growing up as teens in the mid 80s while pouring over books like “Subway Art” and seeing the hip-hop and graffiti scene from New York spreading around the globe. You’ll find a mural at the Revere Hotel on Stuart Street and a piece they did along with a handful of friends in Union Square in Somerville at Mama Gina’s Pizza. Among the other contributors to that piece were RIZE, Coyo, and Caleb Neelon.

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. One of The Twins signing a memento for a fan. (photo © Geoff Hargadon)

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Os Gemeos at the Revere Hotel on Stuart Street, Boston. (photo © Geoff Hargadon)

Os Gemeos with Rize, Coyo and Caleb Neelon at Mama Gina’s Pizza in Union Square, Somerville. (photo © Geoff Hargadon)

Os Gemeos with Rize, Coyo and Caleb Neelon at Mama Gina’s Pizza in Union Square, Somerville. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. Detail. (photo © Geoff Hargadon)

Os Gemeos. General view of the Exhibition at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

<<>><<>>BSA<<>><<>>BSA<<>><<>>

The exhibit at the ICA will be up through Thanksgiving, 2012.  Click here for further information regarding this exhibition.

<<>><<>>BSA<<>><<>>BSA<<>><<>>

“The Giant of Boston” mural at the Rose Kennedy Greenway at Dewey Square  will be up for 18 months.

<<>><<>>BSA<<>><<>>BSA<<>><<>>

Our special thanks to BSA contributor and photographer Geoff Hargadon for capturing these amazing images of the walls going up and for the coverage of the installations inside the museum.

See our interview in August 2010: Futura Talks: Completion of the “Kid” at PS11 with Os Gemeos

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

IBUG 2012: Festival of Urban Art and Culture (Glauchau, Germany)

IBUG 2012

IBUg 2012 – Festival of urban art and culture in GermanyThe IBUg – the famous festival of urban art and culture in Germany – goes into its seventh edition this year. From 24th August on more than 70 artists from eight countries will transform a former slaughterhouse in the West Saxon city of Glauchau during a week-long creative phase into a work of art by graffiti, street art, urban art installations and performances. Numerous national and international artists like Ta55o (Germany), Chromeo (Switzerland), Flamat (Germany), Help (Germany), Hifi (Germany), Koala (Switzerland), Loomit (Germany), Okle74 (Germany), Royal TS (Germany), Zone56 (Germany), Amin (France), Andy K (Germany), Bue the warrior (Belgium), Caparso (Germany), Etam (Poland), Johannes Mundinger (Germany), Lean Frizzera (Argentinia), Martin Ron (Argentinia), Quintessenz Creation (Germany), Rebelzer (Germany), Remi Rough (England), SatOne (Italy) or Threehouse (Germany) have announced to IBUg 2012.

The results are presented to the public during a festival of urban art and culture from 31st August to 2nd September. Among the highlights of the weekend are the lectures by Göttingen based artist Bond about the graffiti culture in southeast asia and by Manuel Gerullis, who talks about the event „Meeting of Styles“. And on Saturday night the traditional IBUg party invites to celebrate and dance to hip-hop and electronic beats with DJ Showi (Stuttgart), DefZone (illcandevilz/IBUg), Okle (illcandevilz/IBUg), Franz! (Muna, http://www.muna.de/), Konglomerat (Weimar, www.facebook.com/daskonglomerat) and Mopedgang (Glauchau, www.mopedgang.de) as well as visuals by MXZEHN (Weimar).
The side program also offers a IBUg pub which grants an insight view into the work of the artist during the creative phase, an urban art market including photographs by Conny Heimer from the last five years of IBUg, t-shirts, bags as well as works of the IBUg-artist, a film program about urban art and urban culture and an IBUg fashion show.
For more information click here http://www.ibug-art.de/
Read more

JR Keeps an Eye on The Williamsburg Bridge

French Street Artist and photographer JR hit a skyward spot last week in Brooklyn with a large watchful eye which looks toward the Williamsburg Bridge that connects Brooklyn to Manhattan. An image taken of a member of the Lokota tribe on the Standing Rock Reservation in North Dakota, the new installation is part of The Inside Out – Lakota Project that JR began here in New York last year.

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

Working with a few assistants JR ferried the large prints up and down the building in a cherry picker, carefully matching the seams and wheat-pasting the pieces to gradually reveal this ocular oddity. The finished wall is alongside the north side of the bridge, perfect for bicyclists and pedestrians who want to stop and snap a photo.

JR. The staging area.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

Click here to learn more about JR’s Inside Out A Global Art Project

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

Gilf! and Friends in Williamsburg

“It’s so rewarding to know that we’re positively influencing the community by doing what we love,” says Street Artist Gilf! as she reflects about a bit of wall painting she organized this weekend in Williamsburg.  “The best part of getting this fantastic lineup of artists in one place was the community’s super positive reaction. I was blown away- not only at the amazing pieces that everyone created, but also the neighborhood’s response.” On board were Cake, Gilf!, Joe Iurato, LNY, Veng (RWK), and special guests from Iran, Icy & Sot.

ICY & SOT (photo & Jaime Rojo)

Gilf! getting up (photo & Jaime Rojo)

Gilf! (photo & Jaime Rojo)

Joe Iurato . LNY (photo & Jaime Rojo)

J0e Iurato (photo & Jaime Rojo)

LNY (photo & Jaime Rojo)

Sometimes looking at a piece I just get a lump in my throat. Cake (photo & Jaime Rojo)

Veng RWK (photo & Jaime Rojo)

Veng RWK (photo & Jaime Rojo)

Sophia Maldonado (photo & Jaime Rojo)

Sophia Maldonado (photo & Jaime Rojo)

Read more

Mike Giant Inks a Wall in Chinatown

New York has seen its share of giants. For most people, Mike is just another one.

But for fans of cholo-style graffiti and tattoo inspired art, he is a giant among men. That’s why it was cause for a celebration to see this skate boarding, fixie tricking, graffiti painting, grandpa hipster in suspenders hitting up a fresh white wall with some juicy markers last week under the Manhattan Bridge.

Mike Giant (photo © Jaime Rojo)

Thermometer-wise, it was one of our worst July days. For a fleeting moment the bespectacled grey buzzcut artist looked like he wasn’t going to take the New York heat while working outside in crushing hot humidity that felt like the inside of a rice cooker here in Chinatown. But the visitor from San Francisco’s Tenderloin rallied, calmed himself, found his personal zen, and focused on his wall with a positive mindset. While a cluster of hosts and fans stood by Giant methodically laid out the kind of precise, sharp lined calligraphic illustration that has distinguished his work and indelibly marked his reputation among the skater-punk-tattooed-graffiti-lowbro West Coast heroes of the last two-plus decades.

Mike Giant (photo © Jaime Rojo)

Very covered in full color ink himself, except for black and grey sleeves, the sometimes tattooist routinely updates his personal skin art collection with work by the likes of Greg Rojas and Chris Conn, like the recent additions of the Apple logo and the bars from Black Flag among the skulls and snakes and sassy vixens. Also routinely, his exacting and precise drawings sell out at shops and packed gallery shows across the world as his work is compared to that of such Mexican/cholo art pioneers like Mr. Cartoon, Chaz Bojorquez, and Jack Rudy. The symbols and metaphors popping boldly, they frame each other even as their meanings and origins conflict; reptiles, tigers, garden roses and The Grim Reaper sit comfortably alongside ornately carved crosses, the Virgin of Guadalupe and hot tattooed girls in fishnets giving you the finger.

Mike Giant (photo © Jaime Rojo)

For this street installation, Giant’s act of inking the wall affected the assembled fans and observers like the chanting of Spanish monks in those remote and silent monasteries: a slowly creeping utter peace. He approached the task with serenity, at a pace that seemed to conserve time rather than spend it. In complete control of his craft, he can aptly break away when approached for a chat or to sign a deck or black book.

Mike Giant (photo © Jaime Rojo)

This gig at Klughaus Gallery was to help promote a group show and launch the 8th issue of Kingbrown magazine and Giant said he was happy to visit the town he once lived in for a year before seeking the quieter pace of San Francisco. Right across from the spot is one of the city’s busiest skateparks and for most of the afternoon his work was accompanied by the unmistakeable sound of some exhibition boards hitting the concrete for friendly competitive trickery. He probably felt at home like this since he’s known to hang at the occasional skatepark or empty swimming pool back on the west coast. And for one day in this unbearable NYC heat, a number of fans were happy to see him knocking out this black and white wall, meditating on the good things that a fine line brings.

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

The L.E.S. Coleman Skate Park  (photo © Jaime Rojo)

A custom designed and painted ramp by Kevin Lyons was used in the competition. (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

For details to visit the gallery to see Mike Giant’s completed panels in person and to see the rest of the exhibition now open to the general public click here.

Klughaus and Kingbrown produced this event in partnership with Fountain Art fair.

Artists included in the show are Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, and Ben Horton, Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

OX Takes Over Billboards With Humor and Disarming Simplicity

As free standing well placed street furniture, commercial billboards provide their own framing device for anyone who would like to communicate their message and increasingly their use in the public sphere is being debated. Billboard “takeovers” have often been the purview of “culture jammers” or “ad busters” since at least the 1970s, where the intent is to hijack the original commercial message to illuminate a social or political one. In more recent years a number of more traditional artists have been simply reclaiming this private message space as a canvas, an opportunity to display a bit of individual creativity.

OX in Troyes, France. July 2012. (photo © OX)

In new billboard takeovers from French Street Artist OX, the billboard is part of a visual conversation with its environment. Other times his geometric simplicity stands on its own without commentary but typically his ingenious incorporation of context brings the simple takeover to serve a higher purpose than drawing attention to itself. By treating the billboard as an element in a holistic field of play, a passerby may see everything around it in a new perspective, or see it for the first time. Without lecturing, this visual humorist opens the conversation about the appropriate use of public space for messages, and art.

OX in Troyes, France. July 2012. (photo © OX)

OX in Brooklyn. Spring 2010. (photo © Jaime Rojo)

OX in Brooklyn. Spring 2010. (photo © Jaime Rojo)

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

Images of the Week 07.29.12

Our weekly interview with the streets, this week featuring Brilla, Demo, El Sol 25, En Masse, Evereman, Feral Child, Issa, Lambros, Luca Missoni, MOR, Olek, Rae, SSDD and Swampy.

Swampy (photo © Jaime Rojo)

RAE (photo © Jaime Rojo)

MOR (photo © Jaime Rojo)

Didn’t your mother ever tell you that you will be judged by the friends you keep? Lambros (photo © Jaime Rojo)

OLEK (photo © Jaime Rojo)

Evereman (photo © Jaime Rojo)

Feral Child (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

Issa (photo © Jaime Rojo)

Issa (photo © Jaime Rojo)

A rare gate from El Sol 25 (photo © Jaime Rojo)

Could be The Abominable Snow Monster or maybe your tenth grade Geometry teacher, Mr. Hairdell. This one was spotted on Bedford Ave (photo © Jaime Rojo)

SSDD “My Eyes Are Up Here” (photo © Jaime Rojo)

Brilla (photo © Jaime Rojo)

Brilla (photo © Jaime Rojo)

“Let me slip out of these wet clothes and into a dry martini” said the statuesque David by dEmo and Luca Missoni. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

JB Rock Creates a Quiet Storm in Arcidosso, Italy.

Italian Street Artist JB Rock created a giant wave last week on a 32 feet high by 65 feet tall wall in the small and quiet Tuscan town of Arcidosso, Italy. Participating in Alterazioni 2012, the town’s Art and Music festival, the artist used 15 different stencils of clenched fists and other hand gestures, repeating them more than 200 times to create his “Quiet Storm”. He says that part of his inspiration comes from the Japanese printmaking aesthetic, and this one in particular is in the style of the 19th Ccentury Master-Printer Hokusai.

JB Rock (photo © Alessandro Baldoni)

JB Rock (photo © Alice Ghinolfi)

 

The Great Wave off Kanagawa“, Katsushika Hokusai (1760-1849)

 

Learn more about JB Rock HERE.

 

 

Read more

A Roof With a View : Looking at Art Up Above

Climbing up on a roof during the sultry city summer can be liberating, and it turns out to be a prime place for painting too.  Away from the cacophony of the sweaty streets, the breeze up here is a little cooler and stronger and aside from the occasional potted tomato plant or sun-tanning waitress, you are on your own. You may not own any personal real estate, but right now this is all yours, this sweeping urban vista of grand, glassy, grimy, gawdy, and gutted.

For years graffiti writers and Street Artists have sought these undiscovered spots as a kind of refuge, an urban backyard for hanging out and going big, often collaboratively. You could say that rooftop spots even have a certain lore, a place to tell stories about and revel in. In a hard-knock nasty city that sometimes seems to swallow people whole, on this rooftop with a view you can do a huge piece and feel like you are holding it all down. Not to mention the bragging rights you can claim for hitting a high profile location that grabs eyeballs and raises the stakes. As for the city dweller, the work, as ever, is subjectively reviled, ignored, or celebrated. No one can truthfully deny its affect on the character of the cityscape.

Here are some choice roof shots by photographer Jaime Rojo across New York, LA, Chicago, and Boston to give you a birds eye view of some art from on high.

Rime, Dceve, and Toper in Chinatown, Manhattan. (photo © Jaime Rojo)

Rime, Dceve, and Toper in Chinatown, Manhattan. (photo © Jaime Rojo)

ROA on the water tower and Chris Stain and Billy Mode on the wall. Williamsburg, Brooklyn. (photo © Jaime Rojo)

News in DUMBO, Brooklyn. (photo © Jaime Rojo)

JR in Hunts Point, The Bronx as part of Inside Out – A Global Art Project. (photo © Jaime Rojo)

JR in Hunts Point, The Bronx as part of Inside Out – A Global Art Project. (photo © Jaime Rojo)

Bare, Hert, Gable, Deth Kult, TVEE in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Rodeo, ILS, Bare, Hert, Gable, Deth Kult, TVEE in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Swoon. The Central Street Roof in Cambridge, MA. (photo © Jaime Rojo)

Anarkia Boladona in Hunts Point, The Bronx. (photo © Jaime Rojo)

Sweet Toof in Bushwick, Brooklyn. (photo © Jaime Rojo)

Deeker, Armer, Lister and Judith Supine in Bushwick, Brooklyn. (photo © Jaime Rojo)

Various & Gould in Bushwick, Brooklyn. (photo © Jaime Rojo)

Shepard Fairey in Los Angeles, Arts Disctric for LA Freewalls Project. (photo © Jaime Rojo)

Jaz and Cern in Greenpoint, Brooklyn. (photo © Jaime Rojo)

Ludo in Chicago with Pawn Works Gallery. (photo © Jaime Rojo)

At Large, Nekst, Rusk in Williamsburg, Brookklyn. (photo © Jaime Rojo)

Take No Action, Hellbent, Sweet Toof in Willimsburg, Brooklyn. (photo © Jaime Rojo)

Swampy in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Tats Cru in Hunts Point, The Bronx. (photo © Jaime Rojo)

Staino in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Jeff Aerosol in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Gaia in Chicago with Pawn Works Gallery. (photo © Jaime Rojo)

Love Me, Screw Sacer in China Town, Manhattan. (photo © Jaime Rojo)

Veng, Royce Bannon, Werds in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Staino, Sefu and RTF at the High Line Park in Manhattan. (photo © Jaime Rojo)

I Spy in Williamsburg, Brooklyn. (photo © Jaime Rojo)

WK Interact in The Lower East Side, Manhattan. (photo © Jaime Rojo)

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

Wall Therapy: A Public Community-Level Intervention with Mural Art in Rochester, NY.

Wall Therapy
WALL THERAPY July 20-28, 2012 in Rochester, NY.

Faith 47 mural from 2012. (photo © City Newspaper/Lauren Petracca)

WALL\THERAPY is a public community-level intervention using mural art as a vehicle to address our collective need for inspiration. // July 20-28, 2012 in Rochester, NY.

A weeklong event featuring the following art therapists:
Faith47 // DALeast // Ben Eine // Liqen // Case // ROA // Cern // St. Monci // Mr. Prvrt // Thievin’ Stephen // HowNosm // Siloette

There will be a few specific events during the week:

THERAPY SESSION – July 14
(Prior to the event featuring local artists)
Roc Brewing Co.
56 S. Union St.
https://www.facebook.com/events/337039246376572/

WALL\THERAPY KICKOFF – July 20
1975 Gallery
89 Charlotte St.
https://www.facebook.com/events/420028008040741/

STREET ART BLOCK PARTY – July 22
Rochester Public Market
280 N. Union St.
https://www.facebook.com/events/325404580878744/

COMMUNITY DIALOGUE WITH THE ARTISTS – July 25
School of the Arts
45 Prince St.
https://www.facebook.com/events/495500730475376/

Mural Location Map.
Read more
Sten & Lex in Paris For Le M.U.R.

Sten & Lex in Paris For Le M.U.R.

Le M.U.R. is a Parisian program of liberating billboards that since 2003 has been formally inviting artists to takeover spaces that would normally be filled with advertisements. So far this year they’ve had artists including Kid Acne and Vhils, with Ever and Astro coming up shortly. This month the Italian Street Art duo Sten & Lex were invited to install one of their distinctive sideways anonymous “stencil posters” in Paris for the Le M.U.R. program. As is true with much of their work, you may not recognize that this is a portrait of a woman unless you stand a back at a distance and change the perspective you are viewing it with.

Today we are pleased to introduce Victor Hugo Celaya, the man behind ARTO (Art Beyond Museums) and a resident of Mexico City, who was on hand to interview Sten & Lex about their piece. With Victor acting as our correspondent, our posting today is an exclusive collaborative feature just for you from ARTO and BSA.

Interview with Sten & Lex

Victor Hugo Celaya: What does creating work for such iconic program as Le M.U.R. mean to you?
Sten & Lex:
 Le M.U.R. was a very interesting project for us from the beginning because we had heard of it since 2003. In Paris it is almost an institution and also it’s the first time Italians intervene Le M.U.R.

Sten & Lex (photo © Victor Hugo Celaya)

Victor Hugo Celaya: The piece that you selected for Le M.U.R. — the image of a woman — does it have any special meaning?
Sten & Lex:
 No it doesn’t, it’s just an anonymous portrait of a woman. The portraits we usually do are of strangers. We usually chose the portrait of someone who looks like the people from the country where we do the work. On this occasion, this woman looks French but she isn’t. It’s an anonymous portrait of a serious person, which is in line with all the work we’ve been doing in the last few years.

Victor Hugo Celaya: Do you have a specific message you want to communicate through these anonymous portraits?
Sten & Lex:
 No, it’s a counter proposal to urban art that has taken on a more social and political nature lately. Hence, we prefer to do something on the side. We’ve never enjoyed doing pieces with specific messages; our work is the portraits. They don’t have any message, people see the portraits and they can have their own ideas about them and people have very different ideas.

Sten & Lex (photo © Victor Hugo Celaya)

 

Victor Hugo Celaya: You mentioned something important about the way artists use street art to convey social messages. Why do you not use it for that purpose? In general, how do you see urban art today and where is it going?
Sten & Lex:
 What interests me about urban art now is this contamination with contemporary art; our work has always been involved with art in general. There are no common messages in street art and there are no common techniques… Stencil is very common in street art but the way that we work is very different, it’s a technical study. In street art, we like not only the artists who work thinking about urban art as a stencil with a political message, but also as an installation or something figurative, abstract art. I find a lot of sense in street art at the moment.

Victor Hugo Celaya: Is there someone in the movement you admire?
Sten & Lex:
 Yes, for example, our work is greatly influenced by the way JR uses posters, the way he covers entire architectural pieces. This aspect of JR’s work has influenced us a lot. There are many things that have influenced us but not necessarily in the realm of street art. Our work is very subjective, the fact that we destroy the stencils and paste the posters is unique — that’s why we call it stencil poster. We paste a paper poster on the wall and then cut it. This was a subjective study we did together.

Sten & Lex (photo © Victor Hugo Celaya)

 

Victor Hugo Celaya: Okay, lastly, urban art by nature is on the streets. We specifically think of it as giving art back to the people. Is there anything of that sentiment in your work? What do you think of the statement “art to the people”? Do you think it’s something that goes along with your job?
Sten & Lex:
It is a reality that street art belongs to the people, but I don’t think it’s easy to understand what people really like. That’s why we don’t really care what people think of our work.

In urban art there are two important aspects: the first one is that anyone can see your work and the second one is that it is closely related to institutional art, that’s the point of view of art critics, since in street art they don’t really exist. However, what does exist is an audience that decides who the best artists of the moment are. Nowadays, this critique is generated over the Internet, in the most important blogs that manage to create great media attention.

BSA>><<<>>ARTO<<<>>><<>>BSA>><<<>>ARTO<<<>>><<>>

To learn more about the ARTO mission and philosophy click here.

To learn more about L’association Le M.U.R. click here

Read more