Italian born now Brooklyn-based Street Artist Cruz took the show on the road to Spanish speaking localities this summer to share these humor inflected symbol portraits. One wall is in Cholula, Puebla in Mexico and the other one in Okata, Spain near Barcelona.
Galore Urban Art Festival bills itself as “a gathering point for Copenhagen’s underground where artists can meet, exhibit and share art. We facilitate the raw, the unestablished and the alternative and take the role as an alternative to conventional art exhibitions”. Street Artist Aryz has just completed this striking piece on the exposed brick side of a huge building here and we’re pleased that photographer Henrik Haven has joined us as a BSA collaborator to share some exclusive photos.
Can’t really tell what is happening in the scene though. Any ideas? Is she choking him, or comforting him?
The Galore festival took place this August from 16th to the 18th and please stay tuned for more images from the rest of the participating artists including: Above, Dems, Gary, GR170, KCIS, POS, Semor, Sobek, Sofles, The Nom Nom Collective, Sozy, Storm, Vizie and Zoer.
Click here to learn more about Galore
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Street Artist Chris Stain is in Charlotte, North Carolina as the city prepares for the Democratic National Convention coming here on September 3rd. Art on the streets historically has employed political themes and motivations, explicitly or implicitly, and this new installation by Stain again draws attention to the plight of the everyday person barely afloat on a teetering raft in an economic storm.
When you look at the work on the street, you find that Street Artists continue to address issues that affect the poor and Chris Stain has always kept these people front and center in his work. The street is actually one of the few places today where you will find these people represented so prominently because mysteriously, during a time of incredible need and insecurity, poor people are almost invisible on the glossy high-production “political” TV shows and websites and they are absent from most policy talk today – on the right or left.
In town with other artists who have worked in the street, Imminent Disaster, Greg Haberny, and Ben Wolf, Stain is taking part in “America Now”, a show and residency hosted by the McColl Center for Visual Art. With fellow artist Josh Macphee alongside him, Chris was able to knock this piece out in a few nights. He says he can see that Charlotte has been improving its downtown area quite a bit and he just hopes they don’t forget about the rest of the city’s residents who aren’t quite as well-to-do.
Brooklyn Street Art: Why did you pick this location?
Chris Stain: The wall location was offered to me by the McColl Center for Visual Art. The building is affiliated with their facility. There has been a lot new construction and renovation in Uptown Charlotte over the past 10 years. However there are outlying neighborhoods still in need of assistance.
Brooklyn Street Art: Does Charlotte have a lot going for it right now?
Chris Stain: Charlotte is preparing for the Democratic National Convention this September. According to the Miami Herald the federal government gave the police force $50 million dollars to update their technology and arsenal for crowd control. Charlotte is a financial hub of the south and has much to protect in the way of banking and business. Surprisingly their seems to be strong support though for Arts and Humanities throughout downtown for the privileged with major museums and performance spaces.
Brooklyn Street Art: Your subjects are often regular people who are working and just getting by. Did you see many people like that in the streets of Charlotte?
Chris Stain: From what I experienced and picked up on after the work week some shops close up due to lack of commerce. That’s when one store owner told me “The Homeless come out.” Most of my interactions were with people who didn’t live directly downtown. People would stop and comment, “Nice Job! That’s reality!”. I was there for a week before I started the mural but it didn’t take long to recognize the familiar vibe of separation and uneasiness of the new downtown that had dropped in on the old neighborhood. As an outsider I can’t give an exact account of all the politics but going off my first impression and gut instinct I chose the images I did to create the mural. Their is more to NC than just the Panthers (football team) and I that’s who I was rooting for.
Brooklyn Street Art: Birds fly high in so many of your works. Is that an aesthetic decision entirely – a way to use the space? Or do you think they somehow are symbolic of something more?
Chris Stain: Yes the birds are symbolic and also they are an aesthetic choice. The birds are a great way to activate the negative space in the composition. On a personal level they represent hope; the concept of ideas taking flight. Once those ideas take flight they have the potential to be life changing. Creativity is a protest against complacency.
Brooklyn Street Art: What are people on the street saying about the pending arrival of the Democratic National Convention?
Chris Stain: Saturday we had an open studio visit at the McColl Center for Visual Art. Myself and 3 other NYC artists were asked to make work in conjunction with the upcoming DNC. My work dealt with the protest angle. The people that I talked with that day, for the most part, seemed nervous about the influx of others and the potential mayhem it will bring to this easy-going small city.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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“In true form, GAIA found himself in some of Chicago’s worst neighborhoods during one of the bloodiest summers on record,” says Nick Marzullo, owner of Pawn Works Gallery. According to most news reports the city has suffered the most violence in years, and the summer heat seems to exacerbate the duress. “Homicides are up by 38 percent from a year ago, and shootings have increased as well, even as killings have held steady or dropped in New York, Los Angeles and some other cities,” writes Monica Davey in the New York Times, and while July’s total of 49 murders represented a drop, it is hard to feel safe on many streets.
How a Street Artist decides to put up work in a dangerous neighborhood is not clear, or what motivates the work. Sometimes it is to activate a space, to humanize it. Other times it is merely an opportunity to get up. These pieces somehow feel contextual, especially the large floating head. While the portrait may not be a direct commentary on the violence, we know that many of the dead in these crimes are fathers, brothers, and sons.
Street Artist Gaia visited Chicago last week to hit some walls in his grandly fulsome style with imaginative remixing of classics. Here’s a guy who is perfectly badass about handily switching symbols, metaphors, cultures, belief systems, history, art history. The results are perplexing if you think too hard about it, thrilling if you are willing to detach the forms from their original contexts and appreciate the new associations that their juxtapositions can present.
Hosted by the fellas at Pawn Works Gallery and shot by talented photographer Brock Brake, Gaia created his new pieces as part of their ongoing project “Art in Public Places” in the Pilsen neighborhood and in Chicago’s West Town.
First off is the piece with African masks and a Cuban female figure that references the historical ties of the two regions. “Thanks to the lovely people at Nini’s Cuban Deli,” says Pawn Works Nick Marzullo of this place tucked into Chicago’s West Town. Gaia says the mural depicts the rich alloy that is Santeria. In it the Catholic twin saints Damian and Cosmas flank the African Ibeji masks.
“These are icons which were imported by the Spanish through Catholicism. African slaves sit underneath a woman performing a ceremony as Oshun, an Oshira of love and the river,” Gaia explains on his Flickr page.
Following are images of a considerably longer mural that the Street Artist did while in the Chicago. In a practice that is often his case, this mural is also site-specific. Reflecting the neighborhood of Pilsen, it’s meant as a visual representation of two other cultures merging that have successively defined it. Gaia says that he is exploring the notion of the word “immigrant”.
“It is about the confluence of Polish and Mexican culture, says Gaia, “I just used Michaelangelo figures from the Sistine Chapel’s Last Judgement scene primarily because both cultures share Catholicism – and because the bodies are so dynamic.” That explains why some of the figures looks so Michaelangelic – but with animal heads replacing the original figures human/god-like ones.
Gaia did this one in coordination with Pawn Works, the Chicago Urban Art Society and the office of Alderman Danny Solis.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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For the last two years at Living Walls Atlanta it’s been like graffiti summer camp; bodies and pillows and aerosol cans intermingled and stacked indiscriminately across the living room floors of friends apartments. Sketchbooks. Pizza boxes. Condoms. Campfire songs.
The third installment of the conference for Living Walls, The City Speaks, starting today and running through the 19th, will build on the comaraderie established since then and on the lessons learned by those organizers who dared to mount this huge Street Art event on a shoe string budget and a dream. The number one change this year is that there is a bit of funding. Thanks to diligent fundraising and the donations of generous people like BSA readers who clicked a banner and gave, the Street Artists and other participants this year are actually staying in hotel rooms and everyone has a bed.
“All of the out of town artists are here, Hyuro just got in last night,” excitedly reports Living Walls organizer and BSA contributor Alexandra Parrish. So everybody is rested and ready to go.
The second important change this year is that it is all about the women.
In a completely unheard of and shocking move, the organizers/curators have invited only female Street Artists to participate this time, making this the World’s First All Female Paint Fest! It’s a remarkable achievement in a scene that has been dominated by the male of the species, almost by definition, since the graffiti scene began in US cities about a half century ago. In most people’s opinion, it’s about time too. Speculation abounds about how the atmosphere and the output will be affected. For one thing, there will probably be fewer toilet seats thoughtlessly left up. Also, better hair care products (no offense Gaia).
“Over the past two years, 50 artists have participated – only two were female, and neither of them had a chance to paint a wall,” remarks Parrish as she illustrates the imbalance.
Of course there are already new pieces up to greet the participants that were done since March leading up to today’s opening that were not done expressly by females. Readers of BSA have seen an array of international artists from all over the world that came to paint big murals every month since including Gaia, Nanook, La Pandilla, Trek Matthews, Interesni Kazki, Evereman and Neuzz.
BSA has brought you full detail coverage of all those walls going up and now we’re gonna shout it from the roof tops as all this female power is loosed on the streets of Atlanta. And what an amazing lineup it is! The list includes: Indigo (Canada), Fefe (Brazil), TIKA (Switzerland), EME (Spain), Hyuro (Argentina), Martina Merlini (Italy), Miso (Australia), Cake (New York), Swoon (New York), Martha Cooper (New York), Sheryo (New York), White Cocoa (New York), Jessie Unterhalter and Katie Truhn (Baltimore), Molly Rose Freeman (Memphis), Teen Witch (San Francisco), olive47 (Atlanta), Paper Twins (Atlanta), Sarah Emerson (Atlanta), Sheila Pree Bright (Atlanta), Marcy Starz (Atlanta), Sten and Lex (Italy), Karen Tauches (Atlanta), Knitterati (Atlanta), Plastic Aztecs (Atlanta), Nikita Gale (Atlanta), Patricia Lacrete (Atlanta), Mon Ellis (Atlanta), and Andrzej Blazej Urbanski (Poland).
Here’s a Teaser for DAY 1
For a full list of events, schedules maps and other details click here:
TONIGHT:
WEDNESDAY, AUGUST 15TH
Vandalog Movie Night
Wren’s Nest in West End
9:00pm-11:00pm
RJ Rushmore from Vandalog will present a series of street art and graffiti short movies.
Nuart 2012
NUART FESTIVAL 2012 . STAVANGER NORWAY
“The best street art festival in the world” September 29 – November 18
AAKASH NIHALANI (US), DOLK (NO), EINE (UK), RON ENGLISH (US), SABER (US),HOWNOSM (US), MOBSTR (UK) NIELS SHOW MEULMAN (NL), JORDAN SEILER (US), THE WA (FR), SICKBOY (UK)
Now in its 12th ground-breaking year, Nuart 2012 – the annual contemporary street and urban art festival based in Stavanger, Norway –is set to be the biggest yet. An invited international team of street artists will take to the streets of Stavanger from September 20 – with an indoor show running at Tou Scene from 29 September to 19 November. The likes of Ron English and Ben Eine will leave their mark on the city’s walls, both indoor and out, creating one of Europe’s most dynamic and constantly evolving public art events. Known as ‘the Cannes’ festival of street art, Nuart’s works are exposed to over 100 000 people each week – including some of the most talented, insightful and connected individuals in the urban art world. 2012 sees the event set to attract record numbers as the festival begins to go global, with the additional Nuart Plus summit – running from 27-29 September – bringing global professionals and experts in the field together to discuss and explore this un-stoppable movement in contemporary art.
Fromthe billboard hijacking activism of Ron English (US) and Jordan Seiler (US) to The Wa’s (FR) playful urban interventions, from Saber’s (US) uncompromising stance on the positive power of Graffiti to Aakash Nihalani’s (US) more concise and conceptual use of coloured tape, Nuart 2012 has brought together an unlikely group of “festival” artists, whose diverse work and methods offer an authentic reflection on the real practice of Street Art. The UK’s globetrotting, ‘Obama gift-giving’, Eine and LA’s HowNosm are sure to set the standard for large breathtaking murals, whilst Dolk – Norway’s finest exponent of the genre popularised by Banksy – will produce some of his iconic stencil-work. Alongside the character driven graffiti of Sickboy (UK), the calligraphiti of Amsterdam’s Niels Shoe Meulman and the text driven Mobstr (UK), Nuart is set to create an explosion of – ‘mostly legal’ – works, both inside, and out. Nuart 2012 sees a conscious shift away from the “acceptable” face of Street Art that has become favoured by councils and municipalities around the world. Recognising that there is a danger of this vibrant culture becoming sanitised by a surfeit of oversized legal murals Nuart 2012 will continue to take to the streets in new and more illicit ways. Alongside it’s exhibition at Tou Scene – which will host over half a kilometre of works along its 19th century tunnels – outdoor landmarks and un-missable billboards will be re-envisioned as subversive pieces of striking art. And if this isn’t enough to excite you, sister festival Numusic will be providing the weekend’s entertainment, with the likes of Mad Professor, The Orb, Lindstrøm, and many more performing. Nuart is set to break more than just boundaries in 2012 – will you be there?
The private view of the newly finished works will be held on the opening night: Saturday September 29.
Nuart Plus: Sept 27-29:
Three days of key note talks and presentations, panel debates with visiting artists and related .
Film premieres. Ron English presents the Documentary ‘Popoganda’.
Sept 29-Nov 18
Nuart Opening (Indoors). Tou Scene
Nuart once again occupies this 19th Century Brewery Complex turned arts centre nestled on the coast of the Norwegian Fjords. These seven abandoned tunnels, offer over half a kilometre of wall space, and although an indoor space, it still retains the rough and ready urban elements we’re used to. Each single tunnel, at 15 x 15 x 5 metres is larger than the cities main commercial gallery space. With a fore-hall for group works and collaborations and an interlocking tunnel measuring over 40 metres long, this vast space is ideal for experiencing the best that Street Art has to offer.
Education
This years exhibition will be open 6 days a week for 6 weeks and with regional council support, will be host to over 3000 of the city’s high school students, Nuart being favoured over the city museum to extend the students horizons. That’s right. It will be compulsory to attend.
Sept 27-
International Guest speakers include
Carlo McCormick (US), Editor of the influential Paper Magazine, author, curator and renowned cultural critic.
Tristan Manco (UK), Author of several highly respected books on Street Art, co-organiser of cans Festival and curator for Pictures on Walls
Elisa Carmichael (US), Recently listed as one of the 30 under 30 art professionals to watch by the influential artinfo, Curator and co-owner of LA’s Carmichael gallery and founder and editor of the Internationally distributed art magazine The Art Street Journal
Rj Rushmore (US). Founder and writer for one of the worlds leading Street Art blogs, Vandalog
Evan Pricco (US), Managing editor of world leading art magazine Juxtapoz.
Nuart specialises in showcasing work born out of urban creativity; we pride ourselves on giving a voice to artists and movements that are under-represented in mainstream cultural life, though widely acclaimed internationally.
Nuart’s street work begins Sept 20th
Nuart Plus “International Street Art conference” begins 27 September.
Nuart’s main exhibition opens 29 September.
The exhibition will be open 6 days a week and run for a full six weeks until Nov 18th .
Phoenix muralist JB Snyder is known locally for his color-rich abstract grids on sides or facades, as well as canvasses, often compared to stained glass. So it was a holy moment when he stopped by to see Jetsonorama with a few cans of aerosol to participate in his “Painted Desert” project.
“JB was stoked to learn about the project and asked to come up to leave some love on the rez,” says Jetsonorama. He liked it so much he’s planning to do two more. Coming up this fall will be New Yorker Chris Stain stopping by to do some work as the project winds down. In the next week or two, there may be another big name BSA readers are familiar with. Guess who? We’ll be the first to let you know if it happens, damn straight!
Special thanks to photographer Emily Caldwell for these shots of JB Snyder at work.
Read and see captivating images from our previous coverage on The Painted Desert Project:
Jetsonorama & Yote Start “The Painted Desert Project” In The Navajo
The Painted Desert, Part II with Gaia, Labrona, OverUnder, Doodles, Jetsonorama
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Belgian Street Artist and painter ROA continues his USA Summer 2012 tour and his next stop after New York was Chicago last week. Hosted by the folks at Pawn Works Gallery, ROA was invited to participate in their ongoing outdoor project “Art in Public Places” in the Pilsen neighborhood.
ROA’s unsentimental fascination with animals goes well beyond the wild realm to give the urban fauna spotlight on public walls. He reprised this bit of visual trickery that we first remember him doing in Miami last year – an engaging image goes very wrong when you turn the corner. It demonstrates the duality of nature and one we shouldn’t get freaked out by, but a carcass is still kind of gross, right?
The project continues to bring new artists in conjunction with the Mexican Museum of Fine Art and The Chicago Urban Art Society.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Living Walls Conference Atlanta 2012
In one week, 27 artists will visually activate our urban landscape in the world’s first all-female street art conference. This year’s Living Walls Conference will change the game for street art and Atlanta.
The five-day conference is scheduled to capacity with film screenings, lectures, block parties, gallery exhibits and bike tours. All events are free and open to the public.
ARTISTS
Sten and Lex (Italy) | Indigo (Canada) | Fefe (Brazil) | TIKA (Switzerland) | EME (Spain) | Hyuro (Argentina) | Martina Merlini (Italy) | Miso (Australia) | Cake (New York) | Swoon (New York) | Martha Cooper (New York) | Sheryo (New York) | White Cocoa (New York) | Jessie Unterhalter and Katie Truhn (Baltimore) | Molly Rose Freeman (Memphis) | Teen Witch (San Francisco) | olive47 (Atlanta) | Paper Twins (Atlanta) | Sarah Emerson (Atlanta) | Sheila Pree Bright (Atlanta) | Marcy Starz (Atlanta) | Karen Tauches (Atlanta) | Knitterati (Atlanta) | Plastic Aztecs (Atlanta) | Nikita Gale (Atlanta) | Patricia Lacrete (Atlanta) | Mon Ellis (Atlanta) | Andrzej Blazej Urbanski
SPEAKERS
Gaia | LNY | RJ Rushmore | Ian Wilson | Erin Yoshi | Naomi Herrson | Amanda Mills | Karen Shacham | Paul Boshears | Courtney Hammond | Lisa Tuttle | Lauri Stallings | Karen Tauches | Mike Lydon | Ellen Dunham Jones | Gyun Hur | Gene Kansas
VIDEO & AUDIO ARTISTS
Pablo Gnecco | Robert Sepanski
LIVING WALLS CONFERENCE 2012
WEDNESDAY, AUGUST 15TH
Vandalog Movie Night
Wren’s Nest in West End
9:00pm-11:00pm
RJ Rushmore from Vandalog will present a series of street art and graffiti short videos.
THURSDAY, AUGUST 16TH
Art House Opening
Cabbagetown
5:00pm-8:00pm
Abandoned art house will be open to the public throughout the conference 5-8pm
Map Release and Block Party
Edgewood Ave
8:00pm-2:00am
Complete map of walls will be released.
Restaurants, bars and music venues will come together in support of the conference.
Martha Cooper and Teen Witch will show their work in an abandoned building.
Block party includes an outdoor movie theatre, street benches, a traveling drag show, bands and a dance party.
FRIDAY, AUGUST 17TH
Day 1 of Lectures
MODA
5:00pm-9:00pm
1st half of Lectures with panels discussing gender, identity and artistic community intervention.
Toast the Artist
Opening Party at the W Midtown
9:00pm-2:00am
Interactive projections by Pablo Gnecco and a physical installation by gloATL
SATURDAY, AUGUST 18TH
Day 2 of Lectures
The Plaza Theatre
12:00pm-4:00pm
2nd half of Lectures with panels discussing urbanism and public art in Atlanta.
Main Event and Gallery Exhibit
West End Warehouse, 1254 Murphy Ave
8:00pm-2:00am
Gallery exhibit featuring work of this year’s participating artists, Pecha Kucha style lectures, projections by Pablo Gnecco, DJ’s and bands.
SUNDAY, AUGUST 19TH
Bike Tour of Walls
Locations TBA
3:00pm-5:00pm
Hot town, summer in the city
Back of my neck getting burnt and gritty
Been down, isn’t it a pity
Doesn’t seem to be a shadow in the city
All around, people looking half dead
Walking on the sidewalk, hotter than a match head *
Here’s our weekly interview with the street, this week featuring Bad Cat Crew, Cassius Fouler, Entes, Jay Shells, Kremen, ME, Miss Me, Mr. Toll, Nick Walker, Oly, Pesimo, and Smile You Are Beautiful.
* Lyrics above from “Summer in the City” by the Lovin’ Spoonful. #1 this week in August 1966
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Painting trains seems older than horses, but of course that can’t be true. Outside of public transportation trains, which have been largely free of graffiti since the late 80s, the lust for hopping freights still runs deep for some. Like the current romantic fixation that many bars and rock bands and suspender-wearing, handlebar moustache-baring cads have for a hand hewn old-timey world they never lived in, some Street Artists still have a forlorn longing for the simpler freight bombing of yesteryear. Before streaming surveillance, cell-phones, Snooki.
Like migrant workers and hobos during the American dustbowl, some artists opt for the screeching low-cost traveling option of hopping freights across the country for a little paintcation – intrepidly forgoing comfort and regular meals and risking occasional close-misses with fate and dodgy dudes with irregular agendas. It’s like a rite of passage, like starring in your own old Western movie. It’s like putting your work up on Flickr, except all the Internet wires are thick heavy steel rails and your page is a rusty rectangular 100 ton boxcar. Also, images take longer to refresh.
For Labrona and Other aka Troy Lovegates the whole weighty freight topic is an exercise in nostalgia; now that everyday life has been getting in the way and they’ve been developing professionally as artists. But there are occasional exceptions, including these recent images that give you a taste of how art on freights has been updated lately.
Labrona says, “Other and I have been painting trains together since the mid 90s. I can’t believe it’s been that long. Frigg, we are getting old. These days we are both busy and located in different cities and don’t get to paint together anymore all that much. Getting to spend a week together painting trains was an amazing blast from the past that brought me back to the days before art shows, traveling, studios, careers, bills and responsibility. – Back to days of painting for the fun of it when we had nothing to worry about except finding more trains to paint.”
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
