NYC

Mighty Tanaka Gallery Presents: Chris Stain and Joe Iurato “Deep In The Cut” (Brooklyn, NYC)

Deep in the Cut

Deep In The Cut

Featuring the artwork of Chris Stain & Joe Iurato

With a steady hand, precise cuts are dutifully made, revealing the negative space that lies beyond.  Like a virtual roadmap, these incisions dictate the direction and flow of the artwork, building layers of corresponding imagery.  Through patience and grace, the art of stenciling goes far beyond the final outcome of the artwork, as it incorporates a delicate and intricate process that elevates the artwork into something more than meets the eye.  Mighty Tanaka is honored to present Chris Stain and Joe Iurato, two predominant stencil artists who are taking their art form to a whole new level with their highly anticipated show, Deep In the Cut.  Together, both artists exemplify very different yet highly technical approaches to stencil art through their individual processes and results.

Deep In The Cut is the first time Chris Stain and Joe Iurato have been paired together for a two-person gallery show.  Highly influenced by each others artwork, they share a mutual respect for one another that encourages them to constantly push the boundaries of their individual interpretation of stencil work, redefining the limits of expectation.

Both Chris Stain and Joe Iurato’s artwork exemplifies the art of the process, as they use a myriad of tools and techniques to create their individual expressions.  Deep In The Cut exhibits a highly unique and identifiable approach to their work, ripe with social statements, that causes the viewer to reflect on the world around them while enjoying the intricate details and beauty of their art.

OPENING RECEPTION:
Friday, August 10th, 2012
6:00PM – 9:00PM

Mighty Tanaka
111 Front Street
Suite 224
Brooklyn, NY 11201

Train: F Train to York St
(1st stop in Brooklyn)

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Mishka Presents: Numskull “Dance Like a Video, Sting Like a Gif” (Brooklyn, NYC)

Numskull

Numskull has a very distinct aesthetic, full of strong line work, collage elements, and a flurry of pop culture influences that he magically melds together into a cohesive style. His show, Dance Like A Video, Sting Like A GIF, will be opening with a bang next Friday, August 10th, at 350 Broadway in Brooklyn. We can’t wait for you to feast your eyes on more of this elusive artist’s striking pieces. For the truly charmed, we’ll also be selling a t-shirt at the even that you can see above.

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JR Keeps an Eye on The Williamsburg Bridge

French Street Artist and photographer JR hit a skyward spot last week in Brooklyn with a large watchful eye which looks toward the Williamsburg Bridge that connects Brooklyn to Manhattan. An image taken of a member of the Lokota tribe on the Standing Rock Reservation in North Dakota, the new installation is part of The Inside Out – Lakota Project that JR began here in New York last year.

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

Working with a few assistants JR ferried the large prints up and down the building in a cherry picker, carefully matching the seams and wheat-pasting the pieces to gradually reveal this ocular oddity. The finished wall is alongside the north side of the bridge, perfect for bicyclists and pedestrians who want to stop and snap a photo.

JR. The staging area.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

JR.  Inside Out A Global Art Project. (photo © Jaime Rojo)

Click here to learn more about JR’s Inside Out A Global Art Project

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Jonathan Levine Gallery Presents: “Détournement: Signs of the Times” A Group Exhibition Curated By Carlo McCormick. (Manhattan, NYC)

détournement

 

Détournement : Signs of the Times
Group Exhibition curated by : Carlo McCormickAugust 8—25, 2012
Opening Reception:
Wednesday, August 8, 7—9pm

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

CURATOR’S STATEMENT
A détournement is a detour of sorts, but not so much along the scenic route as over the tougher road that goes more directly to the truth. A more proximate translation from the French might be a derailment, but I’m not sure English is so well suited to get both the violence and hilarity of the term. Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves. The most typical folkloric version we encounter of a détournement is when someone writes a word at the bottom of a stop sign, so that with say just three letters this mundane road command might read “Stop War.”

Employed brilliantly by the Situationists, whose great philosopher Guy Debord laid out the socio-aesthetic framework for this practice, détournements twist the terms of mimicry in ironic parody using the a semblance of the easily recognizable to dissemble and redirect the literal meaning of signs so as to construe a more honest picture of their deceptive intentions. As such they are a mediation of the media, a way of transgressing the fine art of persuasion that dominates our visual landscape to offer alternative readings and deviant possibilities to the hegemony of mainstream corporate culture. A natural response to the lies and coercions we are fed on a daily basis, the détournement has been the reactive impulse of all those who question reality, from the Punks who adopted it in the 1970s through Culture Jammers, Adbusters, contemporary street artists and the winding legacy of protest movements from WTO to Occupy.

This exhibition is meant to both celebrate the lineage of détournement and bring attention to some of its current practitioners who embody its continued vitality through their art. We live in a forest of signs that are meant to confuse, distract and numb us to the more dire consequences of the human condition as it is. We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in. I cannot thank these artists enough for their contributions towards helping us find another way.

ABOUT THE CURATOR
Carlo McCormick is an esteemed pop culture critic, curator and Senior Editor of PAPERmagazine. His numerous books, monographs and catalogs include: TRESPASS: A History of Uncommissioned Urban ArtBeautiful Losers: Contemporary Art and Street CultureThe Downtown Book: The New York Art Scene 1974-1984, and Dondi White: Style Master General. His work has appeared in numerous publications including: Art in America, Art News, and Artforum.

The gallery is located at 529 West 20th Street, New York, NY 10011. Gallery hours are Tuesday through Saturday, 11am to 6pm. For further information, please visit:www.jonathanlevinegallery.com, call: 212.243.3822, or email:info@jonathanlevinegallery.com.
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Images of the Week: 08.05.12

New York was smacked upside the head this week by fresh work by Faith 47, DAL East, and ROA. BSA was lucky enough to catch all three, even as photographer Jaime Rojo was bouncing from spot to spot like a silver pinball to see as much of the action as possible. Here in the thick of summer, there was a lot more happening on other walls through the week too and we’ll be showing those images to you in the coming days.

Today we’re just going to bring you some of the live action, first with ROA, fresh from his controversial double bear portrait in Rochester for the Wall/Therapy project, which apparently alarmed some unfulfilled observers because it reminded them of a “69” position. Either a) they never experienced this personally or b) it’s been a really long time or c) things are kind of slow going in Rochacha right now, but clearly they may want to do some research before growling about these two sleepy bears. God only knows WHAT they would say about ROA’s new piece with three animals stacked on top of each other. Clearly what this Belgian hellion has created is an orgiastic scene of furry debauchery!

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

The Faith 47 project was produced by Keith Schweitzer of MaNY Projects in conjunction with Fourth Arts Block (FAB).

The Dal East wall was procured by Joshua Geyer.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Gilf! and Friends in Williamsburg

“It’s so rewarding to know that we’re positively influencing the community by doing what we love,” says Street Artist Gilf! as she reflects about a bit of wall painting she organized this weekend in Williamsburg.  “The best part of getting this fantastic lineup of artists in one place was the community’s super positive reaction. I was blown away- not only at the amazing pieces that everyone created, but also the neighborhood’s response.” On board were Cake, Gilf!, Joe Iurato, LNY, Veng (RWK), and special guests from Iran, Icy & Sot.

ICY & SOT (photo & Jaime Rojo)

Gilf! getting up (photo & Jaime Rojo)

Gilf! (photo & Jaime Rojo)

Joe Iurato . LNY (photo & Jaime Rojo)

J0e Iurato (photo & Jaime Rojo)

LNY (photo & Jaime Rojo)

Sometimes looking at a piece I just get a lump in my throat. Cake (photo & Jaime Rojo)

Veng RWK (photo & Jaime Rojo)

Veng RWK (photo & Jaime Rojo)

Sophia Maldonado (photo & Jaime Rojo)

Sophia Maldonado (photo & Jaime Rojo)

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Mike Giant Inks a Wall in Chinatown

New York has seen its share of giants. For most people, Mike is just another one.

But for fans of cholo-style graffiti and tattoo inspired art, he is a giant among men. That’s why it was cause for a celebration to see this skate boarding, fixie tricking, graffiti painting, grandpa hipster in suspenders hitting up a fresh white wall with some juicy markers last week under the Manhattan Bridge.

Mike Giant (photo © Jaime Rojo)

Thermometer-wise, it was one of our worst July days. For a fleeting moment the bespectacled grey buzzcut artist looked like he wasn’t going to take the New York heat while working outside in crushing hot humidity that felt like the inside of a rice cooker here in Chinatown. But the visitor from San Francisco’s Tenderloin rallied, calmed himself, found his personal zen, and focused on his wall with a positive mindset. While a cluster of hosts and fans stood by Giant methodically laid out the kind of precise, sharp lined calligraphic illustration that has distinguished his work and indelibly marked his reputation among the skater-punk-tattooed-graffiti-lowbro West Coast heroes of the last two-plus decades.

Mike Giant (photo © Jaime Rojo)

Very covered in full color ink himself, except for black and grey sleeves, the sometimes tattooist routinely updates his personal skin art collection with work by the likes of Greg Rojas and Chris Conn, like the recent additions of the Apple logo and the bars from Black Flag among the skulls and snakes and sassy vixens. Also routinely, his exacting and precise drawings sell out at shops and packed gallery shows across the world as his work is compared to that of such Mexican/cholo art pioneers like Mr. Cartoon, Chaz Bojorquez, and Jack Rudy. The symbols and metaphors popping boldly, they frame each other even as their meanings and origins conflict; reptiles, tigers, garden roses and The Grim Reaper sit comfortably alongside ornately carved crosses, the Virgin of Guadalupe and hot tattooed girls in fishnets giving you the finger.

Mike Giant (photo © Jaime Rojo)

For this street installation, Giant’s act of inking the wall affected the assembled fans and observers like the chanting of Spanish monks in those remote and silent monasteries: a slowly creeping utter peace. He approached the task with serenity, at a pace that seemed to conserve time rather than spend it. In complete control of his craft, he can aptly break away when approached for a chat or to sign a deck or black book.

Mike Giant (photo © Jaime Rojo)

This gig at Klughaus Gallery was to help promote a group show and launch the 8th issue of Kingbrown magazine and Giant said he was happy to visit the town he once lived in for a year before seeking the quieter pace of San Francisco. Right across from the spot is one of the city’s busiest skateparks and for most of the afternoon his work was accompanied by the unmistakeable sound of some exhibition boards hitting the concrete for friendly competitive trickery. He probably felt at home like this since he’s known to hang at the occasional skatepark or empty swimming pool back on the west coast. And for one day in this unbearable NYC heat, a number of fans were happy to see him knocking out this black and white wall, meditating on the good things that a fine line brings.

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

The L.E.S. Coleman Skate Park  (photo © Jaime Rojo)

A custom designed and painted ramp by Kevin Lyons was used in the competition. (photo © Jaime Rojo)

Mike Giant (photo © Jaime Rojo)

For details to visit the gallery to see Mike Giant’s completed panels in person and to see the rest of the exhibition now open to the general public click here.

Klughaus and Kingbrown produced this event in partnership with Fountain Art fair.

Artists included in the show are Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, and Ben Horton, Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Sacred Gallery Presents: “Who’z Got Game!” A Group Exhibition (Manhattan, NYC)

Sacred Gallery

We wanted to let everyone know that Sacred Gallery NYC is pleased to announce “Who’z got game!”, August 10th (8-11pm), at Sacred Gallery NYC.
This group gallery exhibition, curated by KIDLEW, showcases some of the best names in the NYC street graffiti scene. Starting with artists from the late
60’s and working up to modern day, Kidlew personally went after the best names in the game to bring you a true NYC graffiti Subway map show.

The gallery will be auctioning off a true 4’x5′ NYC subway map that exhibiting artists will collaborate the night of the gallery opening. 100% of the proceeds from the won auction will
go to The Coalition For The Homeless (http://www.coalitionforthehomeless.org/). The auction will be on display and available for bidding all month, and will close on the 31st.

BAMA
LAVA 1 2
TON
JAMES TOP
BOM5
COPE2
INDIE
DIL
PYTHON
SIEN IDE
SEE TF
ZIMAD
SEXER
MERES
HALOZ
SINXERO
RAVE
RWK
ARMY OF ONE
JESUS SAVES
SHIRO
KIDLEW
ANGEL “LA2” ORTIZ

This is a strict RSVP ONLY event so you must email
Kevin@SacredGalleryNYC.com to be put on the list.

Opening Reception:
August 10th. 8-11pm

Sacred Gallery NYC

424 Broadway 2nd Floor (Between Canal and Howard)

New York, NY 10013

www.sacredgallerynyc.com

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OX Takes Over Billboards With Humor and Disarming Simplicity

As free standing well placed street furniture, commercial billboards provide their own framing device for anyone who would like to communicate their message and increasingly their use in the public sphere is being debated. Billboard “takeovers” have often been the purview of “culture jammers” or “ad busters” since at least the 1970s, where the intent is to hijack the original commercial message to illuminate a social or political one. In more recent years a number of more traditional artists have been simply reclaiming this private message space as a canvas, an opportunity to display a bit of individual creativity.

OX in Troyes, France. July 2012. (photo © OX)

In new billboard takeovers from French Street Artist OX, the billboard is part of a visual conversation with its environment. Other times his geometric simplicity stands on its own without commentary but typically his ingenious incorporation of context brings the simple takeover to serve a higher purpose than drawing attention to itself. By treating the billboard as an element in a holistic field of play, a passerby may see everything around it in a new perspective, or see it for the first time. Without lecturing, this visual humorist opens the conversation about the appropriate use of public space for messages, and art.

OX in Troyes, France. July 2012. (photo © OX)

OX in Brooklyn. Spring 2010. (photo © Jaime Rojo)

OX in Brooklyn. Spring 2010. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Presents: “Geometricks” and Vandal or Visionary Series Curated by Hellbent at Gallery Brooklyn (Brooklyn, NY)

Geometricks

BSA Presents GEOMETRICKS

Curated by Street Artist Hellbent

As part of their Vandal or Visionary Series, where BSA selects one Street Artist to curate a show that follows their specific vision of the scene, BSA is proud to introduce Hellbent as curator of the inaugural show of the series titled “GEOMETRICKS” at new Gallery Brooklyn in the Red Hook section of Brooklyn, New York City, opening September 22, 2012.

Participating artists (alphabetically): Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One

***

GEOMETRICKS turns the spotlight on the movement on the streets that boasts bold color, wild patterning, sophisticated lineplay, and a modern approach to abstraction.

As the stylistic circle widens on the street, GEOMETRICKS grabs a razor-sharp cross section of the growing number of graffiti artists who depart from traditional forms of lettering, Street Artists who are not interested in Pop-inspired icons or irony, and fine artists who never considered the “rules” of the street to begin with.

GEOMETRICKS references modernists, tribalists, and the rhythmic symmetry of the natural world, with it’s hexagons and spirals and comforting repetitions. Old labels about graffiti and Street Art mean little; this group takes the formalist clarity that references geometry, folk art, and science, and often smashes it with an abstract hammer.

Parallel, perpendicular, rigid, curvilinear; lines and shapes intersect and play off color-rich pattern – challenging the shape, form and expectations of many in the Street Art scene. GEOMETRICKS show how graff and Street Art right now are exploding in a new direction together without first asking for permission, again advancing the conversation of art on the streets.

 

“I’m stoked to be able put together this GEOMETRICKS show with some artists who I’ve really admired for a long time as well as some of the new players on the scene. This show is a great opportunity for me to create a vision and really put a dream team of artists into one room and show people what I am diggin’ right now.” – Hellbent

The Vandal or Visionary Series presented by BSA
GEOMETRICKS
Curated by Hellbent

September 22 – October 28, 2012

Opening Reception
Saturday, September 22, 2012
6 pm – 9 pm

With sound provider SLEPTEMBER
Sponsored by Sixpoint Brewery
Gallery Brooklyn
351 Van Brunt St
Red Hook
Brooklyn, NY 11231

347.463.4063
info@gallerybrooklyn.com
gallerybrooklyn.com

Gallery Hours
Thursday-Saturdays: 12-6pm
Sundays: 12-5pm

Vandal or Visionary Series presented by BSA

The Vandal or Visionary Series calls into question the simplistic characterization of artists who work on the street as one dimensional vandals and it wonders aloud what a gallery show would look like if viewed through their eyes. Many artists have always had a better understanding of the scene than academics or experts who talk about it and this series allow us to see a show curated by someone with a direct view and a very unique perspective.

BrooklynStreetArt.com is a daily source for Street Art reporting, interviews, and photography in New York and around the world.

We’ve been thinking a lot about this show and recently published examples on the street that are indicative of one new direction;

“Art from the streets has been heralding a new eye-popping geometric disorder that can now fairly be called a movement.”
~ From our recent piece on The Huffington Post : “Color, Geometry and Pattern on the Streets”

 

Read all BSA posts on The Huffington Post HERE.

Follow BSA on Twitter

See the BSA Tumblr page

Join the BSA Fanpage on Facebook

For more details on GEOMETRICKS please contact us at GEOMETRICKS@BrooklynStreetArt.com

Thank you for your support.

See the GEOMETRICKS Square Invite

 

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Images of the Week 07.29.12

Our weekly interview with the streets, this week featuring Brilla, Demo, El Sol 25, En Masse, Evereman, Feral Child, Issa, Lambros, Luca Missoni, MOR, Olek, Rae, SSDD and Swampy.

Swampy (photo © Jaime Rojo)

RAE (photo © Jaime Rojo)

MOR (photo © Jaime Rojo)

Didn’t your mother ever tell you that you will be judged by the friends you keep? Lambros (photo © Jaime Rojo)

OLEK (photo © Jaime Rojo)

Evereman (photo © Jaime Rojo)

Feral Child (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

En Masse Van for Fountain (photo © Jaime Rojo)

Issa (photo © Jaime Rojo)

Issa (photo © Jaime Rojo)

A rare gate from El Sol 25 (photo © Jaime Rojo)

Could be The Abominable Snow Monster or maybe your tenth grade Geometry teacher, Mr. Hairdell. This one was spotted on Bedford Ave (photo © Jaime Rojo)

SSDD “My Eyes Are Up Here” (photo © Jaime Rojo)

Brilla (photo © Jaime Rojo)

Brilla (photo © Jaime Rojo)

“Let me slip out of these wet clothes and into a dry martini” said the statuesque David by dEmo and Luca Missoni. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Faces Ink Presents: Quel Beast Solo Reception at Gallery Bar (Manhattan, NY)

Quel Beast

New York street artist Quel Beast will have a reception this Friday the 27th from 7-10pm at Gallery Bar for his large, vibrantly colored portraits.

The influence of New York’s rich street art and graffiti legacy shows up in the bright colors and bold lines Quel Beast uses to bring his faces to life.  A central theme of these portraits has been the emotional turmoil of struggling New Yorkers, but recently Quel Beast has been exploring ways to render the faces we wear when we’re struggling with more than the daily grind.  Almost a year ago Quel Beast began confronting his internal demon of addiction.  The insanity of self-deification and self-destruction, inherent in a life run by self-will, is most evident in his recent “Selfish Portraits”.
Quel Beast learned how to paint by pasting both his failures and successes in the streets of Manhattan and Brooklyn.  He often serves as his own subject, using twisted and wrinkled faces to render portraits that are shifting proportions of joy, frustration, self-obsession and demoralization.  The feelings conveyed through Quel Beast’s vibrant colors and bold expressions would make Chuck Close blush.  This isn’t your mother’s idea of portraiture.
No stranger to struggling in the city, Quel Beast has been sleeping on a friend’s couch while looking for a job.  “I’d much rather make the work I want, than bow to what sells,” he said, “I have friends who show in Chelsea that are just as poor as me; money just isn’t a priority to real artists.”  For these reasons, Quel Beast has priced all of his work in this exhibition well under $1,000.  “Only  collectors and gallerists worry about an artist’s monetary worth,” Quel Beast quipped, “I only worry about being able to afford my next round of supplies.”
The work will be on view this weekend and during the reception.
Gallery Bar is located at 120 Orchard St. on the Lower East Side of Manhattan.
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