NYC
The Skylight Gallery Presents: “Crown Hights Gold” (Brooklyn, NY)
Street and Fine Art artist Specter is participating on this show (photo © Jaime Rojo)
Crown Heights Gold: Examining Race Relations and Healing in Crown Heights.
6PM – 8PM
The Skylight Gallery is pleased to announce the upcoming exhibition Crown Heights Gold: Examining Race Relations and Healing in Crown Heights, Brooklyn During the 20 Years Since the 1991 Riot, curated by Dexter Wimberly. Using contemporary art as a vehicle to foster dialogue and remembrance, this exhibition commemorates the 20th anniversary of the Crown Heights Riot, and explores the transformation of the community since the harrowing incident. The multi-media exhibition will feature painting, drawing, photography, mixed media, video and sculpture created by roughly twenty New York-based visual artists. To compliment the exhibition, a calendar of public programs is being planned in collaboration with community leaders and organizations. The activities will look at the work done in the neighborhood post-riot, as well as the ongoing state of cooperative efforts to encourage continued inter-group communication and understanding.
Skylight Gallery Hours: Wednesday to Friday from 11AM to 6PM and on Saturday from 1PM to 6PM.
Click on the link below for more information about this show and Skylight Gallery.
http://www.restorationplaza.org/arts-and-culture/skylight-gallery
Images of the Week 07.17.11
Our weekly interview with the street, this week featuring Adri, Banksy, Dan Witz, Deform, Demon, Gaia, Jon Burgerman, Ludo, Nick Walker, Olek, Rambo, Slayers, and XAM with dispatches from Paris, Dubai, and Chicago.
Rambo, Gift, Demon, Slayers. (photo © Jaime Rojo)
Gaia. Detail (photo © Jaime Rojo)
“This new piece on the streets of NYC is an extension of some of the past work I have done connecting various concepts of catastrophe. I have found the imagery depicting the horrors of the plague especially pertinent to the state of our environment. Humanity has weathered and lived through various crises that have shaken our imagination and dramatically changed the way we organize our lives moving forward” Gaia
Gaia. (photo © Jaime Rojo)
Now is this called a sidebust? Street architect to contemporary birds, XAM, is atop a faux sign by Street Artist Dan Witz (photo © Jaime Rojo)
Ludo. The Future of Fashion in Paris. (photo © Ludo)
Ludo. The Future of Fashion in Paris. (photo © Ludo)
Ludo. The Future of Fashion in Paris. (photo © Ludo)
Ludo. The Future of Fashion in Paris. (photo © Ludo)
“Banksy” in Da Bronx. (photo © Jaime Rojo)
Jesus does a skateboard trick in this highly offensive image from Adri. (photo © Jaime Rojo)
Deform in Dubai “My Grant” (photo © Deform)
Olek (photo © Jaime Rojo)
Street Artist Olek is a participating artist at The Crest Hardware Art Show currently on view in Williamsburg Brooklyn. Click on the link below to get full details on this show and go check out some imaginative interpretations:
More about the show here http://www.brooklynstreetart.com/theblog/?p=22007
Nick Walker. This is the remainder of an old piece from 2008. In the original the figure is remote controlling a very tall Giraffe to who is writing “Vandal” in red spray paint. The building got a fresh coat of paint recently but they decided to save him. We like that. (photo © Jaime Rojo)
Rocking cans in Chicago (!), world famous doodler Jon Burgerman hits up a wall. (photo © courtesy of Pawn Works Gallery)
Jon Burgerman in Chicago (photo © courtesy of Pawn Works Gallery)
Untitled (photo © Jaime Rojo)
Miss Bugs in Brooklyn: Girls, Sex and a Car Crash in the Forest
A horrendously stunning car crash, windshield smashed in by a wooden stump, a shard of white light cutting sharply through a smoke cloud which rises to eerily announce the arrival of UK Street Artists Miss Bugs in Brooklyn. In “Parlour”, their first solo on view right now in Bed Stuy, the backyard diorama is a plastered paper perimeter of gnarled and murky indigo off road forest, a haunting backdrop to the cut-out distorted and riveting forms who break the 4th wall toward you with intent.
Miss Bugs. Detail (photo © Jaime Rojo)
The curvaceous ladies are cousins of the street pieces Miss Bugs places with great care publicly, cut outs that fade into their surrounding and pop out from it, undulating and teasing and riveting, a perfectly charged counterweight of sex to the violent metal and glass carnage before you. Throughout the inside gallery and backyard installation, Miss Bugs plays with a scale slightly larger than life, giving imperious and distantly cool figures a personal, almost intimidating immediateness.
The front room of “Parlour” at Brooklynite Gallery with Miss Bugs (photo © Jaime Rojo)
The distortion of the forms and come hither stand-offishness is softened and sweetened by saturated pop colors and cleverly patterned replications of art you have seen somewhere else. Always willing to take appropriation to new heights, Miss Bugs gladly incorporates signature elements of other artists works into their distorted and sensuous forms, weaving them into the hair, tattooing them across the skin, wrapping their ladies with a body conscious knitted brocade.
Miss Bugs (photo © Jaime Rojo)
Speaking with the royal “we”, the very anonymous Miss Bugs talked with Brooklyn Street Art about “Parlour”:
Brooklyn Street Art: What was the genesis for “Parlour” in general and this outdoor installation in particular?
Miss Bugs: We wanted it to be a place that unsettles you… The concept of the ‘Parlour’ exploits the idea that the art establishment plays on people’s desires, whether for money, beauty, sex or ownership. We’ve always looked at these themes within our work, so here we continue to question them. However, this time, we wanted to extend the ideas beyond the work and have the pieces viewed in their own theatrical space making us see the works’ symbolism in a different, darker light. We place our own fictional characters in the middle of the space. ‘The Madam’ is here with her open eyes; to convey ourselves as part of this sometimes strange and seedy world.
The outside installation grew from the concept that the parlour is being protected by a few souls and that this can be a twisted place, full of contradiction… We suppose it’s a nightmare or maybe just a bad dream! Comparisons can be made throughout the show between our ‘Parlour’ and the real world of the art establishment. Just depends how deep you want to scratch!
Miss Bugs (photo © Jaime Rojo)
Brooklyn Street Art: How was it to install your work in Brooklyn this time around?
Miss Bugs: It’s great to show in New York especially Brooklyn, we love it… Just to spend time walking around soaking it all up is brilliant. Since we were kids we saw and heard Brooklyn in music, film and art, so it feels great when we’re here and it always makes us feel at home!
Miss Bugs. Detail (photo © Jaime Rojo)
Brooklyn Street Art: The imagery gives off sex, cars, alcohol… what are some of the messages you are working with?
Miss Bugs: All these elements we try and show in a warped way; For example, placing glamorous but distorted nudes next to a burnt-out car, which hopefully makes us question our desires and see them differently! When we got the car into the gallery and we realised just how horrific a smashed up car is, it had a sadness about it which we hope we were sensitive to with our cut out figures. The installation of the woodland clearing we wanted to be experienced at night to create a haunting and again unsettled atmosphere, but the smoke machine could have done this job by itself …
Miss Bugs (photo © Jaime Rojo)
Brooklyn Street Art: You borrow from different artists and other cultural art forms (including Shakespeare in one instance) and incorporate many of those images into your work. How do you go about selecting the images? Are they your favorite artists or is it purely aesthetic?
Miss Bugs: The list of artists that we ‘stole’ from and remixed for this show is massive…Hannah Hoch and Kurt Schwitters, Keith Haring, Jean-Michel Basquiat, Vera Lehndorff, Gustav Klimt, Picasso, Mc Escher, Man Ray, David Lynch, Mel Ramous, Takashi Murakami, Leonardo De Vinci, Banksy, Warhol, Stanley Kubrick
We’ll stop now but the list goes on! You have to look harder for some of them and others can be staring you in the face but sometimes still go unnoticed as they’re seen out of context. Playing with ideas of how we view artwork and how much of its reasoning we understand.
We look at links between the artists and their working methods throughout history. Artists that would not normally be considered to sit alongside each other are then remixed together showing just how the working style of (for example) Keith Haring can gel together with Picasso, and how artists from very different periods in time and culture are using very similar approaches, often where you wouldn’t expect to see it.
Here we’ve selected elements of artists whose work goes someway in helping us tell our own story within ‘Parlour’… Suppose we’re like some sort twisted museum curator cramming the world’s greatest artists together into a small room for an orgy, then throwing some classical writers and iconic film directors in for good measure!
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs (photo © Jaime Rojo)
Miss Bugs. Panoramic view of the outdoor installation (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs. Detail (photo © Jaime Rojo)
Miss Bugs “Parlour” is currently on view at Brooklynite Gallery. Click below for more information.
Honeycomb “Ritual” Opens today at Causey Contemporay
UK fine artist and Street Artist David Shillinglaw prepares his panels for tonights “Ritual” show at Causey Contemporary in Brooklyn (photo © Jaime Rojo)
Artists and artwork are buzzing around one of Williamsburg’s newest hives for the creative spirit in the July heat as Causey Contemporary prepares the sweetest part of all this industry for you, a Buenos Aires based collective called The Honeycomb. King bee and artist Trystan Bates has sent out the signal to 27 artists from 8 countries to present new works within the theme of “Ritual” for this show.
Alice Mizrachi. Detail (photo © Jaime Rojo)
Imputing the magic and mysticism of ritual has inspired art of every discipline for thousands of years: authors, musicians, dancers, auteurs, photographers, sculptors, and painters all assist in our transcending the limitations of the physical world.
Alice Mizrachi. Detail (photo © Jaime Rojo)
This neighborhood of Brooklyn has been the site of Rites of Passage, creative Rituals, and some say, Last Rites, as a place of collaboration for a diverse artist community and a hive for Street Art for nearly two decades. Across the street from two pieces by Bristol Street Artist Nick Walker and around the corner from a huge wall by Brooklyn Street Artists Skewville, the rituals of preparation continue anew. Here are some of the preparations inside and outside for tonight’s show.
Alice Mizrachi. Detail (photo © Jaime Rojo)
David Shillinglaw. Detail (photo © Jaime Rojo)
David Shillinglaw found this piece of wood on the street. He incorporated the blue paint and eventually it will be a part of his installation. (photo © Jaime Rojo)
Adria and Sherley Freudenreich. Detail (photo © Jaime Rojo)
Adria and Sherley Freudenreich. Detail (photo © Jaime Rojo)
Tooco (photo © Jaime Rojo)
Jaz working on his installation (photo © Jaime Rojo)
Jaz. Detail (photo © Jaime Rojo)
Jaz. Detail (photo © Jaime Rojo)
For more information about this show click on the links below:
http://www.brooklynstreetart.com/theblog/?p=22430
http://www.inthehoneycomb.com/ritual_press_release.html?r=20110529143837
Street Art Summer Hospitality in NYC – OverUnder, Irgh, N’DA, Veng & Chris (RWK)
Somebody Brought Moonshine to this Picnic
You get a chance to go out to the park this weekend and sit under a tree or throw a frisbee? It’s not that far to walk really and its good to reacquaint oneself with nature and barking dogs and deviled eggs and other weird salad creations that Aunt Majiminy always forces you to try – even though you didn’t like it the last time she forced you to try it.
Peace Brotherman. Overunder (photo © Jaime Rojo)
But we don’t know what has been in that jug of punch at these little picnics that Overunder, ND’A and Chris and Veng from RWK have been throwing this summer. The characters, the proportions, and the mixing of elements are ever more stretched and eccentric and colorful. These kids are seriously playing with their food – mixing the olives with the jello ambrosia and spreading it on a grilled hamburger and crumbling some ranch potato chips on top.
Just then, a truck booked by. Booker (photo © Jaime Rojo)
A distant Street Art relative from Berlin named IRGH is in town this summer and these Brooklyn based artists have put down the gingham table cloth and a wicker basket of aerosol cans in multiple locations to welcome their cousin and put him to work…painting walls. We’ve been chasing them around town in Brooklyn and Manhattan and here’s the wackiness we found:
Overunder, IRGH, Veng RWK and ND’A (photo © Jaime Rojo)
“I’m so excited to have IRGH visiting and get to paint with him. We developed our painting style in the same direction, but in separate scenes, and different parts of the world and now get to combine forces” ~ Overunder
Is this the beginning of Veng’s Blue Period? Or maybe his Blue and Yellow Period? Veng RWK (photo © Jaime Rojo)
Come on in! The doors and the mind is open! Overunder and IRGH, and maybe a Celso over there in a frame? (photo © Jaime Rojo)
Looks like someone is making a very important decision, with counsel. Overunder, IRGH, Veng RWK and ND’A (photo © Jaime Rojo)
Can you pass me the ball of limbs please? Overunder, IRGH and ND’A (photo © Jaime Rojo)
Overunder, IRGH and ND’A (photo © Jaime Rojo)
A classic silver Kuma is next to Overunder, IRGH and ND’A (photo © Jaime Rojo)
“Don’t mind if I do.”, Overunder, IRGH and ND’A (photo © Jaime Rojo)
Overunder, IRGH and ND’A (photo © Jaime Rojo)
“Can we talk about our relationship? I really would like to know where it’s going.” Overunder, IRGH and ND’A (photo © Jaime Rojo)
IRGH and ND’A stop to smell the flowers (photo © Jaime Rojo)
Uncle Jimmy may have stopped smoking but he’s still hitting the bottle at this family picnic. ND’A and Chris RWK (photo © Jaime Rojo)
ND’A with Chris RWK holding it down. (photo © Jaime Rojo)
Images of the Week 07.10.11
Our weekly interview the streets, this week including Clown Soldier, Connie, Enomeks, Enzo e Nio, Eve Ensler, Klaus Nomi, Lover, Obey, Over Under, PYR, The Dude Company, and Victor of the Sea
Shepard Fairey shares a wall with Brooklyn’s Clown Soldier (photo © Jaime Rojo)
Enzo e Nio on the half shell or “Mary Mother of Jesus Packs Heat” (photo © Jaime Rojo)
Enzo e Nio (photo © Jaime Rojo)
Enomeks “Stenciled Rat = Big Deal” in San Diego, CA (photo © Enomeks)
“There were a few things that went into creating this photo and I will try to sum up my meanings and reasoning behind it.
I first off wanted to capture the sort of sideshow spectacle that goes along with a rat being stenciled on a building. Blek Le Rat probably would have been a lot more famous had the full boom of internet media been around during his stencil height.
Most people these days know of a stenciled rat as being a Banksy thing, that too could be blamed on the media in general. I too am a fan of Banksy’s work, back before you had to either stand in a line to get a print or pray you win the lottery that goes into acquiring one these days. The reason for all the people taking pictures is the hype that surrounds his pieces, most of these “photographers” would not even look twice at other graffiti that could accompany the wall, that could very well be a known graffiti legend. I tend to look at some of the photographers taking shots to say they have actually seen a piece in person and the other half are going to upload photos to create a new set of coffee mugs and mouse pads to be sold on Ebay. The “Guess Who?” on the wall was a comment on various headlines and such you constantly see. For every 10 articles of “OMG new Banksy on wall in such and such”, turns out only about 1 is real. Almost anything stenciled on a wall these days will have some amateur journalist drumming up web hits by just putting Banksy’s name in a title. That is my personal opinion and reason for the piece.” ~ Enomeks
Someone looking a little like Klaus Nomi hand painted portrait on old metal door by an Unknown artist (photo © Jaime Rojo)
Connie (photo © Jaime Rojo)
Was this little wheat paste put up to mark the International “Whore” Day with words by Eve Ensler? (photo © Jaime Rojo)
Not a fighter? (photo © Jaime Rojo)
Overunder (photo © Jaime Rojo)
PYR (photo © Jaime Rojo)
An Unknown artist’s mix media sculpture plus a pair of discarded boots = Street Still Life. (photo © Jaime Rojo)
The Dude Company (photo © Jaime Rojo)
Groovy psychadelic shades (photo © Jaime Rojo)
Victor of the Sea (photo © Jaime Rojo)
Victor of the Sea (photo © Jaime Rojo)
Untitled (photo © Jaime Rojo)
Images of the Week 07.03.11
As you scan the skies this weekend for bright lights at night you are likely to see a lot of new Street Art in NYC that has suddenly exploded.
At a steady march French Street Artist JR and company is taking over walls in New York during his campaign of installations culminating in multiples in the Bronx this weekend, bursting like the crescendo of fireworks at the end of a show. Similarly Shepard Fairey is in town for a few more days getting up with some new aesthetic and political stuff he’s been working on around the city. In time for this weekends celebrations and commemorations, Street Artist General Howe has put up a brand new hand carved print (his first?) of the skeletal remains of a soldier, expanding on his themes of war and Brooklyn’s historical connection to America’s bloody founding. If anyone thought that Spring had given us a deluge of Street Art in New York City, it looks like Summer 2011 is going to set some records, and not just on thermometers.
Here is our weekly interview with the street, this week featuring Billi Kid, General Howe, Infinity, JR, Obey, Olek, and Stikman.
JR (photo © Jaime Rojo)
JR (photo © Jaime Rojo)
JR (photo © Jaime Rojo)
JR (photo © Jaime Rojo)
JR (photo © Jaime Rojo)
Unknown artist minimalist painting on ceramic tile beautifully placed. (photo © Jaime Rojo)
An Unknown artist’s interpretation of the original King Kong in NYC ( (photo © Jaime Rojo)
OBEY (photo © Jaime Rojo)
OBEY (photo © Jaime Rojo)
General Howe first lino-cut ever! (photo © Jaime Rojo)
Infinity (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
Billi Kid (photo © Jaime Rojo)
A toddler sized Olek (photo © Jaime Rojo)
An Unknown artist’s re-interpretation of a Banksy piece, possibly an advertisement (photo © Jaime Rojo)
Stikman continues to place his character in new contexts (photo © Jaime Rojo)
This sculpture is on a wall of a private residence. We don’t know the artist. (photo © Jaime Rojo)
Untitled (photo © Jaime Rojo)
Dan Witz’ Mind: A Cabinet of Natural and Unatural Curiosities
Anyone on the subway this morning knows what it is like to be mashed together with strangers and attitudes, a roiling mass of boobs and butts and sunglasses on the forehead, Rhiannon on the headphones next to you on the right, death metal on your left, and your upper arm is not as strong as you thought while you grab for something on the ceiling to hold onto. It’s a half sleeping mosh pit of commuters, with people who have just applied nice smelling things, but this ladies bag is still jammed into your back while you are pressing your already wrinkled summer pants against a messengers bike. Here’s an opportunity right in front of me; Might as well smash the lights and crank up the metal and have some Subwaypalooza, people! Or just go see the new Dan Witz show at Jonathan Levine Gallery tonight, that’ll be fun too.
Dan Witz “In Plain View” (photo © Jaime Rojo)
Brooklyn based Street Artist and fine artist Dan Witz has been making art “In Plain View” as he likes to say it, for over 30 years. Throughout his prolific career he has been fearless in his exploration of art and the subjects that he likes to approach. He can paint beautiful photo-realistic canvases of still life scenes and humans in motion with the same ease as murky tormented scenes behind grimy windows and fragile and ethereal humming birds in flight or a lone tiny skate boarder gliding across a rusted metal wall. Pairing his study of light, his classically trained technique, and an enduring punk rock attitude, Witz’s body of work often takes it where you haven’t gone, and might be afraid to.
Dan Witz “In Plain View” (photo © Jaime Rojo)
Dan Witz “In Plain View” (photo © Jaime Rojo)
Mr. Witz’s new book, “In Plain View”, shows how in a span of 30 years he has pushed psychological limits with triggers in your periphery, a pursuit of interactive art with prickly engaging relevance in the public, if the public slows down and sees it. A storyteller out in the open, you’ll stop dead in your tracks when Witz hits you, commanding you to stay there until you can figure out what the hell that is, and ponder why is it there. What’s the story behind this faux door with two humans passionately kissing in the dark? Or this figure behind the wire crossed window; is she in pain? Is he dead? Is this real?
Dan’s solo show “Mosh Pits, Human and Otherwise” is opening tonight at the Jonathan Levine Gallery.
Dan Witz “In Plain View” (photo © Jaime Rojo)
Dan Witz “In Plain View” (photo © Jaime Rojo)
Dan Witz “In Plain View” (photo © Jaime Rojo)
Dan Witz “In Plain View” This is the limited edition version of the book with a hand painted cover (photo © Jaime Rojo)
Dan Witz Detail of his piece for this year Welling Court. You can see the full piece here (photo © Jaime Rojo)
Dan Witz. Street installation from 2009 (still there in plain view) (photo © Jaime Rojo)
Dan Witz “Mosh Pits, Human and Otherwise” at the Jonathan Levine Gallery (photo © courtesy of the artist)
Opening Reception June 30, 2011
6 to 8 pm
Jonathan LeVine Gallery
529 West 20th Street, 9th floor
New York, NY 10011
212-243-3822
Causey Contemporary Gallery Presents: Ritual: A Group Exhibition By Honeycomb (Brooklyn, NY)
For more information regarding this show click on the link below:
http://www.inthehoneycomb.com/ritual_press_release.html?r=20110529143837
Brooklyn Bodega Presents: “Under the Influence” Co-curated by Royce Bannon and Alex Emmart (Brooklyn, NY)
“The idea is to pay tribute to the culture and bring together artists who have something special in common – an influence, a back-story, a motivation. Hip-Hop wouldn’t have become the same movement without the influence of the graffiti writers who created an aesthetic for a new generation. The artists in this show prove that the influence of the golden era keeps its roots and continues to inspire new creations. The influence is powerful and this show brings together both the pioneers and a new wave of artistic progression.”- Corrie Zaccaria, Event Captain, The Brooklyn Hip-Hop Festival
Artwork on view during “Under The Influence” has been curated by Royce Bannon and Alex Emmart of Mighty Tanaka Gallery. We are also excited to announce Gawker Artists as media partners of “Under The Influence.” The opening night festivities include a public reception with refreshments provided by Brooklyn Brewery and music from a special guest DJ. A live music performance and more featured artists will be announced soon!
Upon its first publication in 2001, Back In The Days by Jamel Shabazz became an instant classic. This seminal and iconic title has been inspiring a decade-long, international revival in old-school Hip-Hop style, music and culture. Appearing alongside photographs from the book, Shabazz will be on-hand to sign copies of the limited-printing, tenth-anniversary edition of Back in the Days Remix. It includes a new edit with over 30 never-before-published photographs, a new essay, an interview with Shabazz and deluxe cloth binding.
212 Magazine, 907 Crew (UFO, SADU, DROID, Tony Bones, OZE 108 and GEN II), Ader, Ak5, Alice Mizrachi, Avoid, Cash4, Darkclouds, Destroy & Rebuild, Don Morris, Endless Love Crew (Royce Bannon,Matt Siren, Celso, Infinity, Abe Lincoln Jr), Ellis G, Eric Jordan, Jesus Saves, Joe Conzo, John Brenner, KA, Keely, Kosbe, Martha Cooper, Miguel Ovalle, Mike Screiber, Moody, Pesu, Robots Will Kill, Rodeo, The Me Nobody Knows, Toofly, Tuxedo, URNewYork and Vanessa Chew + more TBA.
When: Opening BHF ’11 Reception: Tuesday, July 12, 6:00 – 10:00PM
Exhibit Dates: Wednesday, July 13 – Sunday, August 7, 2011
Where: The powerHouse Arena, 37 Main Street, Brooklyn, NY
Who: Photographs from Back in the Days Remix: 10th Anniversary Edition. Gallery showing of influential artists.
The Market Place Gallery in Collaboration with Brooklyn Art Collective and M.a.n.y. Present: “Town And Country” (Manhattan, NY)
Curated by Jason Patrick Voegele of Republic Worldwide, Samson Contompasis of The Marketplace Gallery, Keith Schweitzer of M.A.N.Y. and Tyler Wriston of The B.A.C.
Hosted by 320 Studios at 320 West 37th Street, 14th Floor
June 28 – June 30, 2011
6 to Midnight with VIP After Party
Concept by Jason Patrick Voegele
Much of what we know and how we learn comes through the study of explicit or subtle comparisons and contrasts. Meaningful opportunities for these comparative studies invite us into a more explicit and intentional approach that can both broaden our understanding of contemporary American art and help us draw connections and distinctions between the studio practices and conceptual intentions of today’s American Artist.
Produced and developed by four of New York State’s premiere curatorial teams, Town & Country presents just such an opportunity.
Much like the rest of the western world, our press, politics, and creative arts thrive on the institutions we have erected to illuminate our differences. We are often reduced to the divisive labels of righteous and heretical, pious and secular, liberal and conservative, formal and conceptual, urban and rural. Dressed up in the costume of duality it appears that we are a bisected people from the fundamentals to our personal tastes. This exhibition challenges those preconceived notions and offers a unique window into the collaborative state of American art. As a people, our founding fathers had faith in the principals of open dialogue, freedom of expression and the multiplicity of our intellectual and creative capacity to bind various philosophies into one singular union. As an exhibition, Town & Country celebrates these great strengths and offers up a chance to draw attention to the ties that bind us as a great creative culture wherever we are from. Through this lens, Town & Country proposes a new vision of American art reinterpreted for a new generation.
On June 28th through June 30th at 320 West 37th Street in New York City, Republic Worldwide, The Marketplace Gallery, Keith Schweitzer (M.A.N.Y.), and The Brooklyn Art Collective invite you to join the discussion and stoke the fires of debate as we present Town & Country: the very best of contemporary American art. Artists include: Scott Michael Ackerman, Doug Auld, Paul Brainard, White Cocoa, Hannah Cole, Annika Conner, Helen Dennis, Eric Diehl, Ira Eduardovna, Tara de la Garza, Charles Koegel, Elizabeth Livingston, Frodo Mikkelsen, OLEK, Sirikul Pattachote, Patrick Porter, Leon Reid IV, Julia Samuels, Tom Sanford, Chris Stain, Veng, Emma Wasielke, and Fedele Spadafora.
Much appreciation to John Stavros from 320 Studios.