Logan Hicks
Manhattan
Images of the Week 05.28.11
Our weekly interview with the street, this week featuring 9, Bast, Death is Free, Deform, Enzo & Nio, Hellbent, Mauro Fassino, Kophns and QRST.
QRST (photo © Jaime Rojo)
QRST (photo © Jaime Rojo)
QRST (photo © Jaime Rojo)
9 (photo © Jaime Rojo)
Bast (photo © Jaime Rojo)
Death is Free (photo © Jaime Rojo)
Deform. Caution Ribbon in Dubai (photo © Deform)
Doesn’t he look pretty Mao? Unknown (photo © Jaime Rojo)
Enzo & Nio (photo © Jaime Rojo)
Unknown (photo © Jaime Rojo)
Hellbent reminds us of the importance of dental hygiene. (photo © Jaime Rojo)
Kophns on an abandoned motel in Silverlake, CA (photo © Carlos Gonzalez)
Unknown. I imagine he doesn’t know what he’s talking about. Discuss! (photo © Jaime Rojo)
Mauro Fassino “BIOmorphing” street installation in Trento, Italy. “My work describes the integration between humanity and nature, it is made by steel painted with enamel, artificial turf and stickers” MF (photo © courtesy of the artist)
David Foote and Anne Koch “The Nest”. It’s not Street Art but it is a beautiful installation at Honey Space Gallery in Chelsea on view through May 29. We’ll keep you apprised of any golden eggs that may appear. (photo © Jaime Rojo)
Unknown (photo © Jaime Rojo)
A haunted scene on Cayuga Lake. Ithaca, NY (photo © Jaime Rojo)
Jonathan Levine Gallery Presents: Miss Van “Bailarinas” and Gaia “Succession” (Manhattan, NY)
JLG
Miss Van “Bailarinas 5” (image courtesy of the Gallery)
Gaia “Incredulity of Redevelopment” (image courtesy of the Gallery
Miss Van
Bailarinas
Gallery I
Solo Exhibition
May 26, 2011 through June 25, 2011
NEW YORK, NY (May 3, 2011) — Jonathan LeVine Gallery is pleased to announce Bailarinas, new works by French-born, Barcelona-based artist Miss Van, in what will be her second solo exhibition at the gallery and first solo show in New York in six years.
Miss Van’s signature aesthetic revolves around sultry female subjects, which she refers to as poupées (or dolls, in French), alluding to elements of fantasy and narrative in her work. Their direct gaze, pouty lips, voluptuous curves and erotic gestures have a provocative appeal—some playful, others dark—emotionally charged and empowered by uninhibited sexuality. ?Miss Van began painting these alluring figures in the streets of Toulouse, France, as a teenager nearly twenty years ago. The characters have since matured along with the artist who now works mainly in the studio, allowing time to refine her imagery through delicate pencil renderings on paper and loose brush strokes on canvas and wood. Recently, Miss Van was invited to participate in Art in the Streets, a major group exhibition currently on view at the Museum of Contemporary Art (MOCA) in Los Angeles, California.
Along with her ultra-feminine figures, Miss Van has been known to incorporate animal familiars such as deer, rabbits and foxes. These creatures have a pet-like relationship with the mysterious temptresses who wear doll-like princess dresses or ballerina-tulle skirts with hints of lingerie textures such as corsets, ruffles, lace and fishnet. The women frequently appear topless and often wear masquerade-style masks, as well. Recently, the masks have become less decorative and increasingly more animal-like, adding significance to the dialogue created by the character’s human-animal relationships by amplifying themes of identity, role-play, fetish, and freedom to express the wild (animalistic) side of natural human instinct.
The joie de vivre pleasure principle, innate in French culture, informs much of Miss Van’s body of work. In Bailarinas, a series of pastel works on paper portray isolated figures in nostalgic poses inspired by vintage erotic portraiture. Additional acrylic and mixed media works on canvas and wood panel feature subjects inspired by dancers, driven by the sensually liberating experience of self-expression through physical control and movement of the body. The performance aspect of dance and the act of putting on a seductive show for a viewer or audience reinforces themes of fantasy and desire while also offering an interesting parallel to the artist’s craft, as both are forms of visual storytelling.
Miss Van was born in 1973 in Toulouse, France and is currently based in Barcelona, Spain. In 1991, at the age of 18, the artist started painting the streets of Toulouse as one of the first female artists in the European street art scene. In 1993, Miss Van began to include poupée (doll) figures in her work, her own stylized interpretation of pin-up posed Manga-inspired characters, which would become her signature imagery. In 2003, she left France, re-locating to her current home in Barcelona, Spain. In the years since, her work has been widely published and exhibited in galleries and museums, worldwide.
Gaia
Succession
Project Room
Solo Exhibition
May 26, 2011 through June 25, 2011
NEW YORK, NY (May 9, 2011) — Jonathan LeVine Gallery is pleased to present Succession, new works by Gaia, in what will be the artist’s first solo exhibition at the gallery. ?Works in Succession—comprised of drawing, painting and various relief-cut printmaking techniques—will be incorporated into a site-specific installation in the gallery’s project room. Re-creating street scenes as a background setting for his work, Gaia will transform the space, bringing the texture and energy of his urban interventions into the white box environment.
The artist’s chosen pseudonym, Gaia, is a name taken from the primordial Greek goddess personifying the Earth, more universally referred to as Mother Earth or Mother Nature. While he has been known to create portraits of human faces, Gaia’s ambiguous imagery most often depicts totemic creatures with animal heads and human bodies as well as expressive hand gestures. He occasionally fuses the features of different animals together, forming imagined, amalgamated hybrids. These chimeric subjects are filled with Art History references, inspired by various sources including biblical figures, ancient mythology and mystical folklore.
Additional layers of symbolism and interpretation emerge as Gaia’s works are encountered within the context of the urban landscape. Like apparitions, they confront the viewer as oracles with a powerful capacity to address contemporary social and environmental issues concerning consumer culture, consumption and sustainability. The juxtaposition of wild animal imagery pasted onto man-made architecture was a significant choice for the artist because, in his own words: “Having lived most of my life in New York City, I personally felt like I never had a connection to nature; it was so distant and idealistic.”
ABOUT THE ARTIST
Born in 1988 in New York City, Gaia currently divides his time between Brooklyn, New York and Baltimore, Maryland. In 2007, as a senior in High School, Gaia became interested in the growing global street art movement. Drawing influence from contemporary artists such as Swoon and Elbow-toe, he began to paste his artwork on the streets of his native New York. After experimenting locally, it was only a few years before he would expand his imagery to urban spaces in other U.S. cities as well as International locations. In May 2011, Gaia received a BFA from Maryland Institute College of Art in Baltimore, Maryland, with a concentration in printmaking and sculpture. With sophistication beyond his years, the promising young artist’s studio work has been exhibited in galleries in New York, Los Angeles, San Francisco, and Washington, DC. His street art has been documented, followed widely online and published in a number of recent publications including Beyond the Street: The 100 Leading Figures in Urban Art.
Brass Knuckle Crew Presents “East Coast Sticky Sticker Art Show” At the Witzenhausen Gallery (Manhattan, NY)
Manhattan Gets It Up : Beast Fools With Subway Map
You ever notice how train lines look like veins on the subway map?
A couple of weeks ago we featured the work of street artist Beast on benches at bus stops in Los Angeles where he caught our beloved super heroes standing in the unemployment line.
This weekend he played with the NYC subway map and put it out for public inspection with a project titled “Unexpected Improvements”. Getting this outcome is not as hard as it looks, rather it’s the angle. Beast simply rotated the typical subway map 90 degrees. Tourists gladly pointed to it’s features while some quizzical old timers took a little while more to gander at it, wondering what seemed different about the new map.
Luckily we have photos to show you because almost all of them are down now. Guess even the Beast can’t keep it up forever.
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Beast (Image courtesy © Beast)
Kravets/Wehby Gallery Presents: “Paperwork” (Manhattan, NY)
Paperwork
Curated by Nina Chanel Abney
May 19 – June 18, 2011
Opening Reception – Thursday May, 19 2011, 6 – 8pm
The Kravets/Wehby Gallery is pleased to announce Paperwork, a group exhibition curated by Nina Chanel Abney including work by Njideka Akunyili, Firelei Baez, Cake, Sydney Chastain-Chapman, Caitlin Cherry, Oasa DuVerney, Langdon Graves, Yashua Klos, Michelle Matson, Aaron Romine, Pamela Phatsimo Sunstrum, Aya Uekawa, Nick van Woert and Saya Woolfalk, opening on Thursday, May 19, 2011 and running through June 18, 2011.
The exhibition Paperwork, curated by Nina Chanel Abney, is comprised of young and upcoming artists whose work explores the manipulation of paper in all forms. Traditional pencil on paper drawings are accompanied by 3 dimensional sculpture and collage, all flowing in a seamless cohesion and showing the ways that a simple medium can inspire a new generation of artists. In Nick Van Woert’s historically charged sculpture, paper spitballs mask the identity of a plaster bust while making oblique historic references. The candy colored spiritual worlds in the work of Saya Woolfalk, are whimsical and playful, also veiling societies more ominous side. Street artist Cake moves her public art in-doors, her delicately painted figures describe the way in which people disconnect and how the emotion inevitably shows up in their faces. Figures appear in many of the pieces, providing an inviting glimpse into the fresh thoughts in their minds. Still, each artist utilizes paper in a unique form of expression.
Nina Chanel Abney is an artist working in New York. Her work can be seen at the Brooklyn Museum as well as in the 30 Americans exhibition at the North Carolina Museum of Art, which will travel to the Corcoran Museum in September. She was recently included in The Incomplete Paris exhibition curated by Hubert Neumann. This is Nina’s first curatorial project.
For further information please call the gallery at (212) 352-2238 or email info@kravetswehbygallery.com.
www.kravetswehbygallery.com
KRAVETS|WEHBY Gallery
521 West 21st Street, Ground Floor
New York, NY 10011
Images of the Week: 05.15.11
Our weekly interview with the street, this week featuring Elle, Googly Eyes, Julia Langhof, Karat, Kid Zoom, Money Population, Sweet Toof, The Dude Company and scenes on the street from photographer Jaime Rojo.
Hiding behind a fern; an unknown artist’s wheat paste of a B&W photo (photo © Jaime Rojo)
Kid Zoom in Brooklyn (photo © Jaime Rojo)
Some people go into debt to bury their dead. Death is far from free – and what about those pesky estate taxes? (photo © Jaime Rojo)
Another fleeting moment on the streets of New York;
This construction worker appeared to mimic dance-like movements while working before this street level video installation of a dance troupe. (photo © Jaime Rojo)
Looking to zone out? Here is as good a place as any. Artist unknown (photo © Jaime Rojo)
Sun dappled Elle is such a lamb. (photo © Jaime Rojo)
Eve in the garden of Brooklyn and Evil. Julia Langhof (photo © Jaime Rojo)
Street Artists, illustrator, graphic novelist Karat recently installed these bronze plaques in locations in New York that mark historical events in her life. (photo © Jaime Rojo)
Go NYC, yeah you know me. (photo © Jaime Rojo)
Money Population (photo © Jaime Rojo)
Googly Eyes intervenes ever so slightly in this media campaign poster (photo © Jaime Rojo)
The Dude Company recently rolled through Brooklyn (photo © Jaime Rojo)
Sweet Toof (photo © Jaime Rojo)
Sweet Toof (photo © Jaime Rojo)
With love from the streets of Brooklyn. Untitled (photo © Jaime Rojo)
With love from the streets of Manhattan. Untitled (photo © Jaime Rojo)
Fun Friday 05.13.11
A GUIDE TO WHAT’S UP, BROTHERMAN AND SISTERWOMAN
This weekend is a perfect storm of shows that are opening on the East, West and points in between.
Up Close And Personal: RJ Curates Street Artists Into an Upper West Side Apartment (NYC)
In the intimacy of a private residence in the Manhattan suburbs of UWS, RJ Rushmore of Vandalog fame along with Keith Schweitzer and Mike Glatzer of newly minted M.A.N.Y. have mounted a fresh new open house show just off Broadway. An exquisitely curated show with marquee names and a few newbies the selection is solid in quality and unusual in it’s scale.
Troy Lovegates aka Other (image courtesy of the curators)
Aiko’s cans are on proudly on display at the bachelor pad, and that’s not all (image courtesy of the curators)
May 13th, 7 – 9pm
Go to Hellbent and John Breiner Tonight in Brooklyn (NYC)
To learn more about “Smiled Distress” at Mighty Tanaka tonight please click on the link below:
Matt Siren and My Plastic Heart present “Ghost in the Machine” (NYC)
25 spirits in the material world have made tributes to Street Artist Matt Siren’s Ghost Girl character for this show on the Lower East Side tonight. The custom toy show transforms the character that appears in doorways around New York, each putting its own unique spin on his character.
The show includes work from 64Colors, Royce Bannon, Steve Chanks, Chauskoskis, DarkCloud, Deeker, Gril One, J*RYU, Jester, Keely, Abe Lincoln Jr., Map-Map, Marka27, Brent Nolasco, Lou Pimentel, Reactorss, Marc Reusser, Todd Robertson, Robots Will Kill, Chris Ryniak, Matt Siren, Scott Tolleson, Julie West, Wheelbarrow, Wrona
Click on the link below to learn more about this show:
http://www.myplasticheartnyc.com/gitm_051311/preview/gitm_051311_preview.html
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Ghost in the Machine May 13th 2011 – June 12th 2011 |
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Chicago Street Art Show Tonight (CHI)
Tonight the book “Chicago Street Art” is being released at the the Chicago Urban Art Society in conjunction with a show titled “The Chicago Street Art Show”
Brooklyn’s AD HOC has a New Puppy in Los Angeles (LA)
On the West Coast the dynamic duo and husband and wife Garrison and Allison Buxton have curated a group show “I have a dream, I have a nightmare: Friday the 13th” at The New Puppy Gallery opening this Friaday from 7:00 to 11:00 pm
Artists include: Alison Buxton, Beau Stanton, Bill Fick, Broken Crow, Bunnie Reiss, Chor Boogie, Chris Stain, CRASH, Dabs & Myla, Daryll Peirce, David Loewenstein, Don Leicht, Ezra Li Eismont, Garrison Buxton, Hellbent, Joe Iurato, John Breiner, John Carr, John Fekner, Jordan Seiler, Know Hope, Lady Pink, Michael De Feo, Mikal Hameed, Paul Booth, Peat Wollaeger, Ray Cross, Rex Dingler, ROA, Robert Steel, Sean Starwars, TheDirtyFabulous, & Thundercut.
Ad Hoc Art – www.adhocart.org
New Puppy LA – www.newpuppla.com
WHERE: 2808 Elm Street, Los Angeles, California 90065
English Kills Group Show Saturday, “The Mother Ship” (NYC)
Chris Harding, owner and ringmaster of the Bushwick Brooklyn-based space station English Kills brings out his strong stable of artists for this group show aptly titled “The Mother Ship” opening this Saturday at 7:00 pm. It’s not necessarily Street Art – but this is a hotbed of new ideas so it is always worth your trip.
Participating artists include:
Brent Owens, Andy Piedilato, Vilaykorn Sayaphet, Jim Herbert, David Pacheco, Hiroshi Shafer, Gyles Thompson, Sarah H. Paulson, Holly Faurot, Tescia Seufferlein, Peter Dobill, Steve Harding, Judith Supine, Lenny Reibstein, Andrew Ohanesian, Jason Peters, Don Pablo Pedro, Steven Thompson, Andrew Hurst and Rob Andrews.
English Kills is located at:
114 Forrest St. Ground Floor
Brooklyn, NY 11206
(718) 366-7323
Specter is a “Repeat Offender” 5/14 at Pawn Works in Chicago (CHI)
Brooklyn based artist Gabriel Specter’s solo show “Repeat Offender” opens this Saturday at the Pawn Works Gallery.
Opening Reception Saturday, May 14, 2011/ 6-10pm
PawnWorks
1050 N. Damen Ave.
Chicago, Illinois 60622
Ph: 312.841.3986
London Police in Denver, “Amsterydynasty”
In Denver Colorado Black Book Gallery brings back the glamour of the 80’s with The London Police and Handiedan in a show titled “Amsterydynasty”
Opening reception May 14th at 7pm
Click here to learn more about this show
Olek Crochets for a Bicycle in Poland
ROA in San Francisco
Women’s Faces in Art
500 Years of Female Portraits in Western Art by Philip Scott Johnson.
MoCA Art in the Streets. Wisk, Ser, Chubbs and Prime destroy a wall.
Matt Siren and My Plastic Heart Present: “Ghost in the Machine” (Manhattan, NY)
myplasticheart and Matt Siren presents Ghost in the Machine, a custom toy show dedicated to Matt’s iconic Ghost Girl figure. Twenty-five artists have been chosen by Matt to transform and put their own unique spin on his character. This talented group consists of seasoned street artists, painters, illustrators, and top-notch customizers. Join us for the festivities on Friday May 13th from 6-9pm. Many of the participating artists will be in attendance.
Also making its debut on opening night will be the Do-It-Yourself version of Ghost Girl available for purchase for the first time… a perfect blank canvas for those who want to try their hand at customizing a Ghost Girl of their own.
Artist List:
64Colors
Royce Bannon
Steve Chanks
Chauskoskis
Darkcloud
Dril One
j*ryu
Jester
Keely
Abe Lincoln Jr.
Map Map
Marka27
Brent Nolasco
Lou Pimentel
Reactor88
Marc Reusser
Todd Robertson
Robots Will Kill
Chris Ryniak
Matt Siren
Scott Tolleson
Julie West
Wheelbarrow
Wrona
Curated by Matt Siren
myplasticheartnyc
210 Forsyth St.
Lower East Side
New York
646.290.6866
www.myplasticheartnyc.com
www.myplasticheart.com
Vandalog and M.A.N.Y. Present: “Up Close and Personal” (Manhattan, NY)
Up Close And Personal
Troy Lovegate AKA Other (image courtesy of the curators)
Logan Hicks. Detail on anodized aluminum. (image courtesy of the curators)
May 13th, 7 – 9pm
Opera Gallery Presents: Saber “The American Graffiti Artist” (Manhattan, NY)
Saber. “Buffed” (photo © courtesy of the artist)
Saber – The American Graffiti Artist
Among the thousands of people who make up the graffiti community around the world, there are few names that carry the same legendary quality as SABER. Born in the Los Angeles suburb of Glendale, SABER was raised by creative parents and discovered his passion for art at an early age. At 13, his cousins introduced him to graffiti when they took him to see the spray paint-covered Belmont Tunnel. From that moment on, he was hooked. After honing his skills on local walls, SABER joined MSK, and was later inducted into legendary piecing crew AWR.
SABER was already a fixture in the Los Angeles graffiti scene by 1997 when he completed the largest graffiti piece ever created. His piece on the sloping cement bank of the Los Angeles River was nearly the size of a professional football field, and took 97 gallons of paint and 35 nights to complete. In a famous photograph—taken by his father just after it was finished—SABER stands on the piece and appears as a tiny speck amid a giant blaze of color. It catapulted SABER to legend status in the graffiti world.
SABER began exhibiting in his fine art in 2002. While known for his elegant and aggressive abstract letterforms, SABER’s artistic output has also included drippy, surreal cityscapes and his painstakingly rendered “new reality” canvases. SABER has also worked corporate projects with Hyundai, Scion, Boost Mobile, Roland Sands Design, Montana Paint Company, and Karmaloop. His monograph, SABER: MAD SOCIETY, complete with stories of his graffiti misadventures, was released by Gingko Press in 2007 and is now in its second printing.
In October 2010, SABER released a video in which the year’s heated debate about healthcare was spray painted over the American flag. While some saw it as desecration, SABER advocated for healthcare reform in the video, revealing that he had epilepsy and was un-insurable. This work led SABER to create a large group of American flag paintings called the Tarnished series.
In 2011 SABER’s artwork is featured in two museum exhibitions, “Street Cred” at the Pasadena Museum of California Art and “Art in the Streets” at MoCA Los Angeles.
Saber
Images of the Week 05.01.11 – May Day
Our weekly interview with the street hits some bright notes including new arrivals from El Sol 25, Specter, and Faile along with some shots Futura did of HAHA in Melbourne and even a taste of Kentucky Street Art.
The roll call this week; Bast, Billi Kid, Clown Soldier, El Sol 25, Faile, L.E.T., QRST, Rae, Romi, S, and Specter.
Specter’s tall portrait alongside Rae welcomes everybody to Brooklyn. (photo © Jaime Rojo)
Julian Assange gets a little tarted up to go out on the streets of Melbourne in these photos by Futura of stencilist HAHA. (photo © Futura)
Looking askance in this Warholian repetition, Julian Assange in Melbourne by HAHA, shot by Futura (photo © Futura)
Popping up among the tulips, Faile’s new Prayer Wheel (photo © Jaime Rojo)
The new Faile Prayer Wheel (photo © Jaime Rojo)
Another rotation – Faile’s new Prayer Wheel (photo © Jaime Rojo)
Would you take a look at these Manhattan Gams! May is rose month for Billi Kid. (photo © Jaime Rojo)
Aging like a fine wine, this Bast splash rests below what looks like an advertising campaign by comedian Stephen Colbert. (photo © Jaime Rojo)
A portion of a Clown Soldier (photo © Jaime Rojo)
A mylar stencil sticker shyly attempts to keep the company of this Faile lady who appeared late in the winter. Doesn’t look like she’s warming up to the idea. (photo © Jaime Rojo)
Somebody call for a Plumber? (photo © Jaime Rojo)
L.E.T. plays with the I Love New York logo (photo © Jaime Rojo)
L.E.T. plays with the I Love New York logo (photo © Jaime Rojo)
QRST is adding an aquamarine contingent. (photo © Jaime Rojo)
Romi makes an environmental statement in what may be our first ever example of Kentucky street art (photo © Romi)
A cherub is finding this can of paint to be a little heavier than expected. S (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
Stay tuned on BSA this week as we’ll bring to you an interview and studio visit with enigmatic El Sol 25. This self described hippie artist has bounded onto the scene in the last three years with his colorful, witty and well executed hand painted collages.