Brooklyn

Mishka Presents: “Stolen Souls” A Photo Exhibition Curated By Royce Bannon (Brooklyn, NY)

Stolen Souls
Royce Bannon curates and Mishka presents Stolen Souls a Photo exhibition.
The show will feature up and coming and established photographers mostly from the NYC area.
May 18th 7-10
featuring photography from:
Don Morris http://officialdon.dphoto.com/
Destiny Mata http://clanofmonkeys.blogspot.com/
Roxana Hurtado http://roxanahurtado.tumblr.com/
Curt Hoppe http://curthoppe.com/
Last  Witness http://lastxwitness.com/home.html
Julie Miller
Jazzmine Beaulieu http://www.jazzminebeaulieu.com/
Bruce Labounty http://www.flickr.com/photos/brucelabounty/
Russell King  http://russellking.tumblr.com/
Carly Rablais http://carlyrab.blogspot.com/
Rebecca Fuller  http://www.flickr.com/photos/rfullerrd/
Erika Sequeira http://misterafternoon.tumblr.com/
Dylan Evans  http://sakiwaki.tumblr.com/

Arturo Vega by Curt Hoppe (photo © courtesy of the curator)


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Images of the Week 05.06.12


Our weekly interview with the street, this week featuring AIPOTV, Dain, Jaye Moon, JR, Miyok, Rae, Sanpaku, Tate & Modern, Tazz, Tripel, Willow and Wing.

Jaye Moon (photo © Jaime Rojo)

Jaye Moon (photo © Jaime Rojo)

Wing (photo © Jaime Rojo)

Wing (photo © Jaime Rojo)

Looks like RAE has been hanging out in Chinatown lately (photo © Jaime Rojo)

Willow experiments with ceramic tiles. (photo © Jaime Rojo)

Tripel (photo © Jaime Rojo)

Sanpaku. Look it up! Eye dare you. (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Tazz takes a crafty turn (photo © Jaime Rojo)

Tate & Modern in Manhattan. “Pardon us for noting, but the last vaguely interesting viral wheatpaste idea occurred in 2002”  (photo © Jaime Rojo)

Help us understand Gilbert and George! Tate & Modern (photo © Jaime Rojo)

AIPOTV (photo © Jaime Rojo)

Miyok (photo © Jaime Rojo)

JR (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Pandemic Gallery Presents: Klub7 “Klub7 Is Up To Something” (Brooklyn, NY)

KLUB7

KLUB7 ART COLLECTIVE

The Berlin, Germany based art collective KLUB7 is creating art on various surfaces, making murals, customizations and illustrations throughout the world. Together they developed a collective trademark style that combines the diverse backgrounds of the six members. KLUB7 has been around for more than 10 years. Born out of the graffiti scene in the east of Germany, this collective has undergone an amazing transformation. Since the group’s inception, all five men and its one female member have entered their 30s and developed a very diverse range of activities, that leaves the collective creation of graffiti art behind, although they have not completely renounced those roots. From the subculture of urban art to projects under legal conditions KLUB7 has progressively and continuously expanded its network. Alongside, Berlin as a melting pot and a centre for contemporary art has become their home – and it demands as much as it supports.
The fact that KLUB7 uses chalk, appear to be a tricky consequence on unfriendly experiences. Increased surveillance, fines and numerous campaigns against tagging and other media, including posters, stickers and stencils, have seen a real boom in developed countries. Official advertizing campaigns trying to avoid juristic debates or even punishment with using chalk spray. This should feel and look like rebellion without being subject to criminal charges. KLUB7 is motivated for other reasons in using chalk. They work on walls and the ground. First of all, this simple drawing and painting material is easy available and seems particularly fit for spontaneous artistic interactions. Most often, their activities involve children as well as the adult public in a sort of “jam session” that expands the view of graffiti art to an acceptable public act.
PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

 
Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe

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Images of the Week 04.29.12

It’s all hot chicks and fast space shuttles this week on BSA’s Images of the Week as Street Art duo Faile’s new surprise mini-show ties both themes together quite powerfully. In a sudden burst of sexy serendipity the streets have been popping up with Street Art depictions of poised and purty dames and Faile’s quickie opening Thursday night had some of the same ladies in their artworks, gazed upon by the real thing in attendance. As one of the Patricks talked about their new tiled project down the street and the reoccurring imagery of the Space Shuttle “Challenger” in their canvasses, we could not have imagined the throngs of New Yorkers running to the Hudson River the following morning to watch the real Space Shuttle Enterprise fly across our sky, piggy-backing a 747.

The shuttle “Enterprise” will be at the Air and Space Museum, most of these Faile pieces will go to happy homes, and with any luck we’ll all have these pretty women on the streets all summer.

All photos courtesy BSA’s own Jaime Rojo – also featuring work this week from Dain, Stikman, and Free Your Mind.

Faile (photo © Jaime Rojo)

Sincere Thanks to Hotel Wythe, Vice Magazine for their hospitality at the show.

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

The Space Shuttle “Enterprise” taking a ride over New York City on Friday. (photo © Jaime Rojo)

Faile’s work often has included recurring images, including this one of the space shuttle “Challenger” (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile’s arcade pieces from the Delux Fluxx show two years ago with BAST   (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Stikman (photo © Jaime Rojo)

Free Your Mind (photo © Jaime Rojo)

Free Your Mind (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

To read about Faile’s 104 N. 7th Project click here.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Faile “La Casa de los Azulejos” in Williamsburg

With a nod to collage, appropriation, and possibly the colonial era craft guilds of Mexico, Street Artists Faile just added a nice touch of talavera to the formerly tough turf of Williamsburg in North Brooklyn. With the façade of the house completed  just a few days ago by Patrick and Patrick and some helpers, the effect is contextual for the street it is on – and just understated enough for you to pass by without noting something different.

Faile (photo © Jaime Rojo)

With their hand made and custom designed tiles referencing their Faile vocabulary, pulp, pop, and their own temple in Portugal from 2010, the Street Art duo are further exploring a medium that bridges historical and public art also employed in recent years by Street Artists like Dain, Invader, Toynbee, OverUnder, Miss Van, and recently Willow, among others. With each tile individually pressed, painted, and fired, the impermanence associated with Street Art is tiled over by a full wall of unfailing inspiration.

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

Faile (photo © Jaime Rojo)

 Faile (photo © Jaime Rojo)

 

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Images of the Week: 04.08.12

Our weekly interview with the street, this week featuring Anarkia, Gaia, Sien, Stem, Tats Cru, Woebots, Velma from Scooby Doo and XAM.

Anarkia (photo @ Jaime Rojo)

Gaia (photo @ Jaime Rojo)

This version of Velma looks a little sexified. Mysterious. Artist Unknown (photo @ Jaime Rojo)

Tats Cru (photo @ Jaime Rojo)

Who’s your Daddy? Here is a brand new DNA testing truck coming soon to a corner near you. Tats Cru redefines the use of the taco truck in this work in progress for a commercial company…stay tuned. (photo @ Jaime Rojo)

How’s this for a tag? XAM. (photo @ Jaime Rojo)

The new right wing Republican slogan? Artist Unknown (photo @ Jaime Rojo)

Woebots (photo @ Jaime Rojo)

Sien and Stem (photo @ Jaime Rojo)

Artist Unknown (photo @ Jaime Rojo)

Artist Unknown (photo @ Jaime Rojo)

Untitled (photo @ Jaime Rojo)

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Mighty Tanaka Gallery Presents: H. VENG Smith and Gigi Chen “The Birds & The Bees” (Brooklyn, NY)

The Birds and the Bees

The Birds and The Bees

Featuring the artwork of Gigi Chen & H. Veng Smith

Spring is upon us early this year and with it brings longer days full of sun and warmth.  The nice weather ushers in our next show, The Birds and The Bees, featuring the aesthetically pleasing artwork of Gigi Chen and H. Veng Smith. Together, these two artists exemplify an exciting direction of oil painting, unlocking elements of love and pain through their individual techniques.

The Birds and The Bees

Featuring the artwork of Gigi Chen & H. Veng Smith

Spring is the season for growth and renewal and with it, people come together in joyous celebration.  Drunk off the familiar sensation of green grasses and blossoming flora, the world is alive and full of inspiration.  A romantic essence fills the air with an intoxicating blend of rejuvenating aromas that tempts the body and plays with the mind.  It is easy to lose oneself in the cacophony of reawakening, as senses are overloaded and forged into the memory.  Through the enchanted feelings resides a notion of self-discovery that enables reckless abandonment, which leads to a multitude of outcomes.  Mighty Tanaka is pleased to bring you our springtime show, The Birds and The Bees, featuring the fantastical artwork of Gigi Chen & H. Veng Smith.

The Birds and The Bees is a traditional metaphor for love, yet it also encompasses the sharp stinging pain of loss.  It is a constant reminder of balance and desire as well as the shock of reality.  As the warmth grows, so does the undergrowth and the tangle of vines and thorns, creating an ever-challenging terrain of hope and expectations to navigate.

Both Gigi Chen and H. Veng Smith utilize a host of inspiring techniques to create their individual work.  Both artists create their work from oil paint, yet their achieved outcome differs greatly.  As the days grow longer and the sun shines a little brighter, it’s the perfect setting for The Birds and The Bees to come out to play.

Mighty Tanaka

111 Front St., Suite 224

Brooklyn, NY 11201

Email: contact@mightytanaka.com

Phone: 718.596.8781

(F Train to York Street, A/C to High Street)

Hours:

Wednesday – Sunday, 12pm – 6:30pm

 

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Rusted Metal: Canvas and Collaborator on the Streets

Street Art is ephemeral. That, for the most part is true. Unless we consider the role that the Internet plays in the way most people experience it. Then it doesn’t seem ephemeral at all.

From the moment a piece of Street Art appears, its evolution begins. Transformed by the elements; rain, sun, the rusting and oxidation of metal, the fading of paper. If you become familiar with a piece on the street, you might see it daily on your way to work or school or the laundromat. Over time it matures, evolves, takes on new characteristics, and eventually disappears.

Today we look at metal and it’s collaborative behavior as art material, its personality, its natural qualities. Industrial lots, garbage bins, heavy old gates secured with chains and locks, scrap yards, untreated wood facades – they all provide a myriad of surfaces, textures, shapes that serve as canvas and collaborator. Over time you observe the aging process of a stencil on a metal plate, or a decaying wheat paste peeling off of it or rusting into it, masking it’s shape onto it. The collaboration of materials and elements can be one of the most beautiful experiences one encounters on the streets, even an enduring one.

Here are some pieces on metal for you to enjoy.

Revs (photo © Jaime Rojo)

Swoon (photo © Jaime Rojo)

Elbow Toe (photo © Jaime Rojo)

Elbow Toe (photo © Jaime Rojo)

Kaws (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

See One (photo © Jaime Rojo)

See One (photo © Jaime Rojo)

The Dude Company (photo © Jaime Rojo)

Anera (photo © Jaime Rojo)

Jef Aerosol (photo © Jaime Rojo)

Jef Aerosol (photo © Jaime Rojo)

Skewville (photo © Jaime Rojo)

White Cocoa (photo © Jaime Rojo)

NohjColey (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

The 1% (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

Jolie Routine (photo © Jaime Rojo)

 

 

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Images of the Week: 03.18.12

Our weekly interview with the streets, this week featuring Buttless, Curly, Don’t Fret, Droid, ENO, Enzo & Nio, ENO, Eras, Keith Haring, Memo, ND’A, Nev1, Never, Pakpoom Silaphan, Radical!, Read, Sheepman, and Skewville.

Skewville IS NOT ON SALE but you could make him an offer he can’t refuse. (photo © Jaime Rojo)

Curly wants to know how much longer he has to toil…any answers? (photo © Jaime Rojo)

Radical and ND’A making a connection.  (photo © Jaime Rojo)

Punk wheat paste. Who is the artist? (photo © Jaime Rojo)

Never . Eras (photo © Jaime Rojo)

Sheepman (photo © Jaime Rojo)

Sheepman (photo © Jaime Rojo)

Nev 1 with girl in her panties. (photo © Jaime Rojo)

Enzo & Nio (photo © Jaime Rojo)

Droid . Read (photo © Jaime Rojo)

Buttless helped out Supreme with their ubiquitous yearly banal postering campaign, in much the same way that Faile assisted in 2009 with tiger heads over Lou Reeds’ face. Their big Kate Moss repetition irked a number of Street Artists again this time by mindlessly papering over the individual with the mass message. By the way, is smoking cigarettes the new heroin chic? (photo © Jaime Rojo)

MEMO (photo © Jaime Rojo)

MEMO (photo © Jaime Rojo)

Don’t Fret in Chicago (photo © Don’t Fret)

Pakpoom Silaphan did this portrait of Keith Haring on a vintage Pepsi sign spotted at one of the art fairs last weekend. Might this have been a calculated effort to ride on the success of the Keith Haring retrospective currently on view at the Brooklyn Museum? Maybe it is simply another expression of the well worn practice of re-appropriating pop culture, with Haring clearly now in icon territory. (photo © Jaime Rojo)

We listened for some ambient synthesizer music when this was discovered. ENO (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Pandemic Gallery Presents: “20” Stikman Celebrates 20 Years on The Street (Brooklyn, NY)

“20”


Pandemic Gallery Presents:

“20” a solo exhibition by Stikman

Opening Reception: Fri. March 16th 2012 • 7-11pm
show runs through April 6th

What more can be said about the mysterious artist known only as “Stikman” that hasn’t been uttered hundreds of times by passersby all over the city? His work is sneaky, incredibly thought provoking and uncommonly satisfying to come across, and if you have been living on the east coast or, well, basically anywhere in the states you no doubt have discovered it in some aspect. It could be in the form of 3D men made of small sticks to figures hidden in iconic imagery pasted to doors, or literally under your feet, smashed into the concrete. The range of mediums used and the calculated creativity given to each piece is overshadowed only by the sheer amount of work he has affixed to our cities surfaces. Tireless efforts aside, his stick formed character remains one of the most recognizable images in urban art culture. So, on that note we are proud and excited to announce the first solo exhibition of our favorite and New York’s most elusive street artist: Stikman.

from the artist:

It was the summer of 1992 that I deployed my first stikman in the East Village. In the early years the sticks were not painted, It took me much longer to make them at the time because I was always changing the way they were constructed. In the first year I don’t think I made more than 50 of them, they were between 5 and 6 inches tall and made of basswood. By 1996 I had started painting them and begun producing many more per year.

Once I started painting the 3-D stikmen I also started to paint stickers. Combining the 2 dimensional graphic element expanded my view of the ever changing stikman form, and the project took off in unforeseen directions. I was finding many different materials and processes with which to explore the realm of stikman.  Over the years I have affixed and painted the stikman on numerous LP record covers, prints, book pages, cut paper paste-ups, hollow core doors and a variety of metal, wood, cloth and plastic objects. Some of my favorite pieces include stenciling images on ping pong balls, bricks, tiny slide viewers, and playing cards. And of course there were always little wooden men made of sticks.

My pieces start their lives as static objects, but they come to life when I place them in a public place where they are subject to the forces of time, interactions with humans and climate. I share this transient form of art to connect with a viewer whom I will never meet, in hopes that the joy of finding the unexpected has altered their consciousness. It finds an indigenous space in our surroundings like a flower escaping from the crack in a sidewalk. Continuously altered by time and circumstance.

To celebrate twenty years of playing in the street with sticks I have created a special battalion of twenty figures to send out into the world with the hope that the friends of stikman will take him along on new journeys to places he has not yet been. I have also created twenty works on paper to commemorate the paper element associated with stikman.Ten of these are PAINTBLAST, which is a form of automatic painting that occurs when I paint the wood figures.

PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe

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Mighty Tanaka Presents: “Color & Motion” Featuring JMR and See One (Brooklyn, NY)

color and Motion

Color & Motion Opening Reception:

Friday, March 16th

6pm – 9pm

(show runs until April 6th)

(F Train to York Street, A/C Train to High Street)

Worlds are created, destroyed and manipulated with a single stroke of the brush.  Through the swirling movement and radiant bursts exists an abstract landscape of hostile environments intertwined with gentle allure.  A semblance of paths and trails carved through the terrain, guides the eye through a visual exposé of mutually complimenting color tones and textures, further descending into the heart of the painting.  Mighty Tanaka is happy to present our next show, Color & Motion, featuring the explosive abstract work of JMR & See One.  Together, they explore the bounds of abstract art and intend to move beyond the barriers.

Color & Motion is an all-encompassing journey of expression that highlights a strong pallet and maintains a constant flow.  Through the line work of JMR or the color shards of See One, both artists influence the movement of the eye with their chosen techniques.  The work lends itself to a variety of interpretations that exist in the eye of the beholder.

Both artists utilize the very idea of Color & Motion within the overall approach, choosing to create work with acrylic paint as well as incorporating collage elements.  JMR and See One, while similar in approach, both execute their work in unique and mesmerizing ways that invites the viewer to look a little closer.

 

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