Brooklyn
Crest Arts Presents: 3rd. Annual Pumpkin Carving Contest. (Brooklyn, NYC)
For rules and more details click below:
Urban Folk Art Gallery Presents: “It’s Alive 2” The work of Mark Bode,Dr. Revolt and Stan 153. (Brooklyn, NYC)
Urban Folk Art® Studios is proud to re- present the work of Mark Bode, Dr.Revolt, and Stan 153. The first ‘It’s Alive ‘ Show in March of 2010 was the 2nd gallery opening UFA® studios presented, and has stood as the most well received. The show will include new works from Dr. Revolt, Mark Bode, Stan 153. Lets recap if anyone hasn’t been doing their graffiti history homework, Dr Revolt is one of the founding members of The Rolling Thunder Writers (RTW) and is infamous for taking over the 1 subway line with his signature graffiti style (and creator of the ‘Yo MTV Raps’ logo). Stan 153, who got his start on the corner of 153rd Street and Eight Avenue defined the landscape of Harlem in the dawn of graffiti history, the 1970’s. He has been documented in The Faith of Graffiti by Norman Mailer. Mark Bode, son of the legendary comic book artist Vaughn Bode, has developed a worldwide following for taking his family legacy and applying it to the comic and tattoo industries, and has currently been showing art, painting murals (tributes to his own and his father’s notorious comic characters such as Cheech Wizard), and keeping his bloodline’s legacy alive worldwide.
The show opens Oct 19th and will be up Through Nov 19th. Urban Folk Art® Gallery is located at 101 Smith Street in South Brooklyn
About Urban Folk Art®
Urban Folk Art® Gallery is the latest physical manifestation of Urban Folk Art® Studios. Founded in ’91, UFA® is an artist collective based out of South Brooklyn working in any mediums, avenues and aspects of creating art. The collective is a mutually supportive effort to expose artists of many disciplines and levels of experience including undiscovered, emerging and established. From painting, illustration, comic book art, Legendary graffiti art, photography and more, UFA® exhibits a wide variety of mediums.The merchandising aspect represents the continual branding of Brooklyn Tattoo®, the Urban Folk Art® t-shirt line, and other such merchandise created by the members of UFA, BKT2 and affordable art by all the artists who show in the gallery.
Urban Folk Art® Studios
101 Smith Street
Brooklyn N.Y.
11201
(718)6431610
BEAM at The Knitting Factory. A Day and Nigth of Music and Live Painting. Including Inkie and Nick Walker. (Brooklyn, NYC)
MOSS Graffiti in DUMBO
Looks awfully familiar, but it’s not Mosstika
Mexican artist Hugo Rojas participated in this year’s DUMBO ArtsFest and created a series of installations inspired by animals in the wild of New York State. “This piece aims to revive the real New Yorkers, creating live visuals of the animals that lived in this area for centuries, in the form of moss graffiti,” says the description on the festival site. It also says “he has been exploring photography, video and street art as a means of intervention”.
Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
The Spanish moss illustrations are up on the exterior walls of Galapagos Art Space, and at first many Street Art watchers mistook them as work the eco-minded Brooklyn collective MOSSTIKA. Much the same as Mosstika, Mr. Rojas art work involves sheets of real moss and features animal shapes, including some of the exact same animals like deer and moose, although these versions are more detailed, most likely because they were installed as part of a proscribed program.
Hugo Rojas. DUMBO ArtsFest 2012. Here’s a deer by Mosstika. (photo © Jaime Rojo)
Here’s a similar piece as silhouette by Mosstika in 2009. Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
Hugo Rojas. DUMBO ArtsFest 2012. (photo © Jaime Rojo)
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Mighty Tanaka Gallery Presents: Jon Breiner “Sooner or Later We All Make The Little Flowers Grow” (Brooklyn, NYC)
Mighty Tanaka presents:
Sooner or Later…We All Make The Little Flowers Grow
A solo show by John Breiner
Life, death and rebirth, the constant cycle of existence. Yet, the turbulence of a shifting dynamic on the planet has caused a major disruption in the natural order of things. In this modern age, the Earth’s climate is increasing, causing certain aspects of flora and fauna to gain a foothold on developed land and take advantage of recouping expanses of once settled areas within the great American landscape. Through chaotic economic conditions and unforeseen disasters, devastating setbacks have allowed once expelled elements to creep back into the neglected expanses, reaping havoc on our forgotten structures. This encroachment of the wild upon once settled habitat symbolizes mans weakening grip on world. Mighty Tanaka is excited to bring you our next solo show, Sooner or Later…We All Make The Little Flowers Grow, featuring the thought provoking artwork of John Breiner. His juxtaposing views of the planets continual reclamation exemplifies the significant impact of our actions within an ever changing terrain.
Sooner or Later…We All Make The Little Flowers Grow suggests that humans have become an invasive species as the population has been growing with rapid acceleration. The natural world responds by enacting new systems to rapidly break down buildings and infrastucture. John Breiner references this to symbolize the decomposition of society and the spread of positivity to overcome all obstacles.
John Breiner uses a mixed media approach to his work that includes elements of photo transfer, acrylic paint, spray paint and illustration upon found books and old sheets of paper. Through his beautiful interpretations, the work comes to life, inviting the viewer to visit to take a step closer and unravel the contrasting enigma.
OPENING RECEPTION:
Friday, October 12th, 2012
6:00PM – 9:00PM
(Show closes November 2nd, 2012)
111 Front St., Suite 224
Brooklyn, NY 11201
Office: 718.596.8781
Email: contact@mightytanaka.com
Web: http://www.mightytanaka.com
Low Brow Artique Presents: Dickchicken “The Penis Mightier Than The Sword” (Brooklyn, NYC)
Low Brow Artique presents their first solo exhibition, The Penis Mightier Than the Sword, featuring the work of Dickchicken. Returning from nearly a three-year hiatus for one last show, The Penis Mightier Than the Sword will represent a spectrum of the artist’s work, including a combination of new and previously unseen images. This body of work will be on display to the public from October 12th – November 3rd with an opening to the public October 12th from 7-10pm.
In his own words, Dickchicken says, “this thing started as a joke. I was attempting to have fun. So I continued doing it until it was no longer fun[ny]. The graffiti community in NYC is full of high school style drama. When that crept into this idea it ruined it. So I made the call to cut it off. Now and again certain opportunities arise. If I think they are worth the time and effort I participate. This is one of those. So here we are, many years later and many experiences have come and gone. This idea persists. You don’t have to like it. You don’t have to hate it. Use whatever energy you have and create something better. “
At the height of this fame, Dickchicken created a series of faux-magazine covers as large panel pieces. Since imaging his Vanity Fair debut, these pieces have been placed into storage. In addition to these previously unseen images Dickchicken will unveil a series of self-portraits with religious figures including the Virgin Mary and L. Ron Hubbard. By inserting himself into Renaissance style religious portraits and glossy covers, Dickchicken’s comprehensive body of work inserts his tongue-in-cheek humor into the historical canon of art history.
Dumbo Arts Festival 2012 (Brooklyn, NYC)
Codex Dynamic. Curated by Leo Kuelbs and John Ensor Parker. Video artworks by Gary Hill, Yi Zhou, and Marina Zurkow. (photo courtesy of The Festival)
Sneak Peeks from Geometricks
The show’s up and the bubbly is waiting for the iceman to cometh and of course we hope you’ll be rolling through as Hellbent curates our first “Vandals or Visionaries” show, entitled GEOMETRICKS.
Tricks are for kids, and for Olek, who has reserved one of her raunchy text messages for you to discover crocheted into her sculpture, and for Overunder, who is hanging his free wheeling story-telling metaphors with pattern overlays on large sheets of draftsman paper. It’s also tricky to make your eyes focus through multiple abstractions, line plays, blinding colors, and rippling patterns that jump off at you as you walk through the gallery space.
Augustine Kofie. Detail. (photo © Jaime Rojo)
All of these artists have been bringing it to the streets, and all come at it from different perspectives. See One developed his through the NYC graffiti scene, Augustine Kofie evolved his draftsman approach out of his days as a writer in LA during the 90s, and Jaye Moon is a fine artist from Korea who’s had a gallery career before she started taking Legos to the streets. But when you see it all together, you realize there is one new language in formation in the Street Art AND Graffiti scene.
Augustine Kofie. Detail. (photo © Jaime Rojo)
“Art from the streets has been heralding a new eye-popping geometric disorder that can now fairly be called a movement.
With roots in recent art history and the rhythms of the street, artists are giving themselves over to pungent color, pattern, grid inspired line, and a sharp edged abstraction. No one can say what has moved the conversation toward this aesthetic — it all mimics the repetitive patterns that are found in nature as well as the cool symmetries programmed by human industry. These modern alchemists from across the globe are somehow pumping the Street Art scene with an oxygen-rich supply of lifeblood and a variety of possible directions to explore.” ~ from Color, Geometry and Pattern on the Streets, our recent piece on the Huffington Post.
Overunder. Detail. (photo © Jaime Rojo)
Overunder. Detail. (photo © Jaime Rojo)
Olek. Detail. (photo © Jaime Rojo)
Maya Hayuk. Detail. (photo © Jaime Rojo)
Jaye Moon. Detail. (photo © Jaime Rojo)
Jaye Moon. Detail. (photo © Jaime Rojo)
Feral Child. Detail. (photo © Jaime Rojo)
Drew Tyndell. Detail. (photo © Jaime Rojo)
Chor Boogie. Detail. (photo © Jaime Rojo)
MOMO. Detail. (photo © Jaime Rojo)
See One. Detail. (photo © Jaime Rojo)
See the GEOMETRICKS Facebook Page
Download PDF of Flyer and Invite here.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Mishka Presents: Ricky Powell “Back in BK” (Brooklyn, NYC)
Get Back In BK With Ricky Powell This Friday
Hope you got a taste for a nice icy Frozade, because we’ve got a hell of a photo show coming to 350 Broadway this Friday: the one and only Ricky Powell, designated visual cataloguer of New York City’s hip-hop history, will be bringing a selection of his work to the store in a collection entitled Back In BK. Never more than a lens away from the heart of NYC’s street scene since the 1980s, Powell captures the vibrancy of this city and its music, whether its through pictures of stars like The Beastie Boys and Run DMC or citizens rambling through the village.
Back in BK will show off work from his entire career, a portal into a New York long past and a window the one that still thrives just outside your door. As usual, we’re throwing a party to celebrate the opening night, and I have to imagine that Mr. Powell will be bringing out quite the crew. So be sure to come by 350 Broadway this Friday night. Come back to BK. You know you want to.
Friday September 21st, 2012, 7-10PM
Мишка NYC
350 Broadway
Brooklyn, NY
J/M/Z to Marcy
L to Lorimer
G to Broadway
Low Brow Artique Presents: “Just My Type” A Group Exhibition. (Brooklyn, NYC)
Low Brow Artique is proud to present Just My Type, which brings together four artists in a contrast of the various uses of typography. For this show, the gallery presents the work of Dirty Bandits, Gilf!, ND’A and QRST. The exhibition will be open to the public from September 14th to October 7th, with an opening reception on September 14th from 7 to 10pm.
Both being knowledgeable sign painters, ND’A and Dirty Bandits employ similar techniques when using typography in their art. Creating signs for different occasions, the Dirty Bandits employs humor combined with exceptional letterforms. Through creating series themed around such things as ex-boyfriends and pickup lines, the artist pairs intricate and feminine type-work with a good amount of hilarity in each sign. In a similar vein, ND’A uses pop culture references and cartoon-like visuals to grab viewers’ attention as well as give them a good laugh. Known for his love of 1950’s music and comics as well as contemporary rap, the artist provides a wide range of visual and textual influences for his viewers.
In addition to providing humor, typography can also be used to convey a serious set of ideologies or beliefs. For QRST, the banners integrated into his pieces typically carry a simple message of his moniker. However, occasionally, the cynicism seen in his portraiture paintings comes across through in these spaces. Using source material such as biblical quotations, the artist wants the viewer to see the world his way, with a dark, cynical bent. Carrying a similarly serious tone, Gilf! uses text to confront inequalities and promote change within society. Often, the artist subverts the manner in which viewers are traditionally accustomed to reading in order to garner their attention further. Whether it is forming the words into an eye chart or arranging them in an otherwise unusual form, issues such as equality and women’s rights remain the focal point of her pieces.
With work ranging from the self-conscious to the socially conscious, Just My Type represents the spectrum of concepts that words can be used to convey. Accompanying these ideas are a wide range of typographical styles whose details are just as intricate as the thoughts behind them.
NohJColey New Images and Video From “In The Midst of Living”
NohJColey has been working studiously for 10 or 12 hours a day in his kitchen all summer. And his dining room. And his living room. Chain smoking hand rollies and cranking up the Thelonius Monk, pacing and staring and drawing and hand coloring and constructing. He is telling stories again and it will be up to you to interpret them at his first solo show, “In the Midst of Living”.
NohJ studies and presents the personal and the social throughout his work on the street and here also in the gallery. The webs of connective tissues that create a sense of equilibrium to seemingly disparate elements in the storytelling are metaphorical and visually (sometimes structurally) functional devices. Portraits of faces full of expression are anchors in a small universe of rotating objects, each signifiers of greater interrelated subplots and story lines.
NohJColey. Detail (photo © Jaime Rojo)
A graff writer turned street oracle, NohJ offers a continuous commentary and societal analysis of behaviors and stations of the actors he observes on the path, often with indictment or praise gently posited within. One of the new players on the scene in the late 2000s that produced highly personal time intensive one-off pieces that tell stories, NohJColey has presented work on the street that is always deeply personal and complex, open evidence of his thought processes. Hidden in plain sight, the significance of these symbols are usually known only to him. As wheatpastes and linocut prints turned to sculpture and interactivity, each turn in turn has been revelatory. This show’s revelation is the finer tuning, the clarification of line and confidence in a style that has been highly individual from the beginning.
NohJColey. Detail (photo © Jaime Rojo)
Like cave writers and muralists, these are the symbols that tell a complete story, each element carefully selected and placed with the sensibility of a rapid fire montage video caught in freeze frame. Like a therapist or sociologist inferring the nature of relationships by analyzing body language in a family photograph, NohJ is observing carefully and presenting. Open mouth surprise and glee, shock, animated hands, eyes, electronics, personal objects, possessions, gestures and stances all matter to these stories. With themes that touch on lifestyle, entitlement, personal politics, societal status and station, ignorance, poverty, privilege, poetry, disgust, adoration, and quite possibly longing – the stories are all here on display. If you have a minute to talk, NohJColey may give you greater context.
NohJColey. Detail (photo © Jaime Rojo)
NohJColey. Detail (photo © Jaime Rojo)
NohJColey. Detail (photo © Jaime Rojo)
NohJColey. Detail (photo © Jaime Rojo
NohJColey. Detail (photo © Jaime Rojo)
NohJColey. Detail (photo © Jaime Rojo)
NohJColey. Detail (photo © Jaime Rojo)
“In the Midst of Living” by filmmaker Christian Carroll (VIDEO)
“In The Midst Of Living” NohJColey Solo Show at Weldon Arts Gallery Opens this Friday. Click here for more information regarding this show.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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