London

Red Propeller Gallery Presents: Guy Denning: “Behemoth” (London, UK)

Guy Denning

Guy Denning "Behemoth"

Guy Denning "Behemoth"

GUY DENNING ‘BEHEMOTH’ SHOW HOTTING UP

Serious momentum is building in anticipation of the long awaited Guy Denning ‘Behemoth’ show at The Gallery in The Crypt , St Martin in The Fields in Trafalgar Square, London, opening 3rd September.

With an interview in ‘The Independent’ last week – Click here to read Guy Denning interview in ‘The Independent’ it looks like Guy Denning is getting the recognition that he truly deserves – a great affirmation that Red Propeller and all who sail on her know great talent when they see it!

A beautiful new TRXTR print is on site this week ‘War Rugs Don’t Fly’ check it out now Click here to see new TRXTR print

Keep an eye on our blog for future developments and breaking news – get insight into and the true story behind TRXTR’s print this week and see Angel 41 as never seen before!
VISIT OUR BLOG

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Lazarides Gallery Presents: Bäst “Botulism” (London. Rathbone Place)

Bast: “Botulism”

Bast "Read My Lips" Image Courtesy of the Gallery

Bast "Read My Lips" Image Courtesy of the Gallery

Lazarides is delighted to announce Botulism, the first solo exhibition of Brooklyn’s infamous collagist Bäst at the Rathbone Gallery. Bäst will present a collection of new works, developing past preoccupations in an exciting new direction.

Bäst’s work is inspired by the early punk flyers of London and New York, playing with a variety of 21st Century icons and appropriating imagery from a variety of media. From advertising to comic book characters, Bäst subverts the familiar and recognisable into distorted counterparts. His collages, wheat-pasted posters and paintings morph Mickey Mouse, Pinocchio and Papa Smurf into multi-eyed sexually charged portraits of their former selves. Food packaging, 50’s newspaper clippings and brand logo’s all feature as the backdrop to his vibrant, brilliantly coloured works.

Whether appearing in the doorways of downtown New York or on the walls of a gallery, Bäst’s graphic language translates into prints, paintings, collages and mixed media sculptures. His latest acrylic paintings on wood have developed the colourful repetitive patterns so often present in his collages. For Botulism expect myriad unprecedented works with that classic Bäst flavour.

Bäst recently exhibited with longtime collaborators Faile in the Greek Street gallery space, the acclaimed Deluxx Fluxx Arcade showcasing a groundbreaking display of customised arcade games pasted with a collage of the artists’ unique imagery and paired with tunes composed by post-punk art rock band Les Savy Fav.

Lazarides Rathbone is open Tuesday to Saturday, 11am – 7pm. pm. Admission is free. For more information visit www.lazinc.com

Bast "Pork Pie" Image Courtesy of the Gallery

Bast "Pork Pie" Image Courtesy of the Gallery

Bäst

Bäst has been an intricate part of the street art scene for the past 10 years throughout New York and Europe gaining cult status and recognition from fellow street artists. Hailing from Brooklyn, Bäst is an elusive character whose work centralizes around the art of collage.

Little is known of his work outside of what the public sees throughout New York’s urban environment but since 2003 his work has evolved and been exhibited in various exhibitions: Faile Bast Deluxx Fluxx Arcade at Lazarides, London (2010), Graffiti at Galerie du Jour – Agnes B, Paris (2009), Beach Blanket Bingo at Jonathan LeVine Gallery, New York (2009), This is China at BLVD Gallery, Seattle (2008), Ridiculousnessofitallshow at New Image Art, Los Angeles (2005) and Fancy Faile and Bast at Galerie Neurotitan, Berlin (2003).

Apart from showing in Japan, LA, Colorado, New York, London, Paris and Berlin, he’s also released a limited edition book, Revolucion De Papel, the only publication to bring his many works on the streets of New York together.

www.bastny.com

Bast. Detail (Photo © Jaime Rojo)

Bast. Detail (Photo © Jaime Rojo)

brooklyn-street-art-bast-lazarides-gallery-web

Bäst: Botulism

Lazarides Rathbone, 11 Rathbone Place, London, W1T 1HR
20 August – 1 October 2010
Preview: Thursday 19 August 6-9pm

Lazarides

Working outside conventional practice and the contemporary art system, Lazarides welcomes a broad audience to an extensive exhibition programme, off-site projects and online exhibitions and collectives. Lazarides supports and develops the work of a group of artists who collectively, defy categorization.

Founded in 2006 by Steve Lazarides, Lazarides represents some of the most exciting and innovative artists working today including Antony Micallef, David Choe, JR, Vhils, Faile, Jonathan Yeo, Charlie Isoe, Conor Harrington, Ian Francis, Stanley Donwood, 3D, Invader, Kelsey Brookes, Mode 2, Todd James /Reas, Blu, Paul Insect and BAST.

The exhibition programme runs across spaces in London and Newcastle: Lazarides Rathbone, presents seven solo and group exhibitions each year, while The Dungeon on Greek Street, Soho and The Kitchen in Newcastle provide a platform for emerging talent and experimental projects by Lazarides artists.

Recently launched in July 2010, THE OUTSIDERS will become the home of publications, limited edition prints and collectable artistic ephemera as well as smaller presentations and screenings. Incorporating the online shop and the spaces on Greek Street and in Newcastle, THE OUTSIDERS will continue to welcome over ten thousand visitors annually and provide a one-stop-shop for all things outsider.

In addition to their extensive programme, Lazarides has also presented numerous exhibitions outside the UK most notably Banksy’s Barely Legal in Los Angeles (2006), Antony Micallef’s Impure Idols in Los Angeles (2007) and The Outsiders group show, New York (2008) along with the current successful 4-month exhibition programme in Beverley Hills showcasing a variety of group and solo exhibitions including the talents of David Choe, JR, Vhils, Conor Harrington, and Jonathan Yeo.

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Specter in London: Subtle Urban Camouflage

Specter is in London presiding over the opening of his solo show at Pure Evil Gallery on Thursday. That of course was not the only intent of his trip. Really what keeps Specter moving is a decrepit, decaying wall staring back right at him.

He is not all too keen on clean, smooth and pristine surfaces to place his street pieces. It is a challenge that he’s mastered. This is most evident in his work on the streets of New York. His hand tinted wheat pastes of people- often everyday workers or homeless or ordinary people are placed so perfectly that when you see them you think they were always a part of the wall or of the abandoned store front sign he uses as a backdrop/canvas.

The new exclusive images below are a perfect example of his art and placement- which goes beyond contextual to almost urban camouflage. What is it? Fabric painted on an old store front sign. The crimson folds against the old fading lettering makes the whole sign come back alive without making it look new. It stays the same: Old and abandoned and somehow romantic.

Now, if we could just figure out that “Faile” lettering…

Specter "Grant and Taylor"
Specter “Grant and Taylor” (photo © Sir Charles)

Specter. "Grant & Taylor". Deatail
Specter. “Grant & Taylor”. Detail (photo © Sir Charles)

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SNEAK PEEK: Specter Shows “Billy Bobby” at Pure Evil

Brooklyn-Based Specter Prepares For His Solo Show At Pure Evil Gallery

Street Artist Specter isn’t standing still and for the last sixteen months or so he has been running at top speed working on his gallery shows while at the same time doing what he wakes up for every morning: Creating art to install on the streets.

After a long trip to Russia where he spent several weeks speaking to art students, traveling, and beautifying some parts of the vast country with new pieces on the streets, he returned to Brooklyn where he wasted no time to work on three of his now iconic sculptures and put them on various locations around Brooklyn.  -All this while working on his new material for his Solo Show at Pure Evil Gallery in London tomorrow.

Here is a peek at what’s in store for the esteemed people of London: This one was just installed in gallery for Thursday’s show.

Specter. Billy Bobby. (Image Courtesy of the Gallery)
Specter. Billy Bobby. (Image Courtesy of the Gallery)

For more information about the show go here:

http://www.brooklynstreetart.com/theblog/?p=13087

To read our interview with Specter go here:

http://www.brooklynstreetart.com/theblog/?p=7362

To see Specter’s work in Russia go here:

http://www.brooklynstreetart.com/theblog/?p=10919

To see Specter’s new sculptures in Brooklyn go here:

http://www.brooklynstreetart.com/theblog/?p=12729

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Signal Gallery Presents: Armsrock Solo Show “Drawn Towards The Present” (London)

Armsrock

Armsrock Signal Gallery

Armsrock Signal Gallery

Drawn Towards the Present”

The exhibition consists of an installation made out of monumental charcoal drawings on rice paper. The imagery represented in the drawings is based on a collection of press-clippings, which have been reworked and juxtaposed to create a labyrinth of fragments from contemporary history, standing as a tragic prologue to our future hopes and fears.

For additional information please see attached flyer or go to:

www.armsrock.blogspot.com

Drawn Towards the Present”

3rd -19th of June. 2010.

Opening on the 3rd of June, 6-9 pm.

Signal Gallery

96a Curtain Road

London EC2A 3AA

UK


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LUDO in Brooklyn, Pretty Malevolence Growing on the Wall

LUDO in Brooklyn, Pretty Malevolence Growing on the Wall

Giant green flowers with closed circuit televisions instead of pistols, drone planes with insect legs, cacti that turn into syringes, a cabbage that features a hardened metal dome and 5 gun turrets – all in black and acid green, all surreal hybrids of natural beauty and man’s darker nature.

That’s what LUDO has been creating in Paris and London and Milan for three years or so as part of his “Nature’s Revenge” series of wheat-pastes. The marrying of these two worlds is jarring and uncomfortable, and that’s his point. He wants you to think about man’s march toward technologically more sophisticated ways of being inhuman, of our mindless oggling of the next shiny electronic bauble and our subsequent shameless allegiance to it.

Ludo

LUDO (photo © Jaime Rojo)

In a way, the nature/technology hybrids are not as futuristic as we may like to think – nanotechnology has been talking about flying insect sized cameras since the dawn of this century – and greater awareness of the precarious discoveries man is making and his inability to meet them may be a side effect of the series. Plumes of oil, anyone?

Ludo

LUDO (photo © Jaime Rojo)

Now in New York, LUDO is already making us think, and I’ve got to admit I’m thrilled. I like it when art makes me think, even if it is about things I don’t understand or am uncomfortable with. It’s kind of like cloud computing. Or James Dobson. Or blue cheese.

Ludo

LUDO (photo © Jaime Rojo)

BSA:  Did you ever see the movie called “Little Shop of Horrors” ?
LUDO: No.

BSA: Because it’s about a man-eating plant…
LUDO: No. I have to see it.

BSA: Okay, one down.  So it’s true that you studied sociology and graphic design. Do you see any connection between sociology and your street art?
LUDO: Yeah, certainly I am interested in people. I am interested in bringing a message to the street that can easily be understood.  Certainly street art is a bit of sociology. I mean you try to grab what you can from the society and incorporate it into your work and then take it back out to the streets with your personality in it.

Ludo

LUDO puts up a circuit-board butterfly (photo © Jaime Rojo)

BSA: So you are using your art to communicate with people on the street?
LUDO: Yes, actually I try to go out in Paris on Sunday during the day – and while I am putting work out sometimes people come to talk to me.  Just normal people who just want to ask me about the work.  It is good.  Okay, maybe it is a little for your ego, or a lot for your ego but then it for me a study.  I won’t doing any art so people will hate me, or to fight with me. I’m not interested in that.  It’s better to have them in a good mood.

BSA: Tuthfully, you also like to watch the reaction of people who see your work.
LUDO: Yes because they are interested in the fact that it’s a kind of a naïve subject; with a flower or birds but they like to get a little closer and see that there are guns – it’s nice, it’s interesting.

Ludo

LUDO (photo © Jaime Rojo)

BSA: Right so let’s talk about that ; Guns, violence, implied threats of violence, high technology – is it about fear?
LUDO: No, it’s more about everything that stupidly rules the world.  I mean guns, technology, humans, new gadgets – That is what I like to take and remix and give a message.

BSA: Do you have any animals at home?
LUDO: Yeah, an English Bulldog.

BSA: That’s it?
LUDO: No no, I don’t have any insects.  I do have a garden for food, and an aromatic garden (herb garden).

BSA: You’ve been doing the “Nature’s Revenge” series for about two years?
LUDO: Maybe like three.  This butterfly is a new one for me.  I try to go out maybe every time with a new piece. I’m not interested in always put up the same stuff. I try to see the spot and imagine the pieces.

Ludo

LUDO (photo © Jaime Rojo)

BSA: Why was this butterfly so difficult today?
LUDO: The wind! The paste too.  Usually the paste I use is really strong and with a big piece it sticks immediately.

BSA: You have done some gallery work, mostly group shows. When street artists transition from the street to the gallery, many artists change their work. When you think about street artists that go into the gallery, who do you like?
LUDO:
I am a big fan of Neckface. And I’ve always been really interested in how he works in the streets. And his gallery work is awesome; it is so strong; it’s thin lines, it’s clean, it’s perfect – even if the message continues to be so strong.  That is what I like. If someone who is a street artist does gallery work, I think it has to be different, it needs to reach a different level.

Ludo and Armsrock

LUDO and Armsrock (photo © Jaime Rojo)

BSA: So who are some of your favorite street artists right now?
LUDO: Yeah Neckface will always be. I love Bast.  I like also Sweet Toof.  Yeah so those are the three.

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Exclusive Pics of ROA’s Rooftop in Old Street, London

Brooklyn-Street-Art-WEB-ROA-TITLE-copyright-Sarah-Didry-London-37

In town for his smash solo show that opened this week at Pure Evil Gallery , street artist ROA flew to a nearby rooftop to install some sort of long-beaked bird. Thanks to eagle-eye photographer Sarah Didry, we can see the scene as it takes flight right now under sunny London skies.

Brooklyn-Street-Art-WEB-ROA-copyright-Sarah Didry-London-53

The next shots will be straight from the Pure Evil helicopter, which is currently in the English countryside taking Charley to a croquet game. Stay tuned!

images © Sarah Didry

>>>  < < > < > < > < > <<<  < <>>>>> <<< > > > > > > >> > < <

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ROA running Wild in the Abandoned Lots!! – Opens at Pure Evil Gallery Thursday

Sometimes you see a ROA piece and it looks like a real animal that might peel off the wall and come over and stomp on your head.  Or chomp off an ear. Chomp chomp chomp.

Our man Kriebel GETS THE STORY.

Kriebel! That’s his name; Our fearless videographer on the scene – Video shot like a wild animal itself has a camera strapped on it’s head, hurriedly and harriedly running through the jungle with un-glued urgency, freezing in place to stare at the giant-ish pig and huge pecking bird and many other creatures in the berserk brush-filled back lots of abandonment.

It is a bit long for my short attention span, and eventually the scariness of the bouncing video becomes more comic than creepy.  It’s wayyyyyyy beautiful.

Thanks to the fine and furry Charley Uzzell Edwards, accidental gallerist of PURE EVIL, who have somehow managed to coax ROA in for a show that starts Thursday.

Did I mention ROA’s coming to BROOKLYN NEXT MONTH?

Did I mention he’s doing a custom piece for the “Street Art New York” Silent Auction Benefit at Factory Fresh April 24th?

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> press release

ROA solo this week

The cities were once our pastures, fish once jumped from the rivers, storks once combed these streets. And that’s easy to forget — which is why the work of Graffiti artist ROA can be so powerful, existing in ruined, deserted industrial spaces of the city.

R O A

Solo Exhibition at Pure Evil Gallery 8th APRIL – 2nd MAY 2010

ROA’s eagerly anticipated UK solo debut opens in London this spring to exhibit his unique portrayal of large scale urban wildlife, disquietly cohabiting city streets, hand painted in his distinctive black and white style.

ROA started painting abandoned buildings and warehouses in the isolated industrial outskirts of his hometown – Ghent, Belgium. Fixating on the animals he found there; the wildlife became the central subject matter of his work, inspired by their clever ability to adapt into scavengers in order to survive. He used the dilapidated, coarse interiors and exteriors of the unyielding landscape as a canvas to portray his large-scale creatures.

Roa filled a vast abandoned warehouse complex of different chambers and exteriors with a menagerie of large-scale animals, creating an impressive spray painted zoo of city scavengers.

His obsession went global when he took to the streets of New York, London, Berlin, Warsaw and Paris, prolifically painting his trademark cross sectioned animals wherever he went, locating them where they naturally invade the main city streets with their quiet yet powerful presence.

Pure Evil Gallery is proud and extremely excited to present a new body of original artwork by ROA this spring, complete with street works in the local area. Look out for a new ROA city fox appearing on a street near you.

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