LA based Street Artists Septerhed and Destroy All Design like to work together on collaborative pieces around the city and recently completed this wall together, their two styles working in tandem. But what is more exciting is this video, actually.
Remember the early association of hip-hop music with graffiti in New York? This new video shot and edited by Carlos Gonzalez careens in the opposite direction – break dancing and hip bumping is replaced with fitful rage and fist pumping, with all the charm of a ransom note.
Under the watchful eye of a bow-tied statue and with the dramatically foreboding rumble and screech of guitars, the roadside video is tinged with putrid nighttime light and thrashing power chords sawing through the hurried splatter of wheat paste and brush. This is a take-no-prisoners approach to the warped wall while glaring traffic flies by; greedy handfuls of gothic glob is grabbed from the gutbucket and slammed across the surface, the swelling cacophony starting to take shape.
Also fun is the way the wheat paste is not merely an adhesive, but a medium for texture and expression. By the time the final shot of the piece stands still and guttural roar of our narrator invokes the image of “raining blood”, I needed to wash my hands. But for all the mechanized punch up and ferocity of blurry faced installing, the designed crispness of the material and subject matter tells you these monsters might live in an arcade or a basement rec room with a big screen, Dorito stained fingers, and a warm two liter soda bottle nearby within arms reach.
AD HOC ART – Welling Court Community Street Art Celebration Saturday (Queens)
AdHoc Arts returns to Queens this year to Welling Court where Street Artists and the locals mix it up with music, local and homemade food and artists painting live. Bring your camera and bring a plate of cookies too. Sharing is caring.
The project transforms several city blocks into a 24/7 street-level gallery, bringing art from around the world directly to the heart of this community. Renowned artists with deep roots in the street movement have created site-specific works for this project and many will showcase various creative sundries for your perusal. This new array of visual experiences provides fresh contexts for how people working, visiting, and living in this diverse cultural gem of Queens think about and interact with their environment.
Artists include: Alice Mizrachi, Alison Buxton, Beau Stanton, Bunnie Reiss, Caleb Neelon, Chris Mendoza, Chris Stain, Celso, Cern, Cey Adams, Chor Boogie, CR, Cycle, Dan Witz, Darkclouds, Don Leicht, Ellis Gallagher, Ezra Li Eismont, Free5, Garrison Buxton, Greg Lamarche, Jesse Jones, JMR, Joe Iurato, John Ahearn, John Fekner, Jordan Seiler, Katie Yamasaki, Lady Pink, Leon Reid, Matt Siren, Michael De Feo, Michael Fumero, MIMEO, Mr. Kiji, Neko, Nuria, OverUnder, Pablo Power, R. Nicholas Kuszyk, ROA, Ron English, Royce Bannon, Sinned, Sofia Maldonado, TooFly, Tristan Eaton, Veng RWK, Zam.
WHERE: 11-98 Welling Court {@ 30th Ave & 12th Street}, Astoria, Queens 11102
WHEN: Saturday, June 25th, 2011 from noon until 9pm.
Click on the link below for more information regarding this event:
Right across the street where they’ll be debuting a new piece with BSA in August for “Street Art Saved My Life: 39 New York Stories”, the Brooklyn Street Art Collective Faile is presenting this pop up print show this weekend in Venice, Los Angeles. Tonight at the opening they’ll release a new print too.
“The show will feature a variety of works on paper over the last 12 years. A broad range of new and old prints and original works on paper. There are a variety of new pieces and a few surprises made for the show, including a new collection of works entitled Vintage Book Covers highlighting classic pieces from over the years” – Faile
Worth Something Gold
Edition of 50
Acrylic and Hand Pressed Gold Foil on Coventry Rag 335 gsm
35.75in. x 29in. (90 x 73cm)
Signed, Stamped & Numbered
Faile 2011
Opening Reception: June 24, 2011 (7 – 10pm)
Exhibition Runs: June 24 – July 24, 2011
POST NO BILLS
1103 Abbot Kinney Blvd.
Venice Beach, CA 90291
310.399.2928
Click below for more information regarding this show:
One of the new clowns out there today is having a solo show of his fine art and some new interpretations of his Street Art funboys as well. With wit and a method to his absurdity, these new works give insight to the solid study he’s actually been doing for years.
Chicago at Pawn Works Gallery, Clown Soldier is “The Human Cannonball”
His new show in Paris at the Since-Upian Gallery is accompanied by some new work on the street – much of it inspired by Brooklyn streets. See brand new photos tomorrow on BSA.
Brooklynite Gallery welcomes the start of the summer with “Parlour” a sexy show Saturday Night. Also DJ Mayonaise Hands will be there with a camera and mike for insightful interviews and scintillating observations. Dress your rockinist cause you know the Bedstuy peeps are always in top form at this gem.
Miss Bugs. Detail of the new print “Eyes Glanced” (photo courtesy of the gallery)
“PARLOUR”
MISS BUGS
June 25 – JULY 16
Opening Night: Saturday, June 25, 7-10pm
MUSICAL GUEST: Hank Shocklee [Bomb Squad]
BROOKLYNTE 334 Malcom X BLVD
Brooklyn, NY 11233
Click on the link below for more information about this show:
Jon Burgerman Doodles on a Car in Brooklyn (VIDEO)
Last weekend for the CresFest and NorthSide Open Studios artist Jon Burgerman was invited by Brooklyn Street Art to paint on a car. We forgot to tell him to get dressed first. Little details like that escape him.
Video by µ-Ziq Theme by µ-Ziq.
K-Guy Print Release “Primate Pontificate”
London based artist K-Guy will be releasing a print on July 1st of his “Primate Pontificate” commentary on the state of affairs of the Catholic Church and their perceived hypocrisy on some relevant topics. He introduced this piece on the occasion of Pope Benedict XVI most recent visit to England last year and we found some of these same primates on the streets of NYC in the fall. Funny to see them get released as prints.
Speaking of Skewville, if you are in Brooklyn next weekend for Northside Open Studios and the Crest Fest 2011 and the Northside Music Festival be sure to see the brand new giant 100 foot Skewville wall unveiling in Williamsburg and come to the afterparty thrown by NOS, Crest and BSA in Greepoint. We’ll be sending out a big announcement about all the street artists involved this year (including some surprises) – so get on our newsletter and we’ll be sure to send you an invite. Great Street Art in Brooklyn!
This weekend is a perfect storm of shows that are opening on the East, West and points in between.
Up Close And Personal: RJ Curates Street Artists Into an Upper West Side Apartment (NYC)
In the intimacy of a private residence in the Manhattan suburbs of UWS, RJ Rushmore of Vandalog fame along with Keith Schweitzer and Mike Glatzer of newly minted M.A.N.Y. have mounted a fresh new open house show just off Broadway. An exquisitely curated show with marquee names and a few newbies the selection is solid in quality and unusual in it’s scale.
Troy Lovegates aka Other (image courtesy of the curators)
Participating artists include:
Aiko, Chris Stain, Clown Soldier, Don Leicht, Edible Genius, Elbowtoe, Gaia, How & Nosm, Jessica Angel, John Fekner, Know Hope, Logan Hicks, Mike Ballard, OverUnder, R. Robot, Radical, Retna, Skewville, Tristan Eaton, Troy Lovegates aka Other and White Cocoa.
Aiko’s cans are on proudly on display at the bachelor pad, and that’s not all (image courtesy of the curators)
Dates: May 12th– 15th, 2011
Times:
May 12th, 7 – 9pm
May 13th, 7 – 9pm
May 14th, noon – 9pm
May 15th, noon – 7pm
Note: Due to the limited exhibition space, people may be admitted in block times every half-hour.
Location: Apartment on the Upper West Side (217 West 106th Street, Apartment 1A, New York, NY 10025) – Between Broadway and Amsterdam Avenues.
Cost for entrance: Free
Go to Hellbent and John Breiner Tonight in Brooklyn (NYC)
Mighty Tanka is presenting a show with two Brooklyn based artists: Hellbent and John Breiner.
Mr. Hellbent says of the show: “The best part of making a show like this is to finally see it up on the wall and the way that everything interacts. I have been thinking of these pieces as parts of a quilt, different fabrics being stitched together. The different colors, floral stencils, animals, and jaw bones melding together and playing off one another, even down to the different depths and sizes of panels, but until it was hung they were just pieces, not yet a whole. Its given me an opportunity to show the different elements that i am working with and how they have grown out of one another and to display all the different carvings and stencils patterns together, where on the street they are separated in different locations.”
To learn more about “Smiled Distress” at Mighty Tanaka tonight please click on the link below:
Matt Siren and My Plastic Heart present “Ghost in the Machine” (NYC)
25 spirits in the material world have made tributes to Street Artist Matt Siren’s Ghost Girl character for this show on the Lower East Side tonight. The custom toy show transforms the character that appears in doorways around New York, each putting its own unique spin on his character.
The show includes work from 64Colors, Royce Bannon, Steve Chanks, Chauskoskis, DarkCloud, Deeker, Gril One, J*RYU, Jester, Keely, Abe Lincoln Jr., Map-Map, Marka27, Brent Nolasco, Lou Pimentel, Reactorss, Marc Reusser, Todd Robertson, Robots Will Kill, Chris Ryniak, Matt Siren, Scott Tolleson, Julie West, Wheelbarrow, Wrona
Click on the link below to learn more about this show:
Ghost in the Machine May 13th 2011 – June 12th 2011
Chicago Street Art Show Tonight (CHI)
Tonight the book “Chicago Street Art” is being released at the the Chicago Urban Art Society in conjunction with a show titled “The Chicago Street Art Show”
Brooklyn’s AD HOC has a New Puppy in Los Angeles (LA)
On the West Coast the dynamic duo and husband and wife Garrison and Allison Buxton have curated a group show “I have a dream, I have a nightmare: Friday the 13th” at The New Puppy Gallery opening this Friaday from 7:00 to 11:00 pm
Artists include: Alison Buxton, Beau Stanton, Bill Fick, Broken Crow, Bunnie Reiss, Chor Boogie, Chris Stain, CRASH, Dabs & Myla, Daryll Peirce, David Loewenstein, Don Leicht, Ezra Li Eismont, Garrison Buxton, Hellbent, Joe Iurato, John Breiner, John Carr, John Fekner, Jordan Seiler, Know Hope, Lady Pink, Michael De Feo, Mikal Hameed, Paul Booth, Peat Wollaeger, Ray Cross, Rex Dingler, ROA, Robert Steel, Sean Starwars, TheDirtyFabulous, & Thundercut.
WHERE:2808 Elm Street, Los Angeles, California 90065
English Kills Group Show Saturday, “The Mother Ship” (NYC)
Chris Harding, owner and ringmaster of the Bushwick Brooklyn-based space station English Kills brings out his strong stable of artists for this group show aptly titled “The Mother Ship” opening this Saturday at 7:00 pm. It’s not necessarily Street Art – but this is a hotbed of new ideas so it is always worth your trip.
Participating artists include:
Brent Owens, Andy Piedilato, Vilaykorn Sayaphet, Jim Herbert, David Pacheco, Hiroshi Shafer, Gyles Thompson, Sarah H. Paulson, Holly Faurot, Tescia Seufferlein, Peter Dobill, Steve Harding, Judith Supine, Lenny Reibstein, Andrew Ohanesian, Jason Peters, Don Pablo Pedro, Steven Thompson, Andrew Hurst and Rob Andrews.
English Kills is located at:
114 Forrest St. Ground Floor
Brooklyn, NY 11206
(718) 366-7323
Specter is a “Repeat Offender” 5/14 at Pawn Works in Chicago (CHI)
Brooklyn based artist Gabriel Specter’s solo show “Repeat Offender” opens this Saturday at the Pawn Works Gallery.
Opening Reception Saturday, May 14, 2011/ 6-10pm
PawnWorks
1050 N. Damen Ave.
Chicago, Illinois 60622
Ph: 312.841.3986
London Police in Denver, “Amsterydynasty”
In Denver Colorado Black Book Gallery brings back the glamour of the 80’s with The London Police and Handiedan in a show titled “Amsterydynasty”
Among the thousands of people who make up the graffiti community around the world, there are few names that carry the same legendary quality as SABER. Born in the Los Angeles suburb of Glendale, SABER was raised by creative parents and discovered his passion for art at an early age. At 13, his cousins introduced him to graffiti when they took him to see the spray paint-covered Belmont Tunnel. From that moment on, he was hooked. After honing his skills on local walls, SABER joined MSK, and was later inducted into legendary piecing crew AWR.
SABER was already a fixture in the Los Angeles graffiti scene by 1997 when he completed the largest graffiti piece ever created. His piece on the sloping cement bank of the Los Angeles River was nearly the size of a professional football field, and took 97 gallons of paint and 35 nights to complete. In a famous photograph—taken by his father just after it was finished—SABER stands on the piece and appears as a tiny speck amid a giant blaze of color. It catapulted SABER to legend status in the graffiti world.
SABER began exhibiting in his fine art in 2002. While known for his elegant and aggressive abstract letterforms, SABER’s artistic output has also included drippy, surreal cityscapes and his painstakingly rendered “new reality” canvases. SABER has also worked corporate projects with Hyundai, Scion, Boost Mobile, Roland Sands Design, Montana Paint Company, and Karmaloop. His monograph, SABER: MAD SOCIETY, complete with stories of his graffiti misadventures, was released by Gingko Press in 2007 and is now in its second printing.
In October 2010, SABER released a video in which the year’s heated debate about healthcare was spray painted over the American flag. While some saw it as desecration, SABER advocated for healthcare reform in the video, revealing that he had epilepsy and was un-insurable. This work led SABER to create a large group of American flag paintings called the Tarnished series.
In 2011 SABER’s artwork is featured in two museum exhibitions, “Street Cred” at the Pasadena Museum of California Art and “Art in the Streets” at MoCA Los Angeles.
“Hi-Graff” is an installation-based street art exhibition that explores the concept of Graffiti as a contemporary art movement…
The exhibition, which opens on May 7th 7-11pm, showcases graffiti in its most original form –collaborative murals applied directly to walls. Though LA has seen hundreds of street art exhibitions in the past 5 years, there has always existed a growing disconnect between the artwork shown in the gallery shows and what these street artists produce on the streets. “Forcing a street artist to produce canvas or panel works as the only way of showcasing in a fine art gallery seriously compromises the quality of work, and direction these artists are taking. We wanted to open up our walls to these artists so the final product will closely mimic the actual art production of these artists on the streets, in an in-door environment” (Curator Lee). This allows the audience to truly understand and juxtapose where their talents and aesthetic differences lie. For “Hi-Graff”, Hold Up Art has brought together over 20 street artists to produce 10 separate collaborative murals highlighting unique trends and styles in Graffiti.
The artists that were selected for “Hi-Graff” embody a range of styles and techniques, showcasing the varying stylistic directions taken by contemporary graffiti artists. As with any art movement, Graffiti has evolved much since it had truly taken a hold in Los Angeles back in the 80’s. According to Curator Brian Lee, “We are now entering into a high point, the embellishment period, in the artistic movement of Graffiti. Not only are we witnessing the rise of a third generation of graffiti writers, a generation that actively looks forwards as much as it does backwards, but the public perception and reception of graffiti has grown increasingly warmer. With the release and world wide success of the movie “Exit through the Gift Shop,” Museum retrospectives on Street art as a culture like at the MOCA, and the ever present force of street art designers like Shepard Fairey–designing for everyone and everything from album covers to billboards for the Grammys–street art has permeated into every facet of American youth culture” (Curator Lee).
“Hi-Graff” Details Opening May 7th, 7-11pm
On Display May 7th-June 2nd, 2011
In select neighborhoods of Los Angeles, certain street artists keep it local. You might see them in one neighborhood but not another, as the term “all-city” is not too important. Here’s a selection of pieces from the Arts District, Culver City, West Hollywood, Echo Park and Venice.
As we depart the City of Angels and the Devils go back to dirty old New York here are some images from the more organic and populist walls that exist in certain neighborhoods in every city. A Street Art pulse-taking, you can observe and assess the vitals of a community and some of the currents running through it just by observing these magnet walls that attract a cacophony of expression.
In the case of this block of walls, the Street Art is notable also for the high degree of political speech one can not find in “papers of record” on display for anyone who cares to see it or report on it. Whether it’s AIDS, censorship, or the military industrial complex, political speech has always been integral to the conversation on the street that these artists bring. With references to leaders like Julian Assange, Ronald Reagan, Ben Bernanke, and Nelson Mandela as well topics ranging from Abu Graib, FOX News, corporatized American Indians, and of course MOCA’s Jeffrey Dietch whitewashing the work of Italian Street Artist BLU’s wall, the LA Street Art scene is on fire with popular discontent and acidic criticism. With roots in people’s movements, seeing these displays from a great number of sources is actually a bit of a tribute to free speech and the city that permits its continuance.
The variety of styles and processes is pretty wide, ranging from large-run stickers and screen printed posters to hand stitched abstract geometry and penciled portraits, some exhibiting the New Guard that didn’t make it into the timeline at the museum show running this summer. Aside from the political, other themes include celebrity, video games, pop culture and simple illustrations and fascinations or daydreams. As usual, some of the freshest stuff is displayed in the gallery of the streets – uncurated, unpermissioned, unbought, unbossed, and – giving lie to the charge of street art as a simple marketing tool – many times it is unsigned. As today’s new street artists claim what they consider a birthright to circumvent the established system and take their work to the street, you’ll see an ongoing conversation that is full of life.
It’s been a hot week in Los Angeles for the Brooklyn set, this much warmth and sun consecutively is unsettling for cold northerners accustomed to six months of winter and unbearable cold. The hundreds of museum goers who are lined up to enter the MOCA “Art in the Streets” show this morning mark the end of official events over the last week as well as the private openings, events, and walls that popped up everywhere.
This weeks interview with the streets is largely an interview with Daniel Lahoda, an Angelino who has procured walls for visiting and local street artists in a few neighborhoods of the city since 2009. With no membership fee or admission, everyone is able to see the work of a whole lot of street artists where it was originated thanks to his organizational and diplomatic skills and his vision. We were very fortunate to receive a personal tour of the walls from Daniel over the course of a couple of days, including the gargantuan piece finished this week by Dabs & Myla with How & Nosm and the still fresh 42nd LA Free Wall as it was being completed by Street Artist Aiko. Since so many artists were in town for the general craziness, expect to see some new walls going up shortly that will thrill and delight.
So here’s this weeks interview with the street featuring Aiko, Augustine Kofie, CA, Carl Rauschenbach, Crayola, Dabs & Myla, David Flores, DFace, X, Herakut, How & Nosm, JR, Kid Zoom, M-City, Nomade, Philip Lumbang, Ripo, Roa, Saber, and Shepard Fairey.
Original remixes of these photographs in a range of media by Aeon, John Ahearn, Aiko, Bio, Nicer & B-Gee, Blade, Blanco, Mark Bode, Burning Candy, Victor Castillo, Cey, Cekis, Claw, Cosbe, Crash, Dabs & Myla, Anton van Dalen, Daze, Dearraindrop, Jane Dickson, Dr. Revolt, Shepard Fairey, Faust, Flying Fortress, Freedom, Fumakaka, Futura, Gaia, Grotesk, Logan Hicks, How & Nosm, LA II, Lady Pink, Anthony Lister, The London Police, Mare 139, Barry McGee, Nazza Stencil, Nunca, José Parlá, Quik, Lee Quinones, Kenny Scharf, Sharp, Skewville, Chris Stain, Subway Art History, Swoon, T-Kid, Terror161 and more.
Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232
April 9 – May 7, 2011
Opening Reception: Saturday, April 9, 6-8pm
For Immediate Release:
Carmichael Gallery is pleased to announce Martha Cooper: Remix, an expansive group show featuring highlights from Martha Cooper’s photographic archive and works by over 50 artists who have created their own unique interpretations of her iconic, historically significant imagery. There will be an opening reception for the exhibition on Saturday, April 9 from 6 to 8pm with Martha Cooper and several of the participating artists in attendance. The exhibition will run through May 7, 2011.
Martha Cooper, Photographer of Art on the Streets for Six Decades
Written by Steven P. Harrington, this article is featured in tasj vol ii – issue v.
The daughter of a Baltimore camera store owner, Martha Cooper’s romance with photography began in the 1940s when bobby-soxers and penny loafers were the sign of edgy youth culture. Her dad, an amateur photographer himself, gave his small girl a camera and together they hit the streets in search of adventure. “Yeah, my father used to take me out and we would take pictures. That’s what I thought photography was…we were just looking for pictures,” she recalls. Six decades later, Cooper is still looking for pictures; meanwhile, many works from her archive are cited as pivotal recordings of the birth of hip-hop culture and its plastic art form, graffiti.
During the cultural upheavals of the 1960s, Cooper earned a Bachelors of Art degree in Iowa, taught English for the Peace Corps in Thailand and rode a motorcycle from Bangkok to obtain a graduate degree at Oxford. As a freelancer and staff photographer in Japan, Maryland and Rhode Island in the early 1970s she moved to the media and art center of New York City to catch bigger fish. Landing a job on the staff of The New York Post in 1977, she discovered that the resistant and competitive boys club of photographers there were reluctant to countenance this scrappy young woman shooting hard news stories and Studio 54 celebrities.
Hungry for discovery, Cooper would spend her time to and from assignments in bombed-out neighborhoods, where she took pictures of kids entertaining themselves with games they devised on the street, often with the humblest of materials. It was during one of those trips that she stumbled on graffiti and the members of its community. She met a young boy who suggested she photograph the work she was seeing, then showed her a stylized drawing of his name, or piece, in his notebook.
Then he asked her if she wanted to meet “The King”.
Following this lead to Brooklyn, Cooper met Dondi, the citywide-famous graffiti writer who kept a published photo of hers in his black book because its background contained one of his graffiti throw-ups. Cooper quickly realized that she had stumbled into a lively street culture and became an avid student of the teen writers she befriended. By the time she took her last news picture for the New York Post in 1980, her primary desire was to capture as many pieces, tags, and trains as she possibly could find. Today, she remarks on her near-obsessive devotion to documenting New York’s graffiti: waking before dawn to hit the street, waiting five hours for a freshly painted #2 train to pass with the sun at her back and countless secret adventures with vandals in train yards, evading transit police in order to pursue a shot.
Joining efforts with fellow graffiti photographer, Henry Chalfant, Cooper proposed putting together a book of their documentation. The pair endured multiple rejections from publishers while lugging around a big “dummy” book with their pictures glued to the pages. Eventually, however, they landed a deal and Subway Art was published in 1984. Although not an immediate success, it came to sell half a million copies and established itself as a holy book for fans, aspiring artists and art historians worldwide. By the time the 25th anniversary edition was published in 2009, generations of graffiti and street artists had been influenced by it and the hip-hop culture Cooper and Chalfant had captured had gone global.
In the intervening years, Martha Cooper never stopped shooting. Her love of serendipity on the street and the exploration of cultures led her to publish thousands of photos in books such as R.I.P.: Memorial Wall Art, Hip Hop Files 1979-1984, We B*Girlz, Street Play, New York State of Mind, Tag Town, Going Postal, and Name Tagging. Her work has been exhibited in museums and galleries worldwide and published in numerous magazines including National Geographic, Natural History, and Vibe. While she is still shooting graffiti, street art and the occasional break dance competition today, Cooper’s current project involves documenting people and events in Sowebo, a drug-riddled neighborhood in her birthplace of Baltimore.
Steven P. Harrington is editor-in-chief of BrooklynStreetArt.com and co-author (with Jaime Rojo) of Brooklyn Street Art and Street Art New York, both by Prestel Publishing. He and Jaime Rojo are also contributing writers on street art for The Huffington Post.
About Carmichael Gallery:
Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.
For information on current, past and upcoming shows, visit www.carmichaelgallery.com. For additional information and press materials on this show, please contact the gallery at art@carmichaelgallery.com and
Los Angeles wasn’t built in a day, and either were these pieces by the LA Street Art collective known as Nomadé, who finished work this weekend with “Tertia”, a large scale Roman Warrior looking over his shoulder on a pristine white wall in downtown Los Angeles.
Only a couple of years ago Nomadé forged this common character who marches through the detritus of a sometimes crumbling modern Rome, XI torrid years into el siglo XXI. Now in preparation for their upcoming “Sniffin Glue” show at New Puppy they completed wall number IV for the LA Freewalls project on the corner of 7th and Mateo downtown.
Who better than Nomadé, Eddie Colla, ABCNT, and Cryptik to poke the MOCA institutional bear smack in the nose on April 16th with their new explosive show “Sniffin’ Glue.”
Armed with intense imagery and a collective history of street credibility, this fierce
foursome dare to not only provoke but stand in front of MOCA’s
institutional tank, refusing to allow Jeffery Deitch be the only street
art voice heard on this night.
“Sniffin’ Glue” is a collective display of power from four of the most
provocative west coast street artists – ABCNT, Nomadé, Cryptik and Eddie Colla.
It is a manifestation of a street art revolution that cannot be ignored.
The themes of their work span from power, peace, individualism to protest.
Fueled by revolution, ABCNT’s work pierces into the heart of our deepest political establishments. Cryptik’s art comes from a place of spirituality and his zen visual mastery.
Nomadé are the warriors of creation, not powered by weapons but by intensity and a powerful visceral style. The world of Eddie Colla captures the consciousness of the individual and the relationship to the ever-growing environmental challenges to conformity.
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Destroy all Design and Septerhed (photo © Carlos Gonzalez)
