Gallery

Ambush Gallery Presents: Project 5 Volume 4 (Sydney, Australia)

March 1, 2012 , , , , , , ,

Project 5

STREET ART ROCKS SYDNEY’S HISTORIC PRECINCT

Project Five – Volume Four

Award winning urban arts initviative, Project Five, gets a fresh look for its forth volume as organisers, aMBUSH Gallery an- nounce new presenting partners, Sydney Harbour Foreshore Au- thority (SHFA). Leading Street Artists Vexta, HAHA, E.L.K.. and Reka bring their art to life in the cobblestone streets of The Rocks Square, The Rocks across three days in March (opening night March 9 – 6-9pm, then continues 10 and 11 March – 12- 3pm) in collaboration with aMBUSH Gallery – who will auction the groundbreaking works on Thursday 22 March (6-9pm). All proceeds go to charitable arts and media organization Informa- tion and Cultural Exchange (ICE).

This time around, Project Five (March 1-25) is set to be bigger than ever with the launch of a new full month format that in- cludes a Retrospective Art Exhibition and Artists Talks. All events will be hosted within Sydney’s beautiful historic hub, The Rocks.

The wonderfully diverse collection of artists lured to Sydney
by Project Five offer a seriously formidable, watchable and col- lectable live group show. Project Five Volume Four welcomes the queen of street art Vexta; finalist in the 2011 Metro Gallery Art Award, E.L.K.. (Luke Cornish); in high demand, abstract sur- realist painter, REKA (James Reka); and HAHA (Regan Tamanui)

whose 10 year history of exhibiting adds punch to the line up.

Watch the artists as they draw, spray, paint and create to the sounds of the Future Classic Deejay’s who’ll be pumping beats live on the turntables for the Live Art Event.

aMBUSH Gallery’s Bill Dimas says, “Project Five is a great weekend to come and check out what street art is all about, and if you already know, then a chance to catch some of the Aussie artists leading the charge. Across three huge days we’re going to have some of Australia’s finest street artists bringing the vibrant colours and life of art to the beautiful, scenic and historically rich space The Rocks have to offer. With cranking tunes it will definitely be a weekend not to miss.”

Michael Cohen, SHFA’s Creative Producer says “The Foreshore Authority is delighted to be jumping on board with Project Five for its fourth outing and to bring it to The Rocks.

“There is a real momentum gathering around street art glob- ally and it’s getting a hold in Sydney. There is also a cultural surge happening in The Rocks at the moment, with a lot of SHFA creative initiatives, such as The Rocks Pop-Up. So it’s a natural marriage and we’re excited to support ICE and team up with the other partners.”

Project Five kicks off with the Retrospective Art Exhibition (1-25 March) giving new audiences the chance to take a look at past Project Five artists and their works, all on display at a pop up gallery at 47 George Street, The Rocks.

Audiences will get the chance to get up close and personal with the artists and their brand new works at the Artists Talks, a new addition to Project Five’s program. Jess Scully, Creative Director of Creative Sydney, part of the Vivid Sydney Festival, will lead the way as the four street artists talk through their new works and their style on Monday 12 March at 11:00 am at 47 George Street.

Project Five finishes off with the Auction Event on Thursday 22 March (6-9 pm at the foyer of Cleland Bond) led by Anne Phil- lips, head of art at Bay East Auctions.

You’ll have to wait and see what Vexta, E.L.K., James Reka and HAHA bring to the table. 100% of the proceeds will go to ICE, a charity helping disadvantaged kids in western Sydney access creative media and arts programs.

Project Five has raised over $40,000 for ICE over the previous three volumes and last year was the National Winner at the AbaF Awards winning the Australia Council Young and Emerg- ing Artists Award.

Lisa Torrance, Executive Director of ICE says “ICE’s involve- ment in Project Five has enabled us to engender some fresh creative aspirations within the communities we work with
by exposing emerging artists to new ways of expressing them- selves through street art.

“Couple this with the fact that Project Five injects vital funds into our projects and the recognition we received through an AbaF Award last year simply fuels our passion to keep building on the possibilities this wonderful initiative presents.”

Significant growth in Australia’s own street art movement both at home and abroad are further evidence of the rise of urban art. This year, Vexta, E.L.K., James Reka and HAHA are at the fore- front of the movement, and present an appealing investment opportunity for those with an eye for talent.

The Project is made possible by aMBUSH Gallery who have been exhibiting cutting edge street art for many years, and have significantly contributed to supporting new and emerg- ing local artists across Australia, and now The Rocks, who are using their resources to support Project Five as part of their investment in community and charity, and to engage visitors with something unexpected and fresh.

Where:

Retrospective Art Exhibition,

47 George Street (March 1-25, 2012)

Live Art Events The Rocks Square

(opening night Friday March 9 6-9PM – Saturday March 10 & Sunday March 11 12-3PM)

Artist Talks 47 George Street

(Monday March 12 11AM- 12pm)

Auction – invitation only

(Thursday March 22– 6-9 PM)

Free public event www.project5.com.au

aMBUSH Gallery – www.ambushgallery.com

Based in Waterloo Sydney, aMBUSH seeks to educate and en- gage new audiences with creative exhibitions and art projects. Presenting original works created by Australia’s established and emerging street and contemporary artists, aMBUSH live up to their name by surprising or ‘ambushing’ their audiences with innovative, experimental and non-traditional shows and art proj- ects, both in and out of the gallery. These carefully developed collaborations provide artists with a powerful commercial plat- form to reach a broad audience that includes buyers, investors, creative associations, corporations, media and the wider com- munity.

In October 2011, aMBUSH Gallery were awarded the nation- al Australia Council Young and Emerging Artists Award at the 2011 Australia Business Arts Foundation Awards in Perth for excellence in developing partnerships between corporations, artists and the wider community. In January 2012, the FBi Ra- dio SMACS awards named Outpost Project as Best Art Event for 2011, awarding the joint partnership of the Sydney Harbour Federation Trust and aMBUSH Gallery.

Project Five – www.project5.com.au

Project Five is a community arts initiative aimed at supporting the arts through pop-up live art, music and auction events. Proj- ect Five commissions four Australian contemporary street artists to produce four large-scale artworks at a three day live art event, which artworks are then auctioned to raise money for charity.

To date, Project Five has raised over $40,000.00 for its nomi- nated charity Information and Cultural Exchange (I.C.E.) and has featured some of Australia’s best creative talent such as An- thony Lister, Kid Zoom and Ben Frost. In 2011, Project Five was the National Winner at the AbaF Awards winning the Australia Council Young and Emerging Artists Award. Now in its Fourth Volume and with a new format to include an Art Exhibition and Artist Talks, Project Five is presented by aMBUSH Gallery and Sydney Harbour Foreshore Authority at Sydney’s iconic and his- toric venue The Rocks. Also produced and curated by aMBUSH, Project Five is supported by Bay East Auctions and Information and Cultural Exchange.

Information and Cultural Exchange (ICE) – www.ice.org.au/about/intro

ICE is a charitable community, arts and technology organisa- tion working at the frontier of digital arts to foster community creativity and empowerment in Australia’s most culturally diverse region- Western Sydney. We amplify artists’ and com- munity voices to build resilience, autonomy and infrastructure, and to enhance quality of life. ICE’s main activity is to develop programs that engage communities and cultural leaders us- ing creative practices and digital media.These programs are targeted to communities with specific needs, and focus on creative solutions to the challenges and issues they face. We are particularly known for our work in engaging, drawing out and supporting platforms that support the cultural expression and stories of culturally diverse and disadvantaged communi- ties. ICE’s programs build capacity and connections, provide

learning and participation pathways, and enable communities and artists to create and share their expressions, stories and experiences in platforms that provide them with a conduit to the world.

Sydney Harbour Foreshore Authority (SHFA) – http://www.shfa.nsw.gov.au/

The Rocks is fast becoming one of Sydney’s most creative hubs. As part of Art Month NSW, Sydney Harbour Foreshore Authority is proud to co-present the award-winning arts initia- tive, Project 5.Held over 25 days in March, Sydney Harbour Foreshore Authority and Ambush gallery invite the public, and the broader arts industry, to The Rocks to experience the Project Five retrospective Art Exhibition, artist talks, a live

art event and artwork charity auction. All funds raised will go to the Information & Cultural Exchange (ICE), a supporter of emerging creative artists in greater Western Sydney.

The Rocks has long been home to artists and designers. Today the heritage surrounds of indoor and outdoor spaces continues to provide an innovative backdrop to profile and celebrate Aus- tralia’s most recognisable and contemporary street artists; as well as to educate new audiences through stories of Australian artists and their positive contribution to our community.

Sydney Harbour Foreshore Authority owns and manages some of the State’s most significant assets, including Sydney’s heritage and cultural precincts at The Rocks and Darling Har- bour. With more than $1.2 billion in assets, and around 215 employees, the Foreshore Authority manages significant com- mercial and retail leases, provides security, cleaning, building maintenance and other facility management services, cares for the public domain and around 140 heritage items.

The Authority also operates tourism and marketing services and holds significant events in The Rocks and Darling Harbour each year. Between them, the precincts attract around 39 mil- lion visitors annually.

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Secret Project Robot and Brad Truax Present: “Hyper/Hypo” A Group Show (Brooklyn, NY)

February 28, 2012 , , , , ,

Hyper/Hypo

March 10th to 25th     

Brad Truax Presents:  HYPER/HYPO    

Opening Reception Saturday 3/10 8 to 11

WITH A PERFORMANCE BY: BUBBLES  

AND DJ’S ANIMAL COLLECTIVE 

 

In this month long installation and group show curator Brad Truax turns the lens onto the artist and asks them to explore themselves and the way in which they make art.  Are they-

HYPER overactive, active, energetic; busy, fidgety; excited, frantic,  frenetic,frenzied, adrenalized, feverish; or Hypo- low, under, beneath, down, below normal.

The exploration of the state of mind of the artist will give incite into their work offering a glimpse at the creative process and the aesthetic accomplishments and styles which develop out of these different emotional states… It will be interesting to see if the viewer’s expectations correlate to how the artists actually approach their work- which in turn puts the lens onto the viewer, asking them to gauge their assumptions about the way in which they look at art.

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Klughaus Gallery Presents: OBLVN “100 Paintings” (Manhattan, NY)

February 28, 2012 , , , , ,

OBLVN

AARON OBLVN “100 PAINTINGS”

MARCH 10—APRIL 1, 2012
OPENING: SATURDAY MARCH 10, 2012 FROM 6-10PM KLUGHAUS GALLERY
47 Monroe St. New York, NY 10002

Emerging Pacific Northwest artist OBLVN hand paints 100 exclusive illustrations in honor of New York City debut—New York, NY – Feb 27, 2012 – Klughaus Gallery is proud to announce the debut of “100 Paintings,” a solo exhibition of brand new, one-of-a-kind illustrated works by Portland, Oregon-based artist and cartoonist Aaron OBLVN. In honor of his first ever east coast show, OBLVN has been hard at work for months preparing one hundred illustrations exclusively for Klughaus; highlights of the character and cartoon-heavy exhibit include contemporary, tongue-in-cheek remixes of classic cartoon characters like ‘Felix The Cat’ as an art thief and ‘Dennis the Menace’ as a vandal, as well as many original works, from mischievous spray can characters to runaway inkwells.

Why one hundred works? “I’ve been drawing my whole life, but really focusing on this style for about three years now—but not on this scale,” says OBLVN. “I read once in a sign painting comic strip by [cartoonist] Justin Green that it takes about 100 hours of brushing before you finally get your lettering down,” says OBLVN of one of the motives behind sitting down to tackle the daunting task of creating one hundred pieces of art for a single show. “So I figured if I did 100 characters, I would definitely get some good practice in. I can tell from the first cartoons I started doing a few years ago that I’ve gotten better. It’s always great to see your own progress.”

In addition to breaking the gallery record for the highest number of works in a single show, the breadth and depth of OBLVN’s body of playful, accessible work makes “100 Paintings” a show with literally something for everyone. “I love cartoons,” he says of his trademark subject matter. “I’m picky, but I love a lot of styles. From Vaughn Bode, Basil Wolverton, Skip Williamson, Text Avery, Ralph Bakshi and John K to more contemporary artists like Barry McGee and Todd James.”

In this vein “100 Paintings” is both a one-of-a-kind body of work as well as a collective ode to the artists OBLVN emulates, and he is looking forward to piecing together his collection of puzzle pieces in New York City: “I’m really stoked on the work as a whole,” he says. “So much of my time is spent up close with the pieces, my face only a few inches from my brush and the ink that it’s sort of crazy to step back and see the work as a body. It’s pretty cool to see how much I cranked out. It’s so awesome that [the opening] is in NY, but seriously daunting. I’m excited.”

The opening for “100 Paintings” will take place Saturday, March 10th from 6-10 pm. Please RSVP to rsvp@klughaus.net.

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Whisper Gallery Presents: February Group Show (London, UK)

February 23, 2012 , , , , ,

Whisper Gallery

David Shillinglaw in Brooklyn in 2011. (photo © Jaime Rojo)

Exhibiting works on paper by our current gallery artists, including screenprints from established pioneer of British pop art Peter Blake, who combines vibrant images of Brit pop culture and fine art. Following in his footsteps is William Blanchard, distinctly influenced by the pop art movement whose works are a casually critical commentary about the modern world, seamlessly integrating commercial culture into simple ideas, subjective declarations, personal outlooks and feelings.

In a similar way, Pakpoom Silaphan takes symbols of commercial culture and corporate branding, transforming them into personal visual memoirs of his childhood upbringing. Originally from Thailand, Silaphan creates portraits of influential people using vintage foreign but recognisable advertising signs as his canvas. Taking Warhol’s elevation of everyday brands to high art, and combining it with his adoration of famous and influential historical figures, Silaphan highlights the power of advertising as a global dominator. Similarly, Russell Young’s vibrant portraits of iconic figures draw attention to the power of celebrity and media. Russell’s work is striking; using instantly recognisable images coupled with his own style and techniques, his pieces immediately resonate with his audience.

Also, showing their work for the first time at Whisper, David Shillinglaw and Remi Rough are two artists combining street and fine art in innovative ways. London based artist David Shillinglaw’s work moves between street and studio, small hand‐made books to paintings on canvas, and large scale wall murals. His work is a reflection of the civilised and monstrous side of human nature, and the day‐to‐day conversational poetry we use to demonstrate feelings and physical conditions. Friend and collaborator Remi Rough transcends the traditional and somewhat idealised vision of a graffiti writer, and creates work that simultaneously belongs on the streets and in the home or gallery without seeming out of context. Merging bold colours and modern abstraction with a clean, minimal style his work is a progressive example of urban art.

Far from bold and confrontational subject matter, Bruce French’s anonymous and faceless subjects express mass emotion through the simplest lines in oil, charcoal, pencil and print. Images of figures suspended in movement reflect the human form in its most simple and natural state.

Lyle Owerko is a New York‐based filmmaker and photographer, who has been collecting vintage boomboxes for years, resulting in an arresting and unexpected photoseries featuring these cult objects, giving life and personality to each one individually.

Finally, Whisper’s newest addition is Dutch artist LG White, who exhibits across a broad spectrum of artistic mediums. Her original drawings instantly highlight her remarkable talent as a skilled draughtsman. Beautifully detailed pencil on card depictions of imagined landscapes hang perfectly alongside strong photo etchings that portray the contemporary skull as an intricate and delicate icon.

27/28 Eastcastle Street London W1W 8DH Whisperfineart.com | +44 (0)20 7268 9851

STATIC is the creative output of two individuals who have been working as one since 2006. Their work combines elements of street art and fine art, merging a clean graphic style with stencils, spray paint, screen printing and paint brushes, to create unique pieces which have been exhibited on the streets of London as well as a number of international gallery spaces.

Whisper fine art

27/28 Eastcastle Street
London
W1W 8DH

Tel: 0207 268 9858
Email: ruth@whisperfineart.co.uk
or jake@whisperfineart.co.uk

Gallery Hours
10-6pm Monday – Friday
or by appointment

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QRST Studio Visit and Interview

QRST Studio Visit and Interview

February 23, 2012 , , , , , ,

The Brooklyn Artist Talks about Painting, Street Art, and Choking Chickens

You’ve seen his cats and dogs and birds and rats and people in wheat-pasted drawings and paintings on the street in Brooklyn the last couple of years, their big dark eyes staring plaintively at you, usually with some critters holding a banner overhead displaying his tag, QRST.

In a way, these are snapshots of his life, endowed with psychological drama and musings and universal or personal symbologies. Comedians and storytellers are always the most successful when they stick to the regular stuff that we all do and weave in the outlandish – just enough that it’s fantastic but not so much that it’s fantasy. QRST renders his characters without romance but maybe nostalgia,  their magnetic eyes drawing you past the still countenance, grounded enough to sort of convince a passerby of their realness, even though they can’t possibly be. These are his relatives, his friends, his loves, his memories melted with meandering.

In addition to his regular job he’s been painting on a heavy schedule lately so he can have his show ready for unveiling this Friday in Bushwick, Brooklyn at The Active Space. A visit to his studio reveals a spare, brightly lit quietly manic room with a laptop playing the Bush Tetras balanced on a stool and a careful collection of the tools of the trade – paint tubes, canvasses stacked on the floor against a wall, a small pile of pencil sketches, an easel with a painting of a chicken beating up a boy.

QRST (photo © Jaime Rojo)

“Yeah, it’s called ‘Formative Years,’” QRST says as he describes it’s origin, “My aunt and uncle had chickens and a giant rooster and when I was like two or three, one of them just mauled me. So it’s that story … but it’s also a lot about sex in like a generic, formative way. It’s a cockfight… he’s choking a chicken… So it’s kind of like a joke at my own expense because I’m getting my ass beat by a chicken but it’s also about figuring out masturbation and sex hangups and weird sex issues.

Brooklyn Street Art: It’s all “nested” in there.
QRST: Yeah, and it’s all inside of a childhood.

If it is a battle, the boy in the painting doesn’t look like he’s going down without a fight. His stuff on the street explores the past plainly, including the painful parts, like his serious re-examination of the influence in his life of his deceased father, called “Patron”, laden with symbols and signifiers. The work can be odd, and oddly sensitive to meaning and nuance as QRST is compelled to continually assess and think his way through the battles of life, peering at it from all angles.

QRST does a painting of his mom in a snowy park. “She didn’t know she was posing for it.” (photo © Jaime Rojo)

“I think a lot of my work is always autobiographical. It always seems to come from stuff that I’ve experienced or thought about or people or places that I’ve seen, or been in, or things I’ve experienced. I think a lot of it is that. These paintings are not obviously exact. They are little seeds of actual reality that have all this stuff piled around them that comes from my mind wandering. So the stories kind of become fantastical and weird and their own thing but they really do start from a seed of, ‘I was walking down this street and I saw this thing’ – or ‘I was with this guy on the Mississippi River’, or ‘my aunt and uncle have a hummingbird feeder,’” he explains.

Brooklyn Street Art: Aside from studying painting, in a lot of ways I can see that your work is therapeutic for you.
QRST: Absolutely. If I’m not painting regularly I go crazy basically. I get all super depressed and mean. And I’ve had people tell me “I can tell when you haven’t been making art because you’re and a**hole.” (laughs) I’m like “Great! Cool.” I’ve had more than one person tell me that. You can tell when I’m not painting enough. I get really distressed. It can be also be drawing but painting seems to be the best.

One of the 50 hand drawn sketches QRST will be giving away at his opening. ” I just like the idea that a stranger that doesn’t know me gets a thing that I made just because they showed up.” (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

For QRST the work he makes for the street is the fun stuff, the place where he can experiment and get a little looser. His painting teacher from his youth would have cringed at the idea of painting as being fun. “He yelled a lot but was a good teacher,” he remembers. “He used to yell ‘Painting is not fun! Painting is in the blood!’” On reflection, QRST agrees that painting is something more for him. “There is a certain truth to that. I mean, I need to do it and it’s immensely satisfying in a way that is not parallel to anything else in my life. But it’s not “fun”, ya know?”

QRST painted this portrait of his cousins after creating a version of them for the street.(photo © Jaime Rojo)

QRST. The wheat paste version tells stories of their youth in this painted version for the street. (photo © Jaime Rojo)

It may still be a little perplexing to the average person passing a particle boarded construction site to see one of his elaborately hand painted, wheat-pasted pieces. To think that he’ll spend forty to sixty hours on a street work that ultimately gets destroyed seems self-defeating but he has clearly delineated in his mind what work is meant to have permanence and what needs to stretch it’s legs and go talk to the city.

“The street stuff is really nice. It can get really stressful too but it feels less formal. It’s hard to describe but I can do whatever I want, and it’s just for kicks. I can figure stuff out real easily and put it out and it really doesn’t matter because it’ll be gone soon. It’s like doing studies or sketches or something,” he explains.

Brooklyn Street Art: It’s also maybe a safe way to experiment with an idea or technique?
QRST: Yeah, it is. It’s easy to be experimental because with oil paint there’s a way you are supposed to do it. I’ve thought about being more experimental on the canvas but then, it doesn’t feel right, at least not at the moment.

Of the studio work and the street work, he sees separate goals and lives. “They serve different purposes, they go in different places, they are supposed to function differently. Also with the street stuff – at the end of it it comes with the adrenaline rush of doing something very barely illegal,” he smiles.

Brooklyn Street Art: They need to walk out that door.
QRST: They do! They want to go outside.

QRST (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

QRST paints on three panels an homage to both his grandmothers in the gallery. In the family tree tradition his maternal Grandmother sits on the right while his paternal Grandmother sits on the left. The chair’s legs are represented by the roots of trees.  (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

Brooklyn Street Art: That’s something I associate with your work is the symbolism and metaphor, the additional layers of meanings that can go in multiple directions.

QRST: I spend a lot of time – I come up with the idea and its something that is sort of stuck in my head and then I start to flesh it out.  As I’m painting it, I end up thinking about it a lot obviously. All of the language and connection to it comes out as I’m working on it. I’m like “oh yeah!”.

QRST (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

QRST’s solo show “Dreaming Without Sleeping” opens Friday February 24 at The Active Space. Click here for further details.

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941 Geary Gallery Presents: NSM “Justified Scriptures” (San Francisco, CA)

February 22, 2012 , , , , ,

 

NSM

 

941 Geary is pleased to present the solo exhibition of Amsterdam-based artist, Niels Shoe Meulman (NSM), opening March 24, 2012 at 941 Geary. The new works of the show have been shaped by the wide variety of artistic paths NSM has traveled. The opening will be free and open to the public, and the show will run until April 21, 2012.

Before running his own design company, and later an advertising agency, NSM apprenticed with Anthon Beeke, a Dutch graphic designer considered at the top of his field. Through a classic master/pupil education NSM developed the required skillset needed to be a designer and typographer. This mastery of the mechanical aspects of design can be seen throughout the body of works comprising ‘Justified Scriptures.’ Each work, form the small to the large, demonstrates NSM’s superb sense of space and precision. NSM has said that that he draws inspired from television programs about nature and science, explaining in an interview, “Most laws of graphic design and graffiti are universal laws. Balance, continuity, those kinds of things. In a way nature is our only reference.” NSM’s new work brings a harmonious organization to chaos, with bold free-form strokes repeating themselves over and over until a pattern is formed.

The trained eye can decipher words written in NSM’s signature fusion of calligraffiti amidst the patterns in a few of the works, including in the huge (dimensions) linen canvas titled Unknown, though most of NSM’s latest work is a painting style which is self-described as “Abstract Expressionism with a calligraphic origin.” The intricate curves of NSM’s linework are derived from a long interest in the beauty of the written word, referencing an impressive range of forms, from Arabic calligraphy of sacred texts to the vertical writing of East Asian scripts to the richly illuminated manuscripts of medieval times. These influences are then dismantled into abstracted compositions, where the main focus seems to be the integration of natural forms and structured design.

‘Justified Scriptures’ can be seen as following in the footsteps left by the multitude of incredible Modernist painters, whereas famed art historian Clement Greenberg once noted, “The excitement of their art seems to lie most of all in its pure preoccupation with the invention and arrangement of spaces, surfaces, shapes, colors, etc., to the exclusion of whatever is not necessarily implicated in these factors.”

From the Artist:

“If these works remind you of mass graves, bookshelves, military parades, meditative exercises, blocks of text or people in general (all different but the same), then I’m happy.

I’m starting to abandon the idea of telling stories but acknowledge the beauty of communication. I don’t believe anything anymore and what’s left is language itself. That’s what this work is about.”

Event Information:

Justified Scriptures, New Paintings by Niels Shoe Meulman

Opening Reception – March 24, 2012, 6-9 pm @ 941 Geary (www.941geary.com)
941 Geary St,
San Francisco, CA

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White Walls Gallery Presents: Sickboy “Wonder Club” (San Francisco, CA)

February 22, 2012 , , , , ,

Sickboy

Sickboy (photo © Joanna Dudderidge)

White Walls is pleased to present Wonder Club, a new body of work from famed UK- artist Sickboy. The opening reception will be Saturday, March 17th, from 7-11 pm, and the exhibition is free and open to the public for viewing through April 7th, 2012.

Hot off the heels of his critically acclaimed UK solo show last November, Heaven and Earth, comes Sickboy’s first US major solo show, Wonder Club. The title refers to a meeting place in the mind of the artist, where his cryptic street messages, surreal abstraction and comical illusions all come together. Sickboy’s new works reveal inspiration drawn from anatomical studies, the age of enlightenment, romanticism, comic books and fairy tales.

A solid body of work has been produced for Wonder Club, including eight large-scale (all measuring around four by three feet) surreally intricate, paintings, focusing on the inner workings of the human body. These large paintings, which bring the aesthetic of Sickboy’s street work into the gallery, are paired alongside installations which will act to transform the entire space into a dream world.

Sickboy’s always innovative installations will be outdone with this show, featuring a few surprises and the “Artists’ Refuge,” an enclosed space built within the gallery that visitors may enter.

Amidst the dream land that Sickboy constructs you can expect to find smaller works exploring a new direction in mixed media ephemera, adorned on locally found San Francisco surfaces to place the artist’s imagery into a local context as well as a video collaboration with well-known London photographer Viktor Vauthier, capturing the creative process in motion.

From the Artist:

“I see art as escapism, it’s an addictive solution to the daily deluge of life, the ‘Wonder Club’ is a place I can visit in my mind to try and bring daydreams to life, I have been documenting ideas as they happen and making sure I capture their essence by developing them into highly intricate finished paintings, it has meant a progressive shift from earlier freestyle work and more towards structured pieces that focus on content and message. This exhibition is for me a revisiting of the inner child and questioning what my dreams represent today.”

A leading artist to emerge from Bristol’s infamous graffiti scene, Sickboy’s humorous work has cemented his place in the upper echelons of the British street art movement. He is one of the first UK artists to use a logo in place of a tag, and his red and yellow street logo known as ‘The Temple’ can be seen on walls and wheelie bins worldwide. Sickboy has built up one of the largest bodies of street art works in UK history. His work hit the big screen recently in Banksy’s Oscar-nominated film, Exit Through the Gift Shop, and he is tipped by the leading financial press as one of the movement’s most bankable artists. His temples, slogans and audacious stunts – including the caged heart installation dropped outside the Tate Modern in 2008 – have landed him global recognition.

Event Information:

Wonder Club, a Solo Exhibition by Sickboy Opening Reception – March 17, 2012, 7-11 pm On View Through April 7th, 2012,
@ White Walls (www.whitewallssf.com)
835 Larkin St
San Francisco, CA

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Drago and Wooster Social Club Present: Chris Stain “Long Story Short” Book Launch and Exhibition (Manhattan, NY)

February 22, 2012 , , , , ,

 

Wooster Street Social Club and Drago are pleased to announce the exhibition and book launch for Chris Stain’s latest project and Drago’s newest title Long Story Short – A Collection of Inspiration, at the Wooster Street Social Club on Wednesday, March 14th, 2012, from 8-11pm. The exhibition will show all new work that explores two perspectives of intercity life; that from the internal struggles of the individual as well as the circumstantial elements to which that life subscribes. Both the exhibition and the book present an autobiographical reflection of the artist’s life through a collection of writings, letters, photographs, memorabilia, and artwork that illuminate a lifetime of experience that is the source of inspiration for Chris’ poignant imagery. Chris Stain’s subject matter has been compared to themes echoed in the American Social Realist movement of the 1930s and 40s. More importantly, however, Chris’s work is a communication of things that are relevant to him, the things that he sees everyday and the things that most people tend to, or try to, ignore. His work is marked by a strong social tinge and is filled with the adversity and diversity that one faces in the intercity. This visual narrative of social sufferance explores not only his personal architecture of experience, emotion, and inspiration, but shares the untold tales of the overlooked and the left behind. Despite being viewed by many as political statements, Chris Stain’s work is more than that. It is an honest and direct presentation of the basic levels of humanity, for better or for worse, what it means to be human and to treat others with an elemental sense of decency. The balance of today’s delicate social architecture bears the weight of many who feel threatened by social and economic injustice. These sentiments run high as a result of the events inspired by the Occupy movement, which have made Chris’s work feel that much more relevant in contemporary society.

The opening reception for Chris Stain’s Long Story Short will begin at 8pm on Wednesday, March 14th. The evening will include a slideshow presentation and round table discussion on art and social activism lead by Josh Macphee of Just Seeds, an interactive screen printing demonstration by Bushwick Print Lab, a live DJ set performed by Billy Mode, catering provided by Laurel Bell, and refreshments from Brooklyn Brewery. The slideshow will begin promptly at 9pm with discussion and Q&A to follow. Long Story Short – A Collection of Inspiration will be available for purchase during the event as well as throughout the run of the exhibition (through April 15th). You may also order Long Story Short through Drago’s website, www.dragolab.com. Chris Stain will be in attendance during the opening to sign copies of the book.

About the Artist

Chris Stain grew up writing Graffiti in Baltimore, MD in the mid 1980’s. Through printmaking in high school he adapted stenciling techniques, which later led to his work in street stencils and urban contemporary art. Chris currently teaches art in New York City and is pursuing a BA in Art Education.

About the DRAGO

Drago has been involved in the urban street movement for over a decade as an international think-tank for the creative class, working in unison with artists to realize projects with lasting cultural impacts. Drago identifies and promotes artists, develops communication projects, publishes books, and stages exhibitions and events. The street represents today’s leading visual and cultural aesthetic and the forefront of social resistance. Drago embodies and promotes this System of Independent Culture, sic!

About Wooster Street Social Club

Wooster Street Social Club is a tattoo studio, art gallery, and event space that plays host to TLC’s reality show NY Ink. It is an environment where art, culture, media, commerce, and entertainment live together and can be understood as complementary rather than mutually exclusive.
Through a series of art shows, activities, lectures, tastings, and large-scale events, Wooster Street Social Club has established itself as an ever-changing nexus of NYC’s creative community. The bottom line is to bring something new to the table, a forum for creativity, and something that is uniquely New York.

Wooster Street Social Club ⏐ 43 Wooster Street, New York, NY 10013⏐ 646.545.3300 info@woostersocial.com ⏐ www.woostersocial.com

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Art Against Knives + Mother Drucker Present: “As The Crow Flies” A Group Show (London, UK)

February 22, 2012 , , , , ,

As The Crow Flies

 

Silk screen printed Urban Art Collection from Berlin Based Mother Drucker exhibited in cooperation with Art Against Knives Charity.

Exhibition: March 2nd - April 2nd 2012.
Opening Reception: March 1st - 7-10pm.
Art Against knives Gallery, BoxPark, UNIT 55, London, E1 6JJ

Mother Drucker and Art Against Knives are pleased to present As the Crow Flies, a straightforward print show which aims to highlight the direct lines between visionary urban art and fine production silk screen printing. Mother Drucker has joined forces with East London based charity Art Against Knives to raise money for their future youth community based projects through print sales from the collection.

Urban art and silkscreen printing have formed a strong relationship with each other over time. The stencil based process of silk screen printing often easily compliments the methods of application chosen by urban artists, with many concentrating their skills upon stencil cutting, spraying, collage and general paint works of every messy degree. This new collection is all about the real relationship between the artist and the printer, between the creative and the productive, between the conceptual and the deviceful. Artist and printer have put their minds together to make a quality collection of silkscreen prints.

‘As the Crow Flies’ features a range of works by European urban artists:

Penny, Nomad, Hannah Parr, Elmar Lause, Victor Ash, Various and Gould, Dolly Demoratti and Anton Unai. Limited edition prints will be available to buy from the BoxPark gallery space throughout the exhibition with donations being made to AAK from every print sale.

Art Against Knives is an East London based charity that focus on raising awareness about knife crime and creating positive youth led Arts community projects for young people living in the East London area. Since their initial hugely successful art auction in 2009 the charity has flourished and now has a great permanent gallery space in BoxPark – the world’s first pop-up mall, AAK sells afordable artwork priced from £20 – £500 from established artists, as well as students and emerging talent.

Mother Drucker is a print house and gallery based in Kreuzberg, Berlin; here they work with a wide range of artists to produce high quality limited edition silkscreen prints. They release work on their website and organise a range of shows and events. They also offer an out of house screen- printing service and screen printing courses in English.

The Opening reception for ‘As the Crow Flies’ will be held on March 1. 7-10pm. Art Against Knives Gallery, BoxPark, Shoreditch High Street, Shoreditch, London, E1 6JE

Gallery Hours Monday, Tuesday, Wednesday, Friday Saturday: 11am – 7pm, Thursday: 11am – 9pm, Sunday: 10am – 6pm

For more details, press images, advanced catalogues or other questions please contact:
Gemma Brewer – Exhibition Manager: gemma@mother-drucker.com

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