Gallery

Miss Van “Wild at Heart” At Copro Gallery (Santa Monica, CA)

August 7, 2012 , , , , ,

Miss Van

Miss Van. Studio Photograph by © Stefan Kocev

 

MISS VAN
“Wild at Heart”

Opening Reception: Saturday, August 11, 2012  8pm-11:30pm
On View: August 11 – September 1, 2012

Copro Gallery – Bergamot Station
2525 Michigan Ave, Unit T5
Santa Monica, CA 90404
Tel: 310.829.2156
www.copronason.com

As part of its commitment to support art initiatives from around the world, Citizens of Humanity is pleased to announce its sponsorship of Miss Van’s Los Angeles exhibition “Wild at Heart” at Copro Gallery on Saturday, August 11, 2012.

Internationally known for her poupées, the French word for dolls, Miss Van’s dreamlike narratives are filled with spontaneity and lightness. Yet they also reveal a darker side that has evolved from her experience as an acclaimed graffiti artist.

Miss Van’s new series of paintings and drawings on paper and wood continues to combine her seductive and delicate muses with animals, adding a bestial element to her work. However, she introduces masks to her imagery, creating a trifecta of complexity, ambiguity and mystery.

Choosing to focus on details while isolating different body parts, such as eyes and mouth, Miss Van adds, “The masks allow me to show more feelings, other sides of a same character, hiding the face, partly or totally and embracing the animal strength, personality and attitude. I am illustrating the chemistry between the feminine delicacy and the bestial instinct, natural and raw and we all have this duality inside.”

To celebrate the opening of “Wild at Heart,” Citizens of Humanity will debut a new t-shirt collaboration with Miss Van, which will be given as a complimentary gift to guests at the reception. She will also be featured in the premiere issue of a new collectible print publication by Citizens of Humanity launching this August. Miss Van notes, “Thanks to Citizens of Humanity for its support, this show will definitely come out more complete and powerful than before.”

The opening reception for “Wild at Heart,” takes place Saturday, August 11 at Copro Gallery from 8pm-11:30pm, and is open to the public. The exhibition will be on view through September 1, 2012.

Miss Van
Miss Van started wall painting in the streets at the age of 18, initiating the feminine movement in street art. Her sultry female characters began to pop up on city center walls in the mid 1990s and they instantly possessed a timeless quality, as if women had always painted such graffiti in the streets. The more she moved into gallery work and could work with the nuances of more fragile media than the streets would allow, her characters grew more sensitive, subtle, and delicately rendered. She is now exhibiting all around the world from New York to Los Angeles, Europe (France, Switzerland, Germany, Spain, Italy, UK, etc.), and Asia. She has shown in art centers and museums such as the city gallery of Schwaz in Austria (curator: Karin Perrnegger), the Baltic Art Center in the UK and the Von der Heydt Museum, Kunsthalle in Wuppertal, Germany. Miss Van was featured in MoCA’s 2011 exhibition “Art in the Streets,” and she has shown with some of the greatest artists such as Os Gemeos, Mike Giant, Banksy, Faile, Shepard Fairey, Barry McGee, Ryan McGinness, Takashi Murakami, Ed Templeton, and many others. For more information about the artist, please visit www.missvan.com.

 

 

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Curly Curates “This Art is so Street” A Group Exhibition At Stupid Easy Gallery. (Philadelphia, PA)

August 7, 2012 , , , ,

Curly

 

 

Street Artist Curly Steps Indoors, Curates “This Art is so Street” at Stupid Easy Gallery

Curly, one of North America’s most prolific sticker artists, will make his first foray into the mainstream art world by curating This Art is so Street at Philadelphia’s Stupid Easy Gallery. Tired of boring and uncomfortable gallery experiences, Curly has set out to make This Art is so Street an unsurpassable group show of street artists’ work. Opening September 7th, This Art is so Street is sure to be a can’t-miss affair.

This Art is so Street brings the work of eight of the world’s top street artists together for the first time under one roof. For some of these new contemporary masters, it will be their first time exhibiting in Philadelphia. In addition to Curly’s own paintings, there will be never-before-exhibited artwork by Mr. Brainwash, LNY, NoseGo, Don Pablo Pedro, Darkclouds, The Yok and Sheryo. The international lineup represents street artists from around the globe, including Philadelphia’s very own NoseGo and France’s favorite-son Mr. Brainwash, who also starred in Banksy’s film Exiting Through the Gift Shop

When Stupid Easy Gallery owner Thomas Buildmore offered Curly a solo show at the gallery, he turned it down in an effort to help out his fellow street artists. Instead, Curly decided to curate This Art is so Street and show the work of other great street artists by curating the best group show of street artists to have ever been seen in a gallery.

The reclusive and anonymous Curly has this to say about the show: “When Buildmore approached me about showing at Stupid Easy, I thought it was beneath me. After all, I can just sell my work privately directly to clients. Then I realized that there are a lot of street artists out there who don’t have that privilege and intricate understanding of the art market. So I figured that it was time to enter the gallery world, if only to shepherd along a few of my friends. This Art is so Street is, without a doubt, the best show I could have possibly put together. You will be blown away and buy things, lots of things.”

Thomas Buildmore says, “I could not be more excited about This Art is so Street. Putting together a group show of artists who do street art was a brilliant idea. Street art, or urban art as some prefer to call it, is the most important art movement since cubism, and the artists in This Art is so Street are at the forefront of the movement. Curly is a genius in both art making and curating.”

This Art is so Street opens September 7th with a private view from 5pm to 8:30pm and runs through September 30th. Stupid Easy Gallery is located at 307 Market Street, Philadelphia PA, 19106 and is open by appointment (email stupideasyideas@gmail.com).

 

——–

 

For more information on This Art is so Street or to arrange an email-interview with Curly, please contact Laurence Feinberg at laurencefeinberg@gmail.com.

 

About Curly

 

After years of dabbling in street art, Curly got serious in late 2010 and began a mission to saturate the streets of Philadelphia with his stickers. Since then, thousands of unique handmade Curly stickers have wound up on newspaper bins and signposts around Philadelphia and other cities around the world. Thanks to his winning combination of humor and style, Curly considers himself to be the world’s greatest living street artist. In 2012, he even branched out to digital art,

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Red Gallery Presents: Part2ism “New Horizons & Future Love Songs” (London, UK)

August 7, 2012 , , , , ,

Part2ism

Red Gallery proudly present Part2ism’s first solo exhibition in London since Artillery for Pleasure 2009. This new body of work is perhaps his most outlandish work in a quartz-century journey using aerosol and a vast range of different media. New Horizons and Future Love Songs explores the relationship of sight and sound as one medium. In his series of polychromatic sculptural reliefs entitled ‘Architect-sonics’, wooden planes of color appear to slice through time placing our idea of transit art in another realm. Further works on show investigate aerosol paint as a raw medium exploring vectors as pure line and color but also the use of spatialization and surface data to interpret visual noise over large sheets of canvas. An exhibition that strips away the non essential elements and at the same time takes fundamental ideas to the absolute pinnacle.
“A syncretist at heart and now a synaesthesiac in practice, Part2ism is a multi-talented creator, exploring where his interests and instincts lead him. Beyond all the “isms’ that can be applied to his work over the past twenty eight years, whether of his own invention or culled from art history, Part2ism has always aligned himself with his own visions first. As an artist, he subsumes all categories and at the same time defies them. More importantly than these post-creation categories that can be applied to his body of work, the underlying and unifying threads in Part2ism’s history are DIY individualism, a revolutionary mentality and a consistent exploration of mind-challenging aesthetics. His timbre, his voice, his style is a constantly mutating, gene-splicing hybridism embodying rebellion and progression.
With this cross pollination throughout the full spectrum of his creative output, Part2ism has reached an apex of compression and connection of his lifetime of aesthetic explorations in different disciplines, utilizing everything that he has accomplished over the past twenty-eight years, in a sensurround of synaesthesia and synchronicity”. Daniel Feral

Taken from the ‘New Horizons & Future Love Songs’ exhibition catalogue. Also featuring written contributions by Steve ‘Fly Argaric’ Pratt, Pride (TCA) and Poesia from Graffuturism over 40 pages.

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Icy and Sot “Made in Iran” At the Openhouse Gallery (Manhattan, NYC)

August 7, 2012 , , , , ,

Icy and Sot

 

ICY AND SOT: MADE IN IRAN
Klerkx Art Agency (Amsterdam, Holland) and Neverheard Inc. (Brooklyn, NY) are proud to announce: MADE IN IRAN, the highly anticipated New York debut of the young Iranian street artists (and brothers): ICY AND SOT.
MADE IN IRAN is a groundbreaking display of the internationally acclaimed street art duo, featuring new stencil works and site-specific installations. The exhibition will be open to the public from the 23rd to 25th of August at Openhouse, 379 Broome Street. An opening reception will be held on Thursday the 23rd of August from 6 to 9 PM with a live musical performance by the Iranian punk rock band Yellow Dogs  (facebook.com/theyellowdogs).
Hailing from the city of Tabriz in North West Iran, brothers ICY AND SOT continue on their creative crusade to traverse pre-conceived perceptions of traditional Iranian art’s brevity through their highly intricate yet striking stencil artworks. Despite Iran’s cultural flourishing since the 2009 uprisings in Tehran, creative visual expression is still a constant struggle for its’ artists and society today. It is an oppressive force that provokes the Iranian art scene to fluctuate between an inhibited elegance and raw underground energy. This ambiguity is reflected in the vulnerable yet hopeful deep-set imagery of ICY AND SOT’s street art.
Using western street art approaches, the artists’ polarized themes of love and hate, war and peace, and hope and despair are manifested into the spectral faces of the innocent.
ABOUT ICY AND SOT:
ICY (born 1985) and SOT (born 1991) are stencil artists, skaters, best friends and brothers from Tabriz, Iran. ICY AND SOT started their professional career in 2008. They have made paramount accomplishments in Iranian urban art culture, creating an international buzz by playing it anyway but safe. Their prolific stencil work can be seen on the streets of Paris, Turin, Sao Paolo, New York and many other international cities. The brothers have been featured in numerous exhibitions and publications throughout Iran, Europe, South America and the US. Following New York, MADE IN IRAN will be making its way over to Amsterdam, Berlin and Milan.
In conjunction with the exhibition, American Iranian musician Ali Eskandarian will be performing an acoustic set in the gallery’s garden on Saturday, August 24th at 5 PM.
Openhouse Gallery
379 Broome St.
NYC
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Mighty Tanaka Gallery Presents: Chris Stain and Joe Iurato “Deep In The Cut” (Brooklyn, NYC)

August 7, 2012 , , , , ,

Deep in the Cut

Deep In The Cut

Featuring the artwork of Chris Stain & Joe Iurato

With a steady hand, precise cuts are dutifully made, revealing the negative space that lies beyond.  Like a virtual roadmap, these incisions dictate the direction and flow of the artwork, building layers of corresponding imagery.  Through patience and grace, the art of stenciling goes far beyond the final outcome of the artwork, as it incorporates a delicate and intricate process that elevates the artwork into something more than meets the eye.  Mighty Tanaka is honored to present Chris Stain and Joe Iurato, two predominant stencil artists who are taking their art form to a whole new level with their highly anticipated show, Deep In the Cut.  Together, both artists exemplify very different yet highly technical approaches to stencil art through their individual processes and results.

Deep In The Cut is the first time Chris Stain and Joe Iurato have been paired together for a two-person gallery show.  Highly influenced by each others artwork, they share a mutual respect for one another that encourages them to constantly push the boundaries of their individual interpretation of stencil work, redefining the limits of expectation.

Both Chris Stain and Joe Iurato’s artwork exemplifies the art of the process, as they use a myriad of tools and techniques to create their individual expressions.  Deep In The Cut exhibits a highly unique and identifiable approach to their work, ripe with social statements, that causes the viewer to reflect on the world around them while enjoying the intricate details and beauty of their art.

OPENING RECEPTION:
Friday, August 10th, 2012
6:00PM – 9:00PM

Mighty Tanaka
111 Front Street
Suite 224
Brooklyn, NY 11201
Train: F Train to York St
(1st stop in Brooklyn)

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Monsters of Art Gallery Presents: Kings Moa (London, UK)

August 7, 2012 , , , , , ,

Kings Moa

PRIVATE VIEW 27 SEPTEMBER 2012

Continues until 27 October

“In 1991, three intoxicated and disgruntled teenagers went out to take on the biggest graffiti crew in Copenhagen. Adopting the name MOA (Monsters of Art) the aim was to become the most recognized graffiti crew in the world…”
Now, over twenty years later, MOA is one of the most notorious graffiti crews and still hold the top spot for train ‘bombing’ in Denmark. Forever growing and expanding the fight for MOA global domination is far from over. This one-off exhibition will explore the crew’s unique codes and conducts that have, over the years, set them world’s apart from all other graffiti crews. Many crews have challenged their position but none have succeeded, proving that MOA really are the kings of unparalled artistry and skill. Since their arrival onto the scene MOA has been off-limits, only giving selected interviews and infrequent comments to certain publications. We are delighted and highly privileged to show a one-off exhibition looking back at MOA’s 21-year rein on the graffiti world.The exhibition will include original works, screenprints and photographic documentation. 

Monsters of Art Studio and Gallery
112 Mill Lane
London
NW6 1NF

0207 435 3433
info@moasgallery.com
www.moasgallery.com

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Mishka Presents: Numskull “Dance Like a Video, Sting Like a Gif” (Brooklyn, NYC)

August 7, 2012 , , , , ,

Numskull

Numskull has a very distinct aesthetic, full of strong line work, collage elements, and a flurry of pop culture influences that he magically melds together into a cohesive style. His show, Dance Like A Video, Sting Like A GIF, will be opening with a bang next Friday, August 10th, at 350 Broadway in Brooklyn. We can’t wait for you to feast your eyes on more of this elusive artist’s striking pieces. For the truly charmed, we’ll also be selling a t-shirt at the even that you can see above.

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Carmichael Gallery Presents: “Primeval” A Group Exhibition. (Culver City, LA)

August 7, 2012 , , , , ,

Primeval

 

Primeval

Emol, Stinkfish, Zio Ziegler

Opening reception

Saturday, August 11, 6-9pm

Carmichael Gallery
5797 Washington Blvd
Culver City, CA 90232

Please RSVP to rsvp at carmichaelgallery dot com

Exhibition open to the public August 11 – September 1, 2012

Carmichael Gallery is pleased to present Primeval, a group exhibition featuring works by Emol, Stinkfish and Zio Ziegler. The exhibition will be on view from August 11 to September 1, 2012. Zio Ziegler will be in attendance at the opening reception on Saturday, August 11 from 6-9pm.

Cities and their streets put the three artists in daily contact with the urban elements that in turn influence their work. Be it architecture and propaganda for Emol, the texture of old walls for Stinkfish, or the color of pavement after a rainy afternoon for Zio, inspiration for these artists is inextricably drawn from the outdoor environments they encounter in their respective cities. Their individual mastery of line, sources of form, and choice of color share a compassion for and understanding of history and humanity. Such honest and considered motives translate into works that are powerfully evocative and, though indigenous, universally approachable.

Emol finds the connection between art, artist and city crucial to his practice. He believes that to paint outside is the best way to grasp what is happening at the moment and to know how one’s art affects communities. Emol considers his work an embodiment of antenna to roots, capturing that which is current, but with a strong link to the past and ancestry. He achieves this largely through his color choices, which symbolize Brazil’s wealth of distinct cultures. Through traveling the various regions of his home country and closely observing their different traditions, Emol combines the tropical colors he encounters, each offering a different vibration, with lines and forms to infuse sensorial joy into urban landscapes.

Stinkfish is equally indebted to the street, having spent his childhood playing soccer and going for bike rides around his neighborhood. He is drawn to bringing his work to as many people as possible, favoring busy crossroads and streets as locations for his murals. The texture of highly trafficked, decrepit areas gives Stinkfish the feeling that he is continuing the history of a wall, mixing his story into a larger narrative of crumbling paint, grit and wear. Stinkfish also remembers having an affection when he was young for the cameras his father would buy and sell, spending hours “playing” with them, discovering their mechanisms and teaching himself techniques of framing and focusing that would become essential to his art form. His transposition of photo to mural enhances the fleeting moments of human nature he captured with his camera, leaving the final interpretation up to the public.

Zio too finds that the balance of working publicly and privately assists his entire creative process in a symbiotic way. The open source template of the streets serves as a constant reminder to him of the democratic yet organic nature of art. Though influenced by classical philosophy, literature and art, Zio constantly reminds himself of the paradigm shift towards the digital age. To be aware of this ephemeral state of painting assists the visceral encouragement of instinct in the studio. And so, with the balance of both studio and street, instinct and patience, comes Zio’s paintings.

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Jonathan Levine Gallery Presents: “Détournement: Signs of the Times” A Group Exhibition Curated By Carlo McCormick. (Manhattan, NYC)

August 6, 2012 , , , , ,

détournement

 

Détournement : Signs of the Times
Group Exhibition curated by : Carlo McCormickAugust 8—25, 2012
Opening Reception:
Wednesday, August 8, 7—9pm

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

CURATOR’S STATEMENT
A détournement is a detour of sorts, but not so much along the scenic route as over the tougher road that goes more directly to the truth. A more proximate translation from the French might be a derailment, but I’m not sure English is so well suited to get both the violence and hilarity of the term. Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves. The most typical folkloric version we encounter of a détournement is when someone writes a word at the bottom of a stop sign, so that with say just three letters this mundane road command might read “Stop War.”

Employed brilliantly by the Situationists, whose great philosopher Guy Debord laid out the socio-aesthetic framework for this practice, détournements twist the terms of mimicry in ironic parody using the a semblance of the easily recognizable to dissemble and redirect the literal meaning of signs so as to construe a more honest picture of their deceptive intentions. As such they are a mediation of the media, a way of transgressing the fine art of persuasion that dominates our visual landscape to offer alternative readings and deviant possibilities to the hegemony of mainstream corporate culture. A natural response to the lies and coercions we are fed on a daily basis, the détournement has been the reactive impulse of all those who question reality, from the Punks who adopted it in the 1970s through Culture Jammers, Adbusters, contemporary street artists and the winding legacy of protest movements from WTO to Occupy.

This exhibition is meant to both celebrate the lineage of détournement and bring attention to some of its current practitioners who embody its continued vitality through their art. We live in a forest of signs that are meant to confuse, distract and numb us to the more dire consequences of the human condition as it is. We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in. I cannot thank these artists enough for their contributions towards helping us find another way.

ABOUT THE CURATOR
Carlo McCormick is an esteemed pop culture critic, curator and Senior Editor of PAPERmagazine. His numerous books, monographs and catalogs include: TRESPASS: A History of Uncommissioned Urban Art, Beautiful Losers: Contemporary Art and Street Culture, The Downtown Book: The New York Art Scene 1974-1984, and Dondi White: Style Master General. His work has appeared in numerous publications including: Art in America, Art News, and Artforum.

The gallery is located at 529 West 20th Street, New York, NY 10011. Gallery hours are Tuesday through Saturday, 11am to 6pm. For further information, please visit:www.jonathanlevinegallery.com, call: 212.243.3822, or email:info@jonathanlevinegallery.com.
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Fun Friday 08.03.12

August 3, 2012 , , ,

Yo what’s up Neeeewwwww Yawwwwk! You mean aside from brand new work on the streets this week in NYC from Faith 47, DAL, ROA, and JR? Oh, nothing really, just a normal boring summer. Street fairs, skateboarding, popsicles, public drunkeness, and I think the Olympics are still running but apparently only Michael Phelps is in them this year according to the TV. Also, something about VISA I think. Anyway, here are some fun activities for your weekend!

1. OS Gemeos Solo at ICA Boston
2. Fairey / Hecox / Houser at Black Book (Denver, CO)
3. “Public Works” at LALA Gallery (LA)
4. Faring Purth at Anno Domini (San Jose, CA)
5. Brett Amory and Adam Caldwell “Dirty Laundry” at ThinkSpace (LA)
6. “Cause and Effect” Group Show (BK)
7. “Eye in the Sky” Group Show @ Stolen Space (London)
8. Summer Exhibition at Joshua Liner Gallery (Manhattan)
9. Snyder’s ART HUNT in Carlsbad, CA
10. “Dead Meat” Conor Harrington By The Baron (VIDEO)
11. Does Anyone Care About the Olympics (VIDEO)

OS Gemeos Solo at ICA Boston

The first USA solo exhibition of Os Gemeos enjoys it’s first opening weekend at ICA Boston and you can see the first piece before you even enter the museum because they have just completed a large outdoor piece on a ventilation building over the Big Dig. The Brazilian Twins began their artistic career since 1987 doing graffiti and and have been painting all manner of imaginative pieces and murals non-stop on the streets of the world ever since. Along the way they have garnered the respect of their peers and thousands of art fans across all continents.

Os Gemeos mural in progress in the Green Way in Boston (photo © Geoff Hargadon)

For further information regarding this exhibition click here.

Fairey / Hecox / Houser at Black Book (Denver, CO)

The Black Book Gallery in Denver, Colorado new Group Show includes Shepard Fairey, Even Hecox and Jim Houser and it opens today. The gallery is also organizing mural installations at the Metropolitan State College of Denver.

Shepard Fairey in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

“Public Works” at LALA Gallery (LA)

“Public Works” is the title of the second show that is opening today at the still smelling-like-new LALA Gallery in Los Angeles, CA. Contributing artists include How & Nosm, Insa, Push, Revok, Risk, Ron English, Seen, Shepard Fairey, Trustocorp, WCA Crew, Uglar, and Zes.

How & Nosm in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

Faring Purth at Anno Domini (San Jose, CA)

Portraitist Faring Purth spent a year or so traveling from city to city last year finding abandoned places to mount giant faces, full of character. “I will be sharing a body of work I’ve been preparing since my return from that insane journey last year and I will be taking over their entire space with pieces scaling from 10′ x 12′ to 3 “x 5”.

“This Snow Rising” opens at the Anno Domini Gallery San Jose today.

Faring Purth in Brooklyn (photo © Jaime Rojo)

For further information regarding this show click here.

Brett Amory and Adam Caldwell “Dirty Laundry” at ThinkSpace (LA)

“Amory and Caldwell each mobilize their unique representational strategies to invoke the modern day disconnect between time and space, self and other, and present and past,” which is exactly what I was gonna say.

“Dirty Laundry” features very cool work by Artists Brett Amory and Adam Caldwell’s opening Saturday at the ThinkSpace Gallery in Culver City, CA. Feel free to show up and air some of your own.

Brett Amory at the Studio (Photo courtesy of ThinkSpace © Shaun Roberts)

For further information regarding this show click here.

Also happening this weekend:

“Cause and Effect”, a group show curated by URNew York and Tone MST at a Greenpoint Pop Up in Brooklyn is now open to the general public. Click here for more details on this show.

In London at the Stolen Space Gallery the ATG Collective project “Eye in the Sky” is now open to the general public. Click here for more details on this show.

In Manhattan the Summer Exhibition at the Joshua Liner Gallery is now open to the general public. Click here for more details on this show.

Snyder has a solo show and a fun ART HUNT in Carlsbad, CA opening on Saturday. This event is all day or until supplies last. Click here for more details on this event.

“Dead Meat” Conor Harrington By The Baron (VIDEO)

 Does Anyone Care About the Olympics? (VIDEO)

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Sacred Gallery Presents: “Who’z Got Game!” A Group Exhibition (Manhattan, NYC)

July 30, 2012 , , , , ,

Sacred Gallery

We wanted to let everyone know that Sacred Gallery NYC is pleased to announce “Who’z got game!”, August 10th (8-11pm), at Sacred Gallery NYC.
This group gallery exhibition, curated by KIDLEW, showcases some of the best names in the NYC street graffiti scene. Starting with artists from the late
60’s and working up to modern day, Kidlew personally went after the best names in the game to bring you a true NYC graffiti Subway map show.

The gallery will be auctioning off a true 4’x5′ NYC subway map that exhibiting artists will collaborate the night of the gallery opening. 100% of the proceeds from the won auction will
go to The Coalition For The Homeless (http://www.coalitionforthehomeless.org/). The auction will be on display and available for bidding all month, and will close on the 31st.

BAMA
LAVA 1 2
TON
JAMES TOP
BOM5
COPE2
INDIE
DIL
PYTHON
SIEN IDE
SEE TF
ZIMAD
SEXER
MERES
HALOZ
SINXERO
RAVE
RWK
ARMY OF ONE
JESUS SAVES
SHIRO
KIDLEW
ANGEL “LA2” ORTIZ

This is a strict RSVP ONLY event so you must email
Kevin@SacredGalleryNYC.com to be put on the list.

Opening Reception:
August 10th. 8-11pm

Sacred Gallery NYC

424 Broadway 2nd Floor (Between Canal and Howard)

New York, NY 10013

www.sacredgallerynyc.com

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