Gallery

Lazarides Gallery Presents: “Klimt Illustrated” (London, UK)

Klimt Illustrated

Nine internationally-renowned street artists will produce Klimt-inspired masterpieces in front of a live audience in London’s Grosvenor Gardens, on Tuesday 21st August.

Situated upon plinths, the artists will create new works resonant with the influence of Klimt in the square format,as part of the Vienna Tourist Board’s campaign to celebrate the 150th birthday of the famous Viennese artist. Inspired by Vienna’s rich cultural diversity, the unique celebration aims to showcase the city’s modern art scene and imperial heritage.

The completed works work will be displayed in the famous Lazarides Gallery in Soho as a public exhibition, ‘Klimt Illustrated’.

The exhibition at the Lazarides Gallery will be free and open to the general public from 24th August to 1st September, Tuesday to Saturday 11am – 7pm.

The Vienna Tourist Board has worked with the Lazarides Gallery and curator, Sydney Ogidan of BLK River, to secure the nine artists, who are: Mode 2 www.mode2.org; Lucy McLauchlan www.beat13.co.uk; Vhils www.alexandrefarto.com; Ron English www.popaganda.com; Christian Eisenberger www.van.at/see/eisen; Bastardilla www.bastardilla.org; Know Hope www.thisislimbo.com; Marlene Hausegger www.mmhhh.com; Work will also be on display from Shepard Fairey www.obeygiant.com, the famous American contemporary street artist and illustrator.

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Perry Rubenstein Gallery Presents: Shepard Fairey “Americana” (Los Angeles, CA)

Shepard Fairey

AMERICANA
New Paintings by Shepard Fairey

RECEPTION: Saturday, August 25th
7pm – 10pm

Perry Rubenstein Gallery (LA) presents a special project by Shepard Fairey and Neil Young in celebration of the recent release of Young’s new album with Crazy Horse, “Americana,” which features reinterpreted classic, American, folk songs. Fairey has created eleven new paintings, each one inspired by the songs, such as Oh Susannah, This Land Is Your Land and Clementine. The new Shepard Fairey paintings will be on view to the public at Perry Rubenstein Gallery in Los Angeles starting August 25th. In addition, Shepard will have a limited quantity release of the Americana Print Edition Box Set at the opening on August 25th at Perry Rubenstein Gallery. The Box Set will include a collection of screen print versions of all the new paintings, more info and official release date on the prints to come shortly, so STAY TUNED!

The “Americana” project developed as a result of Shepard Fairey’s relationship with Neil Young and his long-time manager Elliot Roberts. Fairey created a portrait of Young for the artist’s May Day show in 2010, based on his view of the musician as a social commentator philosophically aligned with people like Woody Guthrie, Bob Dylan, Johnny Cash, and Joe Strummer. Young and Roberts then asked Fairey to design the art, CD and DVD packaging for the 25th anniversary of Young’s Bridge School charity. Fairey states, “Neil really liked the art and I was thrilled he asked me to collaborate by making paintings inspired by the songs on his “Americana” album. I’m a huge fan of Neil’s music in general, but when I heard the album I realized how much the subject matter of several songs reflected the aspirations and tragedies of those pursuing the American dream tied into issues relevant to the 99% movement which I have been supporting.”

Fairey says he listened to the music and lyrics to come up with concepts for visual representations of the songs. Then for each song, Fairey presented Young with ideas about a visual image that would best capture the meaning and/or protagonist/s in each song. The artist enjoyed hearing how Neil interpreted aspects of the songs that moved him the most musically and lyrically. Fairey states, “I showed Neil sketches, and then we discussed the ideas and refined them. He was very open to my ideas and encouraged me to go with what inspired me the most. Latitude for interpretation is something that Neil utilizes and seems to value as an important way for the listener/viewer to personalize their interaction with art and music. I also was excited about this project because the concept of re-interpreting pre-existing songs filtered through Neil’s unique sensibility parallels what I have often tried to do as a visual artist by building upon iconic images that are an accessible part of the cultural dialogue.”

Each of the new Fairey paintings resonate powerful messages presented in the songs, some depicting a hopeful outlook on the pursuit of a better tomorrow, while others reflect the hardships that come in trying to achieve that dream. One painting related to Clementine, which captures the words of a mourning lover whose “darling,” the daughter of a California Gold Rush miner, drowned. Here she is represented by the levitating body of a young woman draped in white, with the text “And Gone.” Another painting is related to the 1848 minstrel song Oh Susannah that features a dungaree-wearing banjo player with the text “DON’T YOU CRY FOR ME.” Other works feature a wanted poster (Travel On); an iconic image of Queen Elizabeth embroidering an American flag (God Save the Queen); and, a lonely tree, stripped bare of its leaves, in a desolate landscape (Tom Dula).

For Young and Crazy Horse’s rendition of the famous 1940 Woody Guthrie song known to every school-aged child in America, This Land Is Your Land, written in response to Irving Berlin’s God Bless America, Fairey has depicted the hopeful face of a youth, set against a dramatic Western Landscape. Three rows of sharp, barbed wire cross the boy’s path with the text “NO TRESSPASSING / THIS LAND IS MY LAND.” The text is derived from a variant verse Guthrie added as a social commentary during a 1944 recording session. Fairey’s paintings are mixed media on canvas, including techniques such as stenciling, collage, and screen-printing. All of the paintings measure closely to the 30 x 44 inch dimension, which is one of Fairey’s standard choices of size. “Americana” is Neil Young with Crazy Horse’s first album together in nine years and is being released on June 5 on Reprise Records.

Perry Rubenstein Gallery
1215 N. Highland Avenue, Los Angeles, CA 90038
T (310) 395-1001 / F (310) 395-1019
http://www.perryrubenstein.com

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Klughaus Gallery Presents: LUSH “Shitty Drawings in New York City” (Manhattan, NYC)

LUSH

 

 

LUSH
Shitty Drawings in New York City
Curated by Michael Hunt

Opening Reception: Saturday, August 25 from 6-10pm
Location: 47 Monroe Street New York, NY 10002
RSVP: rsvp@klughaus.net
The Australian so-called “graffiti artist” LUSH is having his debut New York solo exhibition at Klughaus Gallery on Saturday, August 25, 2012. Following successful shows in Australia and London, LUSH is going to be bringing his “Shitty Art” to the Big Apple! Love him or hate him, be sure to swing by to show your support (or disapproval.) For his upcoming show, LUSH will be showcasing a bunch of witty illustrations that mainly “take the piss out” of his graffiti roots. There will be limited copies of a new zine by LUSH released at the opening. As always, I’m sure the show will be full of surprises!

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Graffitimundo Presents: “The Talking Walls of Buenos Aires” (London, UK)

Graffitimundo

 

Graffitimundo is proud to present “The Talking Walls of Buenos Aires”. Opening September 6th at Londonewcastle Project Space, the exhibition explores Argentina’s unique culture of urban art.

Urban art in Buenos Aires reflects the city’s turbulent history and rich cultural heritage. Throughout the last century the city walls have been extensively painted, by artists, activists, political groups and the public, making the city walls of Buenos Aires an established and dynamic channel for expression.

During the last two decades several different artistic styles have developed. The devastating Argentine economic crisis of 2001 created a generation of young artists determined to take to the streets and reclaim their city. As they collaborated in a spirit of solidarity a new and distinctive visual language began to emerge.

“The Talking Walls of Buenos Aires” features mural art and original artworks from leading Argentine artists and art collectives, as well as video works and historical and contemporary photography portraying the urban landscape of Buenos Aires and seminal moments in the country’s history.

The exhibition celebrates a form of expression rooted in activism and a desire to transform public space, and in the process challenges conventional views on what graffiti is, what street art represents, who creates it, and why.

Artists:

Cabaio Stencil / Chu / Corona / Defi / Ever / Fede Minuchin / Gonzalo Dobleg / Gualicho / Jaz Malatesta / Nasa / Pastel / Pedro Perelman / Poeta / Prensa La Libertad / Pum Pum / Roma Stencil Land / Tec / Tester / Zumi

Event information

“The Talking Walls of Buenos Aires” will be held at Londonewcastle Project Space, 28 Redchurch Street, London, E2 7DP
The exhibition opens to the public from 6pm-10pm on September 6th, 2012.
The gallery is free and open to the public daily from 12pm – 7pm, until September 13th, 2012.

(from the left: street painting by rundontwalk / silhouettes of the disappeared (ph. Mónica Hasenberg) / Artwork by Pedro Perelman)

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The Outsiders Presents: Borf “Walls Are Two Sided” (Newcastle, UK)

Borf

The Outsiders Newcastle invite you to join us on the evening of Thursday 23rd August at the opening party for ‘Walls Are Two-Sided‘, the new solo exhibition by young American artist BORF. The event takes place from 6 ’til 9pm in the gallery at 77 Quayside, Newcastle upon Tyne.

The most critically lauded young talent in urban art, BORF (AKA John Tsombikos) returns to The Outsiders Newcastle gallery. An exhibition exploring conflict, serenity and contradiction, Walls are Two-Sided features ten large canvases. All feature the artist’s charm, sensitivity and humour underlaid with yearning idealism and quiet but passionate anger. Five of the paintings are detailed close-ups of derelict houses in the artist’s resident town of Detroit, and a further five feature “old school” graffiti overlaid with colour fields in the style of late abstract expressionist painter Mark Rothko.

“Rothko talked about wrestling with opposing and competing elements to eventually discover an equilibrium, what he called a pocket of silence” says BORF. “For this show I was fighting through layers of ambivalence and opposites: graffiti as youth expression and Rothko as adult expression; the art market and property rights; education and improvisation, youth and adulthood.”

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Epic Lounge Presents: “Bumblebee Loves You” A Short Film By Handi (Downey, CA)

Bumblebee

BULMBLEBEELOVES YOU

A film by HANDi

With new work by Bumblebee

Sunday, August 19, 6-9pm

Epic Lounge
8239 2nd Street
Downey, CA 90241

Reception: Sunday, August 19, 2012, 6pm (Screening wil commence at 7pm.)

Carmichael Gallery is pleased to announce a special screening of the new documentary short Bumblebeelovesyou, a visual profile of Los Angeles-based artist Bumblebee. Presented by The Downey Arts Coalition, Bumblebeelovesyou was produced by HANDi, a team of Downey-based filmmakers.

There will be a reception and screening at the Epic Lounge in Downey on Sunday, August 19, 2012, followed by a discussion on the documentary and the growing art scene in Downey. A series of new works by Bumblebee will also be on view.

About the artist:

Bumblebee’s work first came to life on the streets and abandoned buildings of Downey, a city located in southeast Los Angeles County. With a focus on themes of innocence, communication and coming of age, his stencil and sculptural works are most often rendered in the simple, but instantly identifiable color palette of yellow and black. Ongoing campaigns range from the remodeling of urban furniture such as abandoned phone kiosks and newspaper boxes to large-scale mural projects that address and work to raise awareness of issues such as youth homelessness.

Bumblebee has exhibited his work in group exhibitions at Carmichael Gallery, Mark Moore Gallery, Thinkspace Gallery (who also included him in their curated exhibitions at Together Gallery and London Miles Gallery), LeBasse Projects and the Portsmouth Museum of Art. Online and print media outlets in which he and his work have been featured include tasj magazine, Ekosystem, TEDxBloomington, The Downey Patriot, Unurth, SlamxHype, Arrested Motion, PSFK, The Dirt Floor, Vandalog, GOOD, Wooster Collective, My Modern Met, Sour Harvest, Daily du Jour and The Daily Portsmouth. He currently lives and works in Los Angeles.

About the filmmakers:

The person next to you has a story. If you could see the world through their eyes for a moment or two, your heart would open up just a little more. With each story we tell, we hope to highlight what makes us human and show that we can all relate to each other in some way. We want to erase the lines that divide us so we can see each other clearly.

HANDi is a team of filmmakers based in Downey, CA.

The name HANDi is synonymous with the prefix “handy” which is associated with a convenient and useful product. “Handy” also pertains to the hands and a handmade quality. Our philosophy is embedded in this single idea. Being handmade, we use whatever we can find on a shoestring budget and craft everything ourselves.

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ThinkSpace Gallery Presents: Dabs & Myla “Marvelous Expeditions” (Culver City, CA)

Dabs & Myla

Thinkspace is pleased to present the highly anticipated Marvelous Expeditions by Dabs Myla and Friends. In the spirit of travel and all things wonderfully itinerant, acclaimed duo Dabs Myla will take over the gallery space and will feature new work and an installation alongside curated selections from 32 of their closest and most inspiring artist friends. The gallery will in effect become a locus of meeting and communal exchange, as artists from all over the world are brought together by Dabs Myla to share their experiences of traveling through its landscapes.

Dabs Myla’s meticulously executed work combines narrative illustration, photorealistic drawing, and architectural rendering with a playful bawdiness and irreverence. Cast frequently as themselves in their imagery and host of characters, the artist pair create worlds of contentious and playful encounters against the seductive chaos of the urbanscape. The city features prominently in their work as the stomping ground for their numerous adventures. When looking at their pieces one has the impression of aesthetic confluence and fluidity, of two minds toiling together as one. The viewing experience is the keen pleasure of looking into another world and enjoying a story, and just as it is with the unrelenting freneticism of the city, there is always a new discovery to punctuate every observation right around every corner – and we’d be remiss to exclude mention of the donuts and street meat.

As artists and urban enthusiasts Dabs Myla translate their experience of the world through a distinctly collaborative amalgamation of their styles and rendering strengths. Their work conveys a synchronicity of vision and aesthetic uncommonly allied and collusive. It is constituted by their shared love of travel, food, graffiti, illustration, and urbanity. Just as all productive chaos emerges from unlikely places, the momentum of travel fosters unexpected discoveries and collisions of worlds. Dabs and Myla, originally from Melbourne Australia and now currently based in LA, are no strangers to this productive geographic disruption, and this project seeks to celebrate the unexpected encounters and inspirations catalyzed by travel. They have invited each of their featured friends to produce a piece for the exhibition on a 16” x 20” wood panel, and with these set material parameters each artist will work their magic. The series is loosely meant to invoke exploration and travel, and each participating artist will metabolize their impressions of the theme differently through their respective styles, voices, and memories.

Marvelous Expeditions showcases the duo’s love of friends, collegiality, exchange, and the proliferation of vision and variety that thrives alongside constant movement and displacement. These are the exploratory impulses of travel that lead to constant revisions, reconstitutions, influences, and to the indelible encounters that change everything.

Featuring 16×20” works from: 123 Klan Aaron, De La Cruz, Askew, Augustine Kofie, Axis, Cat Cult, Dscreet, Dvate, EINE, Elliot Francis Stewart, Ephameron, Greg Lamarche, Honkey Kong (aka Adam Hathorn), Johnny ‘KMNDZ’ Rodriguez, KC Ortiz, KEM5, Logan Hicks, Luke Chueh, Mark Mulroney, Meggs, Misery, NEW2, Pose, Remi Rough, Revok, Rime, Stormie Mills, Tatiana Suarez, Tom Gerrard, Tristan Eaton, Witnes and The Yok.

Dabs Myla:

Melbourne natives Dabs and Myla are a dynamic duo who have lived, worked and soaked in the sun of Los Angeles since 2009. Dabs started painting graffiti in 1995, and began teaching Myla the ropes of writing about ten years later, after they met while studying illustration in art school and fell in love. Soon afterward, they decided they liked their collaborative pieces better than their individual work, and from that point on, they worked together exclusively, as Dabs Myla. Inspired by graffiti, food, travel and their wonderful chaotic life together as a couple, their paintings play Dabs’ mischievous and sometimes ribald characters off Myla’s photorealistic cityscapes. Since their move to California, they have never spent more than a few hours apart. They say, “I guess we are pretty lucky… two peas in a pod! Two crazy, workaholic, mad dorks in a pod! After years of living, painting walls and working together, we have only become closer, stronger and even more in sync. Every day we wake up, paint all day, and keep each other entertained with constant chatter and stupid jokes. Who could ask for more out of life?”

Reception with the artists:

Sat., September 1st 5-9PM

Thinkspace

6009 Washington Blvd., Culver City, CA 90232

T: 310.558.3375

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The Superior Bugout Presents: Monty and The Boozehound “The Never Gonna Cry Tour” (Detroit, Michigan)

Monty and The Boozehound

When: Friday August 17, 2012, doors open at 7 pm bands at 8 pm.

Where: 1480 Gratiot Ave. Detroit MI (Free Parking the back lot)

How much: $3

On Friday August 17, 2012 at 7 pm The Superior Bugout presents an evening with artwork by a traveling duo working under their hobo moniker aliases “Monty” and “The Boozehound” sharing their photos, sculptures, and diatribes of the road along with very loud live sounds produced by Detroit’s own Sheefy Mcfly, Pupils, Mexican Knives, LT Dan and The Sugarcoats.

Monty and The Boozehound left Baltimore earlier in the Summer, traveling across America’s northeast corridor, southern and midwestern states stealing freight train rides and paint.  Along the way they’ve reworked the visual landscapes of the towns they passed through with colorful signage and roller pieces, now pausing to take part in the current artistic renaissance taking place in “surreal urban ruin of Detroit’s streets” as The Boozehound puts it. “Detroit is a lot like camping.” Monty says in his North Carolina drawl, “it’s intense!”

This event will take place in the newly renovated space at 1480 Gratiot Ave, self titled Fourteen-Eighty Gallery in downtown Detroit’s Eastern Market.

Through the creation of a new venue for alternative and underground expression Fourteen-Eighty Gallery is a vision recently renewed by gun enthusiast and local Detroiter Miles Michaels and will continue to be able to be part of the growing arts community in downtown Detroit.

The Superior Bugout seeks to bring a synergy of sight and sound, combining elements of the streets with contemporary sound visionaries. The party aesthetic comes from Brooklyn based multimedia artist Andrew H. Shirley, who’s been spending the Summer in Detroit bathing in the Detroit River and assisting Mr. Michaels in the growth of the gallery space.

FB even page http://www.facebook.com/events/339725266114082/

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Cooper Cole Gallery Presents: Maya Hayuk Solo Exhibition (Toronto, Canada)

Maya Hayuk

Maya Hayuk (photo courtesy of the gallery)

Maya Hayuk is a muralist, painter, photographer, printmaker, video artist and musician. From her large-scale installations to small works on paper, her obsession with symmetry and nourishing color play out in what might be views from the Hubble Telescope, airbrushed nail art, Mexican woven blankets, Ukrainian Easter eggs, chandeliers, mandalas, Rorschach tests and/ or holograms. Her work has been exhibited and published extensively internationally in galleries, museums, on the streets and in various printed and electronic media. Hayuk lives and works in Brooklyn, New York.

COOPER COLE
1161 Dundas Street West, Toronto ON, M6J1X3, Canada
info@coopercolegallery.com / 647 347 3316  / www.coopercolegallery.com
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Low Brow Artique Presents: “You & Me” A group exhibition. (Brooklyn, NYC)

You and Me

Smells . Cash4 (photo © Jaime Rojo)

 

Low Brow Artique is proud to present You & Me, which examines the collaborative element within the street art community. The exhibition will be open to the public from August 11th to September 1st, with an opening reception on August 11th from 6 to 9pm. The gallery presents the work of Cash4 & Smells, Chris & Veng (RWK), EKG & Dark Clouds, Matt Siren & Fenix, OCMC & This Is Awkward, Royce Bannon & Russell King, and Veng & Sofia Maldonado. Inspired by the stylistic changes that occur when two artists create work together, You & Me brings together duos that can naturally be seen in the streets of New York as well as a few who have come together specifically for the show.

The collaborative element of the street art and graffiti scenes are constantly developing. Sometimes inspired by friendship, sometimes by a piece an artist sees while putting up their own work, this element has the power to change the way both artists think about their styles, use of space, and other factors in the art-making process. By coming together to create one piece, the artists also provide a unique experience to those who take notice of their work in the streets. For You & Me, Low Brow Artique is recreating that elated feeling you get when you see two of your favorite artists working together.

Over the past decade, Veng has collaborated with numerous artists, including members of his crew Robots Will Kill. When working with fellow crew member Chris, a palpable change can be seen in how both artists paint. Flowing back and forth between the realistic and cartoon-like, this work is contrasted by how Veng’s work evolves when painting with Sofia Maldonado. For example, when creating art together live for an event, the pair’s art takes on a hard-edged feel as Sofia’s bold shapes and outlines define the background. By placing the work of Veng collaborating with two different artists, You & Me depicts how sharing a canvas with two distinctly different artists can influence one artist’s practice.

However, probably the most ubiquitous partnership in the world of illegal art is none other than Cash4 and Smells. While the direct influence the two artists have on one another may not be as apparent as it is with others in the show, it is the cohesive vision that Cash4 and Smells display that makes them memorable. In addition to this vision, their roller tags can be seen from most above ground trains while their stickers, tags, and characters permeate every space within reach of the ground. With their carefully designed fonts and strong presence, Cash4 and Smells are a definitive partnership in New York City.

By representing artists from both the street art and graffiti worlds, You & Me gives viewers a taste of the partnerships that are seen in the streets. While there are plenty yet to still be discovered, we hope you will join us in celebrating a few of our favorites.

Low Brow Artique

143 Central Avenue

Brooklyn, NYC 11221

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Os Gêmeos and “The Giant of Boston”

The twins have left Boston, but not before they opened their first solo museum show in the U.S. and left behind a handful of public installations that have garnered major attention as people once again grapple with the concept of art in the streets. Otavio and Gustavo Pandolfo have done large installations in large cities before, but few as visible and central to a city as their 70 x 70 foot mural on the side of a “Big Dig” ventilation building rising above the greenway with the shape of the character’s formed by the semi-circular façade.

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Photographer and BSA contributor Geoff Hargadon says that the project received permission from a number of civic and private organizations before it could go up over ten days in July in this storied city that usually favors conservative historical themes in it’s public works. “Given the short amount of time organizers had to put the pieces together and get all the approvals,” says Hargadon while ticking off names of entities who green-lighted the project, “it was a small miracle it was able to get off the ground.”

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

The internationally known Brazillian Street Artists had time to create a few pieces around town that reference their more graffiti-influenced roots, including one each on the side of a hotel, a pizza place, and a van. Not surprisingly it was the seven storey portrait of a seated barefoot boy rendered in signature Os Gêmeos yellow and wearing shrouded headgear that got the most attention on the Rose Kennedy Greenway at Dewey Square. Its bright colors and patterned pajama-like garb have a cheerful childlike appeal to some picnickers, while other townies and Internet commenters see something less attractive, even sinister, depicted here where much of the Occupy Boston protests took place in the last year.

By the time “The Giant of Boston” had been discovered by equally yellow media types, the barefoot boy had been transformed into a danger in this birthplace of democracy and a small media-generated dust bowl was kicked up. “Looks like one of the Simpsons dressed like a terrorist,” said a clever commenter on a local TV affiliate’s Facebook page, one of over 200 who offered their considered opinions on the mural’s appearance.

Os Gemeos never miss an opportunity to collaborate on a van or truck when in the USA. This side of the van was with Graffiti Artist Lead. (photo © Geoff Hargadon)

As with most knee-jerk assessments, this one could be tempered with a few minutes of Googling the work of the artists, which would reveal that this figure fits quite neatly into the dreamscape tableaux of oddly costumed and funnily proportioned figures whom the Twins have been painting for a few decades. But who knows, each of those little kooky figures could have been bombers and no one realized it until now. Without adding credibility to that line of unthinking, Hargadon remarks about these aerosol bomber brothers, “Maybe Os Gêmeos have inadvertently done us all a favor by helping us understand how some people have come to see the world during the past ten years. In any case, like all noteworthy art, it is not meant to please everybody.” If that’s the case, “The Giant of Boston” is noteworthy.

Of more important note is the solo show by Os Gêmeos that has opened concurrently at The Institute of Contemporary Art Boston. Organized by Pedro Alonzo, who also curated the Swoon, Shepard Fairey, and Dr. Lakra shows for the ICA, it’s a somewhat intimate overview of their professional and personal journey as artists, peppered with a few surprises from inside the imagination of these in-the-moment creators who “depict their visions in surreal paintings, sculpture, and installations,” according to the shows official description. Reporting on the makeup of the pieces exhibited, Hargadon says, “Some of them are from the recent show at Prism LA, while others are older works. The VIP opening on Tuesday was packed, and was followed by a Brazilian themed party Friday night – which was sold out.”

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. This side of the van was with Graffiti Artist Rize. (photo © Geoff Hargadon)

If you get to Boston to see this show and this large mural, make time in your trip to see the brothers other works in less obvious locations to get a greater appreciation for their history growing up as teens in the mid 80s while pouring over books like “Subway Art” and seeing the hip-hop and graffiti scene from New York spreading around the globe. You’ll find a mural at the Revere Hotel on Stuart Street and a piece they did along with a handful of friends in Union Square in Somerville at Mama Gina’s Pizza. Among the other contributors to that piece were RIZE, Coyo, and Caleb Neelon.

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. One of The Twins signing a memento for a fan. (photo © Geoff Hargadon)

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. (photo © Geoff Hargadon)

Os Gemeos at the Revere Hotel on Stuart Street, Boston. (photo © Geoff Hargadon)

Os Gemeos with Rize, Coyo and Caleb Neelon at Mama Gina’s Pizza in Union Square, Somerville. (photo © Geoff Hargadon)

Os Gemeos with Rize, Coyo and Caleb Neelon at Mama Gina’s Pizza in Union Square, Somerville. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

Os Gemeos Installation at Boston’s Institute for Contemporary Art. Detail. (photo © Geoff Hargadon)

Os Gemeos. General view of the Exhibition at Boston’s Institute for Contemporary Art. (photo © Geoff Hargadon)

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The exhibit at the ICA will be up through Thanksgiving, 2012.  Click here for further information regarding this exhibition.

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“The Giant of Boston” mural at the Rose Kennedy Greenway at Dewey Square  will be up for 18 months.

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Our special thanks to BSA contributor and photographer Geoff Hargadon for capturing these amazing images of the walls going up and for the coverage of the installations inside the museum.

See our interview in August 2010: Futura Talks: Completion of the “Kid” at PS11 with Os Gemeos

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