Events

Homo Riot Presents: “Fist Pump” at Hold Up Art Gallery (Los Angeles, CA)

brooklyn-street-art-homo-riot-hold-up-art-gallery

What: Hold Up Art and Work Magazine present Fist Pump, a exhibition of new work from internationally recognized, Los Angeles-based activist and street artist Homo Riot, whose highly charged, and sometimes sexually explicit imagery have became part of the city’s socio-political and physical landscape. Homo Riot’s message started out as a “fuck you” to the supporters of Prop 8, but has morphed into something larger and more profound; seen now as an emblem of pride and strength to the gay community. With drag queens, performance artists, and more eye-candy than a Weho Wednesday, this is the art event of the month and should not be missed.

When:  Saturday, October 22, 2011

Arrivals 7:00 PM – 9:00 PM

Reception ends at 11:00 PM

Where: Hold Up Art

Little Tokyo District of Downtown

358 E. 2nd Street, Los Angeles, CA 90012

Convenient Parking Structure Next Door

Who: Music by club favorite DJ Chris Bowen.

Live Performance Art Installations by Rafa Esparza and Trenton Szewczyk. Special appearance by Lady Bear (wearing a Homo Riot-designed ensemble).

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See One Solo Show “Technicolor Daydreams” at Brooklyn Oenology (Brooklyn,NY)

See One
brooklyn-street-art-see-one-brooklyn-oenology

See One

Enjoy the 2nd solo show and the opening reception of Brooklyn Oenology’s 2011 winning wine label artist, SEE ONE. This past Spring, Williamsburg Winery, Brooklyn Oenology held a competition for artists to have thier artwork voted on by their winery members to be selected as the cover of a new bottle of wine. My painting won this competition of the show is coming up soon.

Artist Statement:

In 2009 I developed my current painting style, known as “Shards”, a fluid, transforming, jagged pattern named after broken shards of glass.

An illustrator at heart, my current work is a sort of departure while heavily combining my other influences, Graffiti and Street art into this vision.This signifies a shift in my artistic tastes of creation as I concentrate on these distinct weaving, layered forms.

The process to creating my work is less about the subject but more about the flow, color story, energy, layering and the elusive attempt to capture movement through graffiti-esque forms and lines. I’ve always been one to experiment with techniques, multiple types of paint or ink and in these paintings, have continued that. Most paintings are textural, holding peaks, dips and scrapes forming various surfaces. Spray paint is always on hand as it helps creates the raw energy and movement I desire. While Collage maintains the building of layers, provide depth and helping to break the eye away from the rest of what is going on to look beneath the surface.

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Factory Fresh Gallery Presents: Ryan Ford “Don’t Try To Play Me Like An Indoor Sport ” (Brooklyn, NY)

Ryan Ford
brooklyn-street-art-ryan-ford-factory-fresh-gallery

Don’t Try To Play Me Like An Indoor Sport
A Solo Exhibition Featuring Ryan Ford

Opening reception, Friday, October 21st from 7pm-10pm

Bushwick resident & known hyper surreal oil painter Ryan Ford will have his first solo showing in New York City at Factory Fresh. New lavish painted environments from other dimensions will greet the viewers and unfold throughout the space. An artist known for comic symbolic abstraction, Ford delves a bit deeper into his psyche while titillating the mind with streaks of quiet violence and provocative tranquility.

Currently residing in NYC since 2006, Ryan after graduating from The Savannah College of Art and Design had no interest in city life. He instead chose to move to the quiet mountain town of Asheville, North Carolina, home of The Black Mountain college. There he spent the next four years living in an old feed factory with a crew of like minded artists where they collectively curated art shows and performances. Then in 2006 he opened the door to two photographers from the New York Times asking him if they could shoot photos of him in his studio where upon he said, “hell yes,” and ended up in a two page spread in the New York Times Style Magazine. At this years 2011 TED X Conference Ryan Ford’s recent commission was presented.

Ryan’s original inspirations derive from 15th-17th century Sienese paintings to Philip Guston, Francis Bacon, to pop culture video games. At first glance many describe Ryan Ford’s most recent paintings and sculptures as colorful and playful, however with closer inspection will reveal ideas based on the collective fear of a collapsing economy, the continual insensitivity and abuse to the delicate nature of our ecosystem, further proving we are the only species on this planet that take more than what they need. These serious topics and themes never without a mix of humor, pure absurdity and ridiculousness.

Don’t Try To Play Me Like An Indoor Sport, on view October 21-November 20th

Factory Fresh is located at 1053 Flushing Avenue between Morgan and Knickerbocker,
off the L train Morgan Stop

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The Outsiders Gallery Presents: BORF “See Something, Say Something” (Newcastle, UK)

BORF
brooklyn-street-art-borf-the-outsiders-gallery-newcastle

The Outsiders Newcastle invite you to join us on the evening of Thursday 20th October to celebrate the opening of ‘See Something, Say Something‘, the debut UK solo exhibition from young American artist BORF. The event takes place in the gallery at 77 Quayside, Newcastle upon Tyne, from 6 ’til 9pm.

BORF is one of the brightest young talents in art. Heʼs an angry young man in the finest tradition but his refreshing work makes insurrection delectable.

Formerly a notorious Washington DC graffiti artist, 24 year-old BORF gracefully dodges street art clichés in his gallery shows. He favours watercolours, oil sticks, drawings, sculpture, photography and film over stencils and spray paint. Whereas BORFʼs subject matter is pitiful and angry, his manner is melancholic and idealistic. Rebellion has a romance once more.

See Something, Say Something‘ continues the theme of impassioned revolution against a crumbling status quo. In the city we find abstracted commuters opposite transgressive kids: the former are trying to make a living, the latter trying to live.

PRIVATE VIEW – Thursday 20th October, 6-9 pm, The Outsiders, 77 Quayside, Newcastle upon Tyne, NE1 3DE

Exhibition open to the public 21st October – 19th November, Tuesday – Saturday 12-6pm, admission free

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GARDENSK8 2.0 Silent Auction (Pine Brook, NJ)

GardenSK8
brooklyn-street-art-GARDENSK8-2-0-GardenSk8

GARDENSK8 2.0
GardenSk8 Indoor Skatepark Open its Doors for the
First Time after Hurricane Irene

More than 20 International Graffiti Artist Turn the Skatepark in the World’s Largest Indoor Installation

On October 29, 2011, GardenSk8 indoor skateboarding park, located at 321 Changebridge Road in Pine Brook, NJ, will open its doors for the first time after being destroyed by hurricane Irene 3 months ago.  From 6 PM to midnight, more than 20 graffiti artists from around the world will showcase their art on the walls of the park, making it the word’s largest indoor graffiti installation.

The event, titled GardenSk8 2.0, will include hip hop music and performances from Venemous & DJ Priority, Nobel Productions, Manny D, Black Collar Biz and Animal Crackas.

There will be a silent auction featuring graffiti art on canvas and skateboards, sign product from top professional skateboarders and other products.  All money raised will go back into rebuilding the skatepark.  The park was flooded with more than 3 feet of water during hurricane Irene destroying many of the ramps and the entire retail section.

Graffiti artist who participated in this installation include Demer, Snow, Then, Joe Iurato, Logan Hicks, Kasso, Rain, Hef fx ad, The Fresh Collective, Elan & MMK, Genoe, Mercro, Ree 2, Part 1, Col, Sen 2, Mike Die, Robots Will Kill, Swith, 2 Tek, Pase, Mek, Faro, Doctor Crab and many more.

WHAT:          GARDENSK8 2.0

WHERE:        GardenSk8
321 Changebridge Road
Pine Brook, NJ 07058
212.287.7626

WHEN:        Saturday, October, 29, 2010
6:00 PM to 12:00 AM

PRICE:        Suggested Donation, $5.00

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Munch Gallery Presents: Radical! “Upside Down Frowns” (Manhattan, NY)

Radical!
brooklyn-street-art-radical-stain-jaime-rojo-living-walls-albany-09-11-web

RADICAL!
Upside Down Frowns
Opening of ‘Upside Down Frowns’ exhibition at Munch Gallery
Works by RADICAL!
October 21 – November 20, 2011
Opening reception friday October 21, 2011, 7-10 pm
New York, NY, October 7, 2011 – Munch Gallery is excited to present ‘Upside Down Frowns’ by RADICAL! The exhibition features all new works, and site-specific paintings and installations. RADICAL! was recently part of the ambitious Living Walls Albany, 2011 and has within the past three years shown in New York, Washington, D.C., Oakland, California, London, Tel Aviv, Moscow, and Basel, Switzerland. His narratives are fragments of a larger urban landscape and never intentionally political, but one cannot escape the underlying social comment that seeps through the works and the characters involved. Needles and pills are some of the reoccurring objects and they act not only as symbols of violence, but also as metaphors for a social alienation, fear and lack of communication. The artists will be present at the opening reception friday October 21, 7-10 pm.
……
The exhibition runs through November 20, 2011
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New Image Art Gallery Present: “Pure Logo” A group show curated by Skullphone (Los Angeles, CA)

Pure Logo
brooklyn-street-art-skullphone-new-image-art-gallery

curated by

Skullphone

October 22 – December 10, 2011

Opening Reception Saturday October 22,  7-10pm

New Image Art

7908 Santa Monica Blvd.

Los Angeles, CA 90046

New Image Art is pleased to announce PURE LOGO, a group exhibition co-curated by Los Angeles artist Skullphone, which features the diverse multimedia artists Evan Gruzis, Curtis Kulig, Takeshi Murata, Cleon Peterson, Skullphone, Paul Wackers and Hugh Ziegler.

PURE LOGO explores the omnipresence, necessity, form and functionality of logos as they metamorphose to communicate within increasingly brief discourses. The trajectory of each individual artist informs the exhibition’s overarching investigation of logos, both literal and symbolic, and links the artists through investigations of representation.

Evan Gruzis was born in Milwaukee, Wisconsin in 1979 and received his MFA from Hunter College.  His technically rigorous ink and watercolor paintings are known for their combination of seductive light and absurd, vacuous pop imagery.  In 2008, he published his first monograph, Dark Systems, in conjunction with a solo exhibition at Deitch Projects.  Gruzis belongs to numerous collections, including that of the Whitney Museum of American Art.  Currently, his work is on view in two solo exhibitions:  Exotic Beta at The Hole and Shadow Work at Nicole Klagsbrun, both in New York.  Abroad he is represented by DUVE Berlin and Galerie SAKS, Geneva. He lives and works in Brooklyn.

Curtis Kulig is best known for obsessively covering his canvases and the streets of New York City with the two-word phrase “Love Me.” An inversion of New York’s famous slogan, Kulig’s ubiquitous plea speaks at once to humans’ most primal desire and belies self-doubt and -criticism. “Whatever it’s become,” Kulig says, “It’s kind of my everything.” Kulig was born in North Dakota and got his first taste of creating in his father’s screen-printing shop at age 13.His work has been featured at Mallick Williams & Co, Leo Kesting Gallery, and NYEHAUS in New York; Subliminal Projects, in Los Angeles.

Multimedia artist Takeshi Murata‘s immersive, painstakingly hand-drawn animations exploit broken code and programming glitches to fracture video footage into hypnotic, pixelated distortions and flowing color fields. His evolving processes, visualized in computer-aided hand-drawn forms onscreen, shift and morph into organic forms that teem and pitch, creating images that at once gesture toward technological fragmentation and painterly abstraction. The Chicago-born artist received his BFA in Film/Video/Animation from the Rhode Island School of Design and his work has been exhibited at The Museum of Modern Art, New York; Taka Ishii Gallery, Tokyo; Peres Projects, Los Angeles; and Deitch Projects, New York; among others. Murata lives in Saugerties, New York.

Born in Seattle, Washington, Cleon Peterson currently lives and works in Los Angeles. Peterson paints an anxiety-ridden dystopia where corruption and injustice plague the social order. Deviance prevails, as desperate characters struggle for power and control over their environment. The indiviudual is displaced and forced to navigate this brutal world alone, finding hollow bits of pleasure and meaning in violence, sex, religion and drugs. In this show Peterson has evolved full circle creating utopian symbols that are uniquely unrepresentative of any past movement. The Los Angeles-based artist has shown at galleries internationally, including Alice Gallery, Brussels; Deitch Projects, New York; and Guerrero Gallery, San Francisco.

Los Angeles-based Skullphone first gained notoriety on city streets in 1999 for his iconic image of a black-and-white skull holding a cell phone. He drew attention once again in 2008 when his work appeared on the then-new digital billboards above the streets of L.A. Skullphone’s Digital Media paintings document our world – one which is increasingly communicating with brief encounters via technology – through a laborious painting process. Through painted pointillism on mirror-polished aluminum panels, these images dislocate when the artwork is approached. Skullphone’s work has been shown at Mallick Williams & Co, New York; Subliminal Projects, Los Angeles; the Riverside Art Museum; and was featured in MOCA’s 2009 FRESH Silent Auction.

Paul Wackers‘s work is rooted in inventive means of figuration. “My work is first a response to the world and then a reaction to what is has to offer,” notes Wackers. The formal quality and sensibility of his work is reminiscent of a 17th-century Dutch still-life painter à la Margareta Haverman or Willem van Aelst merged with atmospheric, broken-down geometric landscapes or a diptych-inspired composition on a single canvas. In these works, dreamlike non-places are populated by objects and elements that interact as part of another world that is jarringly similar to our own. Trained in fine arts at the Corcoran College of Art and Design and as a painter at the San Francisco Art Institute, Wackers’ works have appeared in solo exhibitions at Eleanor Harwood Gallery, in San Francisco, and group exhibitions in Los Angeles, London and Brussels.

Hugh Ziegler originally hails from Richmond, Virginia, and lives in Los Angeles. He received his BFA in painting and art history from the Rhode Island School of Design and was awarded an artist fellowship at the Ox-Bow School of the Arts in Saugatuck, Michigan. Ziegler has exhibited his work in Los Angeles; Providence, Rhode Island; Saugatuck, Michigan; and Richmond, Virginia. In addition to contributing to Pure Logo, he’s currently creating a body of work for a December exhibition Johansson Projects, in Oakland.

New Image Art Gallery

Since 1994, New Image Art has been the most influential gallery contributing to the underground art movement on the West Coast. Founder and director, Marsea Goldberg, has been responsible for launching and fostering many of the most recognizable and sought-after artists in the contemporary and street art genres, including: Bäst, Cleon Peterson, Clare Rojas, Date Farmers, Ed Templeton, Jo Jackson, Neck Face, Osgemeos, and Retna. New Image Art continues to push boundaries and grow its roster of both established and rising talent.

www.newimageartgallery.com / info@newimageartgallery.com

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Nuart Presents: An Invitation to the launch of “Eloquent Vandals” (Stanvanger, Norway)

Eloquent Vandals
brooklyn-street-art-eloquent-vandals-jaime-rojo-steven-p-harrington-Carlo McCormick-Tristan-Manco-Martyn Reed-Marte Jølbo

INVITATION
ELOQUENT VANDALS – A HISTORY OF NUART NORWAY
————————————————————————————————————————–

WELCOME TO THE LAUNCH OF THE MUCH ANTICIPATED HISTORY OF NUART BOOK
TOU SCENE, ØLHALLENE
FRIDAY 28TH OCTOBER – 19.00

GUEST DJ’S, GIVE-AWAYS, OPEN BAR

ELOQUENT VANDALS WILL BE AVAILABLE FOR PURCHASE ON THE NIGHT

Eloquent Vandals: A History of Nuart Norway [Hardcover]

Marte Jølbo (Editor), Martyn Reed (Editor)
Eloquent Vandals tells the story of how the Nuart festival has grown from a small underground festival to an Internationally acclaimed street art event. Without the usual restraints of corporate sponsorship or sales to consider, Nuart consistently brings out the best from some of the worlds leading Street Artists. This book offers an opportunity to look back over previous years and shows why Nuart is regarded as an important figure in the 21st century’s most dynamic and vital art movement. The book also tells the story of a movement that instead of fulfilling the criteria for modern art, created new arenas for art in the streets and on the Internet. The relationship between Street Art and the net is one of the things Steven Harrington and Jaime Rojo write about in ”Freed from the Wall, Street Art Travels the World”. This is one of three essays that have been written for the occasion by some of the most important and influential people in the field. Together with texts by Carlo McCormick, Tristan Manco, Martyn Reed, Logan Hicks and The Dotmasters we hope that this book can offer new reflections and perspectives on an art form that has been underestimated and under theorized for over a decade.
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Pandemic Gallery Presents: Wrona “Pretty Horrible” (Brooklyn, NY)

Wrona
brooklyn-street-art-wrona-pandemic-gallery

Pandemic Gallery Presents:

Wrona
“Pretty Horrible”
A demonic solo exhibition
Opening Sat. Oct. 15th
Opening Reception 7 – 11pm

show runs through 11/6/11


If you have been walking around the streets of Manhattan or Brooklyn in the last 10 years then you undoubtedly have come across the haunting zombie imagery of Wrona. A constant in the street art scene, his stickers have been adorning lamp posts and scaring children since the early 2000’s and continue to cast their dead-eyed glare to all who pass by. Unknown to most is the fiendish artwork that accompanies these grim images of the undead. Inspired by horror movies and the macabre, Wrona’s paintings combine old school comic book drawing techniques coupled with painterly wisdom, Including a touch of depravity and humor. A world of dark entities who’s ghastly presence draws you to the world beyond ours and the horrors that keep us up at night.

Please join us for a night of dark art and undead fantasies as we present Wrona’s “Pretty Horrible”. For the event Pandemic is releasing a short run of collaborative stickers combining the images of Wrona’s original “zombie” and Pandemic’s “Dracula Fish” that will be available the night of the show. The gallery should resemble nothing short of a crypt and with Halloween being so close we encourage all zombie enthusiasts to dress accordingly. Hope to see you there, dripping with blood!

PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Gallery hours:
Tues.-Fri. 11-6pm
Sat. & Sun. 12-7pm
closed Monday
or by appointment

L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe

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Rania Attieh & Daniel Garcia Screen their new film “OK, Enough, Goodbye” At The MoMA (Manhattan, NYC)

Ok, Enough, Goodbye
brooklyn-street-art-rania-Attieh-daniel Garcia-OK-enough-goodbye

  • Okay, Enough, Goodbye

    2011. Lebanon/USA/UAE. Written and directed by Rania Attieh, Daniel Garcia. With Daniel Arzrouni, Nadime Attieh. Okay, Enough, Goodbye is a caustic coming-of-age story about a man pushing 40 who lives with his elderly mother. Using her complete dependence on him as an excuse, he has refrained from making a life for himself—until one day when, without warning, his mother moves to Beirut. Attieh and Garcia’s debut feature is an incisive deconstruction of manhood and a graceful meditation on inertia, loneliness, and cowardice. Winner of the Black Pearl at the 2010 Abu Dhabi Film Festival. 93 min.

  • MoMA FILM SCREENINGS:

Introduced by Attieh, Garcia

Friday, October 14, 2011, 7:00 p.m.

Theater 2 (The Roy and Niuta Titus Theater 2), T2

Saturday, October 22, 2011, 5:00 p.m.

Theater 1 (The Roy and Niuta Titus Theater 1), T1

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Moniker International Art Fair October 13-16 2011 (London, UK)

Moniker
brooklyn-street-art-moniker-art-fair-carmichael-gallery

Following our hugely successful debut last year, Moniker is back to shake up London’s art fair scene once again highlighting the international scope of street art and beyond. Moniker was responsible for putting East London on the art fair map in 2010, challenging traditional conventions with both gallery exhibits and further signature project spaces ready to whet the appetites of the art crowds.
With over 10,000 people walking through its doors last year, Moniker is set to bombard the scene once again, with a matchless assemblage of artists and galleries who are often overlooked by mainstream art fairs.
Moniker has become recognised by those in tune with international art trends, along with collectors, critics and art lovers alike.Moniker will take place in October this year at Village Underground, Shoreditch from the 13th–16th of October. In addition, Moniker Projects will continue with its philosophy of commissioning a series of offsite projects including public artworks, educational workshops and film screenings, offering visitors a number of opportunities to get involved and be informed.

EXHIBITORS:

Mauger Modern
London

Shea & Ziegler
London – Los Angeles

The Garage
Amsterdam

Village Underground

54 Holywell Lane
Shoreditch
London
EC2A 3PQ

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