Events

Kraftwerk At MoMA

April 16, 2012 , , , , , , ,

Stylized Leaders of the Computerized Electronic Revolution at MoMA

First as D.I.Y. experimenters and visionaries, then leaders in a nearly empty field, then as inspiring catalysts for man-machine marriage, Kraftwerk paved the way for millions of musicians, programmers, DJs, rappers, and fans to integrate a mechanized electronic precision into the modern musical oeuvre.  At a time when the youth movement was peacing out and getting high with arena rock and disco, Kraftwerk was turning itself into robots and its vinyl platters were getting play in New York house parties as an ideal futuristic soundtrack to integrate with lyrics, riffs and samples.  With New Wave, House, and Techno music all spawned with those same programmed beats, voices, and influences, now in the 2010s we acknowledge that a wide spectrum of musical categories, recordings, and performances contain a significant part of Kraftwerk’s digital DNA.

 

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

A teenager in the early 80s listening to Man Machine and Computer World would have thought that Kraftwerk were geekily impressing each other with their sweeping vision of a future daily existence where people and robots interact via  smart electronic devices and programs. Not only did each year afterward bring us many steps further into their outlandish computerized vision, it may be that they partially ushered it in with their undulating funky precision and robotic wit. And so it is in New York now that “Kraftwerk Week” is blowing away a roomful of people who are holding up their personal glowing rectangles toward the stage at the Museum of Modern Art. Over the course of 8 consecutive nights they appear as slightly human robots to perform one of their albums in it’s entirety, followed by a very satisfying collection of favorites.

The retrospective Kraftwerk 1 2 3 4 5 6 7 8 brings a vision of the current band members poised before their master controls while 3-D visuals crisply fly into your face with elements of aerospace, rail travel, and the pumping machinations of human propelled progress.  Swelling pulsating vistas are punctuated by text and funnily low-tech robotic movements – all infused with a sense of classical European styling. As pure and total fans we were extremely lucky to have attended one of the performances and we felt like witnesses to an historic event that testified to the influence of 4 decades of experimentation but also displayed a delightfully stellar quality of skill and performance.

Naturally, these photos were shot on our personal hand-held computers.

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

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Anonymus Gallery Presents: Maya Hayuk “Apocabliss” (Mexico City, MX)

April 12, 2012 , , , ,

Apocabliss

MAYA HAYUK obsesses with symmetry and nourishing color played out in what might be viewed from a kaleidoscope, an aura, or visual mantra. Embracing sexuality and spirituality via symbolism evocative of radiantly woven geometries and parted orifices of the body, her work tries to decode a process towards continuity and wholeness while striking chords of an almost pathological optimism.

Apocalypse: the end of the universe, the collapse of civilization. Bliss: euphoria, peace and joy. The marriage of these 2 words is Apocabliss. With the turn of the New Year, 2012 brought with it prophesies of disaster based on interpretations of the Mayan calendar. Maya Hayuk’s solo exhibition, 2012 APOCABLISS embraces this theme but instead reflects on the possibility of the beginning – the desire to accept positive visions of a future renewed, rather than those of death and destruction. Since ancient times the end of world has brought a haunting pessimism. However Hayuk understands the meaning of these forecasts instead as a transformation in the order of the world as we know it. The real journey of evolution results in the spirit of what remains. Apocabliss is the end of an era beckoning euphoria, peace, and the joy of change.

From her large-scale murals to works on canvas, Maya Hayuk uses bold, explosive colors that often double and refract abstract shapes in proportioned patterns that literally vibrate off the canvas and walls. Layers of electric colors organically bleed and drip into new ones, creating psychedelic zones where space and time collide and form new visual wormholes. Influences abound from Madras patterns and Mexican hand woven blankets, Ukrainian crafts and holograms. Maya Hayuk explores concepts of light, space, fractals and symmetry. Painted diptychs, mirrored versions of each other, like rorschach tests or the two hemispheres of the mind, perfectly flawed in their symmetry. A visual utopia is created through the perfect state of geometric abstraction and subjective composition.

Maya Hayuk is a muralist, painter, and photographer, who’s been living in Brooklyn for the past decade. Her work has been shown internationally, including at New Image Art in LA, Gallery 16 in San Francisco, A.L.IC.E. Gallery in Brussels, and MU, Eindhoven, in the Netherlands, as well as large-scale murals in Brazil, Bejing, the Bahamas, Chile. Maya frequently collaborates with other artists and musicians. She has been a member of the artist collective BARNSTORMERS since 2002 alongside artists including Swoon, David Ellis, Doze Green and Ryan Mc Ginness. She has also produced work for musicians such as M.I.A., TV on the Radio, The Flaming Lips, Devendra Banhardt, Seun Kuti, Prefuse 73, Awesome Color, Oakley Hall, Home, Animal Collective, Dan Deacon and The Beastie Boys, amongst others.

The exhibition 2012 APOCABLISS at Anonymous Gallery in Mexico City marks Maya Hayuk’s first SOLO exhibition with the Gallery. In April Hayuk is also participating in HIGH FIVE, a group show at New Image Art Gallery in Los Angeles. In June she will launch a 2-person show with Paul Wackers at A.L.I.C.E. Gallery in Brussels and will be publishing another series of screen prints with Pictures on Walls.

MEXICO CITY:
173 Zacatecas
Col. Roma Norte, Cuauhtémoc
Ciudad de México, Mexico 06700

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Corey Helford Gallery Presents: Buff Monster “Legend of the Pink Cherry” (Culver City, CA)

April 11, 2012 , , , , ,

Buff Monster


Opening Reception Saturday, April 14, 2012 from 7‑10pm
On View April 14 – May 5, 2012
On Saturday, April 14, Los Angeles street artist Buff Monster returns to Corey Helford Gallery to unveil the “Legend of the Pink Cherry,” his fifth solo exhibition at the gallery and his most ambitious to date.

Internationally known for his super bright, happy, and bold imagery, the paintings in the main gallery will celebrate the last eleven years of Buff Monster’s career, culminating in a timeless epic tale of good vs. evil. For the “Legend of the Pink Cherry,” the artist draws inspiration from Renaissance paintings. Buff Monster will introduce his latest creamy creation, a soft serve ice cream cone with human-like arms and legs. Each acrylic-on-wood panel piece in the show is delicately rendered with airbrush, a first for the artist.

Buff Monster’s narratives are more character and figure-based than before, and the series of paintings created for the exhibition will also reveal a new direction in Buff Monster’s career. “I’ve always thought of my work as inspired by and representative of Los Angeles—Hollywood more specifically. Los Angeles is the birthplace of Buff Monster. Part of why I feel compelled to tie everything together is that I feel that this chapter of my life and my work is coming to an end, and I’m looking to the future. It’s time to go East.”

The upstairs gallery will feature the second half of the exhibition, the debut of a project Buff Monster has been working towards his entire career: “The Melty Misfits,” a set of 60 collectible trading cards honoring the the Garbage Pail Kids. “I know more about Garbage Pail Kids than anyone you will ever meet,” Buff Monster adds, and in keeping true to the original form, each painting is 5”x7” on watercolor paper with acrylic and airbrush. The cards will be released on opening night, and the original paintings will be on display. Buff Monster notes, “I am going through a ton of work to make these as close to the vintage cards that we grew up with as possible. They’ll be printed offset using a custom paper stock and custom-mixed inks, and will come in wax packages just like cards from the 80s.”

The opening reception for the “Legend of the Pink Cherry” takes place Saturday, April 14 —Buff Monster’s birthday —at Corey Helford Gallery. The reception is open to the public, and the exhibition will be on view through May 5, 2012.

Buff Monster
Buff Monster lives in Hollywood and cites heavy metal music, ice cream and Japanese culture as major influences. The color pink, a symbol of confidence, individuality and happiness, is present in everything he creates. Buff Monster’s creative endeavors began by putting up thousands of hand-silkscreened posters across Los Angeles and in far-away places. His frequent poster missions developed into a productive street art career, and he now works on fine art paintings, collectible toys and select design projects. He paints on wood, taking great care to create his images as flat as possible. His work has been shown in galleries worldwide, often accompanied by large installations. Buff Monster has released numerous signature vinyl toys through leading vinyl toy companies, and has many other projects in the works. His art has been published in a variety of magazines, websites, newspapers and books, including Juxtapoz, Paper, Nylon, Cool Hunting, Angeleno, The Los Angeles Times, LA Weekly, The New York Times, and many more. He was recently featured in Banksy’s movie Exit Through the Gift Shop. And in January of this year he painted a mural on the exterior of The Standard Hotel in Downtown Los Angeles. Buff Monster works tirelessly day and night to spread happiness, joy and a love of pink. For more information about the artist, please visit buffmonster.com.

Corey Helford Gallery
Located in the Culver City Art District, Corey Helford Gallery was established in 2006 by Jan Corey Helford and her husband, television producer and creator, Bruce Helford (Anger Management, The Drew Carey Show, George Lopez, The Oblongs). Corey Helford Gallery represents a diverse collection of Contemporary artists influenced by today’s pop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street Art. Artists include Josh Agle (Shag), Ray Caesar, D*Face, Chloe Early, EINE, Ron English, Natalia Fabia, HUSH, Kukula, Lola, The London Police, Sylvia Ji, Eric Joyner, Michael Mararian, Brandi Milne, Buff Monster, Risk, Amy Sol, TrustoCorp, Martin Wittfooth, and Nick Walker. Renowned for its notable exhibitions, the gallery has presented “Charity By Numbers,” which was co-curated by Gary Baseman and featured an unprecedented lineup of artists including Mark Ryden, Marion Peck, Shepard Fairey, Todd and Kathy Schorr, Camille Rose Garcia, and Michael Hussar, as well as “La Noche de la Fusion,” an epic Carnivalesque festival and solo exhibition for Pervasive artist Gary Baseman. In 2010, Corey Helford Gallery partnered with Bristol’s City Museum & Art Gallery for the transatlantic collaboration “Art From The New World,” a world-class United Kingdom museum exhibition showcasing work by a formidable group of 49 of the finest emerging and noted American artists. Corey Helford Gallery presents new exhibitions approximately every four weeks. For more information and an upcoming exhibition schedule, please visit coreyhelfordgallery.com.

Corey Helford Gallery
8522 Washington Boulevard
Culver City, CA  90232
T: 310-287-2340
www.coreyhelfordgallery.com
Open Tuesday – Saturday, Noon to 6:00pm

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The Scarlett Gallery Presents: Shai Dahan “Vice & Virtue” (Stockholm, Sweden)

April 10, 2012 , , , , ,

“Vice and Virtue”

The Scarlett Gallery is pleased to present a solo exhibition by Shai Dahan.

The former New Yorker, now residing in Sweden, will be presenting a body of new work in his first solo Stockholm show.

The artist is known for his iconic realistic rendition of the Swedish Dala Horses. Shai uses them as a metaphor for urban art to create a dialogue between the conformity and foundation of Royal history and the scorned graffiti culture that authoritative leaders have tried to prevent from advancement. VICE & VIRTUE is a symbolic alteration of Swedish Royal figures and sovereignty ripped apart by unbound graffiti impressions. In vivid forms of graffiti tags, Swedish Royal and monarch names dating back centuries, are placed in almost an architectural manner to decorate figures to poetically carry vandalism into art.

Shai’s work is captivating, thought provoking and yet emotionally positive. His gallery work is an expressive way of bringing this urban artistry into a more delicate environment while still maintaining its attractive elegance. Shai has been featured in magazines and books worldwide, and has taken part in multiple urban art projects around the world including New York, Los Angeles, Canada, Madrid and Sweden. He has exhibited internationally and has also painted murals across the U.S. and Europe

Currently, residing in Borås, Sweden with his wife and two dogs where he continues to paint and exhibit internationally.

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Lala Gallery Presents: “LA Freewalls Inside” (Los Angeles, CA)

April 9, 2012 , , , , , ,

LA Freewalls Inside

Dear Friends, 

We are incredibly proud to announce the opening of LALA Gallery on Saturday, April 21, 2012 where we will be presenting LA Freewalls Inside.
LA Freewalls Inside is a group show featuring over 40 artists who have helped make Downtown Los Angeles one of the biggest and most recognizable public art spaces in the world, including Shepard Fairey, SWOON, HOW and NOSM. Keep a lookout as we unveil the final line-up over the next two weeks.
So spread the word, bring a friend and help us break-in the space for the first of what will be many, many, more events.
– Daniel Lahoda, LALA Gallery
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Sowat and Lek Presents: “Mausolee” Art show and Book Release (Paris, France)

April 9, 2012 , , , ,

Mausolee

On August 12, 2010, Lek and Sowat found an abandoned supermarket in the north of Paris. For a year, in the greatest of secrets, both artists continuously wandered in this 430,000 sq ft monument to paint murals and organize an illegal artistic residency, inviting forty French graffiti artists to collaborate, from the first to the last generation of the graffiti movement.  Together they built a Mausoleum, a temple dedicated to their disappearing underground culture, slowly being replaced by street art and its global pop aesthetics.

R. Skyronka (photo © R.Skyronka)

Butterfly

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941 Geary Gallery Presents: Herakut: “Loving the Exiled” (San Francisco, CA)

April 9, 2012 , , , , ,

Herakut

gaze out at us with eyes both sad and resigned, asking nothing of us but a basic empathy.

From the Artists:

We like to see each Herakut piece as the sum of a dialogue between Hera and Akut, a synthesis, a conclusion. And often this final thought is the first line of a new discussion, a new dialogue that will lead up to a new piece of art. That is how we have worked ever since we teamed up in 2004. Over the past years of collaborating, our palette has changed, of course, and we have learned to blend our different techniques, my sketchy lines and Akut ́s realism, ever smoother. It’s actually pretty funny that we do not even talk about the actual painting process. We only talk about the content. Our discussions take place in the world of reason and philosophy. What our hands actually do with our spray-paint is left up to them really. We just focus on telling a story. If the piece turns out pretty or not, is just a side-effect. The thoughts they carry are what we worry about. The messages are what we spend our days on.

To the San Francisco show we will be bringing characters that have fallen from grace. We took a look to the banned and exiled, the abandoned child that first cries of fear and then of rage, flocks of scapegoats, a choir of arch enemies, the outlawed, the out- numbered, the ones that know they are very last of their kind, the extinguished. When will we end up in their place?

Herakut is an artist duo made of Jasmin Siddiqui, born 1981 in Frankfurt, West Germany, and Falk Lehmann, born 1977 in Schmalkalden, East Germany. Their artistic style is as symbiotic as their name, which in itself is the symbiosis of the two individual graffiti synonyms Hera and Akut. A love for traveling and painting for the public eye are just a few of the things of the things Akut and Hera have in common. Their work, however, is based on bringing together contrasting elements: masculine vs. feminine, Eastern vs. Western, the roughness of Street Arts vs. the detail of Fine Arts.

Since 2004, Herakut has painted and exhibited in prestigious big cities like London, Berlin, New York and Paris, but have also spent a lot of valuable time painting the dirty sides of less glamorous cities such as Ekaterinburg, Russia or Campeche, Mexico. Both of Herakut ́s publications, The Perfect Merge published in 2009 and 2011’s After the Laughter have received great success, with the two books selling over 10,000 copies worldwide.

Contact 941Geary

LOCATION

941 Geary Street

San Francisco, CA 94109

Alternate entrance through the alleyway:

60 Myrtle Street

San Francisco, CA 94109

Phone: (415) 931-2500

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New Image Art Gallery Presents: “High Five!” A Group Show (Los Angeles, CA)

April 9, 2012 , , , , , ,

High Five!

New Image Art is excited to present “High Five,” a group-show featuring six artists with six very distinctive styles and voices beloved by New Image Art. Alia Penner, Ashley Macomber, Curtis Kulig, Deanna Templeton, Maya Hayuk, and Vanessa Prager will be filling the gallery with new paintings on paper and canvas, as well as a photography installation.

 

While remaining anomalous, Ashley Macomber’s thought-provoking paintings pay homage to the female surrealist movement and offer a nod to the technical styling of René Magritte. In a similar acknowledgment to the feminine surrealist movement is work of self-taught painter Vanessa Prager. Prager’s highly saturated works give way to a false sense of reality; her study of the universe feels accurate. Her portrayal of human behavior scratches at life’s emotional ups and downs, and the contrast between the bursts of color in the foreground and stark backgrounds reflects this natural turmoil. Curtis Kulig, maybe better known for his moniker “Love Me;” seen freely scribbled in a calligraphic-style both as graffiti and over canvases of solid fields. Focusing on the beauty of the line and word his signature leads the viewer to ponder the implications of “Love Me.” Is it the artist’s own insecurity or is it our own? Either way the honesty of the simple phrase – the desire, makes us smile and wish! And on the topic of Love, the psychedelic and geometric paintings of Maya Hayuk when boiling the combined components of light and dark, punk, and folk, can be reduced to reveal their truth, which is none other than Love. In the artist Alia Penner‘s eyes, everything looks better covered in rainbows. Not girly, pastel rainbows, but brilliant acid hues that bring to mind Peter Max and Sonia Delaunay. (Extract from NY Times Magazine) Documentary, and internationally acclaimed photographer, Deanna Templeton will be installing her iconic photographic images in a network of evenly spaced horizontal and vertical lines that will read as a single unit.

 

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C.A.V.E. Gallery Presents: Hellbent, BAYO and Haunted Euth New Works (Venice Beach, CA)

April 9, 2012 , , , , ,

CAVE Gallery

Hellbent “Triptych”

OPENING RECEPTION: SATURDAY, APRIL 14TH 

C.A.V.E. Gallery is proud to present new works by:

BAYO – “Inside-Outside“

Bayo’s paintings depict visceral worlds, where the main character is the psyche as an axis of conflicts. His paint strokes signal a constant path where anxiety is inescapably contagious. Characters tend to avoid frontal sight, turning their eyes towards themselves and exposing their fragility. Dispirited forms allow us to prove that their author does not follow the statutes of reason. Each piece simultaneously depicts the rigor of obsessive details, the vagueness of repetition, and the sudden explosion of motion. All in an effort to express the architecture of his emotions, with a complexity that can never remain subtle.

 HELLBENT – “A Quilted Life“ 

For his new series – “A Quilted Life”, Hellbent employs a variety of techniques that add a unique 3D quality to his work. He has developed a stencil technique that creates a kaleidoscope “quilt” of color in cubist patterns. The complex compositional puzzle of the background seems to push and pull behind bold imagery. Instead of a paint brush, Hellbent often uses a power drill to etch forms into wood panels. Always looking to expand his craft by exploring different techniques and mediums, Hellbent has also experimented with colored liquid glass – adding to the vibrant spectrum and resemblance of stained glass in his work. The complex color patterns are intricately layered, creating a dynamic and bold new collection.

HAUNTED EUTH – “All Gone Wrong“

“My new work is entirely autobiographical – calling upon, navigating and negotiating the complex relationships and experiences I struggled to balance last year. Themes of addiction, love, struggle, fear and anxiety are paramount in the work I produced for this show. This new body of illustrations is a open acknowledgment to the past and signifies a new, positive outlook on the future.”

OPENING RECEPTION: Saturday, April 14th  6 – 10pm 

On view thru May 5

www.cavegallery.net

1108 Abbot Kinney Boulevard, Venice CA 90291 * Tel 310 450 6960  *  Wed thru Sun. 12-6PM

info@cavegallery.net

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G40 Art Summit in Richmond: The Art of the Mural

April 5, 2012 , , , , , ,

Arts festivals have a proud tradition of bringing creative expression directly to  people on the street. When you talk about graffiti and Street Art you normally focus on the singular Street Artist who deigns their location and manner of display in the urban environment. But sometimes the display is collective and the planning and execution is actually a curatorial exercise with community arts leaders.

The ancient Greeks had the “Great Dionysia” spring art festival in April in Athens with tragedies of Æschylus, Sophocles, and Euripides. Queen Victoria famously opened the Great Exhibition in 1851 that might have launched hundreds of cultural fairs world wide since. Chicago has had the 57th Street Art Fair since 1948 that showcases original work and benefits the artists directly.

At any given moment there is a non-profit, public, or private cultural institution planning some sort of foray into the public sphere with the arts – sometimes with the full or tacit agreement of the community and often with it’s ignorance.

Street Artist JAZ getting up in Richmond, Virginia in this still from a video for the G40 summit (below).

And of course Street Art festivals have been running hard around the world in the last decade including Fame in Italy, Nuart in Norway, Cans in London, the stencil festival in Melbourne … the list continues to grow. Recently in the US we’ve been seeing Living Walls pop up in Atlanta and Albany, Open Walls in Baltimore and today we’re looking at the town of Richmond, Virginia, which is currently being installed with new work by Street Artists from around the world for the G40.

(Click image to enlarge map, courtesy Richmond.com)

The G40 Art Summit is marking its third edition and they will offer exposure to new faces in the Street Art scene and others to an audience who may never have heard of any of them, and that’s the point. For this year’s edition their focus is on “The Art of the Mural”. Art Whino, the creators and organizers have invited a handful of international Street Artists to participate.

Besides giving exposure to the artists, Art Whino explains in their press release how they hope to help the city:

“By inviting 12 of the top mural artists from around the globe to unleash their creativity to 20 large scale walls throughout Richmond, this project is sure to put the city on the map as a street art destination”.

As local art writer Christina Newton explains on Richmond.com the importance of programs like this in the public sphere ultimately goes to the average person on the street, “As many opportunities to experience art as there are in a city the size of Richmond, some will unfortunately never venture into a gallery because they think they don’t know enough about art or are shy about venturing into a space they have never been. Public art is important because it can more easily reach a broad audience, not to mention have the ability to move people out of their comfort zone, open our eyes and minds to something new, and beautify our environment.”

Artists included in the G40 this year are:

Jacopo Ceccarelli aka 2501, Italy, Angry Woebots – California, Aryz – Spain, El Mac – California,  Gaia – New York, , Jaz – Argentina, Jesse Smith – Virginia, La Pandilla – Puerto Rico, Lelo – Brazil, London Police – UK, Pixel Pancho – Italy, Roa – Belgian and Scribe – Kansas City.

Here some examples of work on the street by some of the artist captured by Jaime Rojo.

El Mac (photo © Jaime Rojo)

Gaia (photo © Jaime Rojo)

Jaz (photo @ Jaime Rojo)

La Pandilla (photo @ Jaime Rojo)

The London Police (photo @ Jaime Rojo)

Pixel Pancho (photo @ Jaime Rojo)

ROA (photo @ Jaime Rojo)

For further information regarding the G40 Summit click here.

For further information regarding Art Whino Gallery click here.

 

 

 

 

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From Here To Fame Publishing Present: Arabic Graffiti & Egyptian Street Art in Frankfurt. (Frankfurt, Germany)

April 4, 2012 , , , ,

From Here to Fame

Arabic Graffiti & Egyptian Street Art in Frankfurt

Graffiti artists from Egypt, Tunisia and Germany will create a street art gallery from 10th of April around the Tutankhamun exhibition hall in Frankfurt. Some of the best known and most active street artists from Egypt will participate, including Aya Tarek, Ammar Abo Bakr and Ganzeer. El Seed, a street artist from Tunisia whose work has influenced graffiti artists around the Arab world, and Andreas von Chrzanowski aka Case from Germany, who recently did murals in Egypt, complete this distinguished line-up.

Friday 13th of April

Opening of the Street Art Gallery
First Friday Egyptian Street Art & Arabic Graffiti
7:00 pm – Midnight

Arabic Graffiti – El Seed & Don Karl present the book and project
8:00 pm – Exhibition Foyer

Street Art of the Egyptian Revolution – Ganzeer & Don Karl
9:00 pm –  Exhibition Foyer
Tutankhamun exhibition hall, Mainzer Landstraße, Güterplatz, 60327 Frankfurt am Main

Since the start of the Arab uprisings the Middle East has seen an unparalleled explosion of graffiti. Many slogans which were later sung by the people on the streets first appeared on walls from Tunisia to Bahrain. Egypt has played a remarkable role in this phenomenon. Even when the army tanks rolled onto Tahrir Square in Cairo, they were immediately adorned with graffiti. Along with people from all walks of life, artists, calligraphers and designers took over the public space. In no time a vital and now globally acclaimed street art scene emerged. Arabic Graffiti is an intercultural project by From Here To Fame that involves artists, activists and academics from various Middle Eastern countries and their diasporas. Started as an art and book project, the recent events in the region have led to an active involvement of many participants in the transforming changes of the region. Events and exhibitions are currently being developed in Tunisia, Egypt, Lebanon, France and Germany.

The project  Arabic Graffiti & Egyptian Street Art is part of the Festival of Egyptian Culture, the program for the exhibition Tutankhamun – His tomb and treasures in Frankfurt.

 

 

 

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