California

L.A. Art Machine Presents: “Vox Humana” A Large Scale Live-Art Installation (Los Angeles, CA)

LA ART Machine
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The L.A. ART MACHINE is proud to present VOX HUMANA, a large-scale, live art installation by celebrated international artists Edward Walton Wilcox, Andrew Hem, Shark Toof,and Chor Boogie at the 2011 L.A. Art Show, January 19-23, 2011. Taking place over five days and covering more than 500 square feet of canvas, this unique art happening invites visitors into the esoteric world of the artistic creative process. You are cordially invited to join us for this special art happening.

Schedule:
January 19: 6:00 PM – 10:00 PM (VIP Opening)
January 20-22: 12:00 PM – 5:00 PM
January 23: 12:00 PM – 2:00 PM

Completion ceremony January 23, 2:00 PM Location:
Los Angeles Convention Center, West Hall
1201 S Figueroa St
Los Angeles, California 90015
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Presented in partnership with:

LeBasse Projects, FIND Art Magazine, Merry Karnowsky Gallery, Sister Cities Los Angeles, and Castelli Framing

for more information contact: voxhumana@laartmachine.com or 323.702.3594

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White Walls Gallery Presents: Eine “Greatest” (San Francisco, CA)

Eine
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Opening Reception: Saturday, March 12, 2011 7-11pm

Exhibition on view through April 2, 2011

San Francisco, CA-White Walls gallery is pleased to present, ‘GREATEST’ a solo exhibition by London-based artist, Ben Flynn a.k.a. EINE. The opening reception for ‘GREATEST’ will be held on Saturday, March 12, 2011 from 7-11 PM. The exhibition will be on view from March 12, to April 2, 2011 and is free and open to the public.

‘GREATEST’ is an art exhibition by the artist, Ben EINE, that will utilize both gallery and public space as a two-tiered platform for the artist’s visual expression. EINE’S work is a large-scale study of the shape and structure of the 26 letters found in the modern English alphabet in varied typefaces, color configurations and word arrangements. In the public spaces of San Francisco, EINE will be painting each letter of the alphabet on various walls around the city. A further ten canvases of his work using spray paint, acrylic, and glitter will be on display at White Walls gallery.

In an effort to engage the community through the creation of public artwork, EINE will be painting the entire alphabet throughout the city of San Francisco over the course of several weeks on walls and shutters. This public execution of street art aims to offer viewers a more participatory role in the observation and evaluation of artistic creation. All members of the community from collectors and appreciators to first-time viewers are invited to partake in the dynamic program of events that surround this ambitious undertaking. White Walls gallery will be producing a schedule of live installations, a continually updated map of works as they appear around the city, a public artist talk, and an evening of film screenings related to EINE’S art.

Rooted in the subcultural practice of graffiti, EINE moved into the more socially acceptable expression of street art in the early 2000s as a way to become a full time artist creating public works that were perceived as more legitimate. However, his fundamental art practice has essentially remained the same–he continues to paint words and letters on walls on the street. Letters either appear alone, on shutter fronts, or as words on walls such as ‘scary’, ‘vandalism’, and ‘monsters’ rendered in bright and amiable colors. In this way he turns negative words into positive ones. The contrast of jovial shapes and colors with dark sentiment is also a tongue-and cheek nod to the artist’s furtive and taboo origins as a graffiti writer.

The street art component of ‘GREATEST’ is complimented by a selection of works to be displayed inside the gallery. These works are part of EINE’s continual exploration of letters and words as his quintessential format for aesthetic inquiry. EINE’s studio process involves a layering of stencils onto the primed and painted canvas. Re-envisioning basic Victorian typographical structure, he begins with vintage hand-printed wood block fonts, reworking and refining them until he is inspired to cut the final stencil. This working methodology marks the continual evolution of the font by the artist’s hand.

In the early 2000s, EINE began a symbiotic collaboration with the street artist, Banksy. The artists worked and exhibited together for several years traveling to Australia, Berlin, Vienna and Denmark where Gallery V1 held the Banksy vs. EINE show in 2003. EINE also collaborated with Banksy on the famous Palestinian Wall project.

In 2010 the Prime Minister David Cameron presented President Barack Obama with a piece of EINE’s work as a gift. This diplomatic exchange between the world powers catapulted EINE’s work into the limelight on both sides of the Atlantic. GREATEST will be EINE’s first show in the US since his work was given to President Obama.

EINE is a London-based artist whose career started over 25 years ago when he tagged anything he could get his hands on. Although EINE’s work was initially illegal, he created a distinct typographical style that has made him one of London’s most ingenious and original street artists. His work has been exhibited in Los Angeles, New York, Toyko and throughout Europe. His painting commissions have also taken him worldwide with trips to Israel, Australia, South Africa and India. EINE was invited to take part in Banksy’s Cans show in London. After EINE worked with Banksy he joined ‘Pictures on Walls’ where he worked as their resident silkscreen artist and produced prints for their artists including Mode 2, and Banksy. He recently exhibited at The Carmichael Gallery of Contemporary Art in Los Angeles.

White Walls Gallery is the premiere West Coast destination for urban art. Combined with the Shooting Gallery just next door, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the urban art movement that stems from street art and graffiti art. Named for its plain white walls, we take a backseat to the real focus: the art.

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L.A. Art Machine At Ace Gallery Presents: D*Face, Mear One, The London Police, Word To Mother, Will Barras and Kofie “Temporary Metropolis” (Los Angeles, CA)

L.A. Art Machine
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In May 2011, BritWeek, in collaboration with the L.A. ART MACHINE (LAAM), will produce a landmark, large-scale, museum-quality art installation by world-renown artists MEAR ONE (USA) and D*FACE (UK). This exhibition will be the centerpiece of the entire BritWeek Contemporary Art Program and will run approximately two weeks at L.A. MART second floor exhibition hall.

Utilizing approximately 25,000 square-feet, BritWeek & LAAM will encourage the artists to entertain an entire range of expression, employing any media that fits the artists’ concept (i.e. sculpture, digital media, paintings, prints, performance, etc.) The overarching theme, which may be interpreted loosely, is the U.S.-British experience and whatever that may mean to the artists.

In addition, D*FACE and MEAER ONE will commandeer chair sculpture in the parking lot of the L.A. MART as a special project piece for the artists to embellish, paint, and post. This outdoor sculpture may remain in perpetuity as a gift from BritWeek to Los Angeles and an internationally-recognized symbol of the L.A. MART.

Time/Date:
Friday, May 6, 2011 at 7:00pm – Saturday, May 14, 2011 at 7:30am

Location:
LA MART (entire 2nd floor)
1933 S. BROADWAY
Los Angeles, CA


Stay tuned for updates as the event draws near.

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White Walls Gallery Presents Dan Witz New Works: What The %&#@? (WTF) (San Francisco, CA)

Dan Witz
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Opening Reception: Saturday, January 08, 2011

Exhibition Dates: January 08 –February 05, 2011

SAN FRANCISCO, CA- October 24, 2010 –White Walls is pleased to present What The %$#@? (WTF), an exhibition by prolific Brooklyn-based artist, Dan Witz. The WTF exhibition will be showcasing the artist’s Dark Doings series, both inside the gallery as well as on the streets of San Francisco. Witz is known for using his mastery of the visual deception of trompe-l’oeil and photorealistic painting techniques to create conceptual visual pranks, producing a definitive and unparalleled street art practice. The artist’s debut San Francisco solo show will be comprised of approximately 30 mixed and digital media works in custom framing hand-created by the artist. The opening reception for What The %$#@? (WTF) will be held at White Walls on January 08, 2011 from 7-11 PM. The exhibit will be on display through February 05, 2011 and is free and open to the public.

Dan Witz’s integrity in expressing beauty through subversion and an enduring interest in realism has sustained the artist a copious 30-year career. Known for his hyper-realistic paintings, Witz challenges himself to keep representational painting relevant in the postmodern era and digital age. This challenge commands that the artist must continually grow and experiment in his art practice which has contributed to him being cited as one of the most progressive and influential painters of our time. Witz’s paintings are meticulous studies of light and it is through these subtleties of light that a sense of spatial dimension takes form. The presence of light becomes more delicate as it illuminates Witz’s subjects of quiet nightscapes and interiors and in stark contrast to his scenes of ominous mosh pits and animal frenzies. The artist’s career as a classical painter has risen while simultaneously championing an original take on street art. His street pieces surpass mere visual messages; rather they are witty puns and conceptual pranks that he integrates into urban environments. A master of the visual deception of trompe-l’oeil, Witz ironically provokes his viewers by placing shockingly unnoticeable art on city walls.

I’m trying to exploit our collective tendency towards sleepwalking by inserting outrageous things right out there in plain view that are also practically invisible. My goal is to make obvious in your face art that 99% of the people who walk by won’t notice. Eventually when they stumble upon one or find out about it I’m hoping they’ll start wondering what else they’ve been missing.

The What The %$#@? (WTF) series is named for the universal reactions it often inspires within the viewer. For this street art project, Witz is installing his Dark Doings pieces on walls beside highway ramps and interchanges–bottleneck locations where traffic backs up and a captive audience develops as cars pass by at low speeds. Dark Doings is made up of digital photo prints with extensive over-painting mounted on plastic and then framed. For each piece that Witz will be showing within the gallery, a corresponding piece will be put up somewhere in the Bay Area. The artworks come in an edition of 6:3 for the street and 3 for other distribution. The street versions are unsigned, but marked with NFFS*. The asterisk indicates (on the back of the piece) *NOT FOR FUCKING SALE.

Dan Witz is an artist living and working in Brooklyn, NY and has been active as both a street and realist artist since the late 1970’s. He received his BFA from Cooper Union (1981) was awarded a National Endowment of the Arts grant (1983) as well as a fellowships from the New York Foundation of the Arts (1992 and 2000). Witz has shown nationally with Jonathan LeVine Gallery, Carmichael Gallery, DFN Gallery and internationally with Stolen Space Gallery and Addict Galley. The artist has been featured in several notable publications such as New York Magazine, Public Art Review, The New York Times, The Daily News, Newsday, The New Yorker, Harpers, and Adbusters. His first book, The Birds of Manhattan was published by Skinny Books in 1983. His second book, In Plain View, as well as a calendar, Hummingbirds, 2011, were released in 2010 by Gingko Press.

About White Walls:
White Walls Gallery is the premiere destination for Urban Contemporary art. Residing next door to its sister galleries, the Shooting Gallery, Gallery Three and 941Geary, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the Urban Art movement that stems from Street Art and Graffiti as well as support both established and emerging artists within the genre.

Opening Reception
Saturday, January 8, 2011 7-11 PM
Show on view until January 1, 2011

Location:
White Walls Gallery
835 Larkin St.
San Francisco, CA 94109

For More Information:
www.whitewallssf.com

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Carmichael Gallery Presents “After The Rain” A Group Show With Works By Boogie, Guy Denning, Aakash Nihalani, Pascual Sisto (Culver City, CA)

Carmichael Gallery
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Carmichael Gallery Invites You To Attend
our first exhibition of the new year!

After The Rain

Boogie, Guy Denning, Aakash Nihalani, Pascual Sisto
5795 Washington Blvd
Culver City, CA 90232

January 8 – February 5, 2011

Opening Reception: Saturday, January 8, 2011, 6-8pm

please RSVP by email rsvp at carmichaelgallery dot com

Carmichael Gallery is pleased to present After The Rain, a group exhibition featuring Boogie, Guy Denning, Aakash Nihalani and Pascual Sisto. After The Rain merges and contrasts the palettes of four artists who work in a range of media. The precise neon color sculptures and abstract mixed media canvases of Aakash Nihalani highlight the raw, candid nature of Boogie’s black and white photographs, while Guy Denning’s dark portraits, built with indulgent layers of oil paint, situate Pascual Sisto’s video and sculptural works in a new contextual light.

There will be an opening reception for the exhibition on Saturday, January 8 from 6 to 8pm with Pascual Sisto in attendance. The exhibition will run through February 5, 2011.

Boogie (b. 1969 Belgrade, Serbia)
As a photographer, Boogie is singular in his ability to remove his presence as the mediator between the subjects of his work and those viewing them from without. His illumination of the complexity of the human condition without the imposition of his own ego or ideologies presents a more compelling foundation for the contemplation of his weighty subject matter and the socio-economic, philosophical and emotional currents that press from beneath. He will present a series of black and white photographs.

Recent solo and group shows include Hell’s Half-Acre, Lazarides Gallery at The Old Vic Tunnels (2010) and The Uncovering, Carmichael Gallery, Los Angeles (2010). He lives and works in Belgrade.

Guy Denning (b. 1965 Bristol, England)
Guy Denning’s enigmatic portraits of androgynous figures possess a strange and often ethereal beauty, blending the smoothness of classical form with a blunt contemporary perspective. Sexual and temporal politics, objectification, and isolation are illuminated through carefully honed contrasts of shape and shade. His will present a series of oils on canvas.

Recent solo and group shows include Behemoth, St Martin in the Fields, London (2010), Surface Tension, Brooklynite Gallery, Brooklyn (2010), Represent, Blackall Studios, London (2010) and Celebrity Will Eat Itself, Carmichael Gallery, Los Angeles (2009). He lives and works in Finistère.

Aakash Nihalani (b. 1986 New York, USA)
Aakash Nihalani has fashioned a visual language all his own. The neon in his work highlights details that might otherwise go unnoticed, while his minimalist patterns form self-contained pockets which encourage examination both within the isolated space and of the world at large. His work often engages the public by creating three-dimensional environments that can be physically entered, transforming passersby or gallery visitors into participants and offering them a momentary escape from daily life. He will present new sculptural works from his Optiprism series, as well as new works on canvas.

Recent solo and group shows include Overlap, Bose Pacia, New York (2010), Re-Creation II, Carmichael Gallery at Ogilvy & Mather (2010), Off & On (Often On), Carmichael Gallery, Los Angeles (2010), Tape and Mirrors, Eastern District Gallery, Brooklyn (2009) and Paraphrase, Arario Gallery, New York (2009). 2009 and 2010 also saw him complete ephemeral, site-specific tape installations (both commissioned and otherwise) throughout the US and in India, Austria and France. He lives and works in Brooklyn.

Pascual Sisto (b. 1975 Ferrol, Spain)
Pascual Sisto’s works, which include neon, video, photography and text-based series, reassess and recontextualize a range of historical dialogues that have been instrumental in shaping both contemporary society and his own artistic practice. He will present a video installation, amongst other works, in one of the gallery’s project rooms.

Recent solo and group shows include Please Remember Everything, Actual Size, Los Angeles (2010), Looped, Salt Lake Art Center, Salt Lake City (2010), Get Wet, UGM / Maribor Art Gallery, Maribor (2010), Instant LA Summer, Carmichael Gallery, Los Angeles (2010) and Absolutely Not, Fifty Thirty Three, Los Angeles (2010). He lives and works in Los Angeles.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

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Crewest Gallery X Abztract Collective present: “STREET DEGREES OF SEPARATION” A Group Show (Los Angeles, CA)

Abztract and Crewest Gallery
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Crewest Gallery X Abztract Collective present:
STREET DEGREES OF SEPARATION

An art opening featuring the artwork of:
CHRIS CLARK
CHRIS RWK
CLOWN SOLDIER
DAMON GINANDES
DAVID FLORES
ERNESTO YERENA
EYEFORMATION
FAKE
GABE COPELAND
GAIA
HIDDENMOVES
JOE IURATO
JMR
PHILIP LUMBANG
SHAI DAHAN
and special guest artist and Pro Skater:
DANNY GONZALEZ

Opening Reception: Jan. 8th
Downtown Artwalk: Jan 13th – 6:00-10:00

CREWEST GALLERY
110 Winston Street
Los Angeles CA 90013
213-627-8272
info@crewest.com
www.crewest.com

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Wish # 7 : Kimberly Brooks

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Wish-7

For 11 days we’re presenting 11 artists and BSA readers and their wishes for the new year, 2011, in no particular order. Together, they are a tiny snapshot of the people who are creators and fans of street art. Individually, each has added their expression of the creative spirit to the year now ending.

Today’s wish comes from Kimberly Brooks, a California-based artist and recent founder/editor of the Huffington Post Arts Page;

I wish for less precision and more spontaneity; less virtuality and more meals with people I care about; less talking heads and more artists exposing their work; less email and more kissing.

brooklyn-street-art-Dec 27-Kimberly-Brooks grace-12-10Kimberly Brooks “Grace” (Photo © Kimberly Brooks)

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Wish #5: Todd Mazer

MERRY CHRISTMAS!

eleven-for-11-animation-final

Wish-5

For 11 days we’re presenting 11 artists and BSA readers and their wishes for the new year, 2011, in no particular order. Together, they are a tiny snapshot of the people who are creators and fans of street art. Individually, each has added their expression of the creative spirit to the year now ending.

Today’s wish comes from Los Angeles based photographer, videographer and BSA contributor Todd Mazer, who sends this image of Saber, the artist;

I wish for us to all remember, no matter how unbearable the load we find upon our shoulders, weightlessness can always be sparked by a moment of inspiration.

brooklyn-street-art-Dec 25-Saber-TODD-MAZER-12-10Todd Mazer “Saber” (photo © Todd Mazer)

Visit Todd Mazer Flickr page

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Censorship! MOCA Has A BLU Tiger By The Tail

It’s hard to believe that Jeffrey Deitch censors artists.

One quick look into his adventurous past incarnation as the director and owner of Deitch Projects in New York shows a guy who has championed the work of artists outside the mainstream and given them a forum to speak. Hard to see the same guy who mounted a burned-out meth lab by Jonah Freeman and Justin Lowe, (Black Acid Co-op) being queasy about offensive content. Did you ever see the parade he sponsored through the streets of Lower Manhattan for a few years? Don’t remember anyone crying censorship in those very public multi-membered panoplies of costume and conceptual art. The fact is there is a very public record stretching back many years that shows he routinely encouraged his artists to expand intellectually and explore new ideas regardless of how difficult or controversial they might have been.

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The BLU mural as it was completed on the MOCA wall last week. (photo © Brain Forrest/MOCA)

The public controversy of the buffing of a large wall on the side of the Geffen Contemporary Wing of MOCA by internationally known street artist BLU shortly after it’s completion last week feels more like an easy way to pile on him, maybe by those who didn’t like him in the first place. Sometimes people just like to see successful people fall. If you were to listen to the wailing of the Censorship Battalion you would have thought that Mr. Deitch himself had run screaming, bucket in hand, through the streets splashing paint on the mural and all over his pink suit, ranting about the dollar-draped coffins BLU had arranged in formation across the massive wall. But the timeline of how Deitch mismanaged the quickly exploding events after the buffing really points more to being obtuse than obstreperous. He didn’t handle the information communication very well. Looks like he made some rookie mistakes in his new position as the head of a major public institution of art. And?


Only a year ago in October 2009 BLU finished another giant mural on the  Deitch Projects location in Long Island City in Queens that some said was a fun-loving jab at Deitch himself. So it looks like this curator-artist  relationship has some history.

Blu at Deitch Studios LIC
Blu at Deitch Studios in Long Island City, New York, October 2009 (photo @Jaime Rojo)

It just doesn’t add up.


Censorship in this country, especially art censorship, is always a hot spicy topic – Why, did you hear about the Smithsonian? Less obvious is the ongoing sort of cleansing across our increasingly corporate mono-culture and this alien creature politics-as-sports media that exhausts the populace into confusion and conformity. That kind of censorship of the many gray areas simplifies everything to an Us vs Them mentality. Rather than the knee-jerk suggestion of boycotting his upcoming show of Street Art, let’s give the new guy a chance to acclimate to this new position he’s had for six months.

brooklyn-street-art-casey-caplowe-good-MOCA-blu-12-10BLU Mural being buffed. (Photo courtesy of and © Casey Caplowe/Good Culture)

That said, if Deitch was being sensitive to the Veteran Affairs neighbors and cognizant of the history of the Japanese community in the US, his timing was a bit late. And if we are talking about sensitivity and communication, it looks like BLU got left out of the equation altogether. How can this be? A very prolific artist travels to LA to paint a big commissioned wall and there wasn’t a sketch?


We all censor ourselves every day. Sometimes for honorable reasons like not mentioning your co-workers’ deceased wife, or even pragmatic reasons, like rolling down your sleeves to hide your tattoos from your girlfriend’s dad. It’s all about context, and nuance. In the end, this microscopic chapter in Street Art is between BLU and MOCA, and only they know the contracts they have and the inner workings of their relationship. Maybe we can all find something else to speculate about.

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ROA Gifts A New Zoo to The City Of Los Angeles

Belgian-born Street Artist ROA is back in The US, this time on the West Coast. On the occasion of his debut solo show in Los Angeles presented by the indefatigable Andrew Hosner (of ThinkSpace) at the pop-up “New Puppy”, ROA has brought a modest zoo’s worth of wild friends.

Here are exclusive set-up pictures of ROA’s prep for the show.

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ROA Image Courtesy of Think Space Gallery

ROA’s animal kingdom contains singular images, realistically depicted with influence from fairy tales, biology books and urban decay. Using discarded materials (sometimes in new constructions) as his canvas in the white box setting, the surfaces can be rusted sheets of metal, abandoned cabinetry doors, discarded window panes and wooden planks. The materials lend context, dimension and texture while summoning old animal biology plates from veterinarian school books.

When he works on the street ROA paints large, sometimes even monumental portraits of birds of all kinds, rodents, squirrels, hogs, skunks and myriad animals that are often not in the graces of their fellow earth inhabitants: The Humans. All cans, this dude keeps true to his graff roots even as he perfects a style that lands him in the street art catalog.

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ROA Image Courtesy of Think Space Gallery

To the artist, these animals are survivors. “I think it is fascinating that certain animals really did not die out because of humanity but instead they use humanity to survive. I think it is interesting to see birds making nests in old buildings,” says ROA.

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ROA Image Courtesy of Think Space Gallery

As he told us on an interview when he was in Brooklyn for his solo show at Factory Fresh this year in May, difficult surfaces are an inspiration.  “I like when a wall, or an area, or a building tells a little bit of a story. It is sometimes really boring to paint on a wall that is just one color. It is always better to start from something that is interesting,” he explains. He likes to create “lenticulars”, rigid surfaces, geometrically organized, that play with perception and angles to bring a level of wit and discovery. Mostly monochromatic, his palette adds occasional vivid reds and blues to highlight the inner working of subjects.

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ROA Image Courtesy of Think Space Gallery

To experience ROA’s art, first hand, please visit the gallery if you are on the West Coast or go to the gallery site to see his new work. ROA’s show is currently on view at the pop-up shop space “New Puppy Gallery” located just outside downtown Los Angeles at 2808 Elm Street (at Cypress Ave).

http://www.thinkspacegallery.com/

If you are interested on reading more about ROA please click on the links below for our two part interview with him:

ROA Part I: http://www.brooklynstreetart.com/theblog/?p=10286

ROA Part II: http://www.brooklynstreetart.com/theblog/?p=10322

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