Los Angeles

Lazarides Gallery Summer Series Presents: “EuroTrash” with Conor Harrington, JR, Vhils and Antony Micallef (Beverly Hills, CA)

Lazarides
Address :
320 North Beverly Drive,
Beverly Hills,
CA 90210
Phone :
Phone: +1 323 202 6339 / +1 323 202 5305
Open :
Monday – Sunday 12 pm – 8 pm.
Admittance :
Free
9th June 2010 – 27th June 2010
Lazarides LA is proud to introduce, EuroTrash: a stellar line up of some of the hottest European artists around.

Hailing from France, JR will bring his unique vision to Beverly Hills. Immersing himself within cultures where struggle and conflict are rife, he presents his monochromatic photographs and installations.

Renovating the urban environment much like JR, is the innovative Portugese artist Alexandre Farto aka Vhils. He manipulates a variety of surfaces to create his extraordinary vision. From the brick facade of buildings to peeling off layered flyposters, he reveals images that explore the sub-cultures and dynamism of a city.

Cork born painter Conor Harrington explores the illusion of power and the emotional side of masculinity in his large-scale paintings. Combing the fast pace of grafitti art with traditional oil painting, resulting in energetic murals of soldiers and conquerors existing within a chaotic abstracted landscape.

Antony Micallef
returns to LA with his distinctive style of painting. Drawing on icons of contemporary society which both celebrate and condemn modern day living. His most recent works are built upon a profound belief in the act of brushstrokes and animals and humans merge in the happy accident of the artist’s extreme stream of consciousness.

Immortalising the individual in monumental proportions is what these exciting artist do best. Using the overlooked, misunderstood and mundane elements of our everyday, each artist captures our attention with their distinctive style and alternative approach.

Lazarides | 320 North Beverly Drive | Beverly Hills | CA | 90210

Monday – Sunday 12 pm – 8pm

Phone: +1 323 202 6339 / +1 323 202 5305

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Think Space Gallery Presents: Ekundayo and Brett Armory New Paintings (Culver City L.A.)

Think Space Gallery

Ekundayo Image Courtesy Think Space Gallery

Ekundayo Image Courtesy Think Space Gallery

Thinkspace presents:

Main Gallery:

‘Joy Today Jeopardy Tomorrow’

New paintings, drawings and an installation from Ekundayo

Project Room:

‘The Waiting Room’

New paintings from Brett Amory

Opening Reception:

Fri, June 11th 7-10PM with both artists in attendance

The Crepe’n Around Truck will be out during the opening reception – be sure to bring your appetite!

Both exhibitions on view: June 11th – July 2nd

(Los Angeles) Thinkspace is excited to welcome back Los Angeles based artist Ekundayo for his second solo show with our gallery. Also taking place at the same time in our project room will be the debut Los Angeles solo show from San Francisco based Brett Amory.

‘Joy Today Jeopardy Tomorrow’ is an exhibition about the beautiful struggle we all face of reaching for our dreams, in hopes of guiding our own destiny. Whether we succeed or fail is not important, as long as it’s on our own terms. Ekundayo’s work illustrates the sacrifices we make in the pursuit of fulfillment, while simultaneously questioning the actions taken to attain this ‘fulfillment’ we all seek. A great deal of inspiration for this new body of work has come from the life of Marcus Mosiah Garvey Jr., an African nationalist who during the 1920’s had a vision to bring his people from all over the world to a higher level of  conciseness in regards to where they come from and how they provided for themselves. Although Garvey failed in his ultimate goal of having a fleet of steamships fairing people from all over the world to Africa in-order to connect them to their origins, he left a legacy behind that continues to inspire countless others.

When looking at the work you get a sense of an inner struggle with the central figures being anchored by a large burden, while at the same time appearing weightless, as if suspended in moments of relief. A sort of “misshapen beauty” which speaks to the imperfections and vices found within all of us. Ekundayo’s pieces are handled with a deliberate sensitivity, framed by moments of very loose, almost sporadic applications of paint, which help to give the finished works a sense of inadvertence, that in turn serve as a testament to the artist’s intent.

In our project room we welcome Brett Amory. His painting series entitled “Waiting” depicts the urban individual’s yearning for presence and the seeming impossibility of attaining it. The paintings portray commuters in transit immersed in either a quiet, even hopeful state or, alternately, a state of anguish due to unfulfilled anticipation.

At first, the series, begun in 2001, depicted travelers waiting underground. But as the paintings evolved, the people ceased to be exclusively travelers, and began to emphasize figures selected from anonymous snaphots of city streets taken by the artist during his travels. Although the experience of waiting remains, the perception of it has changed from one of mundane task to one leavened with transcendence.

The series has also charted the evolution of an artist—the reductive elements of the compositions provide an outward echo of the inner states of the figures.  By reducing the elements of the painting as far as possible, a frozen moment is extended.

Lastly, Amory has developed favored motifs in the series, a kind of visual music, such as repetition of a human image, to show not only the passage of time but of the human being through it.

In our main gallery space::

Ekundayo

‘Joy Today Jeopardy Tomorrow’

Ekundayo (Dayo) was born in Honolulu, Hi, in 1983 where he lived with his mother and father until the age of five when his mother and father could no longer get along. Ekundayo’s father snuck him out of the state without his mother’s knowledge, and for seven years Ekundayo and his father moved from place to place living a life on the run. Meanwhile in her desperate need to find her son, Ekundayo’s mother helped start Hawaii’s first clearing house for missing children. The life on the run ended in 1994 when his father moved to California with Ekundayo’s sister because his father was dying from cancer. In early 1995, Ekundayo’s father passed away from lung cancer; Ekundayo was eleven…

Ekundayo lived with his sister, brother in-law, four nieces and his sister’s mother in a small three-bedroom and one-bath house in Pacoima, Ca. It was in this house at the age of 13 that Ekundayo discovered his love for art. After being involved in school fights, stealing and hanging with the wrong people, he was suspended from school. One day while in the garage, he found one of his uncle’s black books. This uncle wrote for a graff crew in L.A. called C.H.B. This book completely changed Ekundayo’s life. He became obsessed with drawing and copied every single page in that little book. Meanwhile, the Dept of Justice had located Ekundayo at his sister’s home and returned him to the custody of his mother. Ekundayo went back to Hawaii to live with his mother. His drive to create didn’t stop, and the encouragement from his family only fueled that ambition. Shortly after graduating high-school, Ekundayo moved back with his sister and brother in-law in much more spacious accommodations. He attended Pierce College in Winetka, Ca, where he practiced his craft and worked on his portfolio until 2003 when he was accepted into Art Center College of Art and Design on a scholarship.

Although the teachers he studied under and the friends he met while going to Art Center were priceless to his development, Ekundayo dropped out after completing his foundation courses in order to create his own path in the fine art world. He combines both subversive graffiti aesthetics in combination with art-historical erudition using acrylic, gouache, watercolor, ink and various carving techniques. Ekundayo’s work expresses the struggle of life and how those struggles and burdens can either inspire us to change in a constructive way or weigh us down by our own inability to change.

Take a ‘Sneak Peek’ at the works for ‘Joy Today Jeopardy Tomorrow’ coming together:

http://www.flickr.com/photos/thinkspace/sets/72157623719360265/

Artist website:

www.ekundayo.com

Brett Armory Image Courtesy of Think Space Gallery

Brett Armory Image Courtesy of Think Space Gallery

In our project room:

Brett Amory

‘The Waiting Room’

Brett Amory was born June 25th, 1975 in Portsmouth, Virginia. His father, Harry Amory, was a mechanic at a shipyard and his mother, Sally Roebuck, a nurse. When he was 21 Amory moved to San Francisco to study motion pictures at the Academy of Arts. Soon after enrolling in school, Amory took his first drawing class and was introduced to his passion for the arts. Around the time Amory celebrated his 24th birthday he tried his hand in painting. In 2002 Brett switched his major to fine art and started his current body of work called “Waiting”. This series of paintings explores the anticipation of the next moment.

Amory graduated from the Academy of Arts in 2005 and has shown his work all over the country. In 2006 Amory along with five other artists (Mars-1, David Choong Lee, Damon Soule, Nome Edona, Oliver Vernon) published a book called “Convergence” and had book signings in New York, Los Angeles and at the SFMOMA in San Francisco.

Amory currently works as a graphic designer at an environmental company in San Francisco and continues to show his work in galleries across the country.

Take a ‘Sneak Peek’ at the works for ‘The Waiting Room’ coming together:

http://www.flickr.com/photos/thinkspace/sets/72157623844101930/

Check out a great video documenting the process behind the piece ‘Waiting #54’:

http://vimeo.com/11705089

Artist website:

http://www.brettamory.com/

About Thinkspace Gallery:

Established in November of 2005, Thinkspace exists as a catalyst for the ever expanding new contemporary art movement that is exploding forth from the streets and art schools the world over. We are here to help represent this new generation of artists, to provide them that home base and to aid them in building the right awareness and collector base necessary for long-term growth.

Our aim is to help these new talents shine and to provide them a gallery setting in which to prove themselves. It is our hope and dream that through these opportunities these individuals will prosper and continue to grow to amaze us all for years to come. With the love of and for our community, and with the talents of so many incredible artists involved, we believe that this movement will provide the necessary proving ground for the ideas and dreams of today to become the foundations of a new tomorrow.

Thinkspace Gallery is located at 6009 Washington Blvd, in the heart of the Culver City Arts District, Culver City, CA 90232. Gallery hours are Wednesday through Saturday, 1 p.m. to 6 p.m. and by appointment. For more information, please call 310.558.3375, visit www.thinkspacegallery.com, or email contact@thinkspacegallery.com.

Also opening on June 11th in London, England:

‘The Next Generation: A New Chapter in Contemporary Art’ – 45 international artists curated by Thinkspace and presented by London Miles Gallery (www.londonmiles.com)

Coming up in July at Thinkspace:

July 9th – July 30th

‘Negative Never Again’ featuring new paintings and sculptures from Yosuke Ueno

+ ‘Waking in the Dark’ featuring new work from Dan-ah Kim (project room)

*Please note our new address and phone number*

Thinkspace

6009 Washington Blvd.

Culver City, CA 90232

#310.558.3375

www.thinkspacegallery.com

www.sourharvest.com

Hours:

Wednesday thru Saturday

1 p.m. – 6 p.m. (or by appointment)

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Carmichael Gallery Presents: “Booked” ( Culver City L.A.)

Carmichael Gallery

Nick Walker Photo Courtesy Carmichael Gallery

Nick Walker Photo Courtesy Carmichael Gallery

For Immediate Release-

Carmichael Gallery is proud to present “Booked”, a group exhibition featuring over 35 of the  leading figures in contemporary art.
The gallery’s rooms will showcase a wide selection of original works from artists including:
Aiko, Banksy, Beejoir, Blek le Rat, Boxi, Bumblebee, 215, Henry Chalfant, Martha Cooper
C, D*Face, Brad Downey, Eine, Ericailcane, Escif, Faile, Shepard Fairey, Stelios Faitakis, Gaia, Hush,  Mark Jenkins, Dave Kinsey, Know Hope, Labrona,
Anthony Lister, Lucy McLauchlan, Aakash Nihalani, Walter Nomura (a.k.a. Tinho), Other
Steve Powers (a.k.a. ESPO), Lucas Price (a.k.a. Cyclops), Retna, Saber,
Sam3, Sixeart, Slinkachu, SpY, Judith Supine, Titi Freak, Nick Walker,
Dan Witz, and WK Interact.

Books and magazines will be available from a range of publishers,
including Drago, Gestalten,
Gingko Press, Murphy Design, Prestel, Rojo, SCB Distributors,
Studiocromie, Very Nearly Almost,
Zupi and more.

There will be an opening reception for the exhibition on Saturday,
June 5th from 6 to 8pm. The
gallery will be open for viewing from 12pm that day to coincide with
Culver City Art Walk. The
exhibition will run through July 3rd.

Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232
June 5 – July 3, 2010

Additional and/or high resolution preview images available, please do
not hesitate to contact me!

Best,
Lauren Licata
PR Associate
Carmichael Gallery
www.carmichaelgallery.com

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RETNA “Desaturated” at New Image Art (LA)

“DESATURATED”


new works by


RETNA

Retna preparations

Retna preparations

Retna was born in Los Angeles, California in 1979. Since first creating a name for himself in the early 1990s, Retna has become an “eternal broadcaster” of sorts, shining a light to the kinetic urban soul of Los Angeles. The name RETNA itself evokes the timeless power, movement and visual vibrancy behind the artist’s acclaimed work. His work merges photography with graffiti style and paint, time with color, couture with street culture, the spiritual with the sensual, and fluidity with grit. Whether his paintings hang in a gallery or wall on the streets of Los Angeles, they serve as a retina through which we view the urban journal of contemporary art.

At an early age, Retna was introduced to L.A.’s mural culture. While still in high school, he led one of the largest and most innovative graffiti art collectives the city has witnessed. He is perhaps best known for appropriating fashion advertisements and amplifying them with his unique layering, intricate line work, text-based style and incandescent color palette reflecting an eclectic artistic tradition. RETNA became just as notorious for his ornate painting technique as his timeless style: he used paintbrushes mixed with the traditional spray can. Many of his pieces synthesize the line between fine art and graffiti, between power and opposition, between tradition and advancement.

Today, Retna traverses between the galleries and streets with ease. Retna is a member of the Art Work Rebels and Mad Society Kings Art Groups. In December 2007, he contributed to a large-scale mural project with El Mac and Reyes called “La Reina del Sur” at Miami’s Primary Flight during Art Basel. His most recent projects include an exhibition titled “Vagos Y Reinas” at Robert Berman Gallery and a mural called “Seeing Signs” at the Margulies Warehouse for Primary Flight

New Image Art
7908 Santa Monica Blvd.
Los Angeles, CA 90046
(323) 654-2192
www.newimageartgallery.com

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The Dress Made the Trip from Brooklyn: Armsrock & Imminent Disaster ‘Refuge’

Andrew Hosner at Thinkspace Gallery could have gotten a little nervous when he saw pics of the new 3-dimensional back skirt that Imminent Disaster was making in Brooklyn for the show that opens tomorrow in L.A.

In fact, even Miss D. wasn’t sure how she was going to ship it when we saw her making it in the studio.

A protective blanket guards the hem during installation (photo courtesy ThinkSpace)

A protective blanket guards the hem during installation (photo courtesy ThinkSpace)

But, new pictures reveal that the cut-paper sculpture made it and today’s progress looks like the show will open tomorrow night with no hitches or stitches.

Armsrock and Imminent D. have been taking over the gallery with their theme of refuge, referring to the millions of people on earth who are pushed from their homes by political persecution or war or environmental disaster.

Weight of the World (view 1) (2010) Armsrock Denmark Ink & graphite on paper affixed to anique globe Globe is 10 inches in diameter 12 x 16" 30 x 41 cm
One of Armsrocks’ pieces is also a sculpture of sorts; “Weight of the World”, Ink & graphite on paper affixed to a globe. (image courtesy ThinkSpace)

Looking at some of the first images, one cannot help think of the temporary housing that we have seen set up for victims of recent earthquakes.

Found wood pieces strung together with twine frame this cut paper piece by Imminent Disaster (image courtesy ThinkSpace)

Found wood pieces strung together with twine frame this cut paper piece by Imminent Disaster (image courtesy ThinkSpace)

Of the transformation of the gallery, Hosner says, “Man, they are going to town. The space looks epic.”

"Laura Reclining" by Imminent Disaster, Hand cut paper hand sewn to quilted fabric (courtesy ThinkSpace)
“Laura Reclining” by Imminent Disaster, Hand cut paper hand sewn to quilted fabric (courtesy ThinkSpace)

See Imminent Disaster’s preparation in the studio HERE

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Armsrock & Imminent Disaster ‘Refuge’

Thinkspace Gallery

4210 Santa Monica Blvd.

Los Angeles, CA 90029

#323.913.3375

Thur-Sun 1-6PM or by appointment

http://www.thinkspacegallery.com

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Imminent Disaster In The Studio: Prepping for “Refuge” at Thinkspace Show

Brooklyn based Imminent Disaster has been preparing for a show with Armsrock called “Refuge” at ThinkSpace Gallery in Los Angeles on March 12.

The black paper pulls away from the main stapled piece as Ms. Disaster slices each detail. (photo ©Steven P. Harrington)
The black paper pulls away from the main stapled piece as Ms. Disaster slices each detail. (photo ©Steven P. Harrington)

Here are some shots of preparations in the studio last month.

(photo ©Steven P. Harrington)
(photo ©Steven P. Harrington)

Balancing on a ladder or on bended knees on the factory building wooden floor for hours, Disaster is surrounded by piles of shredded black and white paper, dulled blades, and a quiver of spanky new sharp ones.

The hem of the dress in process (photo ©Steven P. Harrington)
The hem of the dress in process (photo ©Steven P. Harrington)

The new figure regards you over her shoulder and down the full length of her abundant petti-coated bustle, which jutts out from the wall 3.5 feet at it’s hem.

Baby Got Back (photo ©Steven P. Harrington)
Baby Got Back (photo ©Steven P. Harrington)

View the newly completed piece on Imminent Disaster’s Flickr

Thinkspace is moving to Culver City but they are always online HERE.

New ARMSROCK Video of his recent “Passage/Works” projection project


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