The Harvest Moon flooded New York skies three nights this week as we welcomed the fall equinox and we all stared up at the sky and the Koreans ate mooncakes and the tensions on the street seemed to tighten and then release. There is a fresh new hell of a Covid vaccine fight threatening staffing at hospitals, but luckily this week food delivery workers successfully fought for and won better conditions from a parasitic app/restaurant system that extracted their labor and gave precious little back in return. Schools opened and we’ve ducked a few good storms; the Italian Catholics are celebrating the Feast of San Gennaro and the Hasidic Jews are celebrating in those small sukkah buildings all around some neighborhoods in Brooklyn.

A pause. It’s unusual to feel this sense in this city – but it’s there – on a sunny day where the sky is clear of clouds and a flock of geese still waddles and honks in the tall weeds and garbage by the Wallabout Channel. Is it a pause of satisfaction at the end of a summer full of fun, or perhaps a calm resignation before a storm as businesses are staying closed or operating at reduced staff. And while the Federal Reserve and ECB and World Bank insist there is just a smidgen of temporary, transitory inflation, tell us why a pound of butter is $6.00 at the local deli, the average price of a used car is $25K, and shipping container prices have soared to $20K?

There is a steady number of new street art pieces going up on doorways, power boxes, and concrete walls, but they are competing all of the triumphal purple and blue and pink Morning Glories flooding fences and walls and garden gates in neighborhoods throughout Brooklyn – a most generous overflow that summer gives as a parting gift.

Here’s our weekly interview with the street, this week featuring Cssh4, Cheak, Clown Soldier, Diva Dogla, Drecks, ERRE, Fat Jak, Font 147, Goblin, Goog, JerkFace, Little Ricky, Mort Art, Praxis, Rambo, Seibot, Sinclair the Vandal, and Smetsky.

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