New York is crushing it right now.

The volume of Street Art has picked up full steam with more graffiti on walls than many OG graff fans can remember were on the trains in the 80s. Competition for spots large and small is more fierce than a Saturday afternoon rush at the nail salon. The quantity of pieces and tags and stencils ebbs and flows, as does the quality and freshness. But looking at it as you walk makes you feel like New York street and cultural life is in full bloom. Large-scale and small, the works appear like mushrooms popping up in the urban forest after a late-spring rain storm.

In other news, we’re really digging the miniatures of New York life made by artist Danny Cortes, the 1980s NYC train writer Futura is evolving himself into light fixture design with new works in a Noguchi Museum show (plus new collaborations with Comme des Garçons and Uniqlo), and Tesla’s Elon Musk is looking for “awesome graffiti” to adorn his company’s new mega-factory in Berlin. Let’s see how many graffiti and street artists get trampled in the stampede to “sell out”! Go Bro! Go Sis! Just don’t lecture us on heavy topics like gentrification, or the sullying of “our culture” by arrivistes. Yawn.

Let’s take to the streets, no?

Here’s our weekly interview with the street, this week featuring Conse, D. Scribblings, Damien Mitchel, False, Fhake, Kest Gak, Lorenzo Masnah, Matt Siren, Menace Resa, Michael Zelehoski, Mint & Serf, Mort Art, Royce Bannon, Shiro, Smells, Swif, The Yit Foreward, Toxic, UFO 907, and Zexor.

This wooden sculpture installed in McCarren Park in Williamsburg is made from recycled wood from boarded-up windows. It will remain in place until October 2021.

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