Italian Street Artist and muralist Alice Pasquini pays tribute to immigrants and the struggle to leave one’s home to go to a new country to live with her new painting on the façade of Melbourne’s Italian Museum in Carlton.
Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Lou Chamberlin)
Remembering historically how many people around the world were forced to immigrate to new countries is very important to do today as rhetoric fills the air in countries that would seek to scapegoat the victim – rather than the banks, war industry, oil industry, etcetera who are creating new refugees daily.
Almost no one wants to leave their home, their culture and their families by choice – they are usually forced to. They also invariably endure hardship and varying degrees of discrimination that compounds their struggle.
Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Rick Utano)
“The wall is also personal to me, as I myself have family living in Australia,” says Pasquini. “I think that in our current times, it’s essential to remember that we all come from somewhere. Tracing a line through our ancestry, almost everyone has at least one relative who was a passenger at one point in time.
“We must remember this and the struggles they must have faced,” she says, “and recall that empathy, compassion, and knowledge lead to growth.”
A local resident stops to exchange stories with Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Lou Chamberlin)
According to the Spartacus Educational website, the US also received a flood of Italian immigrants at the turn of the 20th Century, a fact which many Americans may not remember – along with the extreme prejudice that greeted many of these immigrants in our history. Says the website;
“From 1890 to 1900, 655,888 arrived in the United States, of whom two-thirds were men. A survey carried out that most planned to return once they had built up some capital.
Most Italians found unskilled work in America’s cities. There were large colonies in New York, Philadelphia, Chicago, Baltimore and Detroit. From 1900 to 1910 over 2,100,00 arrived.”
See Ms. Pasquini talk about her her new painting and her observations of the current growth of interest in public art HERE.
Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Lou Chamberlin)
Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Alice Pasquini)
Alice Pasquini. “Per L’Australia / Passenger.” Melbourne, Australia. November 2016. (photo © Lou Chamberlin)
Other Articles You May Like from BSA:
We have become accustomed to being surprised by the occasional tropical bird perched above head in the urban jungle that is NYC. But Mr. Toll has never looked so site-appropriate until now. While ta...
The images are disturbing. Their methods of sharing them with passersby may be to some as well. But Dysturb says they are doing the educational work that the modern fourth Estate is refusing to do. ...
Today we have an opportunity to see some of the Street Art and gallery-related works on show in Madrid. Our sincere thanks to photographer and avid observer Fer Alcalá, who shares his findings with BS...
Refining, as Creative Time's Chief Curator Nato Thompson reminds us inside this 30,000 square foot former Domino Sugar facility, is a process whereby coarse cane is decolorized, and brown is turned po...
An update to the "Big City Life Rome" posting in February, here are the remaining murals in the neighborhood of Tomarancia. Produced and curated by 999Contemporary Gallery, these March walls are of eq...