Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. Joe Caslin and The Castle
2. Luxury Living
3. BISSER in Williamsburg:
4. La Machination: KOLEO
BSA Special Feature: Joe Caslin and The Castle
Appearing on a privately owned castle façade in the days leading up to the referendum in May that made Ireland the first country in the world to vote for same-sex marriage, Joe Caslin’s illustration of two long trestled beauties appeared here as a counterpart to a coupled male version he did in Dublin. Caherkinmonwee Castle in Co Galway (circa 1450) has mottled exterior that transforms the portrait into a monochromatic painting from a distance.
You’ll be happy to know that the adhesive is made with potato starch.
Of course, it’s all in the planning, the 14 hours of pasting, camera work and of course the soundtrack – here longingly, celtically yours from Róisín O. Rather melts your limestone heart, doesn’t it?
Luxury Living
Popular in cultural conversations in cities these days is the vision of the artist as unwitting gentrifier who, upon losing his lease is dismayed by his own effect on a neglected urban neighborhood — now overrun by construction cranes and opportunists with dollars in their eyes. This dramatically scored mini-adventure is the only way that some artists can still afford to visit the neighborhood they once made attractive and hip.
BISSER in Williamsburg:
Speaking of rapidly gentrified artist neighborhoods, here is Bisser visiting Williamsburg, Brooklyn to drop some serious art for the enjoyment of those new bankers and corporate professionals. The new arrivals may take friends to pose for selfies in front of this mural on their way to brunch but would otherwise keep creatives like Bisser perpetually insecure as a 2nd class graphics “freelancer” without sick days, vacation, or health benefits in their corporate offices across the river.
La Machination: KOLEO
A sweet stencillist illustration that suddenly takes additional meaning in this brief recap of a new piece by KOLEO.
According to the descripton: “KOLEO presents “La Machination” (machination: machine / plot), a mural where automatons create organic creatures, treated badly. The creatures get together to become one and fight back. Then, they separate again to infiltrate the machines and destroy them from the inside. Later, a child finds a broken automaton and starts to repair it. The mural can be seen as an allegory of the wrongdoings humans can do to each other, that they end up fighting, before the next generation forgets their history and repeat the same mistakes.”
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