Keith Haring. Courtesy of Keith Haring Foundation. ©Keith Haring Foundation. The Brooklyn Museum (photo © Jaime Rojo)
March 16–July 8, 2012
Morris A. and Meyer Schapiro Wing, 5th Floor
Keith Haring: 1978–1982 is the first large-scale exhibition to explore the early career of one of the best-known American artists of the twentieth century. Tracing the development of Haring’s extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.
The exhibition chronicles the period in Haring’s career from his arrival in New York City through the years when he started his studio practice and began making public and political art on the city streets. Immersing himself in New York’s downtown culture, he quickly became a fixture on the artistic scene, befriending other artists such as Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative cultural figures of the period. The critical role that these relationships played in Haring’s development as a public artist and facilitator of group exhibitions and performances is also explored. Pieces on view include a number of very early works never before seen in public; seven video pieces, including Painting Myself into a Corner (his first video piece) and Tribute to Gloria Vanderbilt; and collages created from cut-up fragments of his own writing, history textbooks, and newspapers.
Keith Haring: 1978–1982 is curated by Raphaela Platow. The exhibition is co-organized by the Contemporary Arts Center, Cincinnati, and the Kunsthalle Wien. The Brooklyn presentation is organized by Tricia Laughlin Bloom, Project Curator, and Patrick Amsellem, former Associate Curator of Photography, Brooklyn Museum.
This exhibition is made possible by Lisa and Dick Cashin with additional support provided by the Stephanie and Tim Ingrassia Contemporary Art Exhibition Fund.
Other Articles You May Like from BSA:
Montresso Foundation at Jardin Rouge introduces a trio exhibition in its still-fresh exhibition space here just outside Marrakesh. The three French speakers (two from France, one from Morocco) ...
Aunt Marge is on the phone to see if your mom can locate the recipe for the cranberry relish dish that she made last year - the one with the grapefruit and fresh ginger. While you're talking to h...
Happy Halloween everybody! It's a scary time on the streets and artists are always giving us disturbing and comical reasons to be frightened - it's like we need some catharsis to help us process perso...
You can feel it rippling through the streets, the impact of one strong piece after another beguiling and besting your expectations. And that's just the organic free-range un-permissioned stuff. ...
A curation of sculptures in the environs of the great Egyptian pyramids is an audacious idea and one full of potential. With Egypt’s origins in the history of graffiti, it is also sublime to see some...