2011

Art In Odd Places 2011 Presents: “Rituals on 14 Street” (Manhattan, NY)

Art in Odd Places
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Marissa Mickelberg – Goat Walk (photo © Courtesy of the Artist)

Opening Reception: Friday, September 30, 6-9pm at Theaterlab, 137 W 14th Street.

Rituals on 14th Street

Art in Odd Places 2011: RITUAL features a wide variety of actions, participatory performances, theatrical presentations, public installations, and small and large-scale interventions all of which revolve around the concept of ritual.

A ritual is generally defined as a series of established actions that are carried out in private or public spaces, by individuals or by groups, for their spiritual, social, or political significance. Tapping into the everyday significance of these habits, the artists in AiOP 2011: RITUAL continuously integrate these practices in their work to explore a broad range of issues in contemporary life such as politics, culture, religious beliefs, notions of individuality and community, the endurance of the body and the fragility of life, the relationship with nature, among many others.

The collective character of the public setting offered by one of the busiest New York City arteries as the context for the festival has opened up the possibilities for the ritualistic interactions between artists, objects and people along 14th Street. The street’s daily environment will be transformed by secular and sacred activities and the relationship and reaction of the people attracted by the festival’s ephemeral events. A new sense of place and time, inherent to the concept of ritual, will confront passersby as they flow through the sidewalks, subway stations and storefronts during their everyday commutes or their spontaneous visits to the neighborhood.

The work will be performed and made available along the east-west corridor of 14th Street. The projects may be different each time as they are informed by the varying interpretations of the spectators and their nomadic qualities as they travel through the street. Artists creating pilgrimages will bring new importance to particular places, shrines will be created as sites of worship, and the public will witness miracles. Reenactments of past events based on the collections of oral history, the use of symbols, the exploration of traditions and myths, and the use of magic and astrology are key to some of the artists’ work. Another group of artists create impermanent situations that are reminiscent of childhood and familiar events; worldly rituals that refer to identity politics, queer culture, dominance and submission, are experienced as organic and transcendental happenings.

The use of the body is central to artists that touch upon life and death, real and spiritual borders, love affairs, human relationships and the connection to nature. Through music and dance, walks, palm reading and the use of masks, wigs, and spraying perfumes and scattering ashes, some artists evoke mundane obsessions, venerate popular icons and reject and criticize certain aspects of today’s social values.

From kissing trees to making wishes, from healing souls to dreaming in a park, from washing feet to praying to the sky, the artists transcend the borders of the everyday space. By ritualizing actions and highlighting the different realities that coexist, the projects of AiOP 2011: RITUAL manipulate impressions, satisfy emotions, create effects, and most importantly transform – not only the surroundings in which they position their work, but also the audiences they engage, and who will become fundamental to the ritual itself.

– Kalia Brooks & Trinidad Fombella, Guest Curators

For a full schedule of events, artists projects and venues please visit AiOP site below:

http://www.artinoddplaces.org/

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Overunder Completes Astounding Tiled Piece : “Living Walls: Albany” Update

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Overunder stays after class at “Living Walls” and gets extra credit

Street Artist Overunder just completed his astounding tiled installation this weekend in Albany on the wall of L’esperance Tile Works, a local tile maker with a special 1920s “dust press” that the artist also worked into the piece. For an artist with such a fluid and freewheeling figurative style with a spray can, it is surprising to see it interpreted with such permanence and cogitative consideration. As part of “Living Walls : Albany”, Overunder had already smashed a few walls around the city in the weeks leading up to this opportunity, but after touring the small tile press facility with co-owner Donald Shore, he fell in love with the idea of tiles as medium. “A lot of these tiles were in the backyard up north at our other facility – he and White Cocoa were standing in the pouring rain digging through these boxes of discards and overruns and he brought these back with him,” explains Shore.

brooklyn-street-art-overunder-albany-lving-walls-09-11-web-4Overunder’s initial sketches in his sketch book. (photo © Overunder)

“I think collaboration is a huge part of being an artist. That being said, I was excited when I learned I was doing a mural on a tile manufacturers building. I had never used tile for a mural let alone doing a full out mosaic but now the opportunity was right in front of me. Don was more than willing to teach me as I went and I was more than willing to experiment with this crazy, new medium, ” says Overunder.

“I particularly like the way he’s marking the tiles with his spray can for us to cut,” says Shore, who owns the business with his wife and founder, Linda Ellett.

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The chosen piece is sketched on the actual wall to plan for how the tiles will be cut to fit. (photo © Overunder)

With assistance from a number of young helpers who live in the neighborhood, the project took a little more than a week to complete, and the results take his stuff to a new level. With a patterned face like an Alexander McQueen model, the figure’s limbs get added dimension with Overunder’s mastery of the can. Small details let you know you shouldn’t be too serious about this, like the painted toenails. As the materials are all discards and overruns from other projects, it’s interesting to note that a number of these same tiles are actually in buildings right now, including the Kol Isreal Synagogue designed by Robert Stern in Crown Heights, Brooklyn, the Lt. Governors building in Albany, and even the home of Bill Gates.

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The pool of defective and unused tiles that Don showed Overunder made him weak in the knees. The selection process begins. (photo © Overunder)

“The patterned tiles are created using the encaustic method – an inlaid clay where you take a plaster impression using clay and it leaves a reservoir that you fill with different colors and you plain it smooth and it gives you a very nice two dimensional image — that’s a technique we believe was developed in the medieval period and it was reindustrialized in the 1860’s,” explained the enthusiastic as he gave us a tour of the mural while Overunder and his assistants Roberto and Messiah worked.

It’s not often that Street Art has this heft, and certainly it’s pretty rare to take this much time to complete a piece and manage to include the participation of the community at this level. In fact, certain arts critics and public arts academics might want to reclassify this work as something other than Street Art, but we grant wide berth to the term. One thing is for sure, the resulting piece is no less than a tribute to everyone involved and as a business owner in Albany during the first year of Living Walls, Mr. Shore is sold, “I totally support this thing”

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Overunder, Roberto and Messiah collaborating. (photo © Jaime Rojo)

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Overunder confers with Roberto. (photo © Jaime Rojo)

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Messiah plays paparazzi. (photo © Jaime Rojo)

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The Completed Piece (photo © Overunder)

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Overunder. Detail. (photo © Overunder)

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Overunder. Detail. (photo © Overunder)

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Images of the Week 09.25.11

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Here’s our weekly interview with the streets, this week featuring: XAM, JR, El Sol 25, NohJColey, Mint & Serf, PEZ, Leo Kuelbs, Michael Mut, MTM, DGa, SX2BU, G2R, JOX, ONU.

brooklyn-street-art-xam-jaime-rojo-09-11-web-12Street Artist XAM is participating in this year’s DUMBO Art Festival taking place this weekend in the Brooklyn riverfront neighborhood called DUMBO. The annual art festival champions a huge public art element, with installations and projections in the street, in tunnels, on bridges, – and always contains a mix of sanctioned and unsanctioned art that blur the distinct lines of your position as a spectator or participant. With or without an official map to guide your feet, pedestrians can freely explore and stumble upon small thoughtful pieces and huge mind-bending light projections, conceptual mind candy, social commentary, and political screeds. Together with Art In Odd Places and Bring to Light Nuit Blanche NYC 2011 next weekend, it looks like New York is actively courting art in the streets this Fall – not to mention the street theater and artful costumes and signage playing out live in the “Occupy Wall Street”demonstrations.  The DUMBO  festival will run until today, Sunday September 25.

We’ve been tracking XAM’s work for quite a while now, and for those still not familiar with XAM’s work he custom designs and builds eco friendly birds houses that he calls CSD Dwelling and Feeding Units. He places the custom architecture units on signage high were birds can take shelter, careful not to damage property and yet provide a very stylish resting place.  Stay tuned for an upcoming studio visit and interview with XAM.  (photo above © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM (photo © Jaime Rojo)

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XAM paired a Feeding Unit with one of his “Your Ad Here” miniature billboards.  (photo © Jaime Rojo)

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Jaye Moon. Lego Tree House in DUMBO (photo © Jaime Rojo)

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French Street Artist and Ted Prize winner JR continues his “Inside Out Project” where ordinary citizens in neighborhoods all around the world submit photographs to the artist which his team then prints and send back for the people to install them themselves. Here is the installation in DUMBO.   (photo © Jaime Rojo)

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JR Inside Out Project. DUMBO (photo © Jaime Rojo)

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JR Inside Out Project. DUMBO (photo © Jaime Rojo)

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JR Inside Out Project. DUMBO (photo © Jaime Rojo)

Click HERE for our Bronx Inside Out Project.

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Leo Kuelbs Collections: “Immersive Surfaces” projections on the Manhattan Bridge Anchorage and Archway. DUMBO (photo © Jaime Rojo)

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Michael Mut “Murdered #216” from his 9/11 installations “Still Counting”. DUMBO (photo © Jaime Rojo)

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MTM, DG6, SX2BU, G2R, JOX, ONU DUMBO installation. A commentary on the mortgage and financial crisis in the USA, the message is a corollary to those of marches going on just across the river in Lower Manhattan. (photo © Jaime Rojo)

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MTM, DG6, SX2BU, G2R, JOX, ONU DUMBO installation. A commentary on the mortgage and financial crisis in the USA. (photo © Jaime Rojo)

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MTM, DG6, SX2BU, G2R, JOX, ONU DUMBO installation. Jeez, these emoticon fellas sure look happy. (photo © Jaime Rojo)

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MTM, DG6, SX2BU, G2R, JOX, ONU DUMBO installation. A commentary on the mortgage and financial crisis in the USA. (photo © Jaime Rojo)

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Mint and Serf Love You. DUMBO installation. (photo © Jaime Rojo)

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NohJColey in Williamsburg. (photo © Jaime Rojo)

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NohJColey in Williamsburg. (photo © Jaime Rojo)

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NohJColey in Williamsburg. (photo © Jaime Rojo)

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Swemz. (photo © Jaime Rojo)

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El Sol 25 in Williamsburg. (photo © Jaime Rojo)

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Untitled. Brooklyn Bridge. (photo © Jaime Rojo)

Click on the link below for a complete sechedule of events and locations for the DUMBO Arts Festival:

http://dumboartsfestival.com/

Click on the link below for more information regarding “Still Counting”:

http://www.stillcounting.net/

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Occupy Wall Street: Handmade Signs and #Hashtags

“New York is the concentrate of art and commerce and sport and religion and entertainment and finance, bringing to a single compact arena the gladiator, the evangelist, the promoter, the actor, the trader and the merchant” E.B. White

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And to the above list we might like to add the very, very rich.

“Occupy Wall Street” is the command of a loosely knit congregation of primarily young people who have set up a small colony in downtown since the 17th and, despite the armature of a police state surrounding them, these Millenials are questioning the economic structure of this millenium.  Using D.I.Y signage, social media savy, and a fair amount of street theater, their message has been making it’s way far beyond the cavernous streets of the best know banking district in the country. Fortified with a heavy contingency of uniformed and plain clothesed officers with cameras and weapons at the ready, Wall Street became an iron clad citadel 10 years ago, an impenetrable marble and concrete castle to capital where tourists waddle and traders race daily past the steps on which  George Washington took his oath of office. The stock market is here, the Federal Reserve, and so are all the banks.

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Occupy Wall Street (photo © Jaime Rojo)

It’s understandable that a generation with bad prospects of finding work, saddled with high debt for their education and living with parents who are at their wits-end because of underwater mortgages, loss of health insurance and disappearing retirements would now fix their gaze upon the root causes of this permanent insecurity. In many people’s minds the class warfare has been in full effect for a while and these folks are now wondering about those basic tenets of free speech and right to assemble that Americans of previous generations fought to maintain, guaranteed by the constitution. As corporations continue to gain rights and citizens continue to cede  them, these demonstrators say they feel like they have nothing to lose, except their entire country.

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Occupy Wall Street (photo © Jaime Rojo)

Their camp is a nerve center of hi/low tech creativity where handmade signs on cardboard are painted with sharp slogans and laptops and handhelds are regularly updated with hashtags and twitpics. In the center of the camp  a makeshift digital press office is ringed with faces glowing in the cool blue hue as communication with the rest of the world is continued under the watchful gaze of a ring of blue officers and street cameras. There is also joyful music performed live, with folks sharing food, books, blankets and stories.

Here are some images from the streets of Wall this week – with tourists alternately perturbed and pleased, police polite and alert, and demonstrators all over the place with messages and chants forced into a cyclical narrow path in the public space by temporary steel structures. 2011 has brought an Arab Spring where people have taken back the discourse from ever more entrenched power holders, and this spontaneous discontent appears to be encircling the globe as the shiny finish on corporate globalism seems to lose it’s luster. It makes perfect sense that these demonstrators are in this symbolic and actual nerve center of capitalism in such a public way, using public space to public issues.

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Occupy Wall Street (photo © Jaime Rojo)

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Moving Planet: Beyond Fossil Fuels

Beginning today, 350.org  is launching an international campaign to raise awareness on carbon emissions and climate change a number of Street Artists were invited to illustrate, with their art the relationship we have with fossil fuels.

Moving Planet – September 24th, 2011: A Day to Move Beyond Fossil Fuels



Insert_Here – Eve Mosher

Artist’s statement: “Insert__Here” is an interactive public art project conceived by Eve Mosher and realized with 350.org. The project capitalizes on community awareness of place and optimism around climate change solutions. The project invites people to place bold yellow “Insert_Here” arrows in locations in their community where they want to “insert” a climate change solution. For example “Insert bike lane Here” “Insert community garden Here”, “Insert solar panels Here”, Insert trees Here”. By placing these arrows along people’s daily migratory paths, individuals and groups can share their proposed solutions with the greater community.

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Read our article on coal with Jetsonorama’s photos of his installations in The Navajo Nation and his words explaining this project:

http://www.brooklynstreetart.com/theblog/?p=24704

http://www.350.org/

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Fun Friday 09.23.11

Fun-FridayWelcome to Fun Friday

1. Abstract Art on the Street
2. “Abstractions” open at Opera Gallery
3. “Contemporary Abstractions” at Mighty Tanaka
4. “Abstract Graffiti” – The Book
5. Art Show and Charity Auction at FUTURE TENSE (Dallas)
6. Please Support “Electric Projected” TODAY
7.MISSED the SHOW? See “Street Art Saved My Life : 39 New York Stories” in VIDEO
8. VIDEO -Street and fine Artist Peat Wollaeger
9. VIDEO Mr.Klevra Vs Omino71 – The Secret Spot 2011
10 VIDEO STEN & LEX at the ATTACK FESTIVAL 2011

“The more frightening the world becomes, the more art becomes abstract”~ Wassily Kandinsky

The street provides a forum from all dialogue and Street Artists can be sometimes divided into categories after you survey the expanse of expression. We’ve been tracking the geometry of  abstraction for the last decade as an aesthetic counterbalance to the more free form gestural markings that are it’s more prevalent neighbors.  The abstract direction continues to garner  attention and you can get a good look at it’s past and present at two New York shows opening today, and learn more about it’s global movement in a recently published book by Cedar Lewisohn.

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“Black and Violet”, Kandinsky, 1923

“Abstractions” open at Opera Gallery

The Opera Gallery new show in Manhattan titled “Abstractions” opens today to the general public. This show will examine the abstract movement from the 1940s through present day with artists that range from Miro and Matta to Bast and Saber.

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Image of Saber courtesy Opera Gallery

Abstractions will be open to the public starting on September 23 at 11:00 am
September 23 – October 16
Free admission: 11:00 – 7:00 daily

Opera Gallery
212.966.6675
Further information on this show please click on the link below:

“Contemporary Abstractions” at Mighty Tanaka

Mighty Tanaka Gallery in Brooklyn continues the theme with some names familiar to BSA readers and a couple of new talents at their show “Contemporary Abstractions” tonight, with the opening reception at their temporary location in  the Power House Arena in DUMBO starting at 6:00 pm.

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JMR image © Jaime Rojo

For more information regarding this show please click on the link below:

“Abstract Graffiti” – The Book

We’ve really been enjoying the schooling and the photography from Cedar Lewisohn in this new book “Abstract Graffiti” and can recommend it wholeheartedly. You’ll recognize a number of these artists from being on BSA, including MOMO on the back cover.

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Art Show and Charity Auction at FUTURE TENSE (Dallas)

Saturday September 24 in Dallas, TX the Future Tense has curated and impressive line up of artists for a worthy cause. An Art Show and Charity Auction to benefit The MTV Staying Alive Foundation. Opening reception and live auction at the Goss-Michael Foundation starts at 7:00 PM.

brooklyn-street-art-mtv-redefine-future-tenseLee Baker, Shepard Fairey, Harland Miller, Adam Ball, Katrin Fridriks, Polly Morgan, Peter Blake, Christopher Gascoigne, Gerard Rancinan, Billy Childish, Pam Glew, Rankin, D*Face, Haroshi, Stuart Semple, Brian Adam Douglas, Pieter Henket, Jamel Shabazz, Elizabeth Eamer, Damien Hirst, Benjamin Shine, Ben Eine, Jeremy Kost, Gavin Turk, Tracey Emin, Joseph Loughborough, Dan Witz, Faile, James Marshall and Russell Young.

For more information regarding this event please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=24739

Please Support “Electric Projected” TODAY

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And our friends at Open Space in Beacon New York are seeking your help to save their project “Electric Projected: Reboot”

Dan and Kalene have been on the Street Art scene for a decade, have opened many doors to and championed Street Artists with their Electric Windows project. Today we are asking you to pledge their “Electric Projected: REBOOT” Kickstarter page. They got seriously rained out last month for this exciting project in Beacon, New York – a huge projection show on the side of a factory building. With your help, they are going to do it right next weekend.

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Jared Deal projects Big Foot (photo still © Courtesy of the gallery)

Dan and Kalene say:

“We still need your help to make Electric Projected REBOOT a reality. Since our last email (only 5 days ago) we have received over $2500 in pledges to our kickstarter campaign. Over 100 people have already contributed to this campaign and we are so grateful for this generosity and support. Not a day goes by without people telling us how excited they are for the REBOOT event on October 1st. We are excited for it too, but here is the reality of the situation. If we do not meet our kickstarter funding goal by Saturday Sept 24th at 6pm  Electric Projected REBOOT will not happen on October 1st.

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Aaron Maurer projects Paper Monster (photo still © Courtesy of the gallery)

Please hurry and pledge. They are almost there for their $16,500 goal and your donation will help them reach the finish line. They only have until tomorrow Saturday September 24 at 6:00 pm.

Please click on the link below to go to their Kickstarter:

http://www.kickstarter.com/projects/pilgrim/electric-projected-reboot

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Jack Myeres projects Elia and Cern (photo still © Courtesy of the gallery)

MISSED the SHOW? See “Street Art Saved My Life : 39 New York Stories” in VIDEO

Fabio Cunha shot and edited a video at the opening of “Street Art Saved my Life: 39 New York Stories” in Venice, CA. All those cool LA people milling around … love love

PEAT Makes a VIDEO

Street and fine Artist Peat Wollaeger is out of work – a very modern affliction.

Mr.Klevra Vs Omino71 – The Secret Spot 2011

STEN & LEX at the ATTACK FESTIVAL 2011

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Jetsonorama Re: Coal and The Navajo Nation; “It’s Complicated”

Street Artist Jetsonorama has a new campaign in Flagstaff, Arizona and on the Navajo Nation reservation using his photographic wheat pastes to highlight the relationship of coal to health, economy, and people. As a health care professional, he sees the impact of burning coal vividly, and with a fresh faced model named JC, he makes the simple and powerful connection to the cloud of history that is fossil fuel metaphorically hanging over our heads.

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Jetsonorama “JC at Home” (photo © Jetsonorama)

Beginning September 24th, an organization called 350.org will launch an international campaign to raise awareness on carbon emissions and climate change and Jetsonorama joined with a number of other artists to illustrate the relationship we have with fossil fuels.

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Jetsonorama explains, “My model for this project was JC.  I got together with her mom (Josey) and dad (Jameson) and JC this evening to photograph her by the installation of the image near her home.”  (photo © Jetsonorama)

Here is how Jetsonorama describes the project;

“If the Navajo Nation and coal were to declare their relationship status on Facebook, they’d chose the ‘it’s complicated’ option.  I live and work on the Navajo Nation where coal is mined and burned. That’s why I chose to work with this imagery and to use coal as a metaphor for a black cloud over the head of future generations.

I informally interviewed 16 Navajo co-workers and asked them to share with me the first thing that comes to mind when I say ‘coal.’  Everyone identified respiratory problems associated with burning coal in the home.

The Navajo Nation is home to 170,000 people who live in an area that is 27,500 square miles in size, or approximately the size of Ireland.  Despite having land that is rich in coal, natural gas, uranium, water and timber, the Nation has an unemployment rate of 40% and over half of the Navajo population lives below the USA defined poverty line.  A small segment of the population is able to provide a middle class lifestyle for their families by working in mining operations.  The cost to the families who burn coal in their homes and to the environment is great, as indicated in my interviews. Interestingly, only 1 of those 16 identified CO2 emissions associated with coal burning as being a contributing factor to climate change.

Again, it’s a complicated relationship and hopefully the 350.org campaign will heighten awareness of coal’s dark side and strengthen support for more environmentally friendly alternatives such as solar power and wind turbines. We have plenty of sun and wind in Arizona after all.”

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Jetsonorama. JC with Josey and their deaf dog (photo © Jetsonorama)

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Jetsonorama talks about this piece on a coal train abutment, “This installation is on an abutment that the coal train uses to transfer coal from the mine some 70 miles away to the coal burning plant in Page, Arizona.  I’d wanted to include an image of the coal train going over the abutment but missed the timing.  Of note, when the first images of the earth were beamed back from space in the 60s, the coal burning power plant on the Navajo Nation near Farmington, NM was one of the few man made things clearly identifiable by the large amount of pollution being emitted from it.  This is the Four Corners power plant which is on the Navajo Nation.” (photo © Jetsonorama)

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Jetsonorama and Birch Tattoo. Here is a Flagstaff collaboration with Rey Cantil who included text by U2 around the lump of coal. (photo © Jetsonorama)

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Jetsonorama poses JC at Red Lake with the moon. (photo © Jetsonorama)

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Jetsonorama uses repetition on the reservation with JC at Cow Springs. (photo © Jetsonorama)

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Jetsonorama. JC at Flagstaff. (photo © Jetsonorama)

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Jetsonorama. JC at Flagstaff. (photo © Jetsonorama)

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Jetsonorama says, “I had an opportunity to share with a young Navajo graphic design student the Brazilian lettering style Pichacao which he used on the 4th tank. This was done by Ryan Allison.” (photo © Jetsonorama)

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350.org will launch an international campaign on 09.24.11 to raise awareness on carbon emissions and climate change. To learn more about this project and become involved please visit the organization site:

http://www.350.org/

To learn more about Jetsonorama click on the link below:

http://www.speakingloudandsayingnothing.blogspot.com/

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Future Tense Presents: “MTV Re:Define” Benefit Art Exhibition and Auction (Dallas, TX)

Future Tense
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The MTV Staying Alive Foundation today announced the final details of its RE:DEFINE benefit art exhibition and auction to mark the 30th anniversary of the discovery of the AIDS virus, including the full list of contributing artists. Event curators The Future Tense have assembled an eclectic roster of 30 original works valued at over $1m from some of the world’s most exciting, dynamic and sometimes controversial artists, including painting, photography, sculpture and a large-scale public installation in downtown Dallas by street artist Ben Eine. The 30 contributing artists are as follows:

Lee Baker, Shepard Fairey, Harland Miller, Adam Ball, Katrin Fridriks, Polly Morgan, Peter Blake, Christopher Gascoigne, Gerard Rancinan, Billy Childish, Pam Glew, Rankin, D*Face, Haroshi, Stuart Semple, Brian Adam Douglas, Pieter Henket, Jamel Shabazz, Elizabeth Eamer, Damien Hirst, Benjamin Shine, Ben Eine, Jeremy Kost, Gavin Turk, Tracey Emin, Joseph Loughborough, Dan Witz, Faile, James Marshall and Russell Young.

Hosted at the Goss-Michael Foundation in Dallas, MTV RE:DEFINE will be open to the public from September 16 – 23 with a live auction of all 30 works taking place at an exclusive reception on September 24, hosted by Simon de Pury, Chairman of Phillips de Pury & Company. 100% of the proceeds from the auction will benefit the MTV Staying Alive Foundation, which encourages, energizes and empowers young people who are involved in HIV and AIDS awareness, education and prevention campaigns. Simon de Pury, Chairman of Phillips de Pury & Company said, “Phillips de Pury is thrilled to support the fabulous initiative of the MTV Staying Alive Foundation and of the Goss-Michael Foundation and The Future Tense.”

The evening will culminate in a live performance by alt-rock phenom, The Boxer Rebellion who are due to begin a major 22-date tour of North America in October to promote their latest album, The Cold Still. Tennessee-born Nathan Nicholson, lead vocalist for The Boxer Rebellion said, “The Boxer Rebellion are proud to support the MTV Staying Alive Foundation and feel privileged to play at this ground-breaking RE:DEFINE benefit event. We take our social responsibilities very seriously, and to be part of an event with such immense social and artistic merit – aimed at empowering young people all over the world to fight HIV and AIDS – is a real honor for us.”

Collectors unable to attend the event in person will have a wide range of absentee bidding options, including the ability to both view and bid in real-time, simultaneous with the live event via the following link:

http://www.liveauctioneers.com/catalog/26168

Full absentee bidding information can be found at: http://www.mtvredefine.com/absentee-bidding.php

The catalogue for the event can be found at: http://www.mtvredefine.com/catalogue.php

Sponsors of MTV RE:DEFINE include Moet & Chandon, The Dallas Morning News, Neiman Marcus, Hotel Zaza, Ben E. Keith Beverage Company, Land Rover/Range Rover of Dallas, RP Valet and Crazy Water.

For further information please visit the official website at www.mtvredefine.com You can also follow the project on Twitter via @mtvredefine and on Facebook at www.facebook.com/mtvredefine

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Stolen Space Gallery Presents: Word To Mother “Essence Of Adolescence” (London, UK)

Word To Mother
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Word To Mother
‘Essence Of Adolescence’
14.10.11 – 30.10.11

StolenSpace is proud to present Word To Mother’s fifth solo show with us, entitled ‘Essence Of Adolescence’ featuring a new body of mixed media paintings on wooden panels.

‘Essence of Adolescence’ is an enlightening glimpse into the artist’s visually obsessed mind. Word To Mother invites the viewer to take a glimpse of his inner mindscape. An outward manifestation that combines references drawn from his childhood and the visual stimulation that he absorbed; cartoons juxtaposed with more serious emotive thoughts and fears that face him as an adult living and painting in East London.

Incorporating hand drawn personal sentiments,emotions and feelings that he executes in the form ofloose script, inspired from his experience as a tattoo artist and tight sign written letters, drawn from years of painting graffiti. A beautiful juxtaposition, of fragile and emotive elements shown through subtle textures and washes of colour, but with a strength and confidence fused with his signature patterns, architecture & figures, this body of work is melancholic yet fun and playful. With anearthy ‘London’ palette of grey tones excentuating splashes of brighter ‘seaside’ colours of fluro red, pink, yellows and turquoise which give the paintings an
optimistic feel. Word To Mother draws inspiration from an adolscence which holds precious memories, juxtaposed with an adulthood which has made him the talented artist he is today.

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Word to Mother at work prepping for this show. (photo courtesy of the gallery © Ian Cox)

About the Artist:

Word to Mother was born and raised in a small English seaside town, never far from a stoney beach, crashing waves and salty sea veterans. It’s this environment thats has had such impact and influence on Word to Mother’s work and can be seen
throughout his drawings and paintings, whether that be the salvaged wood that he often uses as his canvas or the ‘Sailor Jerry’ tattoo references that appear subtly within his work, his paintings help to remind him of his roots whilst now dwelling in a town called London that he makes home.

If he is not drawing, and there is rarely a moment in the day that his sketch book isn’t being filled with twisted sketches or letter outlines that nod to his past, then he is on the lookout for discarded objects, vintage printed matter, or reading and broadening his knowledge so he can find the correct metaphors and words to describe his visual language. His loosness of line, fluidity of style and energy present in each and every painting make his work and approach truly unique and have fast gained him a firm and loyal following.

With shows scheduled for London, San Francisco and LA his artwork ensures that no matter where in the world he travels he’s never far from his home-town port.

STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom

P: +44 (0) 207 247 2684
info@stolenspace.com

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Samuel Owens Gallery Presents: “On Every Street” A Group Show Curated by Michael DeFeo (Greenwich, Ct)

On Every Street
brooklyn-street-art-michael-defeo-samuel-owen-galleryMichael DeFeo has been busy curating a large exhibition entitled, On Every Street for Samuel Owen Gallery in Greenwich, CT.

Mark your calendars, folks… the show opens on October 6th and features over 30 artists that work in the streets or use the streets in their works.

Artists in the exhibition are: Above, Aiko, Michael Anderson, Banksy, Jean-Michel Basquiat, C215, Tony Curanaj, Michael De Feo, D*Face, Ellis Gallagher, Keith Haring, Ron English, Blek le rat, Faile, Shepard Fairey, John Fekner, JMR, Gaia, Richard Hambleton, Hargo, Maya Hayuk, Don Leicht, Tom Otterness, Lady Pink, Lister, Ripo, Mike Sajnoski, Jeff Soto, Chris Stain, Swoon, Thundercut, and Dan Witz.

Stay tuned for more details, this is surely going to be one not to miss!

On Every Street
October 6 – November 3, 2011

Opening reception: October 6, 6:00 – 9:00 pm

Samuel Owen Gallery
378 Greenwich Avenue
Greenwich, CT 06830

+1.203.422.6500

Greenwich is approximately 35 minutes from Grand Central Terminal and the gallery is only a one minute walk from the Greenwich Station.

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Opera Gallery Presents: “Abstractions” A Retrospective of the Abstract Movement. (Manhattan, NY)

Opera Gallery
Abstractions will be open to the public starting on September 23 at 11:00 am
September 23 – October 16
Free admission: 11:00 – 7:00 daily

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Saber

Succubus Flux

Mixed media on panel

120 x 42 inches

Eric Allouche and the Opera Gallery team are pleased to announce the upcoming show entitled Abstractions. This exhibition will put on display a retrospective of the abstract movement from the 1940s through present day. Twentieth Century Masters such as Soulages, Hartung, Fontana, Miro, Arman, and Matta will share the space with some of the most creative contemporary voices such as Rosstar, Bast, Ron English, Gibby Haynes, Saber, Yasmina Alaoui and many others.

Abstractions aim is to explore the evolution of the movement over time and to showcase the artwork of the most influential and recognized artists of this style. The work of the master artists will be juxtaposed with the work of contemporary artists. Through the use of color and shapes, these artists are departing from the figurative and the depiction of imagery. The results are two types of abstraction, lyrical, as seen in Miro’s work, and geometric, as seen in Rosstar. Both types of abstraction are present within the 20th and 21st centuries. Geometric shapes and more organic strokes can both be seen in this exhibition, where one can experience first hand the ever-expanding concepts and ideas of abstraction.

Opera Gallery
212.966.6675
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