2011

Fun Friday 10.28.11

Basically today is the kickoff of a 4 day Halloween weekend of debauchery for many NYC freaks in the streets, loft parties, and bars. You are permitted to wear your Halloween costume at all times, including sleeping in a pile of barf and fake blood.

Some of the favorite Halloween costumes this year are Nicky Minaj, Angry Birds, Captain America, Charlie Sheen, a Pink Slip, a Topless Occupy Wall Street Protester, the Koch Brothers, Snooki or John Bohner (orange paint required), and your Chase Bank Student Loan Officer, Mrs. Snippet.

Top Stories this week on Fun Friday:

1. Bushwick Tonight – Beat Nite

2. The Rainbow Machine at Active Space

3. Launch of “Eloquent Vandals” Tonight in Stavanger

4. DAIN at Rook and Raven Gallery, “You Rest You Rust”

5. D’Face Never Liked What You Did Anyway (VIDEO)

Bushwick Tonight – Beat Nite

Jason Andrew continues to make the rallying cry for this art crawl/bar crawl in Bushwick, Brooklyn and it’s always an eclectic mix of badass, confounding, and clever work inside the galleries that are sprinkled around this neighborhood splattered with a fair share of Street Art. The beat we think of is the one on the streets here, where the air is infused with industrial sediment and diesel fumes, and electricity. Among the wandering artkids, quizzical conceptualists, and the odd hot-aired impresario claiming to be the original scene starter, you can look out  for intermittent zombies tonight.

Beat Nite: Bushwick Art Spaces Stay Open Late
Friday, October 28, 2011 6-10PM

Voted “Best Neighborhood-Wide Gallery Night” by L MAGAZINE, participating art spaces include among others: Norte Maar, Centotto, English Kills, Famous Accounts, Regina Rex, Storefront, Valentine Gallery, and the long awaited debut of AirPlane Gallery.

The official after party will be held at The Bodega. This episode of BEAT NITE is sponsored by Hyperallergic.

http://nortemaar.org/ 

The Rainbow Machine at The Active Space

Interactivity is the name of the game and you can be part of “The Rainbow Machine”, a deceivingly simple installation by Reid Bingham and Sean McIntyre where you stand still with a smile across your face while Sean sprints behind you with his custom programmed rainbow machine. Expect wilder variations in models and backgrounds than these rather tame participants in our example below.

 

 

“The Rainbow Machine” by Reid Bingham and Sean McIntyre. (Photo © Jaime Rojo)

The Active Space will be a part of “Bushwick Beat Night”. For more information please click on the link below:

http://www.brooklynstreetart.com/theblog/2011/10/19/the-active-space-presents-the-rainbow-machine-by-reid-bingham-and-sean-mcintyre-brooklyn-ny/

Launch of “Eloquent Vandals” Tonight in Stavanger

If you find yourself in Stanvanger, Norway today NUART invites you to the launch of “Eloquent Vandals”. It’s a history of Nuart we’ve been anticipating!

” Nuart became a focal point for many in the Street Art world because of its highly curated nature and its expansive brand of personal interaction with public space.  A hybrid of high-minded civic involvement and an art form with roots solidly in anti-authoritarianism, Nuart has presented a rolling roster of Internet stars and miscreants of the Street Art scene. ” – Steven P. Harrington and Jaime Rojo

 

 

The definitive book on one of the worlds leading street art festivals featuring exclusive essays from some of scene’s biggest names. Over 300 pages of exclusive images including works by Swoon, David Choe, Vhils, Blu, Ericailcane, Logan Hicks, Dface, Nick Walker, Judith Supine, Graffiti Research Lab, Blek Le Rat and many more…

Eloquent Vandals tells the story of how Stavanger, a small city on the West Coast of Norway gained a global reputation for Street Art. For the past six years, the annual Nuart Festival has invited an international team of Street Artists to use the city as their canvas. From tiny stencils and stickers to building sized murals, from illicit wheat-paste posters on the outskirts of the city to “Landmark“ pieces downtown, found everywhere from run down dwellings and train sidings to the city’s leading galleries and fine art institutions, Eloquent Vandals documents the development of not only Nuart, but also one of the most exciting art movements of our times. Features specially commissioned essays and texts by Carlo McCormick, Tristan Manco, Logan Hicks, Chris Stain, Steven Harrington & Jaime Rojo, Leon Cullinane and Martyn Reed.
————————————————————————————————————————–

WELCOME TO THE LAUNCH OF THE MUCH ANTICIPATED HISTORY OF NUART BOOK
TOU SCENE, ØLHALLENE
FRIDAY 28TH OCTOBER – 19.00

GUEST DJ’S, GIVE-AWAYS, OPEN BAR

For more information regarding this event click on the link below:

http://www.brooklynstreetart.com/theblog/2011/10/18/nuart-presents-an-invitation-to-the-launch-of-eloquent-vandals-stanvanger-norway/

DAIN at Rook and Raven Gallery, “You Rest You Rust”

“You Rest You Rust” Opens today in London, featuring work by Brooklyn Street Artist DAIN.

 

Dain on the streets of London (photo © Dain)

Here’s a sneek peak at one of the new piece’s Dain will be unveiling at the show.

For more information regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/2011/10/27/rook-and-raven-gallery-presents-you-rest-your-rust-a-group-show-london-uk/

D’Face Never Liked What You Did Anyway (VIDEO)

 

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Billi Kid Curates “Pongtopia!” A Benefit Art Show (Manhattan, NY)

Pongtopia

 

November 3-5, 2011
The Winter Garden at the World Financial Center New York City

Pongtopia! is presented by Brookfield Office Properties, in partnership
with SPiN Galactic. A dynamic three-day event combining the sport and
art of table tennis with the spirit of charity and education.

Given the recent increase in popularity of America’s favorite pastime,
Brookfield, SPiN and Operation Design are working together to showcase
this popular sport as never before — with world-class pros and
celebrities battling it out, as the New York area’s most amazing players
compete for the Brookfield Cup.

Street artist Billi Kid, of Public Works Department, will curate the
artistic components of the event, an incredible trove of one-of-a-kind
pieces of artwork and a live auction to be held on Thursday, November
3rd. Pongtopia! will display extraordinary, creatively painted Ping-Pong
tables and paddles by high-profile street and graffiti artists. Each
piece of table-tennis art will be available for purchase and proceeds
will go to support creative programs in selected New York City public
schools through Operation Design.

Featuring
Cope2, Cern, Shiro, Joe Iurato and Billi Kid

With Contributed Works by
ART ¹, Blip, Buildmore, Cake, Carly Ivan Garcia, ChrisRWK, COL Wallnuts,
CzrVII, David Cooper, Dashdoe, Dave Warnke, Dint Wooer Krsna, El Celso,
Elijah Arts, Franck de Las Mercedes, Frost215, Fumero, Geoff Hargadon,
Ian Ross, Indie, Jaxiejax Art, Jim McHugh, Mike Die, NohJColey, Peat
Wollaeger, Peru Ana Ana Peru, Question Josh?, Rednose, Sand One, Seamo,
Street Grapes, Ticky Tock, UWP (UnderWaterPirates), VengRWK and ZAM

Shiro “My Way” (photo © Billi Kid Flickr)

To see images of the complete set of tables and padles click on the link below:

http://www.flickr.com/photos/billikid/

For more information regarding this event click on the link below:

http://www.artsworldfinancialcenter.com/cgi-bin/Go.cgi?q_id=1170

 

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Rook and Raven Gallery Presents: “You Rest your Rust” A Group Show. (London, UK)

Dain

You Rest You Rust

Rook & Raven Presents

‘You Rest You Rust’ – a group exhibition of Alternative Contemporary artwork. Featuring work by:

DAIN
Dale ‘vN’ Marshall
Daniel Lumbini
Penny

Private View 27th October

Show runs until 17th November


Dain in London (photo © Dain)

Gallery open to the public from Friday 28th October

Gallery

7/8 Rathbone Place
London
W1T 1HN

Gallery Opening Hours

Tuesday – Saturday 11am – 7pm
Late night Thursdays – open until 9pm

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Martha Cooper Shoots Faile on Houston

The Houston Wall, a showpiece of curated Street Art in an increasingly malled and moneyed Manhattan where the uncurated stuff is getting harder to find, is once again brandishing a Brooklyn favorite, thanks to Faile’s installation yesterday. Patrick and Patrick worked methodically throughout the day and are expected to return for some hand touch ups before sealing it. With this wall, owned and curated by developer Tony Goldman, it’s anybody’s guess how long it lasts without being tagged, as Shepard Fairey and Kenny Scharf can tell you. Happily for all of us, photographer Martha Cooper caught all the action as it was going up and she makes a guest appearance today to share these excellent shots and observations with the BSA family;

Faile (photo © Martha Cooper)

“The Brooklyn collective Faile had an all-day, marathon pasting session yesterday on the Houston/Bowery wall transforming JR’s muted black and white photo into a dazzling display of color. The free-standing wall has been a favorite urban canvas since Keith Haring appropriated it in 1982. Faile hand painted their piece in their studio on multiple sheets of paper which they then pieced and pasted onto the wall. ” ~ Martha Cooper

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

Faile (photo © Martha Cooper)

 

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Stencils: Simple, Small, Effective

One trend these days in the world of Street Art is to go lavishly large, big with a bang, gargantuan with gusto!  Copius expanses of epic walls, scissor lifts, cases of cans and buckets of wheat-paste, an assortment of assistants, photographers, a public press release, and a panting play-by-play on social media as the Street Artist progresses across the cinder blocks. The desire to think big is a historical human inclination, from the pyramids to the Great Wall of China to Burj Khalifa to the works of Christo and Jeanne-Claude , we love gigantic work.

Artist Unknown (photo © Jaime Rojo)

Due to its completely democratic nature, the Street Art practice also includes the simplest, least showy, and anonymous pieces. Often we find little one-layer stencils, sprayed in ten seconds, to be just as interesting, and sometimes more powerful than the largest mural. Hidden, tucked away on the bottom of a doorway or a lamppost, the stencil is a fast way for an artist to get up and run, as fast as a sticker slap and just as effective. This collection of stencils recently collected in a few cities reminds us of those days when a lot of Street Art was not conspicuously installed and the works were small.  The artists here are unknown to us but maybe you have seen them.

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Don’t crack your knuckle! They’ll grow as big as the Ritz-Carlton. Artist Unknown (photo © Jaime Rojo)

Could be hallucinating but does this fly have a lion face? Artist Unknown (photo © Jaime Rojo)

Even pugilists take a break. Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Señor Conejo has an announcement. Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

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“The Minotaur” in London’s Nether Regions

Lazarides Gallery in London has a penchant for spectacular pop-ups in cavernous quarters, effecting a theatrical aura for the work of artists to take center stage. This month, Lazarides dives beneath the City of London, where there lies a complex system of tunnels and activities, including reportedly a military citadel – a bunker called Pindar. The Old Vic Theater, built in 1818, is located just south-east of Waterloo Station in London and just above an almost mythic installation by the gallerist this month. The tunnels and subterranean chambers housing “The Minotaur”, a collection of work by fine artists and Street Artists, add a clandestine mystery for the visitors who venture below. Combined with a program that can include dining and theatre, the mythic theme of the Minotaur is interpreted by the stable of artists to sometimes stunning effect.

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Doug Foster (photo © Geoff Hargadon)

Photographer and BSA collaborator Geoff Hargadon visited the exhibition and sends these exclusive images to BSA. The 16 international artists in the show, David Falconer, Sage Vaughn, Vhils, ATMA, Zak Ove, Doug Foster, 3D, Antony Micallef, Boxi, Conor Harrington, David Choe, Ian Francis, Jonathan Yeo, Lucy McLauchlan, Michael Najjar, Ron English, Stanley Donwood and Zevs.

If you have missed this, hurry because The Minotaur closes on October 25.

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Zak Ove (photo © Geoff Hargadon)

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Zak Ove (photo © Geoff Hargadon)

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Zak Ove (photo © Geoff Hargadon)

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Zak Ove (photo © Geoff Hargadon)

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ATMA (photo © Geoff Hargadon)

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Murdoch with friends. Vhils (photo © Geoff Hargadon)

brooklyn-street-art-vhils-geoff-hargadon-the-minotaur-lazarides-gallery-london-10-11-web-1

Murdoch with no friends. Vhils (photo © Geoff Hargadon)

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Sage Vaughn (photo © Geoff Hargadon)

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David Falconer (photo © Geoff Hargadon)

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David Falconer (photo © Geoff Hargadon)

brooklyn-street-art-geoff-hargadon-the-minotaur-dining-room-lazarides-gallery-london-10-11-web

The Dining Chamber (photo © Geoff Hargadon)

http://theminotaur.co.uk/exhibition/

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Emotional Branding Presents: “This Space Available” (Manhattan, NYC)

This Space Available

 

The grassroots movement against visual pollution

A documentary film directed by

Gwenaelle Gobe

Executive Producer: Marc Gobe/Emotional Branding

World Premiere at IFC Center/ New York

Saturday November 5th  Time: 7:00 PM

Tuesday November 8th     Time: 1:15 PM

Billboards and commercial messages dominate the public space like never before. But is a movement taking shape to reverse this trend?

In This Space Available, filmmaker Gwenaëlle Gobé says yes. Influenced by the writing of her father, Marc Gobé (Emotional Branding), this new director brings energy and urgency to stories of people around the world fighting to reclaim their public spaces from visual pollution.

From 240 hours of film, 160 interviews and visits to 11 countries on five continents, This Space Available charts a fascinating variety of struggles against unchecked advertising and suggests that more than aesthetics is at stake. If Jacques Attali once called noise pollution an act of violence, is visual pollution also such an act? Should we also consider, as one Mumbai resident says, “which classes of society can write their messages on the city and which classes of society are marginalized?”

Gobé offers a canny generational analysis of visual pollution, laying blame not just with the advertising juggernaut but also an entire generation of Baby Boomers, whose consumption-based culture has implicated them in the environmental fallout.  She argues that it’s her generation, left to do the cleaning up, that is now leading the fight back.

But the filmmaker also recognizes the history and politics behind this fight. Turning to such legislation as the Highway Beautification Act of 1965, Gobé shows how the enforcement of this landmark law, designed to regulate outdoor advertising on America’s roadways, has steadily eroded.  And today, public space activist Jordan Seiler faces harsh penalties for covering illegal outdoor ads with art, while officials turn a blind eye to illegally erected billboards.

Still, the film strikes a hopeful tone. A standout interview features Gilberto Kassab, the popular mayor of Sao Paulo, who threw a stone into the quiet pond of the billboard industry by successfully banning outdoor media in his city – the eighth largest in the world. The move is not without precedent: Houston’s 1980 billboard ban was also a deliberate tactic to improve its flagging image, economic competitiveness, and quality of life.

In the end, This Space Available challenges audiences to recognize that aesthetics and beauty go hand in hand with responsibility. Gobé asks why brands continue to ally themselves with an industry that cuts down trees, hogs energy, and spends its profits in courts and statehouse lobbies, especially while younger consumers push for improved corporate citizenship? And is everyone equally to blame for enabling the spread of visual pollution, while other humble individuals show that it’s possible to reverse it?

The film navigates these issues without promoting a universal solution. Gobé instead weaves together stories reflecting diverse local responses to an increasingly global condition. This Space Available compels audiences to consider these stories long after the film ends, or at least to remember them each time we speed by a billboard.

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Joseph Meloy Presents: “Vandal Expressionism,” Art Show At Tom & Jerrry’s (Manhattan, NY)

Vandal Expressionism

 

NYC-based artist Joseph Meloy returns this November with a second helping of Vandal Expressionism, a paint-first-ask-questions-later approach to communicating through art.Dancing over the line between the abstract and the figurative, this graffiti-inflected collection continues to delve into the unconscious, pouring it out onto canvas and paper in an otherworldly yet distinctly urban visual language.

The exhibit will be up for the entire month of November, so even if you can’t make the opening soiree, fear not because you can go check it out later in the month…

But we do hope you can join us on

WEDNESDAY, NOVEMBER 2nd
from 6 to 8PM,
to partake in wine, cheese,
mingling, people-watching
and VANDAL EXPRESSIONISM

The opening reception is Wednesday, November 2 from 6 to 8PM at 288 Elizabeth Street in NYC, and the exhibit will be up for the entire month of November…

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Brooklynite Gallery Presents: Stinkfish and OTHER “Thinkers of This” (Brooklyn, NY)

Other and Stinkfish

 

“THINKERS OF THIS”
Stinkfish • Other
November 5 – 26
Opening Night: Nov. 5, 6-9pm
BrooklyniteGallery.com

Brooklynite Gallery is proud to present, “Thinkers of This”, an exhibition from two well-traveled, street artists, STINKFISH and OTHER.

Drawing inspiration from all things that make a city tick, Colombian artist STINKFISH turns faces of unsuspecting people into vibrant portraits full of energetic emotion.

With work created on reclaimed surfaces such as vintage record covers, magazines and metal shelving, STINKFISH’s work cleverly mixes beauty and grit. Using a color palate that captures the flavor of the South American streets, this artist’s imagery does often originate from his own camera lens, but with all the time spent hitting the pavement, it’s no surprise discarded snap-shots are used at times to tell a story.

Striking women, proud men or gaze-filled children are often the subjects before STINKFISH adds his signature touch —an intricate tribal pattern to their features. Whether it be using stencil techniques or hand-drawing these patterns, Colombia’s premiere street artist’s images evoke a sense of cultural pride all while mixing in his post-youthful discontent and love of punk music.

Canadian artist OTHER has been kicking around this scene long before the term ‘street artist’ was one. Beginning with his freight train paintings that often consist of chalk white, weathered-faced vagabonds, floating on top of colorfully patterned, twisting-limb figures, OTHER has always made it a point to immerse himself in the very same culture he depicts.

Symbolic shapes, utensils, and typography in and around figures are the “sign language” he uses to communicate thoughts, ideas and dreams aloud. Curiosity often takes OTHER down the most windy roads, in the most remote places to seek out locations to work outdoors. These journeys often later feed into the back story of his paintings. Sometimes old signage, numbers, text bits and tags from other artists who’ve left their mark can become unplanned collaborations of sorts. Traveling and painting in places like northern Serbia, Chile and Romania with stories that seems to rival those of Hunter S. Thompson, no city or town is too far off the beaten path for this nomad artist.

 

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White Walls Gallery Presents: Augustin Kofie “Circulatory System” (San Francisco, CA)

Augustine Kofie

 

Circulatory System: Recent Works by Augustine Kofie

Opening Reception –

November 12th, 2011, 7-11 pm

On View Through December 3, 2011

White Walls is pleased to present Circulatory System, the new collection of work by Los Angeles-based artist Augustine Kofie. This will be Kofie’s second solo show with White Walls, and will include 30 recent works including smaller collage case studies on paper, hand painted multiple screen prints, assemblage on wood, paintings on canvas and wood and a large wall installation. The opening reception will be Saturday, November 12th, from 7-11 pm, and the exhibition is free and open to the public for viewing through December 3rd.

The works comprising Circulatory System feature a clean delineation of geometric forms and divisions of space with a technical precision that resembles architectural drafting. Kofie’s understanding of illustration and linework results in a style of meticulous rendering that never seems cold or sterile due to the delicate sense of balance maintained  within each composition. The muted palette softens the sharp lines, and imparts a simple  elegance to the complicated arrangements of shape.

The vintage-toned color scheme- the pale seafoam and mint greens of the sixties and the varying beige shades of worn paper- fit perfectly with the collage aspect of the work. Found imagery and ephemera are interwoven into many of the paintings, constructing a new way of looking upon fragments of the past. 

Kofie uses a similar approach of artful combination, rearrangement and layering to create  a soundtrack that will accompany the exhibition, reflecting the theme as well as setting  the tone for the collection. The 40 minute soundtrack is not an itunes mix but what Kofie calls a true mix, meaning a well- collaged assemblage of original beats, pulled dialogue from various films and re-edited songs.

 

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Post No Bills Gallery Presents: Paul Insect “Triptease Revue” (Venice Beach, CA)

Paul Insect

 

Post No Bills Announces

Paul Insect Triptease Revue

November 3rd – December 1st, 2011

 In celebration of the show, the gallery will host

 An Opening Reception on Thursday, November 3rd from 7-10 PM

Venice Beach, CA (October 2011) – Post No Bills proudly announces Paul Insect’s first major US solo exhibition.  The show will feature an ambitious breadth of original works on paper, from one of street arts seminal figures.

TRIPTEASE REVUE will feature unique originals, exclusive limited edition prints and hand-finished works in Insect’s visceral style, mixing bright colors and arresting imagery – blending sex, politics, death and pop culture themes with a satirical edge.

The show will introduce a new body of work featuring masked voyeurs, explicit thematic paintings, plus signature babyheads, and a wide array of other sensory surprises.  TRIPTEASE REVUE represents a new stage in the evolution of Insect’s art.

Paul started the renowned design collective “Insect” in 1995.  He quickly found himself outgrowing the design industry and began placing his work on the streets. 2003 saw his first show “The Hills Have Eyes”, and in 2007, Paul exhibited at the famed Pictures On Walls (POW) Christmas show “Santa’s Ghetto” in Bethlehem, which saw him paint alongside Banksy and other POW artists on the separation wall in Palestine.  Insect also gained notoriety for creating definitive album artwork for San Francisco hip-hop producer DJ Shadow.

“Bullion”, Paul’s first major solo show in 2007 at the Lazarides Gallery, saw him inconspicuously place real gold bars with bite marks on the streets of London. Before the show opened, Damien Hirst reportedly spent £500,000 buying up the entire show. His breakout follow-up show, “Poison” with Lazarides in 2008, took place in an abandoned sex shop in London’s Kings Cross and featured his iconic bronze Playboy Bunny skulls and his beloved babyheads – which have become some of the most recognisable images on the streets today.

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Gallery A.S. Presents: Anthony Lister “Bogan Paradise” (Sydney, Australia)

Anthony Lister

Private reception

Friday  4th November  2011

6 – 9pm

As the launch event is limited capacity we will not be able to accommodate everyone.
If you would like to attend, it is essential to register interest at rsvp@gallery.as

Gallery A.S. at 779 George Street, (near railway square) Sydney

Exhibition continues by appointment only. Please contact galleryas@galleryas.com.au

Gallery A.S. presents an ambitious production with Brisbane-born artist Anthony Lister. Much farther reaching than your white walled gallery exhibition, Gallery A.S. has positioned Lister’s new happening in an exhausted sex shop in Sydney’s Chinatown.

Bogan Paradise challenges conceptions of the Australian identity – those attributes perceived as both positive and negative. Euphemisms amount in the Australian vernacular to champion the quintessential Australian larrikin – a character that most other cultures would bluntly disregard. It’s the ‘she’ll be right’ laid back attitude that we exonerate as while we consent to and discount irresponsible acts.

Lister investigates the underside of such a responsibility-free society. We witness several incarnations of the ‘victimless crime’, a ‘no worries’ attitude to a future too far off for retribution – pissing in public, Mum smoking a bong, swearing at the televised footy match, burn-outs on the oval, amoral Queensland cops, desecration of wildlife, motorcycle gangs, and other petty misdemeanors as well as a few more personal crimes such as the home-made tattoo in the garage, sun-burn, a terrible haircut, an unhealthy obsession with sports or celebrity magazines.

Social commentators have oft questioned the larrikin streak in Australian culture, and have theorised about its origins. Some say that larrikinism arose as a reaction to corrupt, authority during Australia’s days as a penal colony, or as a reaction to norms of propriety imposed by officials from Britain on the young country and such disdain for arbitrary authority a reaction to of the often conservative norms of bourgeois Australia. What cannot be argued is that the larrikin is an important part of our culture and has emerged repeatedly, informing Australian contemporary art, popular and youth culture and political debate.

Bogan Paradise will be held in the top 3 floors of a dilapidated heritage listed, discreet George St Building. The convergence of Lister’s vision with this early Sydney building and recently de-zoned sex shop presents a unique context for Anthony to amplify his themes of wayward Australiana. The space will exist as several involving environments as a rabbit-warren of surprising installed, performative and interactive rooms.

Anthony Lister is a trailblazer with an international following and a general disregard for borders. A prolific street artist and painter Lister has managed to marry the empathy and abjection of 20th Century figuration with the irreverence of the contemporary pavement culture. His work shows a genuine affection for the human body, and also a tender understanding of the ways in which the demented, destructive, playful and powerful collide and coalesce.

Anthony Lister was born and raised in Brisbane, a metropolitan center and capital of Queensland, Australia. In 2001, he earned his Bachelor in Fine Arts at Queensland College of Art, and in 2003, moved to New York to continue his education under the tutelage of distinguished abstract painter and New Zealand native Max Gimblett.

He has since shown in solo and group exhibitions all over the world in commercial and institutional galleries, art fairs and prizes alike. His work is held in many collections of high esteem including the National Gallery of Australia and the BHP collection.

Gallery A.S. is Joseph Allen Shea‘s site-specific exhibition project. It’s vision is to create marriage and/or discord between architecture and contemporary art to bring interest and vigour to Sydney’s art and cultural domain.

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