Still way off the beaten path, and captivatingly so, New York’s 2nd annual Nuit Blanche overcame difficult weather and logistical hurdles to blind a few thousand revelers with brilliance and interactivity in this waterfront industrial neighborhood facing Manhattan. This festival of ingenius light is inspired by those sharing it’s name in cities like Paris and Toronto, but the D.I.Y. ethos that permeated Brooklyn during the 2000s in neighborhoods like this keeps the corporate chill at bay.
Untitled (photo © Jaime Rojo)
Performance, poetry, projections; the description does no justice to the ingenuity of spectacular pieces like Chris Jordan’s timelapse of Hurricane Irene hitting Manhattan projected inside a cloud named Bob that is designed by Columbia architecture students. Only in person, on the street, and in the cold October air can you be suitably shocked by the sight of yourself crawling up a factory building with a hundred others going at different rates. “Asalto”, by Daniel Canogar does just that; a public participation piece where you can crawl across a stage being recorded by a camera overhead and a few seconds later see yourself climbing to the top of this abandoned factory, progressive participants looping and layering as the evening advances.
The Manhattan art crowd may have been lured by the new ferry service and the promise of the occasional marquee name (Serra, Wodiczko), but it’s the unposing open quality of this curated installation of light that still feels promisingly ad hoc. While you’re discovering and rooting for it to succeed, you hope it retains the radiant wit as it grows. Glows
Richard Serra, 1968. “Hand Catching Lead” (photo © Jaime Rojo)
Marcos Zotes-Lopez (photo © Jaime Rojo)
Daniel Canogar (photo © Jaime Rojo)
Daniel Canogar (photo © Jaime Rojo)
Chakaia Booker (photo © Jaime Rojo)
Alex Villar (photo © Jaime Rojo)
Amanda Long (photo © Jaime Rojo)
POEMobile (photo © Jaime Rojo)
POEMobile (photo © Jaime Rojo)
Chika Lijima (photo © Jaime Rojo)
Chris Jordan, Shai Fuller, Jocelyn Oppenheim, Jacob Segal and Brycia Suite. (photo © Jaime Rojo)
Untitled (photo © Jaime Rojo)
Jeff Desom take on Rear Window (photo © Jaime Rojo)
Nathan Kensinger description of lost interiors consumed by fire. (photo © Jaime Rojo)
Organelle Design and Elliot-Goodman (photo © Jaime Rojo)
Krzysztof Wodiczko (photo © Jaime Rojo)
Andrea Cuius and Roland Ellis (photo © Jaime Rojo)
Diller Scofidio (photo © Jaime Rojo)
Untitled (photo © Jaime Rojo)
Sean McIntyre and Reid Bingham (photo © Jaime Rojo)
Ugly Art Room (photo © Jaime Rojo)
Valeska Soares (photo © Jaime Rojo)
Elisabeth Smolarz (photo © Jaime Rojo)
This article was previously posted on The Huffington Post.
Other Articles You May Like from BSA:
What visit to Berlin is complete without a train adorned with a 1UP piece? 1UP Crew in Berlin. (photo © Jaime Rojo) Chased since 2003, this anonymous amorphous and acrobatic aerosol crew has a...
Street artist Sticker Maul doesn't need a large canvas to create art that makes an impact on the street. A recent piece we found in the Lower East Side of Manhattan keeps us thinking... War Is a F...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening : 1. Skewville and Two Dead Rats on Wire 2. Farewell: Velibre 3. Park Rituals" with HOT...
Ah, the women of Paris! Street artists have many interpretations of the female form, visage, and image. We have been thinking of female street artists in particular for the last few days because ...
Welcome to BSA Images of the Week! As the graffiti and street art high season draws to a close, we remark on the stunning array of new faces on the New York scene this year, as well as a larg...