September 2011

Martha Cooper and Remembering 9/11

This week many New Yorkers are thinking about where they were on 9/11/2001 when the planes hit the World Trade Center Towers and what the city felt like in the days, weeks, and months that followed. There are many questions that never were answered, and there are many consequences that are still to unveil. An incredibly diverse city in so many ways, our unity was automatic and sincere. We already knew each other and we knew we all had been hurt and we were all changed by those events. While others looked at it as an American attack, New Yorkers felt a wound to the place we had made together, our beloved dirty beautiful hard and scrappy city. Today it is painful to go back and contemplate those days and wonder what happened, why, and at what cost.

brooklyn-street-art-martha-cooper-9-11-tenth-anniversary-web-6Martha Cooper: Remembering 9/11. De La Vega. (photo © Martha Cooper)

World renowned graffiti and Street Art photographer Martha Cooper had been documenting New York as a journalist and ethnographer for a quarter century when the streets of the city were flooded by raw sentiments and visual communications expressed with marker, pencil, paint, – whatever was at hand – in the days that followed 9/11.  Those incredibly personal desperate acts of expression were gazed upon and reflected on by neighbors and strangers as we attempted in vain to explain the world to one another. To remember a little of what it was like, she shares with us her photographs from those days.

“9/11 happened to all of us. It was a collective experience that defined the outset of the uneasy, globally interdependent twenty-first century. Nowhere, however, were the raw terror and tragic consequences of 9/11 felt more personally than the metropolitan region of New York City, for which the Twin Towers had functioned as a conspicuous compass setting, hub of work and recreation, and symbol of America’s economic might,” Martha Cooper writes in “Remembering 9/11”

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(photo © Martha Cooper)

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A memorial wall by members of Tats Cru. (photo © Martha Cooper)

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The symbolism in personal depictions like these often said more than thousands of words ever could. (photo © Martha Cooper)

“There are no prescribed rituals for mourning thousands of people. We invented them as we went along,” Martha Cooper

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(photo © Martha Cooper)

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Art work in Union Square (photo © Martha Cooper)

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Memorial Wall for WTC victims by Lower East Side artist, Chico Garcia; Avenue A (photo © Martha Cooper)

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(photo © Martha Cooper)

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(photo © Martha Cooper)

brooklyn-street-art-martha-cooper-9-11-tenth-anniversary-web-5 This wall in Queens, NY was painted by Lady Pink, Smith, Ernie and friends. (photo © Martha Cooper)

Martha Cooper is a featured panelist at today’s panel discussion in Brooklyn called “Return Remember: Ephemeral Memorials in the Legacy of September 11” At Power House Arena. 37 Main Street Dumbo. 6-8 PM.

Martha Cooper will be signing copies of a new slim volume of images “Remembering 9/11” following the panel discussion. For more information about this event please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=23995

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“Living Walls: Albany” Begins! Gaia, Nanook and a Rockefeller

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Over the next few weeks, New York State’s capital city, Albany, will be the site of a large scale Street Art show with many artists whom you are familiar with and a number of new ones on walls in desolate areas, historic districts, and even a church.

When local artist and visionary Samson Contompasis asked BSA to be partners with Living Walls last winter, we already knew about his reputation as a stalwart proponent of the creative spirit who opens doors for artists of many stripes. If Samson is in love with something, it’s going to happen.

Now “Living Walls: Albany” has grown to encompass not only multiple walls for Street Artists from around the world but the involvement of civic leaders, building owners, arts institutions, historical ombudspeople, electronic and print media, artists, musicians, galleries, a museum, and arts programming for kids and families. That was one sentence.

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

For our involvement BSA will help keep you up on all the walls with people we’ve worked with before and new ones too, bringing you regular updates from now until the big weekend of the 16-18th, which will have live art, music, symposia, and a keynote by your buddies here. Today we’d like to introduce two talents on the Albany scene who will be leading the way in our coverage, writer KC Orcutt, and photographer Andrew Franciosa as they were on the scene when Gaia and Nanook first started their new piece.

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook in Albany

Words by KC Orcutt, Images by Andrew Franciosa

A new livelihood is radiating around the colossal work of Gaia and Nanook, which debuted the Living Walls: Albany last week. Their vibrant piece adorns the side of a vacant, unroofed building currently aging on N. Pearl and Livingston.

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

Ten minutes into my third visit, a handful of neighborhood children flocked in front of the massive brick before me to point out what they liked about the Street Art as two passer-bys curiously paused. The figure of a man pushing a contemporary piece of art (currently housed in the Rockefeller Empire Plaza Concourse) towards the face of Nelson Rockefeller is inexplicably alluring. The collective work is as perplexing as it is simple.

The merging of Albany landmarks in a notion of “pushing forward” is an attentively constructed kick off to the project this fall. One of the energetic neighborhood children, unaware of his metaphorical wisdom, looked at me and said, “I guess it’s a new day.”

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

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Gaia and Nanook collaboration (photo © Andrew Franciosa)

Living Walls : Albany

Participating artists include: Army of One , Broken Crow ,Cake ,Chris Stain ,Clown Soldier ,Deacon Czar , Depoe , Dwell & One Unit , Evereman , Gaia , Gregory Maxwell Dunn II , Hellbent , Jacqueline Brickman , Joe Iurato , Jon Burgerman , Marcus Anderson , Michael DeFeo , Nanook , Over/Under , Papertwins , Radical! , ROA , Scott Michael Ackerman , Skewville , Uneek , Veng , VRNO , White Cocoa , YARK

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Recoat Gallery Presents: “BREUCKELEN”a Solo Show with EMA (Glasgow, Scotland)

EMA
brooklyn-street-art-ema-breuckelen-recoat-gallery-3brooklyn-street-art-ema-breuckelen-recoat-gallery-2Ema began spray-painting the walls of her hometown, Montpellier (Fr) in the early 90’s. Instantly hooked by graffiti, it wasn’t long before her works adorned buildings and trains throughout the South of France, Paris and Barcelona before moving across Europe and North America.
As a resident of New York for the past 10 years, Ema’s work can be seen throughout the city, both inside and outside the gallery; from exhibitions in Chelsea, to wheat-pastes in Brooklyn and large-scale murals across Manhattan, Queens and the Bronx.
For this exhibition, titled Breuckelen (the original name for Brooklyn), Ema presents a series of original works celebrating a decade of soul-searching, creative explorations and one-hell-of-a-time in the city so good, they named it twice.
Brooklyn, we go hard.
Opposite are some examples of previous work.
The exhibition opens on 9th September 7-10pm. The show will then run till the 9th of October open 12-6pm Tuesday to Sunday. Go read and see more of Ema here- florenceblanchard.wordpress.com/

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941 Geary Gallery Presents: “Young and Free” Contemporary Australian Street Artists (San Francisco, CA)

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“I like renegades – there’s something so attractive about their natural instinct to defy convention.” Anon.

Some call Australia the ‘lucky country’, but we’ve always made our own fate. From a rebellious pas we’ve forged an identity steeped in cunning ingenuity, creative discontent and unorthodox flair. We’ve staged rebellions over rum, gained notoriety and won Nobels. We invented cask wine and Wi-Fi and we’ve won countless world titles. There may not be a lot of us, but we’ve always packed a punch.

So it is no surprise that with nothing more than a can of paint and a glint in their eye Australians are taking the street art scene by storm. It’s time for the rest of the world to sit up and take notice.

Young & Free will be the most significant exhibition by Australian street artists ever seen in the United States. The show will feature fresh work by thirteen of Australia’s finest urban art guerrillas – from the already internationally acclaimed to the burgeoning up-and-comers.

This tribe of artists comes from a variety of backgrounds: brilliant new work by notorious 80’strain painters through to the sublime subtlety of a modern day Rembrandt armed with a spray can. Young & Free is a reflection of Australia’s thriving street culture with a strong grounding in the past and a firm focus on the future. These artists are modern day bushrangers, patrolling the lanes from Melbourne to Manhattan.

This show features a mix of direct sprays, stencils and paste-ups, representing the rich and varied groundings from which these artists have grown. No matter their age, medium or style, the Young & Free artists all share one thing in common: they want to give the urban landscape a fresh coat of paint.

There are many similarities between Australia and San Francisco. Both have famous bridges, internationally established street art cultures and, of course, trams. What is different is our beginnings. Australia’s criminal foundations have seeped into our national persona – Aussies are born with a spirit of rebellion. As the opening lines from our national anthem proclaim, ‘Australians all let us rejoice, for we are Young & Free.’

The cans have been capped, the wheat paste stirred, and the stencils packed: this is the most important Australian street art exhibition ever, mate.

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Images of the Week 09.04.11

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Here’s our weekly interview with the streets, this week featuring Dal East, Dust Love, El Sol 25, Faith 47, Knitta Please!, Le Concept, UFO, and Wing.

brooklyn-street-art-el-sol-25-jaime-rojo-09-11-3-webEl Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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Knitta Please! “Plan Ahead” (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

brooklyn-street-art-faith-47-dal-east-jaime-rojo-09-11-2-webFaith 47, Dal…East (photo © Jaime Rojo)

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Faith 47, Dal…East (photo © Jaime Rojo)

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Faith 47, Dal…East (photo © Jaime Rojo)

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Wing (photo © Jaime Rojo)

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Le Concept (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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UFO (photo © Jaime Rojo)

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Dust Love (photo © Jaime Rojo)

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Untitled photo © Jaime Rojo

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The Institute Of Contemporary Art, Boston Presents: Swoon “Anthropocene Extinction” (Boston, Mass)

Swoon
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brooklyn-street-art-swoon-geoff-hargadon-ica-boston-2-webSwoon at work installing  “Anthropocene Extinction”  (photo © Geoff Hargadon)

There’s a good chance you’ve encountered Swoon’s work before: her intricately cut, life-sized portraits have covered abandoned buildings and warehouses in cities around the world. Often found in beautiful states of decay, her wheat-pasted installations are populated by realistically rendered people going about everyday activities in a cityscape of her own invention.

In both her art and her own life, Swoon is deeply engaged with social and humanitarian projects. During the 2009 Venice Biennale, she and a crew of 30 other artists and friends sailed SWOON boats made of reclaimed materials through the canals of Venice—creating new purpose out of what was cast aside. Her latest endeavor, the Konbit Shelter Project, is a sustainable building project assisting Haitians who lost their homes in the devastating 2010 earthquake. Working alone or in collaboration, Swoon’s work is often about forming a community in order to practice what she refers to as a “real world” engagement.

For the ICA’s fifth installation of the Sandra and Gerald Fineberg Art Wall, Swoon’s installation will extend from the elevator atrium to the lobby, soaring 40 feet up to the ceiling—the largest installation to occupy the Fineberg Art Wall. The work, titled Anthropocene Extinction, is composed of streams of intricately cut paper which connect key sculptural elements within the installation, including a 400-pound, suspended bamboo sculpture. The exhibition is accompanied by an ICA-produced video featuring installation footage and an interview with the artist.

To find out more about this exhibit, location, time, dates and directions visit ICA site at:

http://www.icaboston.org/exhibitions/upcoming-exhibitions/swoon/

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Pawn Works Gallery Presents: Brent Houzenga “Remixed Remains” (Chicago, ILL)

Brent Houzenga

brooklyn-street-art-brent-Houzenga-pawn-wroks-gallery-face-yourself-webBrent Houzenga. “Face Yourself” (photo © courtesy of Pawn Works)

Five years ago, artist Brent Houzenga’s life was altered dramatically when he stumbled across a pair of antique photo albums from the 1890’s in the discarded trash of others. Since that discovery Houzenga has amassed an extensive body of work, attempting to bring these lost souls back to life through abstract painting and stencil work using vibrant colors and his own unique action painting techniques. Often displaying his subjects on re-purposed window frames suggests the antiquity of the subjects in his paintings as well as the rural and rustic background of this self-described  ‘Prairie Pirate’. Working on the reverse side of the glass, painting backwards and tirelessly scraping away existing layers of paint to create new marks, Houzenga pays homage to those he renders. Many subjects remain unscathed peaking out of chaotic abstraction while others are altered entirely.

With his new show “Remixed Remains” Houzenga experiments with scrawling over the rendered photos leaving insignia and other messages for the viewer to ponder, all part of an installation transforming the space into a post punk Victorian funhouse. Remixed Remains will serve as a celebration of the painting and exhibiting over the last five years. For the artist, what once was classic is now revamped like a stolen bass line or punk cover with a little more class; splattered all over.

Brent Houzenga ‘Remixed Remains’

Opening Reception will be on Saturday September 3, 2011 from 7-10pm

Show runs until October 2.

Pawn Works | 1050 N. Damen Ave. Chicago, IL 60622


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Peek at Swoon’s “Anthropocene Extinction” Opening at Boston’s ICA

brooklyn-street-art-swoon-geoff-hargadon-ica-boston-2-webSwoon (photo © Geoff Hargadon)

Opening tonight at the Institute of Contemporary Art in Boston, is an exhibition of new work by Brooklyn Street Artist SWOON, called Anthropocene Extinction.

“The title addresses humanity’s impact on the environment,” says Pedro Alonzo, the Adjunct Curator of the show and the guy who brought the very successful Street Art exhibition “Viva La Revolucion” to San Diego last year.

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Swoon (photo © Geoff Hargadon)

Kind hearted and focused powerhouse SWOON continues her efforts to engage viewers at ICA with her hand cut wheat pasted installations of real people and mythical ones, symbolically telling a tale that brings responsibility for the environment directly to our feet. Wholistic in many respects, we find familiar recurring themes in the subject matter, the construction techniques, even the manner of fruition of the installations; The localized environment in which Swoon’s work evolves mirrors the collaborative vision and processes that will be necessary to address the very real issue of sustainability and disaster more populations are facing.

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Swoon (photo © Geoff Hargadon)

For the politically charged time we’re in, a show like this could open itself to charges of smug liberal self satisfaction if the artists’ body of work and projects to create shelter from the storm were not so consistent and authentic. A person entirely engaged in every process, Swoon facilitates others’ stories and incorporates them along with more material considerations, like the 400-pound bamboo temple structure hanging from the ceiling here that uses traditional Chinese construction methods the artist has been studying (It’s excellent when viewed while riding the elevator). Balancing the durability of reinforced joints with the fragility of cut paper species floating through air, the exhibit calls to mind the range of responses we will need to employ if the march toward planetary destruction is to reverse, and if SWOON’s characters are going to survive.

Our thanks to photographer and BSA contributor Geoff Hargadon, who has been documenting Swoon’s installation for the show and who shares images with you here.

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Swoon and assistant Alyssa Dennis work on a linocut print (photo © Geoff Hargadon)

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An assistant helps Swoon with final touches on this wall. (photo © Geoff Hargadon)

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Swoon (photo © Geoff Hargadon)

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Swoon (photo © Geoff Hargadon)

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An assistant helps Swoon with this portion of the installation. (photo © Geoff Hargadon)

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An assistant helps Swoon with final touches on this wall. (photo © Geoff Hargadon)

Support for the Swoon installation is provided by Fotene Demoulas and Tom Coté, Geoff Hargadon and Patricia La Valley, Tim Phillips, and Connie Coburn and James Houghton.

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Learn more about the exhibition Anthropocene Extinction at the ICA website HERE:

Read BSA’s interview with Pedro Alonzo here about his curatorial experiences on Viva La Revolución at the Museum of Contemporary Art San Diego last year.

Listen to an interview with Swoon and Pedro Alonzo on Boston’s WBUR.

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Gilf! “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Gilf!

One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.

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Gilf! (photo © Jaime Rojo)

Read “Back Talk: A conversation with Gilf!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-gilf

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Fun Friday 09.02.11

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Fun Friday Stories

1. ASVP  is “Down to Earth”
2. Ferris Wheel Minus the Wheel = Floating People in the Sky (VIDEO)
3. SPOKE Art Group Show (SF)
4. How to Steal a Banksy from the “Wild” in Palestine (VIDEO)
5. XAM Flies West to Flip the Bird
6. In Lebanon Courage is Contagious (VIDEO)

ASVP  is “Down to Earth”

Tonight, Black Book Gallery is hosting the opening of A.S.V.P. The Duo from Brooklyn in Denver, Colorado.

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For more information about this show please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=24019

Ferris Wheel Minus the Wheel = Floating People in the Sky

SPOKE Art Group Show (SF)

On The West Coast in San Francisco Spoke Art Gallery  brand new group show with works by Handiedan, Charmaine Olivia, Craww and Tatiana Suarez opened yesterday.

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Tati in the old RC Cola Factory in Miami for Primary Flight. (photo © Jaime Rojo)

For more information about this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=23944

How to Steal a Banksy from the “Wild” in Palestine

From Kezler.mov

XAM Flies West to Flip the Bird

Fuzion Gallery in Santa Barbara, CA is hosting “Flipn’ The Bird”, their new group show which includes Brooklyn’s XAM with Chadillac and Martin Diaz

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XAM in Brooklyn, NY (photo © Jaime Rojo)

More on Flipn’ The Bird HERE

In Lebanon Courage is Contagious

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Black Rat Projects Presents: “BRP Paper” (London, UK)

BRP PAPER
brooklyn-street-art-Black-rat-press-projects-galleryWelcome Back! Here’s hoping everyone had a fantastic month of August despite the cold and rainy conditions. The Black Rat team is back from the far corners of Europe and we are thrilled to open our doors once again and welcome you to our September show ‘BRP Paper’ opening Thursday 8th of September through to October 16th.

Skilled and labour intensive, paper works respond to the rise of the digital age in small carefully crafted rebellions. Through the manipulation of paper today’s artists turn to this generation’s redundant material as a site of endless creative possibility. ‘BRP Paper’ will present  bringing these international artists together for the first time to explore common themes in their work.

Another autumn milestone getting us excited is Black Rat’s participation in Christie’s Multiplied 2011 a fair devoted exclusively to Contemporary Art Editions. Running from 14th-17th October at Christie’s South Kensington, Multiplied will showcase the hottest new names and the best in contemporary art editions and Black Rat will be there right in the centre of the action so come by and say Hi!

See you all on the 8th!

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Black Book Gallery Presents: ASVP “Down to Earth” (Denver, CO)

ASVP
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Opening reception September 2nd @ 7pm – Open to the public
Artists in attendance

Denver, CO (August 24, 2011) – ASVP is a New York based artistic team of two that began working together over 8 years ago and has more than 20 years of combined creative experience. The team has created paintings, murals and poster art that has been displayed in major cities across the world including London, Hong Kong, Amsterdam, Hawaii, Zürich, Chicago, Detroit, Los Angeles, San Francisco, Varanasi India as well as New York City.

“The clean look and feel of the work comes from our commercial training in graphic design and advertising, but for us, many of the actual images are reflective of “a break-out” from a certain type of creative jail that we both found ourselves in. We felt like we were in the Creative Matrix—and we finally figured out how to unplug.”

ASVP’s work collages eastern and western images from multiple influences including; retro advertising, pop and comic book culture, mixed with bold typographic elements. The team uses dramatic multi-layered compositions with bright tones of pop-inspired color.

“The more aggressive imagery in the show comes from a defensive, almost resentful place, and more strongly shows the idea of us “breaking free” from our past to create things that are more honest. Other images in the show exhibit more restraint. When viewed together, the diversity of the work shows an honest depiction of our voice as a work in progress.”

ASVP’s first solo exhibit comes on the heels of two recent group shows including “Bushwick Open Studios” and most recently, “Can’t Hear the Revolution” at Kunsthalle Galapagos.

“Down to Earth” is comprised of nearly 40 silk screened pieces on paper and canvas with hand and spray painted elements in many of the works. Exhibit opens at Black Book Gallery on September 2nd and runs through September 30th.

Phone:
303-941-2458

General Info:
info@theblackbookgallery.com

Orders:
orders@theblackbookgallery.com

Black Book Gallery is located on the West side of Santa Fe Dr. Santa Fe is a North bound one-way street. Meter free parking is available on both sides of street.

Gallery Address:
555 Santa Fe Dr. Denver, Colorado 80204

Hours:

Tuesday – Saturday*
2pm – 6pm

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