2010

“Make It Fit” Various & Gould Join Specter at Brooklynite

“Make It Fit” Various & Gould Join Specter at Brooklynite

Don’t try to jam these square pegs into a round hole. You’ll never make them fit.

Germany’s VARIOUS & GOULD join Brooklyn’s SPECTER at Brooklynite Gallery in the workshop; an assembly-line of drilling, cutting, painting, pounding and pasting to create a show about work and workers.

SPECTER goes for the sculptural and literal to depict his workers – re-fashioning found objects like bikes and shopping carts into frank open portraits of delivery guys and bottle re-cyclers, among others. VARIOUS & GOULD metaphorically consider the changing job descriptions in an increasingly digital age with memories of an industrial one, throws in a splash of DaDa with a poppy panoply of fluorescent washes, and hilarity ensues!

Brooklyn Gothic

“Brooklyn Gothic”, a portrait of Various & Gould by Jaime Rojo.

Various explains their working styles, “I think he is more thoughtful.  He thinks ahead about what he wants to do.  I am more like “do it first” and then see if I like it or not.  That is maybe the main difference and so we have to talk about it more to make it work – to make it fit.”

brooklyn-street-art-various-and-gould-jaime-rojo-03-104

Various & Gould (detail) (photo © Jaime Rojo)

Gould re: Various, “She is more atypical with everything that she does, or chooses, or brings together. You might think at first, ‘Oh, I wouldn’t do that’, and then later you say ‘Yeah, but that was good because I wouldn’t have thought of it’She has her very own approach.”

Specter

Specter’s guy on a bike looking at you through the brake lines.  (detail) (photo © Jaime Rojo)

Various and Gould

Skilled screen printers, Various & Gould created nearly all of their components in Germany before traveling to New York. The collections are divided into body parts – heads, upper bodies, lower bodies, arms, legs, etc., to be assembled as needed.Various & Gould (detail) (photo © Jaime Rojo)

Various and Gould

In this piece by V& G  men and women representing workers are lined up in rows – A group that, while very individual (witness mis-matched footwear, patterns and colors in ensembles),  is represented as a generic production crew. All the men have one face, an instance repeated across the stage. Similarly, all the women are represented by one face multiple times.  Gould explains that the artists looked through many old photographs of workers in their preparation for the show and here they pay tribute to the many proud laborers who posed in front of their completed project, or in front of their industrial plants or offices.  Leaving the pants off a few of them is a reference to the ribald humor that can erupt in some workplaces. The cheery and multiple colors are indicative of the joys of being part of a group, each one knowing that the whole is greater than the sum of it’s parts.     Various & Gould (detail) (photo ©Jaime Rojo)

Various and Gould in progress

Work in progress. Various & Gould (photo © Jaime Rojo)

V&G feel a kinship with Specter, despite their differences in aesthetic style. On working with Specter, Gould says, “So meeting Specter was natural because his work is about the homeless and unemployed people and the daily struggle to survive – so it is not strange to us. In future work we plan to come back to more relevant issues like this. We have different ways of seeing. Of course our pieces are colorful and collage and his are realistic and life-sizeso our styles are different but I think what keeps us going is quite similar.

Specter

You have to see these in person to understand how the 3-D aspect of the found objects lends a realism to the person in the portrait.  Specter (detail) (photo © Jaime Rojo)

“MAKE IT FIT”
SPECTER • VARIOUS & GOULD
OPENING Saturday MARCH 20, 7-10pm

Brooklynite Gallery is located at 334 Malcolm X Blvd., Brooklyn, New York 11233. Open Thursday thru Saturday from 1pm – 7pm or by appointment. Located 2 blocks from the A or C subway to Utica Ave. stop.

Check out BSA’s recent coverage of Specter:

Inside the Studio with Specter

The Gentrification Series: Specter

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Carmichael Gallery Presents: Nina Pandolfo’s “Life Flavors” (Culver City, LA)


Carmichael Gallery

invites you to the grand opening of our new Culver City gallery space and our premier exhibition.

Nina Pandolfo. Image Courtesy of Carmichael Gallery

Nina Pandolfo. Image Courtesy of Carmichael Gallery

Life’s Flavor

A solo exhibition of new work by Brazilian artist

Nina Pandolfo

Saturday, March 20 2010

7 – 10 PM

Please RSVP to rsvp at carmichaelgallery dot com


5795 Washington Blvd
Culver City, CA 90232

The exhibition is open to the public through April 18 2010

To enquire about available work, please contact art at carmichalegallery dot com

Image
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Poster Boy: Toilet Humor and Political Critique – Interview on Reuters

Poster Boy (close up)

Poster Boy (close up) (photo ©Jaime Rojo)

To promote the new Poster Boy book – he(they) have done an interview with Reuters News Service

Q: What are you saying? Is yours basically an anti-corporate, anti-consumer message?

Poster Boy: “It’s anti-consumerism and anti-copyright. It’s nothing violent, it’s not anarchism, it’s more about healthy communication. A majority of the Poster Boy stuff is satire, using humor to address issues that aren’t humorous. Some pieces are straight-up toilet humor, others are legitimate political critique.

Q: Is “culture-jamming” always left-wing?

Poster Boy: “There are not many conservatives that do street art. The nature of it, the lack of respect for property, usually (goes hand in hand) with left ideas. It’s vandalism, damage of property, but it’s more that there is a political agenda.”

Q: A lot of the posters are mash-ups of movie ads, using faces like Jack Black from “Tropic Thunder” on a “Gossip Girl” poster. What are you saying about celebrity?

Poster Boy: People let fame get to their head. This is a way of denying that. For me, it’s about being able to have a conversation with my environment and with public advertising. If they have a right to say something on public walls then I should have a right to say something back.”

more of the interview here (edited by Paul Simao)

See our recent photos of Poster Boy’s stuff on the street HERE

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GAIA: Ornithological Wonders in the Shadow of a Bridge

Brooklyn-Street-Art-WEB-GAIA-Orintological-Cover

Street Artist Gaia worked two nights this week atop a ladder on a new double-headed Starling; a mutant foreshadowing of future Spring, under the darkened light of the Williamsburg Bridge.

Painting among  and around the simple strings of outdoor lights gave the night-time a carnival like, magic-infused feeling. The sound of rumbling trains overhead quickened the heartbeat, the metallic serpents in the sky somewhat ominous.

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The projected image of the first starling is about 30% rendered in this process shot (photo ©Steven P. Harrington)

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Gaia,”I have been utilizing the reflected image as a method of creating a simultaneously disturbing and enticing image.” (image ©Steven P. Harrington)

Brooklyn-Street-Art-4-WEB-GAIA-Orintological-Cover
“Double-Headed Starling”, by Gaia (image ©Steven P. Harrington)
“The patterns created by the line works confluence in the center establishes a new image born of the twins. There is a certain mystical quality to the double, the symmetrical and the Gemini. The corresponding likeness in a pair has always carried a certain sense of intrigue and mystery,” says Gaia

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Jeremy Fish: Unbelieverble Artist

One of SF’s finest artists and designers, Jeremy Fish, talks about the impact and influence of skateboarding, designing for The Unbelievers, and how SPB grew out of the hands of a few restless kids to an unexpected global popularity. Jeremy Fish’s artwork has been shown in galleries and museums worldwide and has appeared on skate decks, posters, and clothing, including countless Upper Playground collaborations.

unbelievers2-2006_web
Creative Commons License photo credit: bbaunach

Jeremy Fish Website

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Stencil Top 5 for 03.15.10 on BSA

Stencil-Top-5

The Stencil Top 5 as picked by Samantha Longhi of StencilHistoryX

"Dance Me to the End of Love", stencil on metal, by Joe Iurato (image courtesy the artist)
“Dance Me to the End of Love”, stencil on metal, by Joe Iurato (image courtesy the artist)

C215 had this entry in the Urbart Event, Institut de Gestion Supérieur (IGS), Toulouse
C215 had this entry in the Urbart Event, Institut de Gestion Supérieur (IGS), Toulouse (photo courtesy the artist)

"Jokerbama" by Ives One (photo courtesy the artist)
“Jokerbama” by Ives One (photo courtesy the artist)

A collage by Orticanoodles in the Belleville neighborhood of Paris (photo courtesy Stencil History X)
A collage by Orticanoodles in the Belleville neighborhood of Paris (photo courtesy Stencil History X)

An urban decay altar in Galveston, Texas. The Virgin Mary, by artist 2:12 (photo courtesy Stencil History X)

An urban decay altar in Galveston, Texas. The Virgin Mary, by artist 2:12 (photo courtesy Stencil History X)

See more at StencilHistoryX.com

See more Ives One images here

See more 2:12 images here

See more images of Joe Iurato’s work here

See more Orticanoodles here

See more C215 images here

Leonard Cohen’s “Dance Me to the End of Love” here

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Damning MUST SEE Video: Serious Allegations Against Brooklynite

We’re not taking sides yet, but some serious allegations are being leveled by street artists Various and Gould against Brooklynite Gallery right now.

All we can say at this point is that we went to Brooklynite for what was supposed to be an interview with Various and Gould – That interview was abruptly canceled –leaving us standing in the rain.  Instead, we were later emailed a link to this video by a now ex-intern (who is asking to remain anonymous).  This video appears to show some bad sh*t.   We’re hoping this isn’t true.

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Images of The Week 03.14.10

Images of The Week 03.14.10

CLICK IMAGE TO ENLARGE Our weekly interview with the streets.

Lister

We were very fortunate to watch Lister putting up this new piece on Thursday – his first new piece in Brooklyn in a half year. (photo ©Jaime Rojo)

To see Lister putting up his piece go HERE

El Sol 25
A new El Sol 25 (photo ©Jaime Rojo)

Swampy
A big Swampy (photo ©Jaime Rojo)

Free Agentz
Mister Den by Free Agentz

(photo ©Jaime Rojo)

Free Agentz (detail)
Free Agentz Mr. Den (detail) (photo ©Jaime Rojo)

Pop Face
A rather large intimidating stare from EFS (photo ©Jaime Rojo)

Free Agentz
Free Agentz (photo ©Jaime Rojo)

Free Agentz (detail)
Free Agentz (detail)(photo ©Jaime Rojo)

Billi Kid
Somebody sexy in the spaceship by Billi Kid (photo ©Jaime Rojo)

Rusell King
A sunflower by Russell King (photo ©Jaime Rojo)

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Artists Transform “Market Estate” before the Bulldozers Hit

Over 75 artists took over an abandoned housing building in north London and transformed the morose shell of once-utopian urban architecture into a living art installation.

Destined for destruction, the former home of hundreds of people received a final sendoff with the amazing contributions of all manner of artists, from conceptual to decorative – of course, street art easily intersects the grand process.
Look closely into the eyes of this creature by Solo One and you'll see two people peering out of the windows. (courtesy Solo One)

Look closely into the eyes of this creature by Solo One and you'll see two people peering out of the windows. (courtesy Solo One)

Last weekend a public viewing was hosted allowing visitors to tour the entire complex and contemplate the lives of the people who lived there, the fairly regular and sometimes expansive failure of architectural schemes, and the more activist role that artists have been playing in the public sphere.
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RETNA “Desaturated” at New Image Art (LA)

“DESATURATED”


new works by


RETNA

Retna preparations

Retna preparations

Retna was born in Los Angeles, California in 1979. Since first creating a name for himself in the early 1990s, Retna has become an “eternal broadcaster” of sorts, shining a light to the kinetic urban soul of Los Angeles. The name RETNA itself evokes the timeless power, movement and visual vibrancy behind the artist’s acclaimed work. His work merges photography with graffiti style and paint, time with color, couture with street culture, the spiritual with the sensual, and fluidity with grit. Whether his paintings hang in a gallery or wall on the streets of Los Angeles, they serve as a retina through which we view the urban journal of contemporary art.

At an early age, Retna was introduced to L.A.’s mural culture. While still in high school, he led one of the largest and most innovative graffiti art collectives the city has witnessed. He is perhaps best known for appropriating fashion advertisements and amplifying them with his unique layering, intricate line work, text-based style and incandescent color palette reflecting an eclectic artistic tradition. RETNA became just as notorious for his ornate painting technique as his timeless style: he used paintbrushes mixed with the traditional spray can. Many of his pieces synthesize the line between fine art and graffiti, between power and opposition, between tradition and advancement.

Today, Retna traverses between the galleries and streets with ease. Retna is a member of the Art Work Rebels and Mad Society Kings Art Groups. In December 2007, he contributed to a large-scale mural project with El Mac and Reyes called “La Reina del Sur” at Miami’s Primary Flight during Art Basel. His most recent projects include an exhibition titled “Vagos Y Reinas” at Robert Berman Gallery and a mural called “Seeing Signs” at the Margulies Warehouse for Primary Flight

New Image Art
7908 Santa Monica Blvd.
Los Angeles, CA 90046
(323) 654-2192
www.newimageartgallery.com

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Brazilian Street Artist Mundano has first Solo Show

From SÃO PAULO, here are a few pieces from Mundano’s first solo show, “Cidade Reciclável”(Recycable City)

Mundano said the opening night was perfect, “A lot of people, artists, Japanese food, hot weather, cold beer, caipirinha, 5 big canvasses sold and a lot of projects running at the same time. I wish you and other friends from NYC could have been at the opening last night,  – the same way I want to be in NYC to see personally the exhibition of fresh pieces on the streets.”
Painting on found objects by Mundano.

Painting on found objects by Mundano.

Themes from the show, and often in Mundano’s work, include issues of economic justice, environmental pollution and waste, recycling, bicycling, consumerism, and witty playful  monsters with faces of the ancestors, every watchful and observant.
Mundano.

Mundano.

Mundano likes to use street art as a way of a social revolution. He says his characters are imbued with messages so people can see and think about the problems he addresses.

Some recurring symbols and expressions from Mundano.

Some recurring symbols and expressions from Mundano.

“Cidade Reciclável”(Recycable City)

Grand Opening: March 10th, Wednesday, from 20h to 23h
The show runs till April 10th. The music, food, and entertainment venue is open Wednesday to Saturday
Asia 70
Domingos Andrades st. (corner with Kansas st.)
Brooklin
Call 11 5102 2215
About the Artist:
Mundano’s work can be seen in the favelas, big avenues, as well as art galleries and on his Flickr page: www.flickr.com/artetude
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BSA Exclusive: How to Catch LISTER Painting on the Street

Brooklyn Street Art got a little hotter yesterday – thanks to spring time temperatures and the wildly talented Anthony Lister, who is working on this new mural.

In between his installation at PULSE art fair last week and his solo show “How to Catch a Time Traveler” next Friday, we had a really great time watching him painting this new face in the neighborhood.

Anthony Lister on the streets of Brooklyn (photo ©Jaime Rojo)
A little more white over here… Anthony Lister  (photo ©Jaime Rojo)

Anthony Lister on the streets of Brooklyn (photo ©Jaime Rojo)
Anthony Lister on his toes on the streets of Brooklyn (photo ©Jaime Rojo)

Anthony Lister on the streets of Brooklyn (photo ©Jaime Rojo)
Anthony Lister  (photo ©Jaime Rojo)

Tune in to Sunday’s “Images of the Week” on BSA where we’ll feature the finished piece.

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