2010

Follow @AnneFrank : Street Art, Twitter and History

Follow @AnneFrank : Street Art, Twitter and History

Think of all the beauty still left around you and be happy. http://4rbyf.th8.us #optimism #hope #beauty

Send.

103 characters and her followers would have had an update of exactly what Anne Frank was thinking. The inner life of this girl, as recorded in her diary, has inspired many an artist, author, movie director, painter, and writer to contemplate their own.

Irish stencil Street Artist Vango has just imagined Anne Frank as she might be today – sending her personal thoughts and observations, status updates. It’s a tricky minefield of human history to tread for an artist and the implications of a wireless data stream available to all are still being assessed by contemporary culture.  As our historical touchstones are viewed through these new screens, sometimes it can be jolting and will raise questions. What parallels exist today, and what has been fundamentally changed by our creation?

Vango "Follow @ Anne Frank" (Photo © Vango)

Vango “Follow @AnneFrank” (Photo © Vango)

Brooklyn Street Art: With this new stencil you have updated an image of Anne Frank using what we are calling “social media”. What inspired you to create this piece?
Vango: Well, I always like merging the past with the present in my work and I especially like painting historic characters using the modern equivalent of their chosen medium. Today everyone ‘s on Twitter or Facebook expressing themselves to the world, which is a positive thing, except 99% of what they say is irrelevant bulls**t. On the flip side, 65 years ago this young girl actually had something to say that was unheard in her lifetime.
BSA
Brooklyn Street Art: Tell us a bit about the Street Art scene in Ireland.
Vango: Obviously Ireland isn’t known for Street Art but there are some talented artists emerging, especially in the last year or two like KARMA, ADW, Canvaz, Maser and of course Conor Harrington.
BSA
Brooklyn Street Art: Who would you cite as an inspiration as an artist?
Vango: As a stencil artist it’s hard not to mention Banksy. Lots of stencil artists are reluctant to admit that Banksy had an influence on them at the risk of sounding like stale copy cats. That’s understandable but I’d rather be honest and admit that Banksy had a major role in my decision to pick up a can. The guy makes it look so easy again  and again and the least he deserves is homage from newbie stencil artists.
BSA
Brooklyn Street Art: Why do you think Street Art is important and relevant in today’s art world?
Vango: It’s there for everyone to see, like it or not. It demands to be noticed and as you can tell it’s succeeding. You can be on a train, walking to work or driving home and see art that’s just as thought provoking as art you have to go out of your way to find. I think that ‘s important because nobody seems to have time anymore. If you have a job and a favorite TV show, your day is spent.
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Veng Gives Us a Tease Of Upcoming Solo Show

Veng from Robots Will Kill is working hard in his studio here to prepare for his first solo show at Pandemic Gallery in December.  Here’s a taste of some of the work he’s preparing, featuring his character and a cool illuminated hat!

Brooklyn-Street-Art-veng solo show detail

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Anonymous Gallery Presents: “Stickers: From Punk Rock to Contemporary Art” Book Launch (New York City, NY)

Anonymous Gallery
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DB Burkeman, Monica LoCascio,
Anonymous Gallery & Rizzoli
invite you to a reception celebrating the release of the book
STICKERS: From Punk Rock to Contemporary Art

The authors and several featured artists will be in attendance.
Books will be available for purchase and signing

with DJ Jasmine Solano, DJ Mondee,
DJ Teddy King, DJ DB (Old Skool Set), Ron Morelli (L.I.E.S.),
Marcos Cabral (Runaway & On the Prowl),
& DJ Brennan Green (China Town)
Hosted by Boundless NY

Thursday, Oct. 7, 9pm

Le Poisson Rouge
158 Bleecker Street
.
New York, NY 10011
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Joshua Liner Gallery Presents: El Mac ‘The Humble and Sublime’ And Damon Soule ‘Tessellating Pigments.’ (New York City, NY)

Joshua Liner Gallery
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We are very pleased to announce our upcoming exhibitions; El Mac ‘The Humble and Sublime’ and Damon Soule ‘Tessellating Pigments.’ This will be Mac’s first solo exhibition with the gallery as well as his first solo exhibit in NYC. This will be Soule’s second solo exhibition with the gallery. The opening reception is Thursday, October 14th from 6 – 9 pm, both artists will be in attendance.

Joshua Liner Gallery
548 W 28th St. 3rd Floor
New York, New York 10001
212-244-7415
joshualinergallery.com

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Willem Kerseboom Gallery Presents: Op Straat A Group Show Featuring Mear One, Retna and Kofie (Amsterdam, The Netherlands)

Willem Kerseboom Gallery

Kofie "Official Premium)

Kofie "Official Premium)

Mear One "David and Goliath"

Mear One "David and Goliath"

Retna "Fence"

Retna "Fence"

Amsterdam – Willem Kerseboom Gallery, in collaboration with the L.A. ART MACHINE, is proud to announce the opening of OP STRAAT, an exhibition of original artwork by legendary Los Angeles street artists, MEAR ONE, RETNA, and KOFIE.

This landmark exhibition marks the first time that these celebrated contemporary artists have exhibited together in Holland, bringing the unique and diverse visual language of California street art to Northern Europe.

Since the rise of urban art in the U.S. in the 1970’s, California artists have been at the vanguard of a new visual language that both defines and describes the contemporary urban experience and the environs of the West Coast metropolis.

All self-taught, these three artists elevate the subversive arts from the streets to established fine art venues, further challenging gallery and museum paradigms and establishing a new artistic vocabulary that is fresh, compelling, and unpredictable.

Op Straat, opens at Willem Kerseboom Gallery on October 16, 2010 and runs through November 13, 2010. Please join us for this exciting moment in contemporary art history.

Includes a special viewing of the monumental murals created during the Vox Humana live art installation at VOLTA 6 in Basel 2010, as featured on the Huffington Post, Juxtapoz, and Arrested Motion.

Opening: October 16, 2010 4-6 PM.

Location:
Willem Kerseboom Gallery
Leidsegracht 38-40 1016 CM
Amsterdam, Netherlands

RSVP: info@kerseboom.com

Contact:
info@kerseboom.com
T +31 (0)6 53512379
www.kerseboom.com

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Galeria Cosmo Presents: Rodrigo Villas “Volando Vengo, Volando Voy” (Barcelona, Spain)

Rodrigo Villas
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Volando vengo volando voy – Exposición de Rodrigo Villas en a galería Cosmo del 16 de Octubre al 12 de Noviembre

Rodrigo Villas es de Rio de Janeiro y vive desde hace 4 años en Barcelona, un tiempo durante el cual ha profundizado en su trabajo con grafitti e ilustración y, en la búsqueda de territorios comunes se encuentra la obra de esta exposición.
En la presentación de sus personajes hay un trabajo de múltiples materiales, escalas y formatos; desde la madera hasta la tela con preferencia por los botes de spray acrílico.
Un trabajo también con formas limpias, sin aristas, con piezas que unas veces componen puzles donde prima la geometría y el color y otras se reconvierten en nuevos personajes.
La mayoría son personajes que se abstraen de su entorno, no hay casi nunca un escenario y si lo hay, tiene mucho de ensoñación y de juego. Imágenes recurrentes son las nubes recortadas, los barcos y la presencia de los pájaros, esos Love Birds que vienen del trabajo en la calle y que encontramos como piezas individuales y también como bandadas de pájaros multiplicadas hasta el infinito.
Un conjunto de trabajos con un lenguaje propio, con sentido del humor y que reflejan en su conjunto algo parecido a la letra de la canción de la que tomó prestado el título: “enamorado de la vida aunque a veces duela”.

Galeria Cosmo – Calle Enric Granados, 3 – 08007 Barcelona – www.galeriacosmo.com
93 453 70 07

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Stencils Of The Week 10.05.10

Stencil-Top-5

As chosen by Samantha Longhi of Stencil History X

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Evol at Galerie Bodson-Emelinckx. Installation View /Main Room (Photo © Evol)

Grobkonzept. Boardstock 2010. (Photo © Grobkonzept)

Grobkonzept. Boardstock 2010. (Photo © Grobkonzept)

Zibe Tso “Jump in my car” ( Photo © Zibe Tso)

M-City View of the exhibition “Urban Jungle” ( Photo © SHX)

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Chris Stain Outdoor stencil mural Dumbo, NYC (Photo © Lois Stavsky)

BSA……….BSA…………BSA……….BSA…………BSA……….BSA…………BSA……….BSA…………BSA……….BSA…………

Stencil History X

See more EVOL here

For more Grobkonzept go here

For more Zibe Tso

Galerie Itinerrance

M-City

Chris Stain

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Print Is Dead, Long Live the Print Journal! Elisa Carmichael’s Passion

brooklyn-street-art-TASJ-BOOGIE-Covers-Elisa-Carmichael

Detail of a photograph by Boogie on the cover of The Art Street Journal

Print publishing has been a heavyweight boxer on the mat with both shoulders pinned down for the last 7, 8, 9, 10 years.  The multitude of problems that plague the publishing industry these days are rapid-fire punches: The down-shift economy, ad dollars swinging for  social media, the high cost of print, and changing consumer behavior all sing the coda of the paper page. A recent survey published in Oriella Digital Journalism found that more than half of journalists surveyed think that their printed journals will eventually be knocked out cold by online.

Given this current climate, how can you dream of publishing a new free art magazine? Even the most entrepreneurial art fans would be discouraged, but Seth and Elisa Carmichael are no strangers to obstacles and their project, The Art Street Journal, is now in it’s second successful year.

brooklyn-street-art-TASJ-Covers-Elisa-Carmichael

Their L.A. gallery ‘Carmichael Gallery for Contemporary Art’ had already been in business for about a year when they were hit by personal trouble.  The new bride Elisa, a British citizen and an Australian resident, had to leave the continental USA to tend to some very important and grievous family affairs back home. Compounding her hardship, Elisa discovered her return to The United States was barred due to visa technicalities. A prolonged calvary of Kafkaesque events ensued before she was able to re-unite with her young husband in California. It was during this time they began planning a newspaper about the thing they both love most: art.

Elisa and Seth are avid supporters of contemporary, street and urban art and believe that art must play a significant place in human development. Elisa’s new idea of editing and publishing a journal would focus on celebrating and supporting the arts and the community involved in its creation.

brooklyn-street-art-TASJ-Sixeart-Covers-Elisa-Carmichael

Detail of a piece by Sixeart on the cover of The Art Street Journal

We wanted to know what motivates Elisa to continue with her almost quixotic path to publishing and distributing a free print journal when many well-established and respected journals are folding by the dozen.

Brooklyn Street Art: Why are you and Seth publishing a printed journal when most publications in print are struggling to survive? What keeps you motivated to continue to publish it?

Elisa Carmichael: We have always wanted to have a magazine – it’s something we’d talked about doing for a long time. We enjoy blogs and considered starting one of our own, but decided in the end that we’d rather do something a bit different.

We have a shared love of books and magazines that goes back long before we met and believe that nothing can replace the magic of print. The Art Street Journal (TASJ) has given us a unique opportunity to support the artists and events that interest us in a medium we want to help keep alive.

We’ve received so many kind notes and words of encouragement from readers all over the world in the past year. It means so much to us that people enjoy TASJ. Connecting to a broad network of international art lovers has been a key motivator in keeping us going.

Aside from the enjoyment we derive from putting each issue together, our motivation comes from the positive response and rapid growth of our readership. It has been really interesting to monitor: Even though TASJ is a free publication, we really weren’t sure anyone would be interested in it. We have some great supporters out there – galleries, museums, clothing stores, cafes, specialty bookstores and individuals doing drop-offs at various locations in their cities around the world.

brooklyn-street-art-TASJ-Nina-Pandolfo-Covers-Elisa-Carmichael

Detail of a piece by Nina Pandolfo on the cover of The Art Street Journal

Brooklyn Street Art: The journal’s main focus is in Street and Urban art. What drove you to this art genre in the first place?
Elisa Carmichael:
TASJ certainly supports street and urban art, but its focus is really contemporary art as a whole. You will see many artists featured on our pages who have a street background because we love the energy inherent in Street Art. It’s an art form we are both very passionate about and believe has an important place in art history.

That said, TASJ is not a Street/Urban art magazine. Our aim is to curate content that combines the best art from the underground, emerging, and mainstream established worlds. The journal has an aesthetic through-line that links the artists we cover, regardless of their background, and I think that comes across when turning its pages. We also try to keep the editorial diverse and internationally focused, as well as give time to people and events that haven’t had too much coverage from other media outlets.

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Detail of a piece by Street Artist Mark Jenkins on the cover of The Art Street Journal

Brooklyn Street Art: What’s your ultimate goal with TASJ?
Elisa Carmichael:
There’s a place for all sorts of publications in the marketplace, but for us, the number one goal is to get the message out about the art we love to as many people as possible. We don’t believe that every nice independent art magazine needs to cost $20; there should be something out there that everyone can have access to. TASJ will always remain free.

We have a lot of different plans and goals —TASJ has quickly become a far bigger project than we originally envisioned and at this point it is really our second business. At the same time, we’re trying to let it develop organically and improve it a bit each time we bring an issue out. In one year our 4 page black and white newspaper is a full color magazine-style periodical.

Another goal we have is to show our art world associates that it’s possible for gallerists to want to support other galleries and artists, even when there is no personal or financial relationship. There is far too much cattiness and rivalry in the art world as it is without our contributing to it. We know how hard it is to stay alive and make things happen in this business and we respect the people out there who are doing just that. We like the fact that we’ve been able to build a little platform from which to celebrate those people and not ask for anything in return.

brooklyn-street-art-TASJ-FAILE-Covers-Elisa-Carmichael

Detail of a piece by Faile on the cover of The Art Street Journal

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Images of the Week 10.03.10

Images of the Week 10.03.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our weekly interview with the street; this week featuring Cake, Company, Cozy, Deform Industry, Hugh Leeman, Muffin Man CCB, and a knitted padlock cozy.

We begin this week with three new pieces from Cake:

Continuing her residency at The Fountainhead in conjunction with Primary Flight in Miami, Cake has been introducing marked and subtle changes to her work recently.

About these life-sized characters Cake says, “I have gone into finer detail with the anatomical overtones- highlighting one aspect of the skeletal structure instead of several and honing in on it. My colors are a result of many layers of washes and yes, I am partial to blue shades right now for some reason- I think its because it goes nice with the fluorescent pink fingertips each of these figures have.”

Photo © Cake

Photo © Cake

brooklyn-street-art-cake-3-miami-primary-flight-10-10-web

Photo © Cake

Photo © Cake

Company Photo © Jaime Rojo

This round headed businessman is popping up in different colors in BK recently. The name: Company.  Photo © Jaime Rojo

Still Life with tulips Photo © Jaime Rojo

Still life with tulips.  Photo © Jaime Rojo

Humminbird. This artist's contextual use of the wall in his/her installation with colored duct tape is spot on! Photo © Jaime Rojo
Hummingbird. The contextual use of the wall with colored duct tape is spot on!  Photo © Jaime Rojo

Still Life wtih Lilly Photo © Jaime Rojo
Lilly.  Photo © Jaime Rojo

Deform Industry pays homage to ISaw the popular street food in The Philippines In Cebu City, Philippines. Photo © Deform Industry

Street Meat! Deform Industry pays homage to ISaw, the popular street treat made of chicken intestines in Cebu City, Philippines. Photo © Deform Industry

Padlock Cozy Photo © Jaime Rojo

Sometimes in the winter, a padlock can get quite cold, even frozen.  Not anymore! Introducing the Padlock Cozy.  Photo © Jaime Rojo

Hugh Leeman's installation of MLK in Indianapolis. Photo © Hugh Leeman

Hugh Leeman’s installation of a jazz musician named Blue on the street in Indianapolis. Photo © Hugh Leeman

The Muffin Man Photo © Jaime Rojo

The Muffin Man CCB is using only the finest sifted flour for his wheat paste.  Photo.  © Jaime Rojo

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Fun Friday 10.01.10

Fun-Friday

“Bring To Light” Saturday in the Street

Brooklyn Street Art will be part of Bring To Light this Saturday Oct 2. Stop to say hello we’ll be at the entrance of the festival on Franklin and Noble streets in Greenpoint, Brooklyn.

Bring to Light is New York City’s first-ever Nuit Blanche festival. A Nuit Blanche is an all night arts festival of installations and performances celebrating the magic and luminance of light.

BRING TO LIGHT NYC will be held in Greenpoint, Brooklyn primarily on Oak Street between Franklin St. and the East River waterfront beginning at sundown this Saturday Oct. 2. The event is free and open to the public. This unique block will play host to local and international artists, performers, galleries, and musicians as they Bring to Light the street itself as well as its unique assets including metal, set design and textile workshops, residential facades, an indoor gymnastics park, and much more.

Jacob Abramson will perform his Digital Graffiti at “Bring To Light”

The experience will be thrilling, original, mesmerizing, ceremonial, contemplative and illuminating. This is a one-night event to remember, but also the start of something intended to grow into an annual, world-class event. Artists will create works that inhabit street corners, galleries, shops, rooftops, vacant lots and buildings. These spaces will act as sites for light, sound and unexpected installations, performances, projections, works of art with natural and artificial LIGHT.

Brooklyn-Street-Art-Nuit-Blanche-2010

Please click on the animation here to visit the event’s site for a full list of artists as well as all pertinent information regarding time, location and transportation to the event.

http://bringtolightnyc.org/

WE ALSO ENCOURAGE YOU TO PLEASE CLICK ON THE “HELP FUND THIS EVENT” BANNER ON THEIR SITE. DONATE WHAT YOU CAN TO THE KICK STARTER CAMPAIGN. WE DON’T WANT THESE KIDS TO GO BROKE TO ILLUMINATE US ALL!

BLF in New York

Long before Street Artists like Fauxreel or PosterBoy started messing with them, the BLF (billboardliberation.com) began altering outdoor advertising in 1977. They like to say they are helping improve the billboards. As they say in their press release, “prior campaigns have included work for Exxon, R.J. Reynolds, and Apple Computers.”  Thoughtful, no?

Brooklyn-Street-Art-WEB-Billboard-Liberation-Front

A new short film featuring Specter, Signtologist, the Public Art Campaign and Jayshells


Don John

Friendly Wild Wolves in Copenhagen’s Westend

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Art Box Gallery Presents: Hugh Leeman “A Hand In The Inadvertent” (Indinapolis, In)

Hugh Leeman
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Jason Myers
CEO/Gallery Director
jason@artboxindy.com

Norman Cisler
Vice President/Artistic Director
norman@myersdesign.net

Ben Brown
Partner/Director of Marketing
ben@artboxindy.com

Meegan Fournier
Gallery Manager
meegan@artboxindy.com

ARTBOX in the Stutz 2 Business Center
217 West Tenth St. ste.125
Indianapolis, In 46202

entrance and parking 900 block Senate Ave.

ARTBOX downtown
245 S. McCrea Street
Indianapolis, In 46225

off of Georgia and Meridian, first floor of Janus Lofts building

TALK: 317.955.2450
EMAIL: JASON@ARTBOXINDY.COM

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