Opera Gallery NYC
Ron English and Opera Gallery present “Status Factory,” a surreal assemblage of the artist’s most well-known character motifs alive in their natural habitat, a camo-arcadian warholian times square circus sideshow mash-up barely contained by the silver walls of 382 West Broadway. English draws the curtain back to reveal the process and inspiration behind his most outrageous work, with sculpture, installation and street art shown for the first time in context beside a new body of monumental masterworks. This highly interactive exhibition traces the arc of English’s most ambitious themes across mediums like a cartoon colored tightrope: dangerous and fun.
One of the most prolific and recognizable artists alive today, Ron English has bombed the global landscape with unforgettable images, on the street, in museums, in movies, books, television, and album covers. English coined the term POPaganda to describe his signature mash-up of high and low cultural touchstones, from superhero mythology to totems of art history, populated with his vast and constantly growing arsenal of original characters, including MC Supersized, the obese fast-food mascot featured in the hit movie “Supersize Me,” and Abraham Obama, the explosive fusion of America’s 16th and 44th Presidents. Ron English’s art, whether in paintings, billboards, murals, or sculpture, blends stunning visuals with the bitingly humorous undertones of America’s Premier Pop Iconoclast.
Born in Dallas, Texas in 1966, Ron English paints, infiltrates, reinvents and satirizes modern culture and its mainstream visual iconography on canvas, in song, and directly onto hundreds of pirated billboards. English exists spiritually somewhere between a cartoon Abbie Hoffman and a grown-up, real-life Bart Simpson, delivering a steady stream of customized imagery laden with strong sociopolitical undertones, adolescent boy humor, subversive media savvy, and Dali-meets-Disney technique. Dedicated to finding the sublime in the everyday and breaking the momentum of the didactic approach to art and life, English offers up an alternative universe where nothing is sacred, everything is subverted, and there is always room for a little good-natured fun.
Other Articles You May Like from BSA:
Why One Brooklyn Stick Up Kid is Worth Watching Sometimes on the street you get an inkling of the future. It could be an overheard excerpt from a cell-phone conversation about a club show the night be...
An argument today from SEBS for the power of politically charged Street Art in the suburbs of Lisbon. He shares with us his new adaptation of a previous project on child labor called "Slaves 'R' Us....
Dear BSA readers of the Christian tradition and any others or none at all ...Whatever street you travel, we wish you peace, love, health, hope with goodwill toward all. Here is an interpretive new ve...
When Kiwi Street Artist Owen Dippie dropped four ninjas in Brooklyn this July he conjectured to us that he might like to see what these Renaissance turtles looked like with a band of graffiti tags acr...
Sorry, didn’t mean to drop a caterpillar in your Chablis darling, just wanted to make art that has meaning. In an era of rapid change, three-card monte, and staged misinformation, satire is one usefu...