BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
BAM! The opening montage flies by with the raucous music and your pulse is quickening, spotting art and artists and graffers and wild creatures and you may be wondering where this is all going until it becomes clear — you have landed in Banksy world. He’ll let somebody else tell the time-twisting story inside a story, and then he’ll weigh in with acerbically insightful bonmots….much like the stuff he leaves on the street.
Ellis G. was doing backflips when he saw footage of himself in that opening sequence, and was stoked to be seeing it with a group of people directly related to the street art scene. As is customary for the Brooklyn street artist, Ellis G. had already traced with thick chalk the shadows outside the spot where the movie was previewed .
In a short time, he was doing it inside too.
Brooklyn Street Art: How did your work come off the sidewalk and into this theater?
Ellis G: Marc and Sara Schiller invited me out to a private screening of the film last week and I did a couple street pieces out in front of the venue and also in front of the afterparty for the screening. Banksy caught wind that I did those, and requested that I do work inside and outside of the Sunshine Theater for the New York premiere of the film.
Brooklyn Street Art: How would you describe what you do as an artist?
Ellis G. : My work is directly related to everyday life. The content and subject matter of my work are all items or objects we deal with on a daily basis consciously and subconsciously; Items and objects on the street outside as well as inside. Fortunately, my sources for subject matter are never-ending.
Light is everywhere, creating shadows from all types of different light sources. I capture and enhance it. Outside, it can be fleeting. Weather, pedestrian and vehicular traffic are considered. Building owners or maintenance hose it away with water. One minute it’s here, the next it’s gone. Inside is a whole different ball game. It becomes photography and screen prints. It becomes installation and sculpture. Most times there is a rhyme and reason behind which objects I work with. Sometimes I like to randomly choose objects, in random geographical locations when I am outside. It really depends on what is catching my eye at the moment. The light source comes into play, as does color, dry or wet streets, surface, backgrounds, architecture, chalk brand, location, and vehicular as well as pedestrian traffic.
Brooklyn Street Art: Since you are working with Banksy, does this mean you are going to start wearing a hood and talking like Darth Vader?
Ellis G.: No, I will not be rocking a hoodie and talking like Luke Skywalker’s father anytime soon.
Here is Ellis’s donation the Street Art New York Silent Auction Benefit:
See more pieces from the auction at http://www.flickr.com/photos/streetartnewyork/.
Learn more about the Street Art New York Silent Auction Benefit
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