Street Artist ECB is introducing you to the trades of Morocco by painting the faces of current practitioners whom he has met on the street. By now we are familiar with the storytelling role that artists can fulfill with their portraits of individuals who live in a region, town, or neighborhood and Street Artists such as the Parisian C215, Canadian Fauxreel, and the American desert dweller Jetsonorama come to mind as well as more recent Brooklyn social activists like LMNOPI and Tatiana Fazlilazadeh.
We have been introducing and recounting Street Art stories for years online and in front of audiences and we find that it never fails to intrigue people to learn that many faces on the street are those of a community.
Hendrik ecb Beikirch. “Trades” Portrait of Oulad-Bouzid-III, a street barber. The streets of Brooklyn. (photo © Jaime Rojo)
German Street Artist Hendrik Beikirch aka ECB has been known on the scene in recent years for his massive portraits of people – sometimes subjects known to the artist and other times from his imagination. For his new project in Morroco ECB returns to a social/anthropolical ethos – a route he says has energized his work by focusing on occupations and trades of his subjects. In doing so he hopes to preserve something more about their professions and culture; street barbers, shepherds, even the guy who writes a letter for you.
Hendrik ecb Beikirch. “Trades” Portrait of Oulad-Bouzid-III on the streets of Brooklyn. (photo © Leanna Valente)
“I am seeking to capture their ‘aura’ in this work series,” he tells us, “with the goal of making these people immortal in the process.” Calling his series “Trades – Tracing Morocco” he explains that he has made the trip 10 times or more from his home in Koblenz, Germany to this one in the Maghreb region of North Africa to meet locals and speak with them. As he captures their image and shares it on streets he says he hopes to preserve and elevate the stories of a people in trades that are disappearing.
“I want to transform people from the anonymous to the iconic, while paying tribute to trades that might be gone in the near future.”
Hendrik ecb Beikirch. “Trades” Portrait of Oulad-Bouzid-III on the streets of Brooklyn. ECB documenting his work. (photo © Jaime Rojo)
During his initial visit to Jardin Rouge/Marrakech in the summer of 2014, “I was immediately fascinated by the diversity of this country, its rich history and the contrasts in peoples faces that are somehow created by the environment they live in.”
Supported by the Foundation Montresso/ Jardin Rouge, Hendrik says that he strives to impart a humanity of the people he has met that passerby can connect to through his paintings. “It is a country with hard working people, many of whom are living a tough life, but with so much pride and happiness.”
Right now ECB is working on creating an exhibition in October with the foundation and he will be publishing a book focusing on the “Trades” series on Éditions Eyrolles.
Hendrik ecb Beikirch. “Trades” Portrait of Oulad-Bouzid-III at the studio in Jardin Rouge/Marrakesh. (photo © Nils-Muller)
Hendrik ecb Beikirch. “Trades” Portrait of Fadma Tafza a traditional tattooist for women faces. The streets of Arce, Italy. (photo © Hendrik Beikirch)
Hendrik ecb Beikirch. “Trades” Portrait of Fadma Tafza on the streets of Arce, Italy. (photo © Dante Corsetti)
Hendrik ecb Beikirch. “Trades” Portrait of Fadma Tafza at the studio in Jardin Rouge/Marrakesh. (photo © Hendrik Beikirch)
Hendrik ecb Beikirch. “Trades” Portrait of Ahmed-Kartawa a shepherd. The studio in Jardin Rouge/Marrakesh. (photo © Hendrik Beikirch)
Hendrik ecb Beikirch. “Trades” Detail of Ahmed-Kartawa’s portrait at the studio in Jardin Rouge/Marrakesh. (photo © Hendrik Beikirch)
Hendrik ecb Beikirch at work at the studio in Jardin Rouge/Marrakesh. (photo © Nils-Muller)
Hendrik ecb Beikirch. “Trades” Portrait of Mohamed-Bouhir. A writer/reader for those who are not literate. The studio in Jardin Rouge/Marrakesh. (photo © Hendrik Beikirch)
Hendrik ecb Beikirch. “Trades” Portrait of Elhachemi-Kartawa a pushcart trucker. Studio in Jardin Rouge. Marrakesh (photo © Hendrik Beikirch)
Hendrik ecb Beikirch. “Trades” working on Oulad-Bouzid-III portrait at the studio in Jardin Rouge/Marrakesh. (photo © Nils-Muller)
Hendrik ecb Beikirch. “Trades” Portrait of Rakouch-Timallizene, a traditional potter workshop. Germany. (photo © Hendrik Beikirch)
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
This article is also published on The Huffington Post
Other Articles You May Like from BSA:
Box trucks are a favorite canvas for many graffiti writers in big cities and have become a right of passage for new artists who want the experience of painting on a smooth rectangular surface that bec...
Tristan Eaton completed his turn at the famed Houston/Bowery Wall in Manhattan back in July...he wanted an Intermission from the noise, the bad news, the stress, the BS and the haters, he says. So he...
New York’s train system carries an estimated five million per day, is a little over a hundred years old, and for most is limited to the ride. Urban explorers, graffiti writers, artists, photographers ...
A pioneer in public art festivals, Asalto celebrates its 15th year here in San José, in Zaragoza (Spain) with a lineup of very thoughtful artists. The intensity of 2020 and the toll it is taking on t...
Happy Holidays to all of you charming and sparkling BSA readers! It’s been a raucous sleigh ride with you and we thank everyone most sincerely for your support and participation this year. A sort o...