Apocabliss
MAYA HAYUK obsesses with symmetry and nourishing color played out in what might be viewed from a kaleidoscope, an aura, or visual mantra. Embracing sexuality and spirituality via symbolism evocative of radiantly woven geometries and parted orifices of the body, her work tries to decode a process towards continuity and wholeness while striking chords of an almost pathological optimism.
Apocalypse: the end of the universe, the collapse of civilization. Bliss: euphoria, peace and joy. The marriage of these 2 words is Apocabliss. With the turn of the New Year, 2012 brought with it prophesies of disaster based on interpretations of the Mayan calendar. Maya Hayuk’s solo exhibition, 2012 APOCABLISS embraces this theme but instead reflects on the possibility of the beginning – the desire to accept positive visions of a future renewed, rather than those of death and destruction. Since ancient times the end of world has brought a haunting pessimism. However Hayuk understands the meaning of these forecasts instead as a transformation in the order of the world as we know it. The real journey of evolution results in the spirit of what remains. Apocabliss is the end of an era beckoning euphoria, peace, and the joy of change.
From her large-scale murals to works on canvas, Maya Hayuk uses bold, explosive colors that often double and refract abstract shapes in proportioned patterns that literally vibrate off the canvas and walls. Layers of electric colors organically bleed and drip into new ones, creating psychedelic zones where space and time collide and form new visual wormholes. Influences abound from Madras patterns and Mexican hand woven blankets, Ukrainian crafts and holograms. Maya Hayuk explores concepts of light, space, fractals and symmetry. Painted diptychs, mirrored versions of each other, like rorschach tests or the two hemispheres of the mind, perfectly flawed in their symmetry. A visual utopia is created through the perfect state of geometric abstraction and subjective composition.
Maya Hayuk is a muralist, painter, and photographer, who’s been living in Brooklyn for the past decade. Her work has been shown internationally, including at New Image Art in LA, Gallery 16 in San Francisco, A.L.IC.E. Gallery in Brussels, and MU, Eindhoven, in the Netherlands, as well as large-scale murals in Brazil, Bejing, the Bahamas, Chile. Maya frequently collaborates with other artists and musicians. She has been a member of the artist collective BARNSTORMERS since 2002 alongside artists including Swoon, David Ellis, Doze Green and Ryan Mc Ginness. She has also produced work for musicians such as M.I.A., TV on the Radio, The Flaming Lips, Devendra Banhardt, Seun Kuti, Prefuse 73, Awesome Color, Oakley Hall, Home, Animal Collective, Dan Deacon and The Beastie Boys, amongst others.
The exhibition 2012 APOCABLISS at Anonymous Gallery in Mexico City marks Maya Hayuk’s first SOLO exhibition with the Gallery. In April Hayuk is also participating in HIGH FIVE, a group show at New Image Art Gallery in Los Angeles. In June she will launch a 2-person show with Paul Wackers at A.L.I.C.E. Gallery in Brussels and will be publishing another series of screen prints with Pictures on Walls.
MEXICO CITY:
173 Zacatecas
Col. Roma Norte, Cuauhtémoc
Ciudad de México, Mexico 06700
Other Articles You May Like from BSA:
“I don’t know shit about art,” says the provocative Denis Leo Hegic as he tours you through the Monumenta show in the vast former metalwork-manufacturing factory of Pittlerwerkes here in Leipzig. Pa...
Screenings, workshops, and talks – and murals of course. Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá) These are the markings of at least some of the increa...
Street Artist Felipe Pantone opens a new show tonight and gifts two new outside walls to NYC. BSA talks to him and GR gallery director Alberto Pasini about the exhibition. An established studio...
Always good to get to Berlin to see what waves of text and pattern and outrage and snark and myriad metaphor are more-or-less relentlessly rippling across buildings and empty lots. The rippling ...
As the snow birds flew back to NYC this week from their Miami art debauchery with dark circles under their eyes and paint under their nails we tossed them right back in the roiling red & white...